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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Elle King
Not classified
702
Piano & keyboards
Piano solo
879
Piano, Voice
215
Easy Piano
139
Accordion
89
Piano Trio: piano, violin, cello
75
Piano, Vocal and Guitar
66
C Instruments
47
Piano Accompaniment
33
Organ
15
1 Piano, 4 hands
11
Piano Quartet: piano, 2 violins, cello
4
2 Pianos, 4 hands
3
Piano (band part)
3
Big Note Piano
3
Keyboard
2
1 Piano, 6 hands
1
Piano Quartet: piano, violin, viola, cello
1
Melody line, Piano
1
+ 13 instrumentations
-
Retract
Guitars
Guitar
250
Bass guitar
192
Guitar notes and tablatures
141
Ukulele
17
Melody line, (Lyrics) and Chords
11
Guitar (band part)
6
Mandolin
5
2 Guitars (duet)
4
Lyrics and Chords
4
Piano, Guitar (duet)
3
Dulcimer
1
Lap Steel Guitar
1
3 Guitars (trio)
1
Electric Bass (band part)
1
+ 9 instrumentations
-
Retract
Voice
Voice solo
235
Choral SATB
132
Choral SSAA
121
Choral TTBB
115
Choral 3-part
92
Choral 2-part
48
Choral Unison
30
Soprano voice, Piano
29
Medium voice, Piano
8
Low voice, Piano
7
High voice
6
Choral Instrumental Pak
5
Alto voice, Piano
5
Baritone voice, Piano
2
Choral
2
Vocal duet, Piano
1
+ 11 instrumentations
-
Retract
Woodwind
Saxophone
833
Flute
346
Clarinet
329
2 Saxophones (duet)
115
Saxophone Quartet: 4 saxophones
91
Flute and Piano
87
Alto Saxophone
81
Clarinet and Piano
76
Saxophone Quintet: 5 Saxophones
70
Oboe, Piano (duet)
70
Flute, Oboe, Clarinet, Bassoon
68
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
65
Alto Saxophone and Piano
65
Recorder
56
Tenor Saxophone and Piano
55
2 Flutes (duet)
45
Tenor Saxophone
43
Oboe
43
Soprano Saxophone and Piano
40
Baritone Saxophone, Piano
39
3 Saxophones (trio)
30
Soprano Saxophone
29
2 Clarinets (duet)
28
Saxophone (band part)
27
2 Oboes (duet)
25
Baritone Saxophone
24
Flute Quartet: 4 flutes
23
2 Recorders (duet)
20
3 Clarinets (trio)
19
Flute ensemble
18
Flute, Clarinet (duet)
17
Clarinet Ensemble
16
Descant (Soprano) Recorder
15
Clarinet Quartet: 4 clarinets
15
Oboe (band part)
13
English horn, Piano
11
Flute Trio: 3 flutes
11
Flute, Violin, Piano
11
Flute, Trombone (duet)
11
Ocarina
10
Clarinet, Bassoon (duet)
9
Saxophone ensemble
8
Recorder Quartet
8
Oboe, Clarinet (duet)
8
5 Recorders
8
Clarinet Quintet: 5 clarinets
7
Piccolo, Piano
7
Bass Clarinet, Piano
7
Treble (Alto) Recorder
6
Oboe, Bassoon (duet)
6
Oboe, Clarinet, Bassoon (trio)
5
3 Recorders (trio)
5
Flute, Clarinet and Bassoon.
4
Recorder Ensemble
4
Flute, Oboe, Clarinet (trio)
4
Flute Quintet : 5 flutes
4
Harmonica
4
Piccolo
3
Clarinet, Cello (duet)
3
Flute, Cello, Piano (trio)
3
Clarinet, Violin (duet)
3
Flute (band part)
3
Flute, Oboe (duet)
3
Oboe, Cello
3
4 Oboes
2
Treble (Alto) Recorder, Piano
2
Clarinet (band part)
2
Flute, Violoncello
2
Flute, Oboe, Bassoon
2
Flute and Strings Trio
2
Clarinet and Viola
2
Bass Clarinet
2
Clarinet, Trombone (duet)
1
Clarinet, Cello, Piano (trio)
1
Clarinet, Tuba
1
Clarinet, Trumpet (duet)
1
Flute, Viola (duet)
1
Flute and Guitar
1
Clarinet, Guitar (duet)
1
Wind ensemble
1
Oboe and viola (duet)
1
Flute, Trumpet (duet)
1
Descent (Soprano) Recorder, Piano
1
Flute, Violin
1
Flute, Tuba (duet)
1
Oboe, Trumpet (duet)
1
English Horn
1
Oboe, Violin (duet)
1
Oboe, Trombone (duet)
1
Clarinet, Harp (duet)
1
Clarinet, Double bass (duet)
1
2 Flutes, Piano
1
2 Clarinets, Piano
1
Pennywhistle
1
+ 89 instrumentations
-
Retract
Woodbrass
Trumpet
340
Trombone
322
Brass Quintet: 2 trumpets, horn, trombone, tuba
72
Trumpet, Piano
62
Trombone and Piano
62
French horn
48
French Horn and Piano
48
Brass Quartet: 2 trumpets, horn, trombone
43
Tuba
43
Tuba and Piano
38
2 Trombones (duet)
31
2 Trumpets (duet)
28
2 French horns (duet)
25
Brass Quartet: 4 trombones
19
Brass quartet : 2 trumpets, trombone, tuba
15
Trumpet (band part)
14
Trombone (band part)
14
Brass Quartet
12
English horn, Piano
11
Euphonium, Piano (duet)
11
Trumpet, Trombone (duet)
9
Euphonium
8
2 Tubas (duet)
8
Brass Quartet: 4 horns
7
Trombone, Tuba (duet)
5
Brass Quartet: 4 trumpets
5
Trumpet ensemble
4
Trumpet, Horn (duert)
4
Horn, Cello (duet)
4
Tuba (band part)
4
French horn (band part)
4
Trombone, Horn (duet)
3
4 Tubas
3
3 Trombones (trio)
3
3 Tubas (trio)
2
Trombone ensemble
2
Trumpet, Tuba (duet)
2
Trombone, Violin (duet)
2
Horn Ensemble
2
French horn and Basson (duet)
2
Brass Trio
1
Tuba and Organ
1
Bass Trombone and Piano
1
Trumpet, Bassoon (duet)
1
2 Trumpets, Keyboard (piano or organ)
1
Euphonium, Tuba (duet)
1
3 Trumpets (trio)
1
Horn, Tuba (duet)
1
English Horn
1
3 French horns (trio)
1
+ 45 instrumentations
-
Retract
Strings
Violin
234
Cello
226
Violin and Piano
206
Viola
190
String Quartet: 2 violins, viola, cello
151
Cello, Piano
117
2 Violins (duet)
70
Viola, Piano
65
String Trio: violin, viola, cello
52
Violin, Cello (duet)
51
String Quintet: 2 violins, viola, cello, bass
43
Double bass, Piano (duet)
38
Double Bass
34
2 Cellos (duet)
30
String Trio: 2 violins, cello
29
2 Violas (duet)
25
Violin, Viola (duet)
16
Violin (band part)
11
Viola, Cello (duet)
9
Harp
9
Viola (band part)
7
Doublebass (band part)
6
2 Violins, Piano
5
Viola and Bassoon
5
String Trio: 3 violins
5
Cello, String Bass (duet)
5
String Trio: 3 cellos
5
String Trio: 3 violas
5
String quartet: 4 violins
5
2 Double basses (duet)
4
String Quartet : 4 violas
4
4 Cellos
3
Violin, Bassoon (duet)
3
Harp, Voice
2
Violin, Guitar (duet)
2
Piano Trio: Violin, Viola, Piano
2
String Quintet: 2 violins, 2 violas, cello
2
String Quintet: 2 violins, viola, 2 cellos
2
Cello (band part)
1
Violin, Tuba (duet)
1
Harp, Flute (duet)
1
Cello, Guitar (duet)
1
Flute, Doublebass (duet)
1
Cello Ensemble
1
Autoharp
1
+ 40 instrumentations
-
Retract
Orchestra & Percussion
Drums
223
Concert band
47
Orchestra
38
String Orchestra
27
Handbells
23
Jazz Ensemble
18
Brass ensemble
17
Jazz combo
8
Chamber Orchestra
7
Marching band
6
Percussion Ensemble
5
Drum (band part)
5
Percussion (band part)
2
Percussion
2
Marimba
1
Xylophone, Piano
1
+ 11 instrumentations
-
Retract
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--INSTRUMENTS--
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You've selected:
Elle King
Orchestra
Sheetmusic to print
38 sheet music found
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1
26
Fantasy on "Kingsfold"
#
Orchestra
#
EASY
#
H
#
Fantasy on "Kingsfold"
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Hope Publishing - Digital
#
SheetMusicPlus
Handchimes, Orchestra - Level 2 - Digital Download SKU: H1.2134ODP Arranged by H. Dean Wagner. Hymntune, General Worship, Sacred. Set of Instrumental Par...
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Handchimes, Orchestra - Level 2 - Digital Download SKU: H1.2134ODP Arranged by H. Dean Wagner. Hymntune, General Worship, Sacred. Set of Instrumental Parts. 50 pages. Hope Publishing - Digital #2134ODP. Published by Hope Publishing - Digital (H1.2134ODP). Popular hymntune H. Dean Wagner's Fantasy on Kingsfold has been a best seller in the Agape/Hope catalog since its publication in 2000. For the first time, it is now available with a full orchestration provided by Michael Glasgow. This dynamic setting, which is based on an old English folk tune, moves from intimate to majestic with colorful harmonies and the optional use of handchimes. For worship or concert, this is a tried and proven winner. The Orchestration includes a Conductor's Score and parts for: Flute, Oboe, Horn in F, Trumpet in B-flat, Percussion 1 & 2, Harp, Violin 1 & 2, Viola, Cello, Double Bass and Keyboard String Reduction.
$89.95
"Rejoice the Lord is King" [Darwall] for Orchestra (in C)
#
Orchestra
#
EASY
#
Sacred music
#
Henry Coleman
#
Paul Ferington
#
"Rejoice the Lord is King" [Da
#
Paul K Ferington
#
SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.982383 Composed by Henry Coleman. Arranged by Paul Ferington. Christian,Easter,Romantic Period,Sacred...
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Full Orchestra - Level 2 - Digital Download SKU: A0.982383 Composed by Henry Coleman. Arranged by Paul Ferington. Christian,Easter,Romantic Period,Sacred. Score and parts. 50 pages. Paul K Ferington #6735831. Published by Paul K Ferington (A0.982383). An orchestral setting of the 1933 organ work by Henry Coleman, celebrating the hymn tune DARWALL Rejoice the Lord is King and Ye Holy Angels Bright; excellent Voluntary / Prelude or Postlude (2:15) for Orchestra and optional Organ. Instrumentation: 2/1/2+BC/1 2/2/2/1 Timp/Bells/Organ + Strings (setting also available in Eb Major).
$10.95
"Rejoice the Lord is King" [Darwall] for Orchestra (in Eb)
#
Orchestra
#
EASY
#
Henry Coleman
#
Paul Ferington
#
"Rejoice the Lord is King" [Da
#
Paul K Ferington
#
SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.982381 Composed by Henry Coleman. Arranged by Paul Ferington. Easter,Praise & Worship,Romantic Period...
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Full Orchestra - Level 2 - Digital Download SKU: A0.982381 Composed by Henry Coleman. Arranged by Paul Ferington. Easter,Praise & Worship,Romantic Period,Sacred. Score and parts. 25 pages. Paul K Ferington #6735765. Published by Paul K Ferington (A0.982381). An orchestral setting of the 1933 organ work by Henry Coleman, celebrating the hymn tune DARWALL Rejoice the Lord is King and Ye Holy Angels Bright; excellent Voluntary / Prelude or Postlude (2:15) for Orchestra and optional Organ. Instrumentation: 2/1/2+BC/1 2/2/2/1 Timp/Bells/Organ + Strings (setting also available in C Major).
$10.95
Pelléas et Mélisande
#
Orchestra
#
Classical
#
Gabriel Faure
#
Pelléas et Mélisande
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Orchestra - Digital Download SKU: S9.Q50369 Suite. Composed by Gabriel Faure. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eule...
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Orchestra - Digital Download SKU: S9.Q50369 Suite. Composed by Gabriel Faure. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 80. Ernst Eulenburg & Co. GmbH - Digital #Q50369. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q50369). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$12.99
The Sleeping Beauty - Waltz
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Orchestra
#
INTERMEDIATE
#
Classical
#
Tchaikovsky
#
La Belle au bois dormant
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
17.99€
The Sleeping Beauty - Waltz
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Tchaikovsky
#
La Belle au bois dormant
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
The Sleeping Beauty - Waltz
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Tchaikovsky
#
La Belle au bois dormant
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
The Sleeping Beauty - Waltz
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Tchaikovsky
#
La Belle au bois dormant
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Thomas Oboe Lee
#
Symphony No. 7 ... Roman Holid
#
Thomas Oboe Lee
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
A MIGHTY POPE
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Orchestra
#
Broadway
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MICHAEL L
#
JOHN D
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A MIGHTY POPE
#
Creative Horizons Music Publishers
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.991716 Composed by MICHAEL L.RICCIARDI AND JOHN D. NUGENT. Arranged by JOHN D. NUGENT. Broadway,Musical/Show. S...
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Full Orchestra - Digital Download SKU: A0.991716 Composed by MICHAEL L.RICCIARDI AND JOHN D. NUGENT. Arranged by JOHN D. NUGENT. Broadway,Musical/Show. Score and parts. 10 pages. Creative Horizons Music Publishers (ASCAP) #3065007. Published by Creative Horizons Music Publishers (ASCAP) (A0.991716). FROM THE STAGE MUSICAL SPOOF KNOCKING ON HEAVEN'S DOOR COMES THIS MOCKING UP TEMPO CHARACTER PIECE SUNG IN THE SHOW BY THE POMPOUS POPE WHO TORMENTED POOR DEAR MICHAELANGELO: NONE OTHER THAN POPE JULIUS II. EXCELLENT BARITONE AUDITION PIECE FOR THE STAGE.
$3.25
I Want To Hold Your Hand
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Orchestra
#
INTERMEDIATE
#
Film/TV
#
The Beatles
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Arte Nova Music Lab
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I Want To Hold Your Hand
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.742584 By The Beatles. By John Lennon and Paul McCartney. Arranged by Arte Nova Music Lab. Film/TV. S...
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Full Orchestra - Level 3 - Digital Download SKU: A0.742584 By The Beatles. By John Lennon and Paul McCartney. Arranged by Arte Nova Music Lab. Film/TV. Score and parts. 56 pages. Arte Nova Music Lab #6431873. Published by Arte Nova Music Lab (A0.742584). I Want to Hold Your Hand is a song by the English rock band the Beatles. Written by John Lennon and Paul McCartney, and recorded on 17 October 1963, it was the first Beatles record to be made using four-track equipment.With advance orders exceeding one million copies in the United Kingdom, I Want to Hold Your Hand would have gone straight to the top of the British record charts on its day of release (29 November 1963) had it not been blocked by the group's first million-seller She Loves You, their previous UK single, which was having a resurgence of popularity following intense media coverage of the group. Taking two weeks to dislodge its predecessor, I Want to Hold Your Hand stayed at number one for five weeks and remained in the UK top 50 for 21 weeks in total.It was also the group's first American number-one hit, entering the Billboard Hot 100 chart on 18 January 1964 at number 45 and starting the British Invasion of the American music industry. By 1 February it topped the Hot 100, and stayed there for seven weeks before being replaced by She Loves You. It remained on theBillboard chart for 15 weeks.I Want to Hold Your Hand became the Beatles' best-selling single worldwide selling more than 12 million copies. In 2018,Billboard magazine named it the 48th biggest hit of all time on the Billboard Hot 100. In the UK, it was the second highest selling single of the 1960s, behind She Loves You.Taken from https://en.wikipedia.org/wiki/I_Want_to_Hold_Your_Hand
$60.00
Elegy Sentimentale for Orchestra
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Orchestra
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Keith Terrett
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Elegy Sentimentale for Orchest
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Keith Terrett
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terr...
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Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
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Orchestra
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INTERMEDIATE
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Contemporary
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chin
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Jeremy Goh
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
Paris Without You
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Orchestra
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Phil Sims
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Paris Without You
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Imagine Music - Digital
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SheetMusicPlus
Tenor Saxophone Solo with Orchestra - Digital Download SKU: IZ.OMW223 Composed by Phil Sims. Score and Parts. 268 pages. Imagine Music - Digital #OMW223....
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Tenor Saxophone Solo with Orchestra - Digital Download SKU: IZ.OMW223 Composed by Phil Sims. Score and Parts. 268 pages. Imagine Music - Digital #OMW223. Published by Imagine Music - Digital (IZ.OMW223). 8.5 x 11 inches.The Waking, by Theodore Roethke, is an enigmatic villanelle written in 1953, a year after he got married. In it the poet puts forward various ideas about life and how to live it. A villanelle is based on repeated lines (a refrain) that connects each stanza as the poem progresses.Theodore Roethke's poetry is known for its exploration of the self through reflection on family and nature; there is plenty of depth and technical skill. His mental illness also caused him to look into the darkness from time to time, recording his inner life in personal poems.Growing up, he spent lots of time in his father's garden and greenhouses and soil and plants and roots and things often turn up in his work. In fact the greenhouse, for Roethke, was a symbol 'for the whole of life, a womb, a heaven-on-earth.'The Waking doesn't contain a greenhouse but it does have symbolism and takes the reader into unexpected places. It is both introspective and positive in its outlook.
$120.00
Bethlehem
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Orchestra
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Lloyd Larson
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Bethlehem
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Hope Publishing - Digital
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SheetMusicPlus
(Orchestra) - Digital Download SKU: H1.C5971ODP Composed by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Christmas, Sacred. Set of Instrume...
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(Orchestra) - Digital Download SKU: H1.C5971ODP Composed by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Christmas, Sacred. Set of Instrumental Parts. 60 pages. Hope Publishing - Digital #C5971ODP. Published by Hope Publishing - Digital (H1.C5971ODP). Words by William H. Neidlinger & Phillips Brooks. Matthew 1:23 - Luke 2.Original anthem words by William H. Neidlinger & Phillips Brooks The 19th-century poet, Philips Brooks, was inspired on his journey to the Holy Land when he travelled to the town of Bethlehem one Christmas Eve. It became the basis of his famous poem, O Little Town of Bethlehem, for which Lloyd Larson has crafted a new melody in this charming choral anthem. The text also draws from William Neidlinger's The Birthday of a King. This setting comes from Lloyd's cantata Were You There on That Christmas Night (code no. 8611). Orchestrations: Conductor's Score, Flute, Oboe (or Soprano Sax or Clarinet), Clarinet in B-Flat, Horn in F (or Clarinet), 2 Trombones (or Baritone T. C. ), Tuba, Percussion 1 & 2, Piano, Harp, 2 Violins, Viola, Cello, String Reduction.
$89.95
Recipe For Love
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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The King S Singers
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Drew Zaremba
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Recipe For Love
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ZarembaMusic
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1035237
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1035237 By The King S Singers. By Harry Connick. Arranged by Drew Zaremba. Contemporary. Score and parts. 54 pages. ZarembaMusic #4764679. Published by ZarembaMusic (A0.1035237). This adaptation of this iconic tune uses muted brass and flutes to put all the spotlight on the vocalist. This short 3 minute tune is another lovely vocal feature that works excellently in the middle of a set. Features the drums on brush solo.To listen to the full track: https://soundcloud.com/drewzaremba/recipe-for-love.
$75.00
Star Trek Main Theme
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Orchestra
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INTERMEDIATE/ADVANCED
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Various
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Kevin Riley
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Star Trek Main Theme
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1451230 By Various. By Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Kevin ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1451230 By Various. By Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Kevin Riley. 21st Century,Film/TV. 79 pages. Kevin Riley #1030686. Published by Kevin Riley (A0.1451230). Star Trek Into Darkness is a 2013 American science fiction action film directed by J. J. Abrams and written by Roberto Orci, Alex Kurtzman, and Damon Lindelof. It is the 12th installment in the Star Trek franchise and the sequel to the 2009 film Star Trek, as the second in a rebooted film series. It features Chris Pine reprising his role as Captain James T. Kirk, with Zachary Quinto, Simon Pegg, Karl Urban, Zoe Saldana, John Cho, Anton Yelchin, Bruce Greenwood, and Leonard Nimoy reprising their roles from the previous film. Benedict Cumberbatch, Alice Eve, and Peter Weller are also in the film's principal cast. It was Nimoy's last film appearance before his death in 2015. Set in the 23rd century, the film follows Kirk and the crew of USS Enterprise as they are sent to the Klingon homeworld seeking a former Starfleet member-turned-terrorist, John Harrison.
$80.00
Toccata
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Orchestra
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EASY
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Hector Berlioz
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Derrick Thom
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Toccata
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Derrick Thom. Lewis
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1217090 Composed by Hector Berlioz. Arranged by Derrick Thom. Lewis. Instructional,Romantic Period. S...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1217090 Composed by Hector Berlioz. Arranged by Derrick Thom. Lewis. Instructional,Romantic Period. Score and Parts. 22 pages. Derrick Thom. Lewis #813626. Published by Derrick Thom. Lewis (A0.1217090). This is a “toccata†for whom? Answer: the celli, basses, bassoons and tuba, for this is a workout for those often under-challenged members. In addition, this a gem of a piece as regards its wonderfully concise construction and simple, satisfying form. It is historically ironic, given Berlioz' wild public image and antipathy to musical authority, that he could produce such a work as this so effortlessly, a product a pure intellect without seeming passion. This could serve as an effective curtain-raiser or a daily exercise in general rehearsal. As many characteristics of the composer as I could manage are to be found in this arrangement, viz. Tbn. on melody, High viola the same, W/w tremolos, Fl./vl. Unison melody, --thereby (hopefully) evoking the Corsair Overture, Harold in Italy, Sym.Fantastique, Nuits d'Éte.
$72.00
I Believe
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Orchestra
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INTERMEDIATE
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Aled Jones
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Flavio Regis Cunha
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Cecilia Bartolli VERSION)
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I Believe
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1337963 By Aled Jones. By Eric Levisalles. Arranged by Flavio Regis Cunha. Christmas,Classical,Contes...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1337963 By Aled Jones. By Eric Levisalles. Arranged by Flavio Regis Cunha. Christmas,Classical,Contest,Festival,Instructional,Wedding. 66 pages. Flavio Regis Cunha #923709. Published by Flavio Regis Cunha (A0.1337963). DESCRIPTIONEric Levisalles: I Believe for Orchestra (Andrea Bocelli & Cecilia Bartolli VERSION).🎶 Elevate Your Orchestra's Performance with I Believe 🎶Are you ready to transport your audience to the realm of pure emotion and musical brilliance? Look no further! Introducing the enchanting sheet music of I Believe for orchestra, composed by the renowned Eric Levisalles and beautifully interpreted by the incomparable Andrea Bocelli and Cecilia Bartolli.🌟 Why I Believe for Your Orchestra? 🌟1ï¸âƒ£ **Emotional Resonance:** Immerse your audience in the powerful emotions conveyed through every note. I Believe transcends the ordinary, creating a musical experience that will leave a lasting impact.2ï¸âƒ£ **Versatility:** Perfect for professional orchestras seeking a challenging and captivating repertoire, as well as school and church orchestras aiming to inspire and connect with their community.3ï¸âƒ£ **World-Class Composition:** Eric Levisalles' masterful composition combined with the enchanting voices of Bocelli and Bartolli ensures a musical journey that is both profound and awe-inspiring.🎼 **Unlock the Potential of Your Orchestra** 🎼🌈 Whether you're aiming for a soul-stirring performance, seeking to captivate a diverse audience, or simply wanting to elevate your orchestra to new heights – I Believe is the answer.🔥 **Order Now and Let the Music Speak for Itself!** 🔥Visit our website or call [Your Contact Information] to secure your sheet music today. Transform your orchestra into a beacon of musical excellence with I Believe – where passion meets precision.🎶 **Believe in the Power of Music. Believe in Your Orchestra's Brilliance. I Believe.** 🎶Level: Intermediate Format: Concert, 9 x 12 inchesSize: 66 pagesContent: Full Score and Parts)PLUS!!! Engraved with Urtext Kapellmeister Music Font#IBelieve #andreabocelli #EricLevisalles # CeciliaBartolli #flavioregiscunha #OrchestraMagic #MusicalBrilliance #EricLevisalles #BocelliAndBartolli #SheetMusic #ElevateWithMusic #EmotionalResonance #MusicJourney #OrchestraExcellence #BelieveInThePowerOfMusichttps://youtu.be/rjO__MKd9Mc
$69.99
Mendelssohn Unfinished Symphony No. 6 C-Major (1845) - Completed
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Orchestra
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ADVANCED
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Gerd Prengel
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Adrian Gaigu
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Mendelssohn Unfinished Symphon
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Gerd Prengel
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1311951 Composed by Gerd Prengel. Arranged by Adrian Gaigu. 19th Century. 221 pages. Gerd Prengel #90...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1311951 Composed by Gerd Prengel. Arranged by Adrian Gaigu. 19th Century. 221 pages. Gerd Prengel #900836. Published by Gerd Prengel (A0.1311951). In 1845 Felix Mendelssohn was working on 2 movements for a 6th symphony in C-Major (shortly before he begann working on his Elijah oratorion). This is an attempt to complete them in his style and for the first time. I. Allegro ma non troppoFor the first movement a full score of the first 2 minutes (79 measures) exist and additionally sketches for further passages were included and elaborated here: m. 81 - 93: transition to the 2nd theme m. 107 - 116: 2nd theme m. 146 - 150 ending of the exposition m. 152 - 165: beginning of the development m. 196 - 204: canonic passage 11:57 II. Andante cantabile The very melodious sketches for the first 2:15 minutes were worked out to a second movement with variations on the main theme and a more passionate middle part. This publication includes the score and parts and is addressed to any conductors and orchestras willing to play unknown, excellent music by Mendelssohn put in a context true to his idiom. Total duration: 23 min. MP3:www.gerdprengel.de/Mendelssohn_unfinished_symphony_1.mp3www.gerdprengel.de/Mendelssohn_unfinished_symphony_2.mp3
$100.00
Use Somebody
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Orchestra
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INTERMEDIATE
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Kings of Leon
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Marek Czekala
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Use Somebody
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Marek Czekala
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1405848 By Kings of Leon. By Caleb Followill, Jared Followill, Matthew Followill, and Nathan Followil...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1405848 By Kings of Leon. By Caleb Followill, Jared Followill, Matthew Followill, and Nathan Followill. Arranged by Marek Czekala. 21st Century,Rock. 50 pages. Marek Czekala #988895. Published by Marek Czekala (A0.1405848). An excellent hit by the rock group Kings of Leon, written for a solo voice and a small symphony orchestra.
$50.00
Pulcinella - Parte 1
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Orchestra
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Alessio Niccolai
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Pulcinella - Parte 1
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Alessio Niccolai
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1029543 Composed by Alessio Niccolai. 20th Century,Contemporary. Score and parts. 136 pages. Alessio Niccolai #...
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Full Orchestra - Digital Download SKU: A0.1029543 Composed by Alessio Niccolai. 20th Century,Contemporary. Score and parts. 136 pages. Alessio Niccolai #5896511. Published by Alessio Niccolai (A0.1029543). Pulcinella - Parte 1 is a composition for symphony orchestra and SATB choir built on an old french doggerel: it's a sometimes funny, lively and bubbly piece, sometimes melancholic and poignant: exactly like the Neapolitan mask that it intends to celebrate.For its performance a complete symphonic ensemble and a chorus of great dramatic intensity are required. Correctly with the creative style of its author, Pulcinella (Polichinelle in French) also needs glockenspiel, tubular bells and xylophone, as well as a couple of harps.There is talk of «Part 1» because a sequel is currently in reworking and is intended for the subtitle of «Part 2» originally - when, at the age of 16 - Alessio Niccolai conceived it as a musical jotting, He intended it as a unique work. Since there were two main thematic guidelines, at the time of his transcription for orchestra and choir, he decided to separate them.
$18.00
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pag...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 page...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
Sergei Lyapunov - "Humoreske", Op. 34. Orchestrated by Arkady Leytush - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Sergei Lyapunov
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Arkady Leytush
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Sergei Lyapunov - "Humoreske",
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1408248 Composed by Sergei Lyapunov. Arranged by Arkady Leytush. 20th Century. 72 pages. Arkady Leytu...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1408248 Composed by Sergei Lyapunov. Arranged by Arkady Leytush. 20th Century. 72 pages. Arkady Leytush #990829. Published by Arkady Leytush (A0.1408248). Sergei Lyapunov, the centenary of his death, which we celebrate this year, was a brilliant pianist, gifted composer and teacher. His scherzo, modestly titled “Humoresque,†​​is a brilliant virtuoso piece in which, thanks to symphonic development, I heard a potential orchestra. Working on the orchestral transcription of this work was an absolute pleasure for me, since the soloists and groups of the future orchestra reproduced exclusively in accordance with their nature, character and mobility. In other words, to put it in theatrical language, the casting turned out to be very successful. In a regular score, the overall sound takes on a different scale and can delight listeners and musicians with excellent virtuosic compositions, updating the standard repertoire.
$40.00
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