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Christmas With Friends
Orchestra
Sheetmusic to print
4 sheet music found
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1
The Most Wonderful Time Of The Year
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Christmas
#
Eddie Pola and George Wyle
#
Bryan Kidd
#
The Most Wonderful Time Of The
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BryanKiddMusic.com
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1298071 Composed by Eddie Pola and George Wyle. Arranged by Bryan Kidd. Christmas,Holiday,Standards. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1298071 Composed by Eddie Pola and George Wyle. Arranged by Bryan Kidd. Christmas,Holiday,Standards. 112 pages. BryanKiddMusic.com #888023. Published by BryanKiddMusic.com (A0.1298071). A dazzling and most wonderful Holiday Season opener for full orchestra in Viennese-styled three-quarter time.The Most Wonderful Time of the Year was first introduced in 1963 by singer Andy Williams as the opening song for his second Christmas TV special. It was composed by the shows vocal director, George Wyle, along with Edward Pola. Apropos to Williams show, the song describes joyous family and friends seasonal activities that include scary ghost stories (a Victorian Christmas tradition think 'Dickens'). Â Among the artists who have covered the song are Pentatonix, Johnny Mathis, Garth Brooks, Amy Grant, Pattie LaBelle, and Harry Connick, Jr. A letter-size (8.5x11) score and complete set of instrumental parts are included with the set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). For the Tabloid-size (11x17) score, click here. Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C. Â Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$75.00
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestra
#
ADVANCED
#
Thierry Pélicant
#
Thierry Pélicant: Concerto fo
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pag...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
#
Orchestra
#
ADVANCED
#
Thierry Pélicant
#
Thierry Pélicant: Concerto fo
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 page...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
Halloween Theme
#
Orchestra
#
INTERMEDIATE
#
Halloween
#
John Carpenter
#
Kevin Riley
#
Halloween Theme
#
Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1102324 By John Carpenter. By John Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV,Halloween...
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1102324 By John Carpenter. By John Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV,Halloween. Score and Parts. 44 pages. Kevin Riley #705731. Published by Kevin Riley (A0.1102324). Halloween is a 1978 American independent slasher film directed and scored by John Carpenter, co-written with producer Debra Hill, and starring Jamie Lee Curtis (in her film debut) and Donald Pleasence, with P. J. Soles and Nancy Kyes appearing in supporting roles. The plot centers around a mental patient, Michael Myers, who was committed to a sanitarium for murdering his babysitting teenage sister on Halloween night when he was six years old. Fifteen years later, he escapes and returns to his hometown, where he stalks a female babysitter and her friends, while under pursuit by his psychiatrist. Filming took place in Southern California in May 1978; the work premiered in October, whereupon it grossed $70 million, becoming one of the most profitable independent films of all time. Primarily praised for Carpenter's direction and score, many critics credit the film as the first in a long line of slasher films inspired by Alfred Hitchcock's Psycho (1960), and Bob Clark's Black Christmas (1974). It is considered one of the greatest and most influential horror films ever made. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. Halloween spawned a film franchise comprising thirteen films which helped construct an extensive backstory for its antagonist Michael Myers, sometimes narratively diverging entirely from previous installments. A direct sequel of the film was released in 1981. A remake was released in 2007, which was followed by a sequel in 2009. An eleventh installment, which serves as a direct sequel to the original film that retcons all previous sequels, was released in 2018; this was followed by two direct sequels: Halloween Kills (2021) and the upcoming Halloween Ends (2022). Additionally, a novelization, a video game and comic book series have been based on the film.
$70.00
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