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8 sheet music found
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1
Elegy In Memoriam Horatio Parker
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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George Whitefield Chadwick
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Elegy In Memoriam Horatio Park
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RÄ?sFacta Editions
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1393963 Composed by George Whitefield Chadwick. 19th Century,20th Century,Classical,Romantic Period. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393963 Composed by George Whitefield Chadwick. 19th Century,20th Century,Classical,Romantic Period. 54 pages. RÄ?sFacta Editions #977416. Published by RÄ?sFacta Editions (A0.1393963). George Whitefield Chadwickâ??s Elegy â?? originally composed for organ and later orchestrated by the composer â?? bears the dedication, â??In Memoriam Horatio Parker.â? The Elegy is a mournful and reflective composition written in memory of Horatio Parker, an influential American composer in his own right, and Chadwickâ??s colleague, friend, and one-time pupil. Chadwick and Parker were part of the Second New England School of composers, a group that aimed to establish a distinctly American musical identity in the late 19th and early 20th centuries. Chadwick's Elegy reflects his deep respect and admiration for Parker, as well as his own sense of loss at Parker's passing. The piece embodies somber and contemplative emotions, expressed through lush harmonies, poignant melodies, and moments of dramatic intensity.
$48.00
Land O' the Leal
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Orchestra
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Dan Adams
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Land O' the Leal
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Imagine Music - Digital
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SheetMusicPlus
Orchestra - Digital Download SKU: IZ.OMW231 Composed by Dan Adams. Score and Parts. 55 pages. Imagine Music - Digital #OMW231. Published by Imagine Music...
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Orchestra - Digital Download SKU: IZ.OMW231 Composed by Dan Adams. Score and Parts. 55 pages. Imagine Music - Digital #OMW231. Published by Imagine Music - Digital (IZ.OMW231). 9 x 12 inches.A collector of folk tunes, Lady Nairne (Carolina Oliphant) undoubtedly chose the traditional Scottish air “Hey, Tuttie, Tattie as the setting for her melancholy text because of its beauty and simplicity. Also known as the melody to Robert Burns' nationalistic “Scots Wha Hae, the folk tune has been part of Scottish life for centuries. Lady Nairne wrote her words upon the passing of the only child of her friend, Mrs. Archibald Campbell Colquhoun. In her setting, the Land O' The Leal is a reference to heaven, where they will someday be reunited. This orchestral arrangement of the old Scottish tune hopes to capture the serenity and hopefulness of her poem..
$70.00
Te Deum and Jubilate Deo in D
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Orchestra
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Henry Purcell
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Te Deum and Jubilate Deo in D
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Oxford University Press Digital
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SheetMusicPlus
Digital Download SKU: OX.9780193702875 Composed by Henry Purcell. Edited by Robert King. Classic Choral Works. Score. 39 pages. Oxford University Press D...
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Digital Download SKU: OX.9780193702875 Composed by Henry Purcell. Edited by Robert King. Classic Choral Works. Score. 39 pages. Oxford University Press Digital #9780193702875. Published by Oxford University Press Digital (OX.9780193702875). ISBN 9780193702875.For SSATB soloists, SSATB choir, 2 trumpets, strings and continuo. Written for St Cecilia's Day 1694, Purcell's Te Deum and Jubilate in D was the first work of its kind to be scored for orchestra, and it became the model for future settings of the text by Blow, Croft, and Handel. Orchestral material is available on hire/rental. About Classic Choral WorksThese truly versatile and user-friendly editions offer a practical approach for performers, informed by the very highest standard of scholarship. - Fresh editions by the very best scholars in their field - Clean and clear page layout - Compositions spanning the fourteenth to nineteenth centuries - Choral works with a wide range of scorings, from small chamber group to full orchestra - Informative prefaces included in most of the vocal scores - Playable keyboard reductions for rehearsal
$11.50
Stabat Mater
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Orchestra
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Emanuele d'Astorga
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Stabat Mater
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Oxford University Press Digital
#
SheetMusicPlus
Digital Download SKU: OX.9780193702981 Composed by Emanuele d'Astorga. Edited by Robert King. Classic Choral Works. Score. 51 pages. Oxford University Pr...
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Digital Download SKU: OX.9780193702981 Composed by Emanuele d'Astorga. Edited by Robert King. Classic Choral Works. Score. 51 pages. Oxford University Press Digital #9780193702981. Published by Oxford University Press Digital (OX.9780193702981). ISBN 9780193702981.For SATB soloists, SATB chorus, and string ensemble. Composed during the early 1700s, this was to become one of the most frequently performed choral works of the eighteenth century. Robert King has consulted eighteenth-century sources to prepare this edition, which includes an organ reduction for rehearsal purposes. About Classic Choral WorksThese truly versatile and user-friendly editions offer a practical approach for performers, informed by the very highest standard of scholarship. - Fresh editions by the very best scholars in their field - Clean and clear page layout - Compositions spanning the fourteenth to nineteenth centuries - Choral works with a wide range of scorings, from small chamber group to full orchestra - Informative prefaces included in most of the vocal scores - Playable keyboard reductions for rehearsal
$11.99
Fayuca
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Orchestra
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ADVANCED
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Gustavo Larrea
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Fayuca
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T.U.X. People's Music
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1247670 Composed by Gustavo Larrea. Contemporary,Contest,Festival,Multicultural,World. Score and Part...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1247670 Composed by Gustavo Larrea. Contemporary,Contest,Festival,Multicultural,World. Score and Parts. 192 pages. T.U.X. People's Music #842224. Published by T.U.X. People's Music (A0.1247670). This stunning work for advanced orchestra depicts the vitality and resilience of Mexican sellers of “Fayuca†(various smuggled goods), under threat by the authorities but continuing despite hardship as they have done for centuries. The energetic rhythms and lush soundscapes showcase the string sections.
$150.00
Roots for Full Orchestra
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Orchestra
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INTERMEDIATE
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incorporating aspects of Palo
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Gabrielle Liriano
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Roots for Full Orchestra
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Art Haus Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1183082 Composed by Gabrielle Liriano. 20th Century,Classical,Contemporary,Multicultural,World. Score...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1183082 Composed by Gabrielle Liriano. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 22 pages. Art Haus Music Publishing #782800. Published by Art Haus Music Publishing (A0.1183082). This piece is a celebration of my heritage and ancestry. By incorporating aspects of Palo music in a traditionally Euro-centric style of music I hope to expand the boundaries for what is possible in contemporary classical music as it reflects the eclectic collage of where I come from. I hope to specifically illuminate the underrepresented aspects of my identity in composition as it is those aspects that can create uniqueness and innovation in the long history and tradition classical music. Performing my music is a rebellious act. Centuries of composers have been misguided to dismiss the study of complex rhythm and groove as it is a subject associated with the music of Africa. Now with time and exhaustion of European principles we must look to the countries of Africa with reverence for our missing education on one of the vital ingredients of music. I hope you enjoy the kaleidoscope of colors and weaved rhythms that come together to make this piece come alive! This piece is dedicated to all the ancestors that came before me. May I honor their lives with music. Format: Transposed Score in Tabloid (11'' x 17'')Instrumentation: 1 Piccolo, 1 Flute, 1 Oboe, 1 Clarinet in Bb, 1 Bassoon, 1 Horn in F, 1 Trumpet in Bb 1, 1 Trumpet in Bb 2, 1 Trombone, 1 Tuba, 1 Güira, 1 Woodblock, Congas 1 (3 Drums), Congas 2 (2 Drums), 1 Timbales, 5 Violin I, 5 Violin II, 3 Viola, 6 Violoncello, 2 ContrabassDuration: Approx. 4 minutes
$150.00
The Penitence of Time
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Orchestra
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INTERMEDIATE
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Contemporary
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Peter Petrack
#
#
The Penitence of Time
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Distributed by The Wayfarer Partnership, LLC.
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1019535 Composed by Peter Petrack. Contemporary. Score and parts. 167 pages. Distributed by The Wayfa...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1019535 Composed by Peter Petrack. Contemporary. Score and parts. 167 pages. Distributed by The Wayfarer Partnership, LLC. #3516473. Published by Distributed by The Wayfarer Partnership, LLC. (A0.1019535). The Penitence of Time is an Orchestral tone poem based on the many ghost stories told about historic Bethlehem, Pennsylvania, especially those about Moravian College’s own music building, the 1748 Brethren’s House. It was used as a Revolutionary War hospital and meeting place for George Washington and his generals. Bethlehem may or may not be a haven for phantoms and specters, but it is certainly defined by the centuries of history that happened there. Listeners will hear orchestral bells striking midnight, as well as references to church chorales and Revolutionary War-era fife and drum. If you'd like to hear the full recording, feel free to visit Peter Petrack's Youtube channel.
$99.99
Missa Solemnis, op. 27 - Score Only
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Orchestra
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #86...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
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