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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
How
Not classified
565
Piano & keyboards
Piano solo
548
Piano, Voice
162
Easy Piano
106
Piano, Vocal and Guitar
35
Organ
16
1 Piano, 4 hands
12
2 Pianos, 4 hands
9
C Instruments
3
Piano Quartet: piano, 2 violins, cello
2
Piano Accompaniment
2
Organ, Trumpet (duet)
2
Piano Quintet: piano, 2 violins, viola, cello
1
Accordion and Orchestra
1
2 Pianos, 8 hands
1
Piano Trio: piano, violin, cello
1
Harpsichord
1
Accordion
1
+ 12 instrumentations
-
Retract
Guitars
Guitar
43
Guitar notes and tablatures
34
Piano, Guitar (duet)
13
Melody line, (Lyrics) and Chords
10
4 Guitars (Quartet)
8
Ukulele
4
2 Guitars (duet)
4
Dulcimer
3
3 Guitars (trio)
2
Guitar Ensemble
2
Bass guitar
1
Lyrics and Chords
1
+ 7 instrumentations
-
Retract
Voice
Choral SATB
214
Choral TTBB
109
Choral 3-part
58
Choral SSAA
36
Choral 2-part
26
Choral Unison
12
Vocal duet
8
Vocal duet, Piano
7
Soprano voice, Piano
7
Choral
6
Choral Instrumental Pak
6
High voice
5
Medium voice, Piano
3
Baritone voice, Piano
2
Voice solo
2
Low voice, Piano
1
Alto voice, Piano
1
Choral SSATTB
1
Tenor voice
1
Soli, Mixted choir and accompaniment
1
Mezzo-Soprano voice, Piano
1
+ 16 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
76
Saxophone Quartet: 4 saxophones
65
Flute, Oboe, Clarinet, Bassoon
51
Flute and Piano
34
Clarinet Quartet: 4 clarinets
33
Saxophone Quintet: 5 Saxophones
31
Alto Saxophone and Piano
24
Alto Saxophone
23
Flute
21
Clarinet Ensemble
21
Clarinet
19
Tenor Saxophone
18
Oboe, Piano (duet)
17
Clarinet and Piano
17
2 Flutes (duet)
13
Tenor Saxophone and Piano
13
2 Saxophones (duet)
13
Flute and Guitar
11
2 Clarinets (duet)
9
Clarinet Quintet: 5 clarinets
9
Flute ensemble
9
Oboe (band part)
9
Saxophone ensemble
8
Flute, Clarinet (duet)
7
Saxophone (band part)
7
Clarinet, Violin (duet)
6
Flute, Violin
6
Flute Quartet: 4 flutes
6
3 Saxophones (trio)
6
Flute Trio: 3 flutes
5
2 Recorders (duet)
5
Clarinet, Guitar (duet)
5
Oboe, Bassoon (duet)
4
3 Clarinets (trio)
4
Flute, Clarinet and Bassoon.
3
Soprano Saxophone and Piano
3
Clarinet, Cello, Piano (trio)
2
Flute Quintet : 5 flutes
2
Flute, Oboe, Clarinet (trio)
2
Clarinet, Cello (duet)
2
Flute, Violin and Violoncello
2
Piccolo, Piano
2
Recorder Ensemble
2
Clarinet, Bassoon (duet)
1
Flute, Saxophone (duet)
1
Saxophone and Organ
1
Harmonica
1
Baritone Saxophone, Piano
1
Treble (Alto) Recorder
1
Clarinet, Harp (duet)
1
Baritone Saxophone
1
Clarinet, Tuba
1
Flute, Cello, Piano (trio)
1
Soprano Saxophone
1
Flute, Viola (duet)
1
Oboe, Violin, Piano
1
Harmonica, Piano
1
English Horn, Guitar (duet)
1
Saxophone, Clarinet (duet)
1
Flute, Violin, Piano
1
Flute, Violoncello
1
Oboe, Flute
1
Clarinet and Viola
1
Recorder Quartet
1
Descent (Soprano) Recorder, Piano
1
Saxophone and Piano
1
Flute, Clarinet, Violin (trio)
1
English Horn
1
+ 63 instrumentations
-
Retract
Woodbrass
Brass quartet : 2 trumpets, trombone, tuba
56
Brass Quintet: 2 trumpets, horn, trombone, tuba
42
Trumpet, Piano
22
Trombone and Piano
16
Trumpet
16
Trombone
15
French Horn and Piano
13
French horn
12
Euphonium, Piano (duet)
8
Trombone ensemble
6
Brass Quartet: 4 trombones
5
Brass Quartet: 2 trumpets, horn, trombone
5
Trumpet (band part)
4
Brass Quartet: 4 horns
3
Tuba and Piano
3
Tuba
3
Trumpet, Tuba (duet)
2
Euphonium
2
2 Trombones (duet)
2
French horn (band part)
1
4 Tubas
1
Brass Quartet: 2 trumpets, 2 trombones
1
Brass Trio
1
Trombone, Violin (duet)
1
Horn Ensemble
1
Euphonium, Tuba (duet)
1
Trombone, Tuba (duet)
1
English Horn, Guitar (duet)
1
Bass Trombone and Piano
1
3 Trombones (trio)
1
Trumpet, Trombone (duet)
1
English Horn
1
+ 27 instrumentations
-
Retract
Strings
Harp
304
String Quartet: 2 violins, viola, cello
192
Violin
45
Violin and Piano
37
Violin, Cello (duet)
35
String Trio: violin, viola, cello
32
Cello
19
2 Violins (duet)
13
Cello, Piano
10
Viola, Piano
9
String Quintet: 2 violins, viola, cello, bass
8
Double Bass
7
Harp, Flute (duet)
7
Viola
6
Violin, Viola (duet)
5
2 Cellos (duet)
5
Viola (band part)
5
2 Violas (duet)
4
4 Cellos
3
Double bass, Piano (duet)
3
Violin (band part)
3
Harp, Violin (duet)
3
Cello (band part)
2
Violin, Guitar (duet)
2
Piano Trio: Violin, Viola, Piano
2
String Trio: 3 violins
2
2 Harps (duet)
1
Doublebass (band part)
1
Violin, Clarinet, Piano (trio)
1
String Trio: 2 violins, cello
1
3 double basses
1
String quartet: 4 violins
1
String Trio: 2 violins, viola
1
Cello, Orchestra
1
Cello, Guitar (duet)
1
+ 30 instrumentations
-
Retract
Orchestra & Percussion
Concert band
95
Brass ensemble
88
String Orchestra
68
Orchestra
57
Jazz Ensemble
32
Percussion Ensemble
18
Chamber Orchestra
17
Handbells
11
Marching band
7
Jazz combo
6
Drums
6
Marimba
5
Vibraphone
5
Piano and Orchestra
3
Xylophone, Piano
1
Marimba and Organ
1
2 Marimbas
1
+ 12 instrumentations
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CONTEMPORARY - 20-21TH CENTURY
Orchestra
Sheetmusic to print
57 sheet music found
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1
26
51
Show Off
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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M
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Show Off
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M. L. Daniels
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.834150 Composed by M. L. Daniels. 20th Century,Contemporary. Score and parts. 75 pages. M. L. Daniels...
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Full Orchestra - Level 4 - Digital Download SKU: A0.834150 Composed by M. L. Daniels. 20th Century,Contemporary. Score and parts. 75 pages. M. L. Daniels #5320555. Published by M. L. Daniels (A0.834150). Show Off was written to show off different section of the orchestra, such as F horns, slide trombones, upper woodwinds, low brass, percussion, etc. For humor, it includes short bursts of very familiar tunes, such as Mary Had a Little Lamb and Joy to the World. .
$25.00
There's No Business Like Show Business
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Broadway
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Irving Berlin
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Daryl McKenzie
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There's No Business Like Show
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.718537 Composed by Irving Berlin. Arranged by Daryl McKenzie. Broadway,Film/TV,Musical/Show. Score an...
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Full Orchestra - Level 4 - Digital Download SKU: A0.718537 Composed by Irving Berlin. Arranged by Daryl McKenzie. Broadway,Film/TV,Musical/Show. Score and parts. 135 pages. Daryl McKenzie #6434777. Published by Daryl McKenzie (A0.718537). Arranged in the style of Ethel Merman. Vocal duet with Pops Orchestra (2Fl, 2Cl, 2Ob, 2Bsn, 4Hn, 3Trpt, 3Trb, Tba, Piano, Guitar, Bass Guitar, Drums, 2Perc, Hp, Vln1, Vln2, Vla, Vcl, CB). Key of C with Key changes to B and C major. Full audio demo (Sibelius sounds) : https://bit.ly/3vcIq1d More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$69.99
How Excellent Is Thy Name
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Orchestra
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INTERMEDIATE
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Contemporary
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Larnelle Harris
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Dico
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Worship
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How Excellent Is Thy Name
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Dico Ferreira
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SheetMusicPlus
By Larnelle Harris. By Paul Smith, Melodie Tunney, and Dick Tunney. Arranged by Dico. Praise & Worship. Score and parts. 92 pages. Dico Ferreira #...
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By Larnelle Harris. By Paul Smith, Melodie Tunney, and Dick Tunney. Arranged by Dico. Praise & Worship. Score and parts. 92 pages. Dico Ferreira #139905. Published by Dico Ferreira
$62.50
Howzat
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Orchestra
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INTERMEDIATE
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Contemporary
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MITCHELL and Porter
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Matt Amy
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Howzat
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.750516 Composed by MITCHELL and Porter. Arranged by Matt Amy. Contemporary. Score and parts. 67 pages...
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Full Orchestra - Level 3 - Digital Download SKU: A0.750516 Composed by MITCHELL and Porter. Arranged by Matt Amy. Contemporary. Score and parts. 67 pages. Matt Amy Music #5008159. Published by Matt Amy Music (A0.750516). This arrangement was performed by Daryl Braithwaite with the Australian Philharmonic Orchestra and does not contain a vocal part.
$75.00
Family Fugue
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Orchestra
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INTERMEDIATE
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Contemporary
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Classical
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Jenny-Joy Ahimsa Moore
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Family Fugue
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Jenny Joy Ahimsa Moore
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore #1026786. Published by Jenny Joy Ahimsa Moore (A0.1447011). This piece is for a symphony that would play more challenging music. It is how I view, and harmonize, my dysfuctional/abusive family. The middle section falls apart much like my family truly was, behind closed doors. That is: we lived in the same house, but we did not communicate, we did not listen to each other. Near the end, it becomes much darker, almost funereal, like the truth of what being the youngest child (of a narcissistice mother, with an older narcissistic sister, a dad who chooses to remain ignorant) in my family was truly like. The various parts represent members of my family , sometimes several parts represent one member, or (at times) one part represents several members. Typically, the flute represents my sister, clarinet represents myself (sometimes tuba and trumpet as well). The parts overlap , to show how we did not listen and spoke at each other rather than with each other. This piece shows not just what each person was like on the outside, but also shows the more subtle sides of each member that few people really see or know about (the abuse behind closed doors). This piece is multi faceted, multi layered, like the 4 main members of my family are. The very end points to the Grace of God being the only thing that can heal my family at this point. The flute ends higher than clarinet, in the Hope that Healing can truly occur (not just my family, but with other families that hurt as well).
$79.99
EP!C!!!
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243....
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
Festival
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
Gulf Coast Symphony
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Kevin Price
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Gulf Coast Symphony
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Kevin Price
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.965587 Composed by Kevin Price. Contemporary. Score and parts. 139 pages. Kevin Price #5766297. Publi...
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Full Orchestra - Level 4 - Digital Download SKU: A0.965587 Composed by Kevin Price. Contemporary. Score and parts. 139 pages. Kevin Price #5766297. Published by Kevin Price (A0.965587). I am really excited to present my first symphony; Gulf Coast Symphony. As far as symphonies go this is slightly shorter than most with a runtime of approx. 20 mins. This composition consists of four movements: The Sonata, which is written at an Allegro includes a french horn and oboe solo. Andante, which is obviously written at an Andante displays a very beautiful harp part, a section with the violins playing a lovely pizzicato part, and includes a trumpet duet. The percussion is also showcased in the first 8 bars of the movement. Next is the Minuet, which highlights the flutes briefly in the intro, and also includes a violin as well as a trombone solo. The last movement is a Rondo, which consists of a bassoon solo and is the longest of the 4 movements. I am looking for feedback on my composition, so please leave comments in the review section on what you liked, and what you might like to see in future compositions. Enjoy!
$19.99
Variations on a Theme: Wayfinder
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Orchestra
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INTERMEDIATE
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Contemporary
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Garrett Melick
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Variations on a Theme: Wayfind
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Moof Miser
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1024919 Composed by Garrett Melick. Contemporary. Score and parts. 82 pages. Moof Miser #4355557. Pub...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1024919 Composed by Garrett Melick. Contemporary. Score and parts. 82 pages. Moof Miser #4355557. Published by Moof Miser (A0.1024919). The Wayfinder, a small ship floating aimlessly through space. This song is the story of their adventures as they explore the galaxy. Variations on a Theme: Wayfinder was written in response to what felt like a general lack of more showy, almost cinematic tunes available publicly for full orchestra, at least ones that weren't arrangements of other movie songs. Wayfinder provides a song that's both fun to play and listen to, while also offering a fair challenge to younger high school orchestra groups to make sure they are listening to other members of the orchestra and keeping their parts balanced between them. It is suggested that, when rehearsing this piece, one emphasize a focus on listening carefully, as well a careful balance between parts played staccato and legato, as well as to bring attention to the multiple tempo changes that occur throughout the piece. .
$30.00
Battle Hymn of the Republic
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Orchestra
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INTERMEDIATE
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Contemporary
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Julia Ward Howe
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Jessica Wells
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Battle Hymn of the Republic
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Jigsaw Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download Composed by Julia Ward Howe. Arranged by Jessica Wells. Classical, Folk, Religious. 45 pages. Jigsaw Music ...
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Full Orchestra - Level 3 - Digital Download Composed by Julia Ward Howe. Arranged by Jessica Wells. Classical, Folk, Religious. 45 pages. Jigsaw Music #887361. Published by Jigsaw Music
$70.00
Poems for Orchestra - score and parts
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Philip Orem
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Poems for Orchestra - score an
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Philip Orem
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.872621 Composed by Philip Orem. Contemporary. Score and parts. 227 pages. Philip Orem #3543779. Publi...
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Full Orchestra - Level 4 - Digital Download SKU: A0.872621 Composed by Philip Orem. Contemporary. Score and parts. 227 pages. Philip Orem #3543779. Published by Philip Orem (A0.872621). This is a collection of ten pieces based on poems of Wendell Berry and Mary Oliver. Some are transcriptions of songs I've written, others are my interpretations of the poems. All are colorful and unique with lots of solos for your principal chairs. The individual movements are What Can I Say?, The Vireo, The River in Spring, Like Snow, Meeting Wolf, On the Beach at Sunrise, Walking on the River Ice, How Perfect a Rose, The Winter Wren and A Joyful Spring.Here is a link for audio https://drive.google.com/open?id=1JkYVQa0mzwGV6FE_jq908X3CkrVXU1AODue to the large size of this the file had to split in two, the remaining parts are in a separate file on SMP.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$150.00
Symphony No. 1, "The Dawning of 2012" For Large Orchestra, Full Score and Individual Parts, James Na
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Orchestra
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ADVANCED
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Contemporary
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James Nathaniel Holland
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Symphony No. 1, "The Dawning o
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730463 Composed by James Nathaniel Holland. Contemporary. Score and parts. 464 pages. James Nathaniel...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730463 Composed by James Nathaniel Holland. Contemporary. Score and parts. 464 pages. James Nathaniel Holland #3620879. Published by James Nathaniel Holland (A0.730463). 2012. The end of the world. How much did we have to suffer through all those articles, movies, and events that never happened? But I still like the idea of it. Some sort of awakening.
$79.95
Symphony No. 1, "The Dawning of 2012" For Large Orchestra, Individual Parts Only, James Nathaniel Ho
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Orchestra
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ADVANCED
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Contemporary
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James Nathaniel Holland
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Symphony No. 1, "The Dawning o
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730462 Composed by James Nathaniel Holland. Contemporary. Score and parts. 312 pages. James Nathaniel...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730462 Composed by James Nathaniel Holland. Contemporary. Score and parts. 312 pages. James Nathaniel Holland #3620873. Published by James Nathaniel Holland (A0.730462). 2012. The end of the world. How much did we have to suffer through all those articles, movies, and events that never happened? But I still like the idea of it. Some sort of awakening.
$65.25
Dove
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Orchestra
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INTERMEDIATE
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Contemporary
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Sebastian Yradier and Shan Zha
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Javier MartÃnez Maya
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Dove
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.742596 Composed by Sebastian Yradier and Shan Zhang. Arranged by Javier MartÃnez Maya. Contemporar...
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Full Orchestra - Level 3 - Digital Download SKU: A0.742596 Composed by Sebastian Yradier and Shan Zhang. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 59 pages. Arte Nova Music Lab #6432131. Published by Arte Nova Music Lab (A0.742596). La Paloma, The Dove in English, is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) in the 1850s. In 1879, it was registered at the copyright office in Madrid as a Canción Americana con acompañamiento de Piano. Iradier was to die in obscurity within few years, never to learn how popular his song would become.Very quickly, La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Cuba, Colombia, Hawaii, the Philippines, Germany, Romania, Venezuela, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years, the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds. There are more than one thousand versions of this song, and together with Yesterday by The Beatles, is one of the most-recorded songs in the history of music; it is certainly the most-recorded Spanish song.Taken from https://en.wikipedia.org/wiki/La_Paloma
$60.00
Tears from My Eyes: Remember Your Feelings (For Orchestra)
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Orchestra
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Contemporary
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Tito Abeleda
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Tears from My Eyes: Remember Y
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.984527 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 88 pages. Visionary Quest Records ...
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Full Orchestra - Digital Download SKU: A0.984527 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 88 pages. Visionary Quest Records #4312371. Published by Visionary Quest Records (A0.984527). Tears from My Eyes: Remember Your Feelings expresses the pathos experienced when overcome with sadness or sorrow and the reflection or contemplation attached to such grief. I wrote this score with the hope and intention this will be a supportive enhancement to another creator's visual production to help others tell their stories.Free your mind. Relax. Feel & reflect on memories past & those who have been a part of your life journey... those paths that have crossed yours and those paths that have merged with yours. Ponder the significance of how you have been shaped & touched by each of them in their own special way.Solo Cello, Solo Oboe, Cello & Oboe Duet, Orchestra (2 Violins, 2 Violas, 2 Cellos (non-solo), 1 Flute, 1 Piccolo, 1 Oboe (non-solo), 1 Clarinet, 2 Bassoons, 2 French horns, 2 Euphoniums, 2 Trumpets, 2 Trombones, 2 Double Bass, 3 Tubas) Great feature for cello and oboe soloists. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 96 pages. Duration: 8:26License on Songtradr - bit.ly/RememberYourFeelings_SongtradrSpotify: spoti.fi/2CwHt8KDeezer: bit.ly/TearsAlbum_DeezerTidal: bit.ly/TearsAlbum_TidaliTunes/Apple Music: bit.ly/TearsAlbum_iTunesGoogle Play: bit.ly/TearsAlbum_GooglePlayAmazon Music: amzn.to/2tG2hFZiHeartRadio: ihr.fm/2Toc5ijNapster: bit.ly/TearsAlbum_NapsterFor Non U.S. fans:JioSaavn: bit.ly/TearsAlbum_JioSaavnSpecial thanks for Jhonis Martins Photography for sheet music / album cover.Email: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: www.facebook.com/titoabeledaTwitter: twitter.com/titoabeledaInstagram: www.instagram.com/tabeledaYouTube: www.youtube.com/c/titoabeledaSpotify: bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: bit.ly/TitoAbeleda_iTunes
$55.00
Ocean Voyage - (Full Orchestra) Full Set
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Nick Raspa
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Ocean Voyage -
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NJR Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.753997 Composed by Nick Raspa. Contemporary. Score and Parts. 206 pages. NJR Music #48329. Published ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.753997 Composed by Nick Raspa. Contemporary. Score and Parts. 206 pages. NJR Music #48329. Published by NJR Music (A0.753997). When I began this piece, I was thinking about my father and my grandparents and how they left their families and the comfort of familiar surroundings in Italy and immigrated to America for a new life during the early part of the 20th Century. Just as there is an element of danger in taking a trip across the ocean, there is the excitement of the voyage and the promise of a new experience visiting a place you have never been before.  The trip itself is an adventure since you will spend several days aboard the ship, and in days that have long since faded from the calendar, these trips took weeks and even months. This piece attempts to capture the spirit of the adventure and excitement of such a trip. The piece starts with the sounding of the horn and the ship embarks.  This leads to a beautiful lyrical section and later there is a spritely gigue.  Through these various sections I attempted to capture the various moods of the passengers during various stages of this long journey. Forces: 2222 4221 timp,glock,mar, perc,str</b  Click on the YouTube link to hear the entire piece.  ASCAP>.
$54.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
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Orchestra
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141. Published by Benjamin Sajo (A0.1018900). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$50.00
Legacy
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #341...
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Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95
Twinkle Variations for Orchestra (Set of Parts)
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Tony Matthews
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Twinkle Variations for Orchest
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Archway Publications
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.945575 Composed by Tony Matthews. 20th Century,Classical,Contemporary. Set of parts. 107 pages. Archw...
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Full Orchestra - Level 4 - Digital Download SKU: A0.945575 Composed by Tony Matthews. 20th Century,Classical,Contemporary. Set of parts. 107 pages. Archway Publications #6292517. Published by Archway Publications (A0.945575). This is the work that won the UK Songwriting Contest in 2008. I have always been fascinated how different composers have made use of the same . Twinkle Twinkle Little Star source material.
$34.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestra
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Thérèse Brenet: De Rerum Natura ou Le Chant des étoiles for narrator and orchestra
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Orchestra
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ADVANCED
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Contemporary
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Therese Brenet
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Thérèse Brenet: De Rerum Nat
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533846 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 33 pages. Musik Fabrik...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533846 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 33 pages. Musik Fabrik Music Publishing #3053317. Published by Musik Fabrik Music Publishing (A0.533846). Thérèse Brenet's work for narrator and orchestra is inspried by a passage from De Rerum Natura by Lucretius, which deals with Man's reaction to observing the cosmos. The work is scored for large orchestra (2(pic)222/3330/Timp/2perc/hp/pn/strings). There is no precise interaction between the narrator and the music, except that each segment corresponds to a specific movement. It is up to the conductor and the narrator to define how they wish the text to interact with the music. This is the score only. The orchestral parts are on rental from the publisher.
$25.95
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestra
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Dance for Ann - Orchestra Score and Parts PDF
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Orchestra
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INTERMEDIATE
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Contemporary
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Brendan Elliget MAGA 537
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Dance for Ann - Orchestra Scor
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.750772 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 38 pages. BJE Music #3559...
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Full Orchestra - Level 3 - Digital Download SKU: A0.750772 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 38 pages. BJE Music #3559995. Published by BJE Music (A0.750772). Dance for Ann - Orchestra Score and Parts PDFThis little tune was written for my sister Ann. It was originally arranged for a small mixed ensemble but I have now re-arranged it for a full orchestra. Parts for Harp, Piano, Vibraphone, and Guitar are included in the score. Any comments or suggestions welcome! Listen to MP3 to get a better idea of how it should sound! It was recorded with Sibelius Sounds.
$15.00
A Watery Grave
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Orchestra
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Contemporary
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Tim Yarham
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A Watery Grave
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True Art is Angsty
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1005079 Composed by Tim Yarham. 20th Century,Contemporary. Score and parts. 63 pages. True Art is Angsty #48881...
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Full Orchestra - Digital Download SKU: A0.1005079 Composed by Tim Yarham. 20th Century,Contemporary. Score and parts. 63 pages. True Art is Angsty #4888143. Published by True Art is Angsty (A0.1005079). Who knows how many ships lie in A Watery Grave? This orchestral program work calls to those lost wrecks, deep beneath the surface of the ocean.
$10.00
Symphony No. 3 in A minor, op. 17
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Orchestra
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ADVANCED
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Contemporary
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #94126...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
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