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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Child of the Night
Not classified
326
Piano & keyboards
Piano solo
431
Easy Piano
178
Piano, Voice
100
Piano, Vocal and Guitar
52
1 Piano, 4 hands
17
C Instruments
13
Organ
13
Piano Trio: piano, violin, cello
8
Accordion
4
Big Note Piano
4
Piano Accompaniment
3
Piano Quartet: piano, violin, viola, cello
2
Piano Quartet: piano, 2 violins, cello
1
2 Pianos, 8 hands
1
+ 9 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
70
Melody line, (Lyrics) and Chords
63
Guitar
28
Lyrics and Chords
16
Ukulele
13
Ukulele Ensemble
2
Baritone Ukulele
2
Dulcimer
1
3 Guitars (trio)
1
2 Guitars (duet)
1
Bass guitar
1
Piano, Guitar (duet)
1
+ 7 instrumentations
-
Retract
Voice
Choral SATB
136
Choral 2-part
55
Choral Unison
43
Choral 3-part
26
Vocal duet, Piano
17
Vocal duet
9
Choral TTBB
9
Choral
7
Soprano voice, Piano
3
Alto voice, Piano
2
Tenor voice, Piano
1
Medium voice, Piano
1
Choral SSAATTBB
1
Voice solo
1
High voice
1
Choral SSAA
1
+ 11 instrumentations
-
Retract
Woodwind
Flute and Piano
36
Clarinet and Piano
28
Oboe, Piano (duet)
26
2 Saxophones (duet)
22
Alto Saxophone and Piano
22
Flute, Oboe, Clarinet, Bassoon
19
Saxophone Quartet: 4 saxophones
17
Clarinet
17
2 Clarinets (duet)
16
Tenor Saxophone and Piano
15
2 Flutes (duet)
15
3 Saxophones (trio)
14
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
14
Flute
13
Soprano Saxophone and Piano
13
Flute, Clarinet (duet)
13
Clarinet Quartet: 4 clarinets
13
Alto Saxophone
11
Flute Quartet: 4 flutes
10
Baritone Saxophone, Piano
10
Flute, Violin, Piano
9
Tenor Saxophone
9
Saxophone (band part)
6
Oboe (band part)
6
Recorder Quartet
6
Bass Clarinet, Piano
5
Flute, Violoncello
5
Clarinet, Cello (duet)
5
Clarinet Quintet: 5 clarinets
4
3 Clarinets (trio)
4
2 Flutes, Piano
4
Saxophone Quintet: 5 Saxophones
4
Descant (Soprano) Recorder
4
Clarinet, Bassoon (duet)
3
Flute Trio: 3 flutes
3
Descent (Soprano) Recorder, Piano
2
Oboe, Bassoon (duet)
2
Saxophone ensemble
2
English horn, Piano
2
Flute, Oboe, Violin
2
Recorder
2
Flute Quintet : 5 flutes
2
Oboe, Flute
2
Saxophone and Harp
2
Flute, Violin and Violoncello
2
Flute, Oboe, Clarinet (trio)
2
2 Recorders (duet)
2
Flute, Oboe, Bassoon
2
Flute, harp and violin
1
Oboe, Cello
1
Clarinet, Violin (duet)
1
Clarinet, Harp (duet)
1
Clarinet, Cello, Piano (trio)
1
Oboe, Guitar (duet)
1
Flute, Viola and Piano
1
Flute, Oboe (duet)
1
Oboe, Clarinet (duet)
1
Piccolo, Piano
1
Flute, trombone and piano
1
2 Saxophones, Piano
1
Oboe, Harp
1
Soprano Saxophone
1
2 Clarinets, Piano
1
Flute and Guitar
1
Eb Instruments
1
Recorder, Piano
1
Clarinet Ensemble
1
Ocarina
1
Tenor Recorder
1
Treble (Alto) Recorder, Piano
1
3 Oboes
1
2 Oboes (duet)
1
Flute, Violin
1
+ 68 instrumentations
-
Retract
Woodbrass
Brass Quartet: 4 trombones
27
Trumpet, Piano
20
Brass Quintet: 2 trumpets, horn, trombone, tuba
20
Trombone and Piano
19
Trumpet
15
French Horn and Piano
15
2 Trumpets (duet)
13
Brass Quartet
12
Trombone
12
2 Trombones (duet)
9
Tuba and Piano
9
Brass Quartet: 2 trumpets, horn, trombone
6
French horn
6
Euphonium, Piano (duet)
5
Trumpet, Trombone (duet)
5
2 French horns (duet)
5
Trombone (band part)
4
Trumpet (band part)
4
Brass Trio
4
Euphonium, Tuba (duet)
3
2 Tubas (duet)
3
Brass Quartet: 4 trumpets
3
English horn, Piano
2
Tuba
2
Brass quartet : 2 trumpets, trombone, tuba
2
Tuba and Organ
2
Brass Quartet: 4 horns
2
2 Trumpets, Keyboard (piano or organ)
2
Bass Clef Instruments
1
Trumpet, Harp
1
Trumpet ensemble
1
Trumpet, Bassoon (duet)
1
French Horn and Harp
1
3 Trumpets (trio)
1
Trumpet, Horn (duert)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trumpet, Trombone, Piano
1
French horn and Basson (duet)
1
3 Trombones (trio)
1
Bass Trombone and Piano
1
Bb Instruments
1
2 Trombones, Piano
1
2 Euphoniums and 2 Tubas
1
Trombone ensemble
1
Horn Ensemble
1
Horn, Cello (duet)
1
+ 41 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
52
Violin and Piano
43
2 Violins (duet)
31
Viola, Piano
26
Cello, Piano
25
Violin
21
Violin, Cello (duet)
20
Harp
19
2 Violas (duet)
19
Cello
18
2 Cellos (duet)
16
Viola
15
Violin, Viola (duet)
15
String Trio: violin, viola, cello
9
Viola, Cello (duet)
8
Double bass, Piano (duet)
8
Cello, String Bass (duet)
6
String Quintet: 2 violins, viola, cello, bass
4
String Trio: 2 violins, cello
4
String quartet: 4 violins
4
Harp, Cello (duet)
4
String Trio: 3 cellos
3
2 Double basses (duet)
3
String trio
3
Viola (band part)
3
Piano Trio: Violin, Viola, Piano
2
Double Bass
2
Harp, Violin (duet)
1
2 Harps (duet)
1
Cello (band part)
1
Violin, Guitar (duet)
1
Harp, Flute (duet)
1
2 Cellos, Piano
1
Viola and Harp
1
Doublebass (band part)
1
String Trio: 3 violins
1
Violin ensemble
1
Violin (band part)
1
4 Cellos
1
Harp, Trombone (duet)
1
String Trio: 3 violas
1
Harp, Voice
1
+ 37 instrumentations
-
Retract
Orchestra & Percussion
Concert band
107
Orchestra
29
Jazz Ensemble
15
String Orchestra
15
Handbells
10
Brass ensemble
8
Marching band
8
Xylophone
1
Marimba
1
Drums
1
Chamber Orchestra
1
Percussion Ensemble
1
Jazz combo
1
Vibraphone
1
+ 9 instrumentations
-
Retract
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Child of the Night
Orchestra
Sheetmusic to print
29 sheet music found
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1
26
Rosary Sonatas: The Nativity
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Orchestra
#
INTERMEDIATE
#
Heinrich Ignaz Franz von Biber
#
Joshua Choe
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Rosary Sonatas: The Nativity
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JMJ Arrangements
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1081583 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Christmas,Classi...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1081583 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Christmas,Classical,Sacred. Score and parts. 46 pages. JMJ Arrangements #685705. Published by JMJ Arrangements (A0.1081583). [W]hile [Joseph and Mary] were there, the time came for her to be delivered. And she gave birth to her first-born son and wrapped him in swaddling cloths, and laid him in a manger, because there was no place for them in the inn. And in that region there were shepherds out in the field, keeping watch over their flock by night. And an angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were filled with fear. And the angel said to them, 'Be not afraid; for behold, I bring you good news of a great joy which will come to all the people; for to you is born this day in the city of David a Savior, who is Christ the Lord. And this will be a sign for you: you will find a babe wrapped in swaddling cloths and lying in a manger.' And suddenly there was with the angel a multitude of the heavenly host praising God and saying, 'Glory to God in the highest, and on earth peace among men with whom he is pleased!' When the angels went away from them into heaven, the shepherds said to one another, 'Let us go over to Bethlehem and see this thing that has happened, which the Lord has made known to us.' And they went with haste, and found Mary and Joseph, and the babe lying in a manger. And when they saw it they made known the saying which had been told them concerning this child; and all who heard it wondered at what the shepherds told them. But Mary kept all these things, pondering them in her heart. And the shepherds returned, glorifying and praising God for all they had heard and seen, as it had been told them. (Luke 2:6-20 RSV-CE).
$34.99
Silent Night, Holy Night (for Orchestra)
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. V...
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Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$35.00
O Holy Child of Bethlehem
#
Orchestra
#
Nathan & Christy Nockels
#
Christy Nockels and Nathan Noc
#
Lloyd Larson
#
O Holy Child of Bethlehem
#
Hope Publishing - Digital
#
SheetMusicPlus
(Orchestra) - Digital Download SKU: H1.C5758ODP Composed by Christy Nockels and Nathan Nockels. Arranged by Lloyd Larson. Piano Accompaniment with Option...
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(Orchestra) - Digital Download SKU: H1.C5758ODP Composed by Christy Nockels and Nathan Nockels. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Hymntune, Christmas. Set of Instrumental Parts. 43 pages. Hope Publishing - Digital #C5758ODP. Published by Hope Publishing - Digital (H1.C5758ODP). By Nathan & Christy Nockels. Matthew 1:23 - Micah:5:2.Classic ballad by Nathan & Christy Nockels In this beautiful ballad, Lloyd Larson combines the prayerful words from verse four of O Little Town of Bethlehem along with Silent Night and the contemporary song Emmanuel, God with Us to create a worshipful Christmas medley. The instrumental accompaniment enhances its rich nature, with a clarinet solo at the start based on Of the Father's Love Begotten. The Orchestration consists of a Conductor's Score and parts for: Keyboard, Flute, Oboe, Clarinet in B-flat, Horn in F, 2 Trumpets in B-flat, 2 Trombones, Percussion, Timpani, 2 Violins, Viola, Cello and Bass.
$89.95
Have You Heard? - Set of Parts (Digital Download)
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Orchestra
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Christmas
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Joel Raney
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Away in a Manger
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Have You Heard? - Set of Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Instrumental Parts, Full Orchestra - Digital Download SKU: LX.30-3732L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Ad...
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Instrumental Parts, Full Orchestra - Digital Download SKU: LX.30-3732L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas. Set of Parts (Digital Download). 481 pages. Lorenz Publishing - Digital Sheet Music #e30/3732L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3732L). Orchestrated by Ed Hogan.Digital Set of Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
$249.95
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
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Orchestra
#
ADVANCED
#
Contemporary
#
Therese Brenet
#
Thérèse Brenet: Rondel for S
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publis...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. Published by Musik Fabrik Music Publishing (A0.533844). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the score only. The orchestral parts are on rental from the publisher. The chorus part, which contains a piano reduction, is available for sale.RonelIl fait noir, enfant, voleur d'étincelles !Il n'est plus de nuits, il n'est plus de jours ;Dors... en attendant venir toutes cellesQui disaient : Jamais ! Qui disaient : Toujours !Entends-tu leurs pas ?... Ils ne sont pas lourds :Oh ! les pieds légers ! – l'Amour a des ailes...Il fait noir, enfant, voleur d'étincelles !Entends-tu leurs voix ?... Les caveaux sont sourds.Dors : Il pèse peu, ton faix d'immortelles :Ils ne viendront pas, tes amis les ours,Jeter leur pavé sur tes demoiselles...Il fait noir, enfant, voleur d'étincelles !English translationIt is Dark, child, thief of sparks!There are no longer nights, There are no longer daysSleep..waiting for those who say never, who say always, to arriveDo you hear their footsteps? They are not heavy.Oh, the light steps! Love has wings...It is Dark, child, thief of sparks!Do you hear their voices? The tombs are silent.Sleep, it weighs little, your weight of dried flowersThey will not come, your friends the bears,to throw their cobblestone on your firefliesIt is Dark, child, thief of sparks!Translation © 2008 by Paul Wehage
$16.95
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ,chorus part
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Orchestra
#
ADVANCED
#
Contemporary
#
Therese Brenet
#
Thérèse Brenet: Rondel for S
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publis...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publishing #3053315. Published by Musik Fabrik Music Publishing (A0.533845). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the chorus part, which contains a piano reduction, only. The orchestral parts are on rental from the publisher. The score, is available for sale. Ronel Il fait noir, enfant, voleur d'étincelles ! Il n'est plus de nuits, il n'est plus de jours ; Dors... en attendant venir toutes celles Qui disaient : Jamais ! Qui disaient : Toujours ! Entends-tu leurs pas ?... Ils ne sont pas lourds : Oh ! les pieds légers ! – l'Amour a des ailes... Il fait noir, enfant, voleur d'étincelles ! Entends-tu leurs voix ?... Les caveaux sont sourds. Dors : Il pèse peu, ton faix d'immortelles : Ils ne viendront pas, tes amis les ours, Jeter leur pavé sur tes demoiselles... Il fait noir, enfant, voleur d'étincelles ! English translation It is Dark, child, thief of sparks! There are no longer nights, There are no longer days Sleep..waiting for those who say never, who say always, to arrive Do you hear their footsteps? They are not heavy. Oh, the light steps! Love has wings... It is Dark, child, thief of sparks! Do you hear their voices? The tombs are silent. Sleep, it weighs little, your weight of dried flowers They will not come, your friends the bears, to throw their cobblestone on your fireflies It is Dark, child, thief of sparks! Translation © 2008 by Paul Wehage
$2.50
A Child Is Born - Orchestral Score and Parts
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Orchestra
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INTERMEDIATE
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Christmas
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John Purifoy
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HARK! THE HERALD ANGELS SING
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A Child Is Born - Orchestral S
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Triune Music Inc
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SheetMusicPlus
Full Orchestra - Intermediate - Digital Download SKU: LX.PP367 Composed by John Purifoy. Choral Cantatas. Christmas. Orchestral Score and Parts. 219 page...
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Full Orchestra - Intermediate - Digital Download SKU: LX.PP367 Composed by John Purifoy. Choral Cantatas. Christmas. Orchestral Score and Parts. 219 pages. Triune Music Inc #ePP367. Published by Triune Music Inc (LX.PP367). UPC: 000308087338.Traditional carols in an SATB cantata with orchestra or keyboard. A complete worship service for Christmas...with memorable new music and traditional carols for choir and congregation, including GOOD CHRISTIAN MEN, REJOICE!; HARK! THE HERALD ANGELS SING; ANGELS WE HAVE HEARD ON HIGH; SILENTNIGHT ; and JOY TO THE WORLD. Solos are included for soprano, alto, and baritone, and an enchanting duet is provided for medium voices. The work also features a call to worship, processional, and the lighting of the Christmas candles...all woven together by narration and readings.
$125.00
RAGING FURIES - Goettinnen der Rache
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Orchestra
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INTERMEDIATE/ADVANCED
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classic...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Can You Feel The Love Tonight
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Orchestra
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EASY
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Walt Disney
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Elton John
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Joseph Perkins
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Can You Feel The Love Tonight
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Joseph Perkins
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1380027 By Elton John. By Elton John and Tim Rice. Arranged by Joseph Perkins. Broadway,Children,Cont...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1380027 By Elton John. By Elton John and Tim Rice. Arranged by Joseph Perkins. Broadway,Children,Contemporary,Film/TV,Musical/Show. Score and parts. 44 pages. Joseph Perkins #964736. Published by Joseph Perkins (A0.1380027). Can You Feel the Love Tonight for String/Full Orchestra from Disneys, The Lion KingThis arrangement can be used as string orchestra arrangement or with addition of winds up to full orchestra. Exposed Oboe/Bassoon/Horn parts are embedded or cued into the wind or string parts (or have ossia measures). The Bass Clarinet doubles the Bassoon. Alto Saxophone is a substitution part for French Horn. Tenor Saxophone doubles Trombone. Baritone Saxophone doubles Tuba. This arrangement changed the keys to C Major and D Major and reduced the rhythm difficulty of the verses. Overall difficulty is around a 2/2.5 This arrangement includes an optional reduced flute range part. This arrangement can also be played without percussion.
$49.99
O, Holy Night
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Orchestra
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BEGINNER
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Adolphe-Charles Adam
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David Noble
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O, Holy Night
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David Noble
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SheetMusicPlus
Full Orchestra - Level 1 - Digital Download SKU: A0.1434748 Composed by Adolphe-Charles Adam. Arranged by David Noble. Children,Christmas. 22 pages. Davi...
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Full Orchestra - Level 1 - Digital Download SKU: A0.1434748 Composed by Adolphe-Charles Adam. Arranged by David Noble. Children,Christmas. 22 pages. David Noble #1014877. Published by David Noble (A0.1434748). A versatile Flex-Band arrangement designed for just about any combination of instruments, and therefore ideal for elementary school (ages 5-11). An optional piano part carries the melody.
$1.99
Children's Medley 2 for Orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Folkloric/Traditional
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Traditional
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James Haynor
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Children's Medley 2 for Orches
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James Haynor
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1086233 Composed by Traditional. Arranged by James Haynor. Traditional. Score and Parts. 124 pages. J...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1086233 Composed by Traditional. Arranged by James Haynor. Traditional. Score and Parts. 124 pages. James Haynor #690430. Published by James Haynor (A0.1086233). Before Sesame Street and Baby Mozart there were Itsy Bitsy Spider, Three Blind Mice, Hush Little Baby, Chopsticks, Rock-a-Bye Baby, Old King Cole, Lullaby and Good Night and I’ve Been Working on the Railroad. This piece appeals to audiences of all ages but also works great for kiddie concerts. Duration: 5:33.
$40.00
Divinum Mysterium
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Orchestra
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INTERMEDIATE/ADVANCED
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporar...
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
Thoughts in the Silent Night-Ancient Chinese Moonlight - Score Only
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Orchestra
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Christmas
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Frances Newell
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Thoughts in the Silent Night-A
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Frances Newell
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1207074 Composed by Frances Newell. Chamber,Children,Folk,Instructional,New Age. 9 pages. Frances Newell #80525...
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Full Orchestra - Digital Download SKU: A0.1207074 Composed by Frances Newell. Chamber,Children,Folk,Instructional,New Age. 9 pages. Frances Newell #805253. Published by Frances Newell (A0.1207074). Tang Dynasty poem set to lyrical melody and rich harmonies.full moon shining through window makes you think of home.
$7.99
Thoughts in the Silent Night - Score Only
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Orchestra
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EASY
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Christmas
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Frances Newell
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Thoughts in the Silent Night -
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Frances Newell
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1206005 Composed by Frances Newell. Chamber,Children,Folk,New Age,Singer/Songwriter. 9 pages. Frances...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1206005 Composed by Frances Newell. Chamber,Children,Folk,New Age,Singer/Songwriter. 9 pages. Frances Newell #804196. Published by Frances Newell (A0.1206005). Lyrical, rich melody and orchestration set to Tang Dynasty poem about full moon shining through window and making you think of home.
$6.99
Autumn tableau
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Orchestra
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INTERMEDIATE/ADVANCED
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Dario Duarte
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Autumn tableau
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Dario Duarte
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99
Lauda
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Orchestra
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Daniel Baldwin
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Lauda
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Imagine Music - Digital
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SheetMusicPlus
Orchestra with Organ - Digital Download SKU: IZ.OMW213 Composed by Daniel Baldwin. Score and Parts. 84 pages. Imagine Music - Digital #OMW213. Published ...
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Orchestra with Organ - Digital Download SKU: IZ.OMW213 Composed by Daniel Baldwin. Score and Parts. 84 pages. Imagine Music - Digital #OMW213. Published by Imagine Music - Digital (IZ.OMW213). 8.5 x 11 inches.This brief, simple work was originally written for a service of Lessons and Carols. The text is taken from Martin Lutherâ??s â??A Hymn for Children at Christmas,and this beautiful setting reflects the simplicity and tenderness of Lutherâ??s message. To Us This Night is Born a Child is only two minutes long, but fits nicely into a series of lessons and carols. Sopranos and altos sing the first verse as the angels announce the birth of Jesus; tenors and basses sing the second, as the shepherds make their way to the stable; and the concluding verse is sung by full choir unaccompanied. Both singers and listeners will find the message of the text effectively reflected in this beautiful musical setting.
$80.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Round Up - Score Only
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Orchestra
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INTERMEDIATE
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Film/TV
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Various
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Chris Siddall
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Round Up - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1204655 By Various. By Nigel Westlake. Arranged by Chris Siddall. Film/TV. Score and parts. 12 pages....
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Full Orchestra - Level 3 - Digital Download SKU: A0.1204655 By Various. By Nigel Westlake. Arranged by Chris Siddall. Film/TV. Score and parts. 12 pages. Chris Siddall Music Publishing #803129. Published by Chris Siddall Music Publishing (A0.1204655). Writer-producer George Miller, the director behind the Mad Max movies, had heard about Dick King-Smith’s children’s book The Sheep-Pig and dreamed about turning it into a movie. When it came to writing the score he turned to Jerry Goldsmith, with whom he had previously collaborated on his segment of Twilight Zone: The Movie (Nightmare at 20,000 Feet). Fate however, stepped in when Jerry sent his work in progress. Miller felt that the music was too beautiful and lyrical, that it should play up the darker moments in the story. With a typically busy schedule, Goldsmith had no time available to rewrite the score, so the process of selecting a replacement began. Babe was being produced in Australia, which made communicating with LA-based composers a challenge, so six local composers were invited to audition, and Nigel Westlake was selected for the role. Westlake deftly weaves well-known classical themes such as Saint-Saens’ Organ Symphony and Delibes’ Pizzicati from the ballet Sylvia into his score, which sparkles and shines like the unprejudiced heart of the titular pig.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
Schumann Kinderszenen op. 15 for orchestra
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Orchestra
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ADVANCED
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Classical
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Robert Schumann
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R
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Schumann Kinderszenen op. 15 f
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R C Coleman
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1017422 Composed by Robert Schumann. Arranged by R. C. Coleman. Romantic Period. Score and parts. 132...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1017422 Composed by Robert Schumann. Arranged by R. C. Coleman. Romantic Period. Score and parts. 132 pages. R C Coleman #6620457. Published by R C Coleman (A0.1017422). Robert Schumman´s Kinderszenen op. 15R. C. Coleman orchestra transcriptionVon femden Länder und Menschen(Of foreign lands and people /Gens et pays étrangers)Curiose Geschichte(A curious story / Curieuse histoire)Hasche-Mann(Blind man´s bluff / Colin-maillard)Bittendes Kind(Pleading child / L'enfant suppliant)Glückes genug(Happy enough / Bonheur parfait)Wichtige Begebenheit(An important event / Un évènement important)Träumerei(Dreaming / Rêverie)Am Camin(At the fireside / Au coin du feu)Ritter vom Steckenpferd(Knight of the wooded horse / Cavalier sur le cheval de bois)Fast zu ernst(Almost too serious / Presque trop sérieusement)Fürchtenmachen(Frightening / Croquemitaine)Kind im Einsclummern(Child falling sleep / L'enfant s'endort)Der Dichter spricht(The poet speaks / Le poète parle)
$75.00
Dream Angus - Orchestra Score and Parts PDF
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Orchestra
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INTERMEDIATE
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Folkloric/Traditional
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Traditional Scottish Tune
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Brendan Elliget MAGA 537
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Dream Angus - Orchestra Score
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.751030 Composed by Traditional Scottish Tune. Arranged by Brendan Elliget MAGA 537. Folk. Score and p...
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Full Orchestra - Level 3 - Digital Download SKU: A0.751030 Composed by Traditional Scottish Tune. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 37 pages. BJE Music #6424953. Published by BJE Music (A0.751030). Dream Angus – Traditional Scottish Tune [A Flat Major] - OrchestraDream Angus is an old Scottish folk song, the origins of which cannot be traced. Numerous groups have portrayed the song as a lullaby, most notably Annie Lennox.Angus is the purveyor of dreams and the song is sung to children (bairns) at night-time to quieten them before sleep…This orchestral arrangement has been given a somewhat more symphonic treatment! Percussion parts include Glockenspiel, Timpani, and a Drum Set with a Celtic feel. There are many flowing counter melodies especially for Horns and a descant line for Piccolo, Flute, Oboe, and Trumpet…The MP3 was recorded with NotePerformer 3. Grade = 3 Duration = 4:20 mins
$25.00
Come Back-Back to Life
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Orchestra
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Brendon G
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Come Back-Back to Life
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Brendon Holden
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1021973 Composed by Brendon G.M.C. Holden. Broadway,Children,Jazz,Musical/Show,Pop. Score and parts. 6 pages. B...
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Full Orchestra - Digital Download SKU: A0.1021973 Composed by Brendon G.M.C. Holden. Broadway,Children,Jazz,Musical/Show,Pop. Score and parts. 6 pages. Brendon Holden #6285481. Published by Brendon Holden (A0.1021973). This song is about missing something one already has, such a good song. Come Back has been in the making for a couple of years, it has been one that I could listen to over and over. Come Back-Back to life was Self-Published in the 2021 Edition of Behind the Night Sky: Finding Run Personal Computer PBR. Although the first page of sheet music appears to be complex, its core is not. The fanciness of the first page of Come Back, is to allow others to explore the variety of ways the intro could be played.
$6.99
This Is Halloween
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Orchestra
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INTERMEDIATE/ADVANCED
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Halloween
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Danny Elfman
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L
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This Is Halloween
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LCH Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1105185 Composed by Danny Elfman. Arranged by L.C. Harnsberger. Broadway,Christmas,Film/TV,Holiday,Mu...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1105185 Composed by Danny Elfman. Arranged by L.C. Harnsberger. Broadway,Christmas,Film/TV,Holiday,Musical/Show. Score and Parts. 80 pages. LCH Music #708440. Published by LCH Music (A0.1105185). Danny Elfman’s classic song “This Is Halloween†from Tim Burton’s The Nightmare Before Christmas has been skillfully adapted for standard-sized orchestra with harp. This instrumental arrangement retains the “haunting†mood and colorful orchestration of the original, but makes it easily performed by any group with standard instrumentation. The harp and pitched percussion parts may be performed on electronic keyboards. Danny Elfman composed the music to Tim Burton’s 1993 classic stop-motion animated feature The Nightmare Before Christmas. Although Walt Disney Pictures feared the film might be too scary for children, it is now considered a timeless classic that has been re-released numerous times, and has been featured in the annual holiday-season version of Disney’s Haunted Mansion since 2001. Today the film is frequently screened with live orchestra and singers. “This Is Halloween†is the perfect piece to open or close your next fall or holiday concerts.Please note the following errata: In the flute 1, flute 2, and clarinet 1 parts, the arpeggio in measure 59 should be one measure later in measure 60.
$79.99
Baba Yaga
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Orchestra
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EASY
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Classical
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M
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Ester Alessandrini
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Baba Yaga
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ester
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.758183 Composed by M.Mussorgski. Arranged by Ester Alessandrini. Children,Classical,Romantic Period. ...
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Full Orchestra - Level 2 - Digital Download SKU: A0.758183 Composed by M.Mussorgski. Arranged by Ester Alessandrini. Children,Classical,Romantic Period. Score and parts. 62 pages. Ester #54631. Published by ester (A0.758183). Transcription for school orchestra. Taken from Pictures at an Exhibition is the demonic description of a fictional character who dominates the nightmares of children in Russian fairy tales. Mussorgsky masterfully describes with force and terror.
$20.00
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