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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Earl
Not classified
4,810
Piano & keyboards
Piano solo
6,287
Easy Piano
2,941
Piano, Voice
1,691
Piano, Vocal and Guitar
1,039
1 Piano, 4 hands
292
C Instruments
284
Organ
252
Piano Trio: piano, violin, cello
133
Piano Accompaniment
78
2 Pianos, 4 hands
62
Big Note Piano
38
Accordion
32
1 Piano, 6 hands
18
Piano Quartet: piano, violin, viola, cello
17
Piano Quartet: piano, 2 violins, cello
14
Piano Quintet: piano, 2 violins, viola, cello
12
Organ, Piano (duet)
11
Accordion ensemble
11
2 Accordions
10
2 Pianos, 8 hands
8
Harpsichord
7
Organ, Voice
6
Piano (band part)
6
2 Organs (duet)
4
Piano Quintet: piano, violin, viola, cello, double bass
3
Organ, Trumpet (duet)
2
3 Pianos
2
Accordion, String(s)
1
Keyboard
1
All Instruments
1
+ 25 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
1,198
Guitar
530
Melody line, (Lyrics) and Chords
261
Ukulele
225
Banjo
134
2 Guitars (duet)
90
Lyrics and Chords
84
Bass guitar
83
Dulcimer
43
4 Guitars (Quartet)
32
3 Guitars (trio)
29
Mandolin
24
Piano, Guitar (duet)
20
Guitar Ensemble
13
Guitar (band part)
12
2 Dulcimers (duet)
7
Baritone Ukulele
5
Ukulele Ensemble
4
Mandolin, Guitar (duet)
3
Guitar, Violin, Cello (trio)
3
Dobro
3
Bouzouki
2
Mandolin, Piano (duet)
2
2 Ukuleles
2
Guitar, Flute, Clarinet
1
Plectrum Orchestra
1
Guitar Tab, Voice, Bass, Drum
1
Lap Steel Guitar
1
+ 23 instrumentations
-
Retract
Voice
Choral SATB
1,155
Choral 3-part
437
Choral TTBB
256
Choral
217
Voice solo
183
Choral 2-part
179
Choral SSAA
127
Choral Unison
110
High voice
98
Soprano voice, Piano
48
Vocal duet
41
Vocal duet, Piano
40
Alto voice, Piano
37
Baritone voice, Piano
24
Tenor voice, Piano
23
Voice, Guitar
16
Medium voice, Piano
16
Choral, Organ
14
Choral Instrumental Pak
10
Low voice, Piano
8
Choral SSATB
6
Tenor voice
3
Mezzo-Soprano voice, Piano
2
Soli, Mixted choir and accompaniment
2
Soprano voice
2
Choral SSAB, Piano
1
Choral SATBB
1
Medium Voice
1
Choral SSAATTBB
1
Voice, Basso continuo
1
Choral SSAB a cappella
1
Choral SSATTB
1
+ 27 instrumentations
-
Retract
Woodwind
Flute and Piano
744
2 Flutes (duet)
511
Clarinet and Piano
472
2 Saxophones (duet)
433
Saxophone Quartet: 4 saxophones
354
Flute
348
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
282
Oboe, Piano (duet)
265
Alto Saxophone and Piano
261
Flute, Oboe, Clarinet, Bassoon
260
2 Clarinets (duet)
255
Clarinet Quartet: 4 clarinets
237
Clarinet
192
3 Clarinets (trio)
192
Saxophone (band part)
152
Tenor Saxophone and Piano
138
Flute, Clarinet (duet)
136
Flute Quartet: 4 flutes
131
Alto Saxophone
128
Soprano Saxophone and Piano
123
Saxophone, Clarinet (duet)
122
Clarinet, Violin (duet)
112
Clarinet, Trumpet (duet)
102
Flute Trio: 3 flutes
93
Tenor Saxophone
91
2 Oboes (duet)
86
Oboe (band part)
84
Ocarina
76
Oboe, Bassoon (duet)
76
2 Recorders (duet)
74
3 Saxophones (trio)
74
Flute ensemble
73
Flute and Guitar
72
Saxophone Quintet: 5 Saxophones
67
Oboe, Clarinet (duet)
63
Flute, Violin
61
English horn, Piano
60
Clarinet (band part)
55
Clarinet Quintet: 5 clarinets
52
Flute, Saxophone (duet)
51
Clarinet Ensemble
50
Clarinet and Viola
49
Flute, Viola (duet)
46
Recorder Ensemble
46
Saxophone ensemble
42
Baritone Saxophone, Piano
42
Recorder Quartet
39
Flute, Trumpet (duet)
37
Flute, Violin, Piano
36
Oboe, Flute
35
Oboe
34
Flute, Violoncello
34
Flute, Oboe, Clarinet (trio)
34
2 Flutes, Piano
32
3 Recorders (trio)
32
Saxophone and Piano
28
Bass Clarinet, Piano
28
Recorder, Piano
27
Clarinet, Bassoon (duet)
27
Descant (Soprano) Recorder
24
Oboe, Cello
23
5 Recorders
23
Flute (band part)
22
Clarinet, Guitar (duet)
21
Soprano Saxophone
21
Recorder
21
Clarinet, Cello (duet)
19
Flute, Clarinet and Bassoon.
19
Flute, Oboe (duet)
18
Saxophone
18
Flute, Cello, Piano (trio)
16
Flute Quintet : 5 flutes
16
Flute, Clarinet, Piano (trio)
16
Oboe, Violin (duet)
15
Saxophone and Orchestra
15
Clarinet, Trombone (duet)
14
Piccolo
14
Treble (Alto) Recorder
12
Harmonica
11
Clarinet, Harp (duet)
10
Eb Instruments
8
Descent (Soprano) Recorder, Piano
8
2 Clarinets, Piano
8
Flute, Oboe, Bassoon
7
Recorder, Guitar (duet)
7
Oboe, Harp
6
Baritone Saxophone
6
Treble (Alto) Recorder, Piano
6
Oboe, Clarinet, Bassoon (trio)
6
3 Oboes
5
Bagpipe
5
English Horn
5
Tenor Recorder
5
Flute, Violin, Violoncello and Piano
4
2 Saxophones, Piano
4
Flute, Bassoon, and Piano
4
Flute, Clarinet, Horn and Bassoon (Quartet)
4
Flute, Oboe, Violin
4
Clarinet, Cello, Piano (trio)
4
Saxophone and Guitar
3
Saxophone and Harp
3
Oboe, Guitar (duet)
3
2 Flutes and Guitar
3
2 Clarinets, Bassoon
3
Clarinet, Tuba
2
Flute, Trombone (duet)
2
Flute, Violin and Violoncello
2
Bass Clarinet
2
Flute, Violin, Guitar
2
Oboe, Bassoon and Piano
2
Flute, Viola and Piano
2
Clarinette, Viola and Piano (trio)
2
Oboe, Clarinet and Piano (Trio)
2
Treble (Alto) Recorder, Basso continuo
2
Piccolo, Piano
2
Flute and String Quartet
2
Clarinet, Double bass (duet)
2
2 Flutes, Basso continuo
1
English Horn, Guitar (duet)
1
Descant (Soprano) Recorder, Basso continuo
1
Flute and Strings Trio
1
Harmonica, Piano
1
Melodica
1
4 Oboes
1
Flute, Harp and Cello
1
Clarinet, Bassoon, Piano (trio)
1
Oboe and viola (duet)
1
2 Oboes, Piano
1
Pennywhistle
1
Flute, Viola and Cello
1
Oboe, Violin, Piano
1
Flute, harp and violin
1
Wind ensemble
1
Flute, Cello, Guitar
1
Flute, Oboe, Piano (trio)
1
Flute, Viola and harp
1
English horn, Harp (duet)
1
Pan Flute
1
Oboe, Cello and Piano
1
+ 134 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
394
Trumpet
229
Trumpet, Piano
220
Brass quartet : 2 trumpets, trombone, tuba
175
Trombone and Piano
175
French Horn and Piano
160
2 Trumpets (duet)
124
Trombone
118
French horn
113
Trumpet, Trombone (duet)
102
2 Trombones (duet)
98
Brass Quartet
96
Trumpet, Saxophone (duet)
92
Tuba and Piano
81
Trombone (band part)
80
Tuba
63
Trumpet (band part)
63
English horn, Piano
60
Brass Quartet: 2 trumpets, horn, trombone
57
Euphonium, Piano (duet)
54
2 French horns (duet)
34
Brass Quartet: 4 trombones
32
Trumpet ensemble
31
Trombone ensemble
30
French horn (band part)
27
Euphonium
27
Trumpet, Horn (duert)
23
Tuba (band part)
22
3 Trumpets (trio)
19
Brass Quartet: 4 horns
19
Bass Clef Instruments
18
Brass Trio
15
2 Euphoniums (duet)
13
Horn, Cello (duet)
11
3 Trombones (trio)
10
Bb Instruments
9
2 Tubas (duet)
9
Trumpet, Bassoon (duet)
8
French Horn and Harp
8
Trumpet, Harp
8
Horn Ensemble
8
Brass Quartet: 4 trumpets
7
French horn and Basson (duet)
7
Trumpet, Cello (duet)
6
2 Euphoniums and 2 Tubas
6
Cornet
6
Brass Quartet: 2 trumpets, 2 trombones
5
English Horn
5
Trumpet, Trombone, Piano
5
Tuba and Organ
4
4 Tubas
4
Euphonium, Tuba (duet)
4
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Clarinet, Horn (duet)
2
Bass Trombone
2
3 French horns (trio)
2
2 French horns, Piano
2
Bass Trombone and Piano
2
Trombone, cello (duet)
2
Trombone, Tuba (duet)
2
Trombone, Organ
2
English Horn, Guitar (duet)
1
Tuba ensemble
1
3 Euphoniums
1
2 Trumpets, Keyboard (piano or organ)
1
Horn, Tuba (duet)
1
2 Trombones, Piano
1
Trumpet, Tuba (duet)
1
English horn, Harp (duet)
1
+ 64 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,066
Violin and Piano
746
Harp
547
Cello, Piano
430
Viola, Piano
344
Violin
338
Violin, Cello (duet)
297
2 Violins (duet)
253
Cello
248
String Trio: violin, viola, cello
223
2 Harps (duet)
208
Violin, Viola (duet)
165
2 Cellos (duet)
149
Viola
141
2 Violas (duet)
107
String Trio: 2 violins, cello
93
Double Bass
71
Double bass, Piano (duet)
60
String Quintet: 2 violins, viola, cello, bass
57
String Trio: 3 violins
52
Violin (band part)
48
Viola (band part)
42
Violin, Guitar (duet)
41
4 Cellos
40
Viola, Cello (duet)
38
Piano Trio: Violin, Viola, Piano
25
Harp, Flute (duet)
24
String Trio: 3 cellos
23
Doublebass (band part)
20
String Quartet : 4 violas
18
Cello, String Bass (duet)
18
String Trio: 2 violins, viola
17
Cello, Guitar (duet)
16
String trio
15
String quartet: 4 violins
14
Viola and Bassoon
13
Violin, Bassoon (duet)
13
2 Double basses (duet)
13
Harp, Violin (duet)
12
2 Violins, Piano
12
Viola, Guitar (duet)
11
Cello (band part)
10
3 Harps
6
Harp, Cello (duet)
5
Violin, Clarinet, Piano (trio)
5
String Quintet: 2 violins, 2 violas, cello
5
String Trio: 3 violas
5
Viola and Harp
4
Harp, Voice
4
2 Violas, Piano
3
Violin ensemble
3
Cello, Orchestra
2
4 Double Basses
2
Flute, Doublebass (duet)
2
Harp and mandolin
2
2 Cellos, Piano
2
Viola ensemble
2
5 Harps
2
Violin, Tuba (duet)
1
Harp, Trombone (duet)
1
Violoncello, Basso continuo
1
Harp, Violin, Violoncello
1
Harp and Piano
1
Cello, Organ
1
Cello Ensemble
1
String Quintet: 2 violins, viola, 2 cellos
1
+ 61 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,298
String Orchestra
517
Orchestra
252
Brass ensemble
191
Drums
147
Jazz Ensemble
132
Handbells
129
Chamber Orchestra
81
Percussion Ensemble
66
Marching band
62
Piano and Orchestra
39
Percussion (band part)
28
Jazz combo
28
Marimba
14
Drum (band part)
12
Vibraphone
11
Woodwind Quartet: any 4 woodwinds
10
Woodwind Quintet
6
Timpani (band part)
6
Xylophone
6
Flexible Instrumentation
5
Orchestra, Violin
5
Snare drums
4
Xylophone, Piano
4
2 Xylophones
3
Percussion
2
2 Marimbas
2
3 Percussions
2
Brass Quintet: other combinaisons
1
School Ensemble
1
Xylophone or Marimba or Vibraphone
1
Big band
1
Marimba or Xylophone and Piano
1
3 Marimbas
1
Marimba, Piano (duet)
1
+ 30 instrumentations
-
Retract
Others
Music Theory
1
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251
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
#
Orchestra
#
ADVANCED
#
Contemporary
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjam...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
#
Orchestra
#
ADVANCED
#
Contemporary
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestra
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ADVANCED
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Too Early For Christmas
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Orchestra
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INTERMEDIATE
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Christmas
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Jimmy Fallon With Dolly Parton
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Marek Czekala
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Too Early For Christmas
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Marek Czekala
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victori...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged by Marek Czekala. Christmas,Comedy. Score and Parts. 44 pages. Marek Czekala #846120. Published by Marek Czekala (A0.1251902). Jimmy Fallon revealed his latest holiday collaboration with Dolly Parton, a comical song called “Almost Too Early for Christmas,†out Nov. 4. “I’m releasing another holiday song this year, and I thought what better day to announce it than Halloween,†said Fallon on the Tonight Show Starring Jimmy Fallon on Oct. 31.He added, “People have that debate after Thanksgiving of, ‘Can we listen to holiday music? Can we listen to Christmas music? Is it too early? Can we put on Mariah Carey now?’ I say, ‘Yeah.’ … So I thought it would be fun if I put out a song and released it around Halloween, for the holidays.â€Parton starts off the holiday song singing, It’s almost too early for Christmas before Fallon takes on the next verse, Too soon to be singing this song. The pair then continue line by line throughout the humorous duet: There’s still Halloween decorations / And haters will say that it’s wrong / Let’s turn on the lights for Mariah / Tell Rudolph to shine up his nose with both singing  It’s almost too early for Christmas / Why don’t we see how it goes. © 2023 American Songwriter.
$50.00
A Day of Hope - In The Early Morning ("Days of Change" - Mov.1) - Orchestra
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Orchestra
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Brendan Elliget MAGA 537
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A Day of Hope - In The Early M
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BJE Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.751006 Composed by Brendan Elliget MAGA 537. Concert,Contemporary. Score and parts. 36 pages. BJE Music #610385...
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Full Orchestra - Digital Download SKU: A0.751006 Composed by Brendan Elliget MAGA 537. Concert,Contemporary. Score and parts. 36 pages. BJE Music #6103853. Published by BJE Music (A0.751006). A Day of Hope – In the Early Morning (Theme 235) is an original composition and it is the opening movement of a Suite for Orchestra – Days of Change. This composition was written in the time of the global pandemic (2020).The MP3 was recorded with NotePerformer 3. Grade = 3.5 Duration =2:32 minsThe Suite for Orchestra – Days of Change is composed of three movements: 1. A Day of Hope – In the Early Morning 2. A Day of Lament 3. A Day of Joy (Approx. 10 mins in duration)
$25.00
EARLY ONE MORNING - Full Orchestra (2nd Percussion)
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Orchestra
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EASY
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Contemporary
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Anthony Giamanco
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EARLY ONE MORNING - Full Orche
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Whole Tone Press
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.774026 Arranged by Anthony Giamanco. Contemporary. Score and parts. 3 pages. Whole Tone Press #640102...
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Full Orchestra - Level 2 - Digital Download SKU: A0.774026 Arranged by Anthony Giamanco. Contemporary. Score and parts. 3 pages. Whole Tone Press #6401023. Published by Whole Tone Press (A0.774026). 2nd Percussion (Triangle, Glockenspiel) - EARLY ONE MORNING (orchestra).
$3.00
Early Autumn
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Orchestra
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Contemporary
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Jazz
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Johnny Mercer, Ralph Burns, an
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Kevin Riley
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Early Autumn
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.502630 Composed by Johnny Mercer, Ralph Burns, and Woody Herman. Arranged by Kevin Riley. 20th Century,Jazz,Sta...
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Full Orchestra - Digital Download SKU: A0.502630 Composed by Johnny Mercer, Ralph Burns, and Woody Herman. Arranged by Kevin Riley. 20th Century,Jazz,Standards. Score and parts. 32 pages. Published by Kevin Riley (A0.502630). Early Autumn (1949) is a song composed by Ralph Burns and Woody Herman with lyrics by Johnny Mercer. The song grew out of the fourth segment of Burns' “Summer Sequence†concert piece and was originally recorded by the Herman band on December 27, 1947 with an outstanding eight-bar solo by saxophonist Stan Getz. Herman asked Johnny Mercer to write lyrics in 1952 and he re-recorded the song taking the vocal duties himself. Charted versions were by Woody Herman and by Jo Stafford, both in 1952. This arrangement is for Flute Quartet and full orchestra.
$60.00
EARLY ONE MORNING - Full Orchestra (conductor score)
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Orchestra
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EASY
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Anthony Giamanco
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EARLY ONE MORNING - Full Orche
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Whole Tone Press
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.774009 Arranged by Anthony Giamanco. Concert,Contemporary,Folk,Standards. Score and parts. 9 pages. W...
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Full Orchestra - Level 2 - Digital Download SKU: A0.774009 Arranged by Anthony Giamanco. Concert,Contemporary,Folk,Standards. Score and parts. 9 pages. Whole Tone Press #6400957. Published by Whole Tone Press (A0.774009). This gorgeous orchestration of a lovely English folk song will enthrall listeners with its rich harmonic palette and exquisite orchestral colour, packing great emotional range in a work that lasts a little under 3 minutes. This moderately easy concert work is sure to leave an indelible impression on the hearts (and ears) of your audience!Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Websitehttps://www.anthonygiamanco.com,SoundCloudhttps://soundcloud.com/tony-giamanco,YouTube https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$15.00
Tennessee
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Orchestra
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Film/TV
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Hans Zimmer
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Kevin Riley
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Tennessee
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.509587 Composed by Hans Zimmer. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 40 pages. Publi...
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Full Orchestra - Digital Download SKU: A0.509587 Composed by Hans Zimmer. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 40 pages. Published by Kevin Riley (A0.509587). Pearl Harbor is a 2001 American romantic war drama film directed by Michael Bay, produced by Bay and Jerry Bruckheimer and written by Randall Wallace. It stars Ben Affleck, Kate Beckinsale, Josh Hartnett, Cuba Gooding Jr., Tom Sizemore, Jon Voight, Colm Feore, and Alec Baldwin. The film presented a heavily fictionalized version of the attack on Pearl Harbor by Japanese forces on December 7, 1941, focusing on a love story set amid the lead up to the attack, its aftermath, and the Doolittle Raid. The film was a box office success, earning $59 million in its opening weekend and nearly $450 million worldwide, but received generally negative reviews from critics, who criticized the story, long runtime, screenplay and dialogue, pacing, performances and historical inaccuracies, although the visual effects and music score were praised. It was nominated for four Academy Awards, winning in the category of Best Sound Editing. However, it was also nominated for six Golden Raspberry Awards, including Worst Picture. This marked the first occurrence of a Worst Picture-nominated film winning an Academy Award.
$70.00
If I Can Dream
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Orchestra
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INTERMEDIATE
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Elvis Presley
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Sebastian Farrall
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If I Can Dream
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Sebastian Farrall
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1503249 By Elvis Presley. By W. Earl Brown. Arranged by Sebastian Farrall. Blues. 69 pages. Sebastian...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1503249 By Elvis Presley. By W. Earl Brown. Arranged by Sebastian Farrall. Blues. 69 pages. Sebastian Farrall #1078737. Published by Sebastian Farrall (A0.1503249). Scored for large orchestra: Piccolo 1/2 Flute 1/2 Flute 3/4 Oboe 1/2 Clarinet 1/2/3 Bass Clarinet Alto Sax 1/2 Tenor Sax 1/2 Baritone Sax Bassoon 1/2 Horn 1/2 Horn 3/4 Trumpet 1/2/3 (&optional Flugel Horn) Tromboen 1/2 Bass Trombone Tuba Timpani Drum Kit Choir Strings Choir & Piano arrangement sold separately on ArrangeMe.
$49.99
Celebrate
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Orchestra
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INTERMEDIATE/ADVANCED
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Claydes Eugene Smith, Dennis T
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Daryl McKenzie
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Celebrate
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1460871 Composed by Claydes Eugene Smith, Dennis Thomas, Earl Eugene Toon, Eumir Deodato, George Brow...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1460871 Composed by Claydes Eugene Smith, Dennis Thomas, Earl Eugene Toon, Eumir Deodato, George Brown, James W. Taylor, Robert Bell, Robert Spike Mickens, and Ronald Nathan Bell. Arranged by Daryl McKenzie. Disco,Funk,Pop. 99 pages. Daryl McKenzie #1039774. Published by Daryl McKenzie (A0.1460871). Celebrate (AKA Celebration) arranged in the style of Kool & The Gang for Vocal with Pops Orchestra (Voice, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, Timp, 2 Perc, Pno, Keys, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB.) Key of AbFull Audio demo (Sibelius Sounds): Click HereSmall Band, Concert Band and Big Band versions also available on SMP: Search hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
If I Can Dream
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Orchestra
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INTERMEDIATE/ADVANCED
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Pop music
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Elvis Presley
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Matt Podd
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If I Can Dream
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Luccivanni Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1400191 By Elvis Presley. By W. Earl Brown. Arranged by Matt Podd. Pop. 77 pages. Luccivanni Publishi...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1400191 By Elvis Presley. By W. Earl Brown. Arranged by Matt Podd. Pop. 77 pages. Luccivanni Publishing #983404. Published by Luccivanni Publishing (A0.1400191).
$49.99
Weapon Of Choice
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Orchestra
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INTERMEDIATE/ADVANCED
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Fat Boy Slim
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Daryl McKenzie
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Weapon Of Choice
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1377419 By Fat Boy Slim. By Andres Titus, Ashley Slater, Norman Cook, Sylvester Stewart, William Earl...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1377419 By Fat Boy Slim. By Andres Titus, Ashley Slater, Norman Cook, Sylvester Stewart, William Earl Collins, and William McLean. Arranged by Daryl McKenzie. Hip-Hop,Pop. 115 pages. Daryl McKenzie #962011. Published by Daryl McKenzie (A0.1377419). Arranged in the style of Fatboy Slim for Vocal with Pops Orchestra - Voice, Picc, 2Fl, 2Ob, 2Cl, BCl, 2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, 3 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of BNote: The Youtube clip audio quality is poor.Full audio demo (Sibelius Sounds): click hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
Beautiful Ohio
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Orchestra
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EASY
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Mary Earl
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Tim Olt
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Beautiful Ohio
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Olt Music
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.759417 Composed by Mary Earl. Arranged by Tim Olt. Folk,Patriotic,Traditional. Score and parts. 30 pa...
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Full Orchestra - Level 2 - Digital Download SKU: A0.759417 Composed by Mary Earl. Arranged by Tim Olt. Folk,Patriotic,Traditional. Score and parts. 30 pages. Olt Music #6436127. Published by Olt Music (A0.759417). This straightforward version is easily playable (even sightreadable).
$50.00
Angel Eyes
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Orchestra
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Jazz
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Earl Brent and Matt Dennis
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Kevin Riley
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Angel Eyes
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.507783 Composed by Earl Brent and Matt Dennis. Arranged by Kevin Riley. 20th Century,Standards. Score and parts...
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Full Orchestra - Digital Download SKU: A0.507783 Composed by Earl Brent and Matt Dennis. Arranged by Kevin Riley. 20th Century,Standards. Score and parts. 38 pages. Published by Kevin Riley (A0.507783). Angel Eyes is a jazz standard which has inspired many interpretations. Many singers have recorded versions of the song, including Nat King Cole (already in 1953), Frank Sinatra, June Christy with Stan Kenton, Chet Baker, Shirley Bassey, Neil Sedaka, Willie Nelson with Ray Charles, and Sting. Ella Fitzgerald, who recorded Angel Eyes at least four times, named it her favorite song.[2] Instrumental versions were recorded not as often as vocal takes, by the likes of Benny Carter, the Modern Jazz Quartet, Dave Brubeck, Kenny Burrell, Joe Albany, and more recently by McCoy Tyner, Gary Thomas and Joe Lovano. In the anime Neon Genesis Evangelion the song Rei I (composed by ShirÅ Sagisu) is heavily based off Angel Eyes, following an almost similar composition. This version is for Solo Trombone and orchestra. Although the trombone part is semi improvised the soloist is free to do as they please!
$50.00
Sleigh Ride
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Orchestra
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ADVANCED
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Frederick Delius
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Kevin Riley
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Sleigh Ride
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1505511 Composed by Frederick Delius. Arranged by Kevin Riley. 20th Century,Christmas,Classical. 69 p...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1505511 Composed by Frederick Delius. Arranged by Kevin Riley. 20th Century,Christmas,Classical. 69 pages. Kevin Riley #1080934. Published by Kevin Riley (A0.1505511). The musical compositions of Frederick Delius (1862–1934) cover numerous genres, in a style that developed from the early influences of composers such as Edvard Grieg and Richard Wagner into a voice that was uniquely Delius's. He began serious composition at a relatively advanced age (his earliest songs date to his early twenties), and his music was largely unknown and unperformed until the early 20th century. It was a further ten years before his work was generally accepted in concert halls, and then more often in Europe than in his home country, England. Ill-health caused him to give up composition in the early 1920s and he was silent for several years, before the services of a devoted amanuensis, Eric Fenby, enabled Delius to resume composing in 1928. The Delius-Fenby combination led to several notable late works.
$60.00
Faust Overture, Op. 46
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Emilie Mayer
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edited by John M
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Faust Overture, Op. 46
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1477673 Composed by Emilie Mayer (1812-1882). Arranged by edited by John M. Laverty. 19th Century,Rom...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1477673 Composed by Emilie Mayer (1812-1882). Arranged by edited by John M. Laverty. 19th Century,Romantic Period. 141 pages. Zephyrwindmusic.com #1055051. Published by zephyrwindmusic.com (A0.1477673). Score and parts for orchestra, edited by John M. Laverty. German-born composer Emilie Mayer (1812-1882) wrote and published music during a time period that was challenging for a female composer. Doing so under the long shadows of Bach, Mozart, and Beethoven complicated the situation, yet Mayer prospered and was quite successful during her lifetime. Sadly, despite this early success, her works have not received the number of performances they deserve. Faust Overture, premiered shortly before Mayer’s death, is by far her most successful orchestral work. In it, one can clearly hear the influence of Beethoven. This edition is based entirely on Mayer’s 1880 publication. It is highly edited including an update to modern instrumentation and the addition of missing/ inconsistent dynamics and articulations. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 Flutes2 Oboes2 Clarinets in A2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTubaTimpaniStrings.
$50.00
CONJUNCTION: The Christmas Star of 2020
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Orchestra
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INTERMEDIATE
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Christmas
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. Whea...
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
Silent Night For Full Orchestra And Chorus
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Orchestra
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INTERMEDIATE
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Christmas
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Christian Paulson
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Christian Paulson
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Silent Night For Full Orchestr
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Christian Paulson
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1153104 By Christian Paulson. By Franz Xaver Gruber. Arranged by Christian Paulson. 19th Century,Chri...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1153104 By Christian Paulson. By Franz Xaver Gruber. Arranged by Christian Paulson. 19th Century,Christmas,Holiday. Score and Parts. 28 pages. Christian Paulson #753348. Published by Christian Paulson (A0.1153104). This arrangement began as a piece I arranged as a finale for our first combined band, orchestra, and choir concert. It was a big hit! Silent Night has always been a piece that everyone seems to hold dearly. The chorus has a traditional harmony right out of the green hymnal. This piece can also be done with a small group of singers or as a solo. The instruments parts are very accessible and the scoring makes every group sound full. One of the theatrical moments happens right after the climax of the second verse. Choke the cymbal and chimes on beat one of measure 55 and let the natural reverberance of the hall ring on. Slow the tempo, lower the volume and invite the audience to hum along to the last verse. Nothing brings musicians and audiences together like Silent Night.
$45.00
Concerto in C major for Violin and Orchestra - Reconstruction of Beethoven WoO 5
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Orchestra
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ADVANCED
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Classical
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Concerto in C major for Violin
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Upstream Music
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.933525 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. S...
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Full Orchestra - Level 5 - Digital Download SKU: A0.933525 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 56 pages. Upstream Music #6353323. Published by Upstream Music (A0.933525). There are four known works of Beethoven for the violin and orchestra genre. They were written during the 1790-1806 period. These are the Violin Romance in G major Opus 40, the Violin Romance in F major Opus 50, the Violin Concerto in D major Opus 61 (1806) and the earlier Violin Concerto in C major WoO 5 (Hess 10). The latter was left to us as a fragment which Beethoven most probably composed in Bonn, between 1790 and 1792. The fragment contains 259 bars, fully written out and than stops abruptly….as if the score was torn in two. The composition is broken off exactly 15 bars into the development. The motif in the last known bars 258 and 259 initiated the task of joining the development as reliably as possible to the rest of the work.In the additional 258 bars, Cees took Beethovenꞌs material into consideration; also in the development, reprise and coda. The most remarkable is the coda. Cees uses a third related key here, which may seem strange at first but was used more often by Beethoven himself, for example in his Violin Concerto in D major Opus 61. It was necessary to compose this work backwards in a manner of speaking. In other words: Cees had to give all the global lines that Beethoven had so masterfully written as correct a place as possible in the score. With respect to earlier completions by colleagues, Cees did not set out by literally copying and transposing the exposition in the reprise. His aim was to write a completion as creatively as possible and still use Beethovenꞌs material and intricate weave ofvoices to the full. Hopefully this completed version will be a respected contribution to the rich violin literature
$59.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Brighter Than the Flames
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Orchestra
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INTERMEDIATE/ADVANCED
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David M
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Brighter Than the Flames
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David Sterrett Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1039829 Composed by David M. Sterrett. Classical,Patriotic. Score and parts. 56 pages. David Sterrett...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1039829 Composed by David M. Sterrett. Classical,Patriotic. Score and parts. 56 pages. David Sterrett Music #644674. Published by David Sterrett Music (A0.1039829). I feel honored and thankful to have been asked by Greg Hustis and the Music In the Mountains festival in Durango, Colorado to compose a piece honoring local firefighters and first responders following a deadly outbreak of wildfires around that region during the summer of 2018. When I learned about the fires, my heart went out to all the people affected. As the fires closed in from all around, beautiful mountain landscapes were burnt black, homes were threatened, and residents were forced to evacuate; however, the city and peoples’ homes were ultimately kept safe and no one was injured, all because of the fearless efforts of those who laid their lives on the line. My inspiration for the music, as well as the title, came directly from these heroes whose courage and effort proved to shine brighter than the flames. Although this piece was originally commissioned in response to this disaster in 2018, at its heart the piece is a tribute to all the brave heroes out there who fight in countless ways in the midst of disasters every day to keep all of us and our communities safe.
$59.99
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