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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
In The Beginning
Not classified
1,308
Piano & keyboards
Big Note Piano
3,297
Organ
1,617
Piano solo
717
Easy Piano
714
Piano Accompaniment
112
Piano, Voice
93
Piano, Vocal and Guitar
74
1 Piano, 4 hands
67
Keyboard
60
C Instruments
20
Piano Trio: piano, violin, cello
19
2 Pianos, 4 hands
15
Piano (band part)
7
Accordion
6
1 Piano, 6 hands
4
2 Pianos, 8 hands
1
Piano Quartet: piano, violin, viola, cello
1
Accordion ensemble
1
Organ, Piano (duet)
1
2 Accordions
1
Fake Book
1
Piano Quartet: piano, 2 violins, cello
1
+ 17 instrumentations
-
Retract
Guitars
Guitar
148
Guitar notes and tablatures
86
Ukulele
46
Bass guitar
22
Mandolin
22
Dulcimer
17
Banjo
17
2 Guitars (duet)
15
Guitar (band part)
14
Melody line, (Lyrics) and Chords
5
4 Guitars (Quartet)
4
Lap Steel Guitar
3
Dobro
2
3 Guitars (trio)
2
Baritone Ukulele
2
Lyrics and Chords
1
Piano, Guitar (duet)
1
Guitar Ensemble
1
2 Mandolins (duet)
1
+ 14 instrumentations
-
Retract
Voice
Choral SATB
327
Choral 3-part
91
Choral 2-part
67
Choral Unison
39
Choral SSAA
37
Choral TTBB
35
Voice solo
8
Soprano voice, Piano
8
Vocal duet, Piano
4
Vocal duet
3
Baritone voice, Piano
2
Medium voice, Piano
2
Choral SSATTB
2
Choral SSAATTBB
1
Low voice, Piano
1
Tenor voice, Piano
1
Alto voice, Piano
1
Choral SSAB a cappella
1
Voice, Guitar
1
+ 14 instrumentations
-
Retract
Woodwind
Flute and Piano
86
Saxophone Quartet: 4 saxophones
85
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
72
Saxophone (band part)
69
Clarinet
68
Clarinet and Piano
61
Flute, Oboe, Clarinet, Bassoon
61
2 Saxophones (duet)
56
Flute
56
Oboe, Piano (duet)
42
Alto Saxophone
40
Clarinet Quartet: 4 clarinets
36
Saxophone Quintet: 5 Saxophones
36
Flute Quartet: 4 flutes
31
Alto Saxophone and Piano
31
2 Flutes (duet)
28
2 Clarinets (duet)
26
Oboe (band part)
25
Clarinet Ensemble
24
Tenor Saxophone
23
Tenor Saxophone and Piano
23
Flute ensemble
22
3 Saxophones (trio)
19
Oboe, Bassoon (duet)
17
Clarinet (band part)
16
Oboe
16
Flute Trio: 3 flutes
13
Saxophone ensemble
13
2 Recorders (duet)
13
Soprano Saxophone and Piano
13
Harmonica
13
3 Clarinets (trio)
12
Baritone Saxophone, Piano
12
Saxophone, Clarinet (duet)
11
Flute, Clarinet (duet)
11
Descant (Soprano) Recorder
10
2 Oboes (duet)
10
English horn, Piano
10
Clarinet Quintet: 5 clarinets
9
Clarinet, Bassoon (duet)
8
Oboe, Clarinet (duet)
8
Flute (band part)
8
Flute Quintet : 5 flutes
8
Clarinet, Violin (duet)
7
4 Oboes
6
Oboe, Flute
6
Recorder Quartet
5
Flute, Violin
4
3 Recorders (trio)
4
Recorder
4
Oboe ensemble
4
English Horn
4
Flute, Saxophone (duet)
4
Pennywhistle
4
Flute, Oboe, Clarinet (trio)
4
Tenor Recorder
4
3 Oboes
4
Clarinet, Trumpet (duet)
4
Clarinet and Viola
4
Piccolo
3
Treble (Alto) Recorder, Piano
3
Saxophone
3
Treble (Alto) Recorder
3
Flute, Trumpet (duet)
3
Soprano Saxophone
3
Flute, Oboe (duet)
2
Baritone Saxophone
2
Flute, Organ (duet)
2
Bass Clarinet, Piano
1
Flute, Clarinet, Piano (trio)
1
Flute and Strings Trio
1
Flute, Violin, Piano
1
Flute, Viola (duet)
1
Flute, Clarinet and Bassoon.
1
Clarinet, Guitar (duet)
1
Bass Clarinet
1
Oboe, Bassoon and Piano
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Flute, Violoncello
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Pan Flute
1
Wind ensemble
1
Recorder, Guitar (duet)
1
Eb Instruments
1
+ 79 instrumentations
-
Retract
Woodbrass
Trumpet
82
Brass Quintet: 2 trumpets, horn, trombone, tuba
75
Brass quartet : 2 trumpets, trombone, tuba
48
Trombone (band part)
40
Trombone
38
Trumpet (band part)
34
French horn
32
Trombone and Piano
32
Trumpet, Piano
30
French Horn and Piano
28
Tuba
24
Brass Quartet: 2 trumpets, horn, trombone
22
2 Trumpets (duet)
18
2 Trombones (duet)
17
Tuba and Piano
16
Trumpet, Trombone (duet)
14
Brass Quartet: 4 trombones
14
2 French horns (duet)
12
Brass Quartet
12
2 Tubas (duet)
10
French horn (band part)
10
English horn, Piano
10
Tuba (band part)
9
Trombone ensemble
8
Trumpet, Saxophone (duet)
8
Trumpet, Horn (duert)
8
Brass Quartet: 4 trumpets
7
Euphonium, Piano (duet)
6
3 Trombones (trio)
6
Trumpet ensemble
5
Trombone, Horn (duet)
5
Brass Quartet: 4 horns
5
3 French horns (trio)
5
3 Tubas (trio)
5
Horn Ensemble
5
Euphonium
4
4 Tubas
4
English Horn
4
Trumpet, Tuba (duet)
3
2 Euphoniums and 2 Tubas
3
Trombone, Tuba (duet)
2
Bass Trombone and Piano
2
Horn, Tuba (duet)
2
3 Trumpets (trio)
2
Tuba and Organ
2
Brass Quartet: 2 trumpets, 2 trombones
1
Bass Trombone
1
4 Euphoniums
1
Trumpet, Bassoon (duet)
1
Bb Instruments
1
Euphonium, Tuba (duet)
1
+ 46 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
165
Violin and Piano
133
Violin
128
Cello
71
Cello, Piano
60
Harp
54
Viola
49
Violin, Cello (duet)
44
Viola, Piano
43
String Trio: violin, viola, cello
41
2 Violins (duet)
35
Double Bass
29
String Quintet: 2 violins, viola, cello, bass
28
Violin (band part)
23
Doublebass (band part)
20
Double bass, Piano (duet)
18
2 Violas (duet)
16
String Trio: 2 violins, cello
16
2 Cellos (duet)
14
Viola (band part)
11
String Trio: 3 violins
8
String Trio: 3 cellos
7
Violin, Guitar (duet)
7
4 Cellos
6
Viola, Cello (duet)
6
String Trio: 3 violas
6
Violin, Viola (duet)
6
2 Harps (duet)
5
String quartet: 4 violins
4
2 Violins, Piano
4
Cello (band part)
4
String Quartet : 4 violas
3
Autoharp
3
Harp, Flute (duet)
2
3 double basses
2
String Trio: 2 violins, viola
2
2 Double basses (duet)
2
String Quintet: 2 violins, 2 violas, cello
2
Viola ensemble
1
Piano Trio: Violin, Viola, Piano
1
Cello, Guitar (duet)
1
Viola, Guitar (duet)
1
Violin ensemble
1
+ 38 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,236
String Orchestra
191
Handbells
127
Orchestra
97
Jazz Ensemble
66
Brass ensemble
45
Chamber Orchestra
42
Drums
35
Percussion Ensemble
17
Percussion (band part)
12
Marching band
11
Drum (band part)
8
Xylophone
6
2 Xylophones
4
Jazz combo
3
Percussion
3
Marimba
3
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Snare drums
1
Xylophone, Piano
1
Bongos
1
Orchestra, Violin
1
Brass Quintet: other combinaisons
1
3 Marimbas
1
Cajon
1
Piano and Orchestra
1
+ 21 instrumentations
-
Retract
Others
Instruments
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In The Beginning
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97 sheet music found
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76
Where Eagles Dare (Theme) - Score Only
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Orchestra
#
INTERMEDIATE
#
Film/TV
#
Ron Goodwin
#
Chris Siddall
#
Where Eagles Dare
#
Chris Siddall Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Pu...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestra
#
ADVANCED
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #94204...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
#
Orchestra
#
ADVANCED
#
Contemporary
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #94126...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Suite from the opera "Hamlet", op. 64a
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Adrian Gagiu
#
Suite from the opera "Hamlet",
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Publ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian Gagiu (A0.1370573). Score and parts of a Suite of orchestral excerpts from Hamlet (2017), a neo-romantic opera in 3 acts (libretto by Gene Tyburn, after Shakespeare), ranging between tragedy, irony and nostalgia: 1. Overture (Largo - Allegro assai e con brio) in D minor to Hamlet (2017). Dramatic composition, developing in sonatina form the main leitmotifs and themes of the opera (and the famous Folia theme in the beginning).2. Intermezzo No. 1 'The Players': humorous and ironic excerpt in B flat major for wind orchestra, accompanying the entrance of the players/actors.3. Intrada ('The Court'): orchestral march in E flat major, illustrating the entrance of the royal court.4. 'The Play': orchestral 'melodrama' in B flat major, illustrating in a satirical manner the play within the play and transforming bits by John Stepan Zamecnik for the silent movies of early 20th century.5. Intermezzo No. 2 'Polonius Chasing Hamlet': a symphonic scherzo in A flat major, illustrating Hamlet as he playfully grabs Polonius' hat and then is chased by him.6. 'Hamlet's Exile', linking together a postlude in F minor and an interlude in C major for string orchestra: after having accidentally killed Polonius, Hamlet feels sorry for him and then leaves in exile.7. Introduction to Act 3, in C minor: after having secretly returned from his exile in England, Hamlet arrives in the graveyard near Elsinore.8. Dead March in C minor: the funeral procession for Ophelia.9. The final chorus, in D major: after the horrors and crimes and Hamlet fulfilling his duty at his life's price, soothing hope returns.Total duration 33 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the Overture.
$100.00
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Orchestra
#
ADVANCED
#
Contemporary
#
Adrian Gagiu
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Symphony No. 4 "Homage to Beet
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Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
Latvian National Anthem for Symphony Orchestra
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Orchestra
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INTERMEDIATE
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Patriotic
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Keith Terrett
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Keith Terrett
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Latvian National Anthem for Sy
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Keith Terrett
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Pr...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
The Royal Anthem of Thailand (arr. full orchestra)
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Orchestra
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INTERMEDIATE
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Contemporary
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Pyotr Schurovsky
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Colin Kirkpatrick
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The Royal Anthem of Thailand
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Colin Kirkpatrick Publications
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.522241 Composed by Pyotr Schurovsky (1850-1908). Arranged by Colin Kirkpatrick. Contemporary. Score a...
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Full Orchestra - Level 3 - Digital Download SKU: A0.522241 Composed by Pyotr Schurovsky (1850-1908). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 31 pages. Colin Kirkpatrick Publications #4833305. Published by Colin Kirkpatrick Publications (A0.522241). In Thailand, there are two anthems in daily use, the National Anthem and the Royal Anthem. The National Anthem is a jaunty march-like melody played on the radio (and over loudspeakers in many local communities) every morning and evening. The Royal Anthem is performed at all formal occasions; it's played at the beginning of every concert and recital and also in movie theaters before the main feature.
$19.99
Main Titles of America - Orchestral Composition (Finalist in National Young Composers Challenge)
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Orchestra
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INTERMEDIATE
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Caleb Liu
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Main Titles of America - Orche
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Caleb Liu
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 pages. Caleb Liu #6683167. Published by Caleb Liu (A0.955621). Main Titles of America was composed during shelter-in-place in July 2020. The piece was premiered in Winter of 2020 and was selected as a finalist in the 2021 National Young Composers Challenge. The composition was largely inspired by film music. In a film score, there is often a piece called Main Titles that plays during the opening scenes of the film. Typically, this piece encaptures all the major musical motifs present in the score of the movie. As the name suggests, Main Titles of America portrays the major themes of America in musical form. The three themes the piece highlights are opportunity, freedom, and love.The main musical motif appears early in the piece and is supported with eight notes and triplets from the harp and violas. The overall feel is adventurous and hopeful with energy building. The main motif is prominent throughout the piece, and almost every instrument plays the motif at some point. Each instrument represents a unique person who has the opportunity to flourish in America. The second motif represents freedom, and it is primarily played by the woodwinds. In particular, the flutes with their light, feathery sound help to express this idea. This motif is more playful and adds a touch of cheerfulness and lightness to the piece. It reflects the happiness of being free. The main motif and the second motif are intertwined just like opportunity and freedom. The third motif represents love and is prominent in the second half of the piece. The same eighth notes and triplets provide seamless energy and flow. While still maintaining a dream-like feel, this motif is meant to sound more grandiose and emotional. The sweeping themes and romantic harmonies are intended to portray the feeling of an ideal relationship. The piece ends with a triumphant brass chorale (the same motif from the beginning) followed by a tutti chord. It’s the musical representation of look how far we’ve come! The piece highlights the infamous American Dream - that anyone in America has the opportunity to pursue their dreams, find love, and create their own destiny.
$34.99
In the beginning
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Orchestra
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INTERMEDIATE
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Luis Diego Piedra
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In the beginning
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Piedra Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1343380 Composed by Luis Diego Piedra. Christian,Christmas,Classical. 6 pages. Piedra Music #928907. ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1343380 Composed by Luis Diego Piedra. Christian,Christmas,Classical. 6 pages. Piedra Music #928907. Published by Piedra Music (A0.1343380). This piece was composed in 2023 to be premiered during Christmas at Valpo, at Valparaiso University. It is a musical representation of the world in chaos without God, and then towards the middle and end the music changes, as if the heavens open up and we are being shown the light of Christ. At the end we hear the arrival of a baby -Jesus-.
$20.00
Brahms Sonata in F-minor, Opus 5, 3rd movement, as a Symphony
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Orchestra
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ADVANCED
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Classical
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Aere Greenway
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Aere Greenway
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Brahms Sonata in F-minor, Opus
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1272505 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. S...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1272505 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 46 pages. Aere R Greenway #864730. Published by Aere R Greenway (A0.1272505). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy. Â So I set about orchestrating his sonata for piano, opus 5, as a symphony. Â I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally. Â And this is a composition from his youth (1854). Â In fact, I have been repeatedly amazed at how many simultaneous, independent parts, he has put into a piano solo. Â I haven't needed to create anything. Â It's all Brahms, coming through. Â Perhaps, if Brahms weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony. Â And you get to hear its third movement now. Â As with the tradition of Beethoven, the 3rd movement is a scherzo. Â You can think of it (at least in the beginning, and end), as the waltz of the gargoyles. Â Enjoy!Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony by Aere.
$47.97
Uprising of the Orchestra
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Orchestra
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INTERMEDIATE
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Contemporary
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Joshua Argyle
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Uprising of the Orchestra
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Joshua Argyle
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1024320 Composed by Joshua Argyle. Contemporary. Score and parts. 48 pages. Joshua Argyle #3568953. P...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1024320 Composed by Joshua Argyle. Contemporary. Score and parts. 48 pages. Joshua Argyle #3568953. Published by Joshua Argyle (A0.1024320). As an excited composer, Uprising of the Orchestra was created to provide confidence to all who hear the epic score. With this piece, the goal was to provide room for emotional musicians to add their own personality so they can find the satisfaction their soul desires. This piece gives a large build in the early part of the piece, which then leads to a slow and steady peak. This piece continues with an element of mystery, and then finishes by restating the power peak at the beginning of the piece. Overall, whether a listener or player, this piece was created to provide musical fun and emotion.
$4.99
I Write The Songs
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Orchestra
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INTERMEDIATE/ADVANCED
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Barry Manilow
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Kevin Riley
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I Write The Songs
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and par...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Kevin Riley #647831. Published by Kevin Riley (A0.1043121). I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976. The original version was recorded by Captain & Tennille, who worked with Johnston in the early 1970s with the Beach Boys. It appears on their 1975 album Love Will Keep Us Together. The first release of I Write the Songs as a single was by teen idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Johnston. Cassidy's version reached number 11 on the UK Singles Chart in August of that year. Johnston has stated that, for him, the I in the song is God, and that songs come from the spirit of creativity in everyone. He has said that the song is not about his Beach Boys bandmate Brian Wilson. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Cash Box said of Manilow's version Good work Barry describing the song as melodic, ballad-like beginning grows into an operatic crescendo, all done in clear production that all age groups will appreciate.
$70.00
Return to eden (In the beginning) Part 2
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Orchestra
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INTERMEDIATE
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Vitalii Matviichuk
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Vitalii Matviichuk
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Return to eden
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Pablished by Vitalii Matviichuk
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1500067 By Vitalii Matviichuk. By Vitalii Matviichuk. Arranged by Vitalii Matviichuk. Christian,Film/...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1500067 By Vitalii Matviichuk. By Vitalii Matviichuk. Arranged by Vitalii Matviichuk. Christian,Film/TV,Patriotic,Thriller,Video Game. 56 pages. Pablished by Vitalii Matviichuk #1076141. Published by Pablished by Vitalii Matviichuk (A0.1500067). A wonderful orchestral composition with an epic development. The full orchestra sounds in its best timbre. Easy parts to perform will allow you to quickly make the stage sound of your team. Good luck!
$40.99
I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Igor Stravinsky
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A
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I. Stravinsky – Serenade in
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Published by Arkady Leytush (A0.1374158). This 4-part suite is called Serenade in A. This name, chosen by its author, completely exhausts the content of this music and emphasizes the main idea of the composition, as well as the tonality of all parts. Each part provides comprehensive details in this series and has its own title. I emphasize that this is by no means a programmatic essay. The nature of each part and their internal content pushed me to follow my interpretation of each part in the orchestral transcription. 1. Hymne is essentially nothing more than a Hymn of love! His character, sublime above the everyday, is, as it were, raised to the surface and presented in bright, broad strokes as an irrefutable truth. 2. Romanza - I perceive it as a kind of parody of a love romance with the main sentiments and elements inherent in this genre. This is by no means a refutation of love, but only some irony over the false, pretentious way of expressing this feeling. The grotesque character is emphasized whenever possible by the orchestration. 3. Rondoletto - this part, from the very beginning in my orchestration, resembles the multi-voiced play of musicians preparing to play, testing the sound of their instruments, tuning them and playing out. 4. Cadenza Finala - the nature of the music is the union and rapture of love. In my orchestration there can be traced duets of various instruments and orchestra groups such as: a pair of Flutes, a pair of Oboes, Clarinets, Trumpets, Trombones, 1st and 2nd Violins. This feature of the pairs I have chosen should emphasize their relationship and relatedness.
$60.00
The Nirvana of Phoenix 鳳凰涅ç£
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Orchestra
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ADVANCED
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ending their lives, they bring
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Kwok Man Ho Marco
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The Nirvana of Phoenix é³³
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Kwok Man Ho Marco
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1284327 Composed by Kwok Man Ho Marco. 21st Century,Contemporary,Multicultural,New Age,Spiritual,Worl...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1284327 Composed by Kwok Man Ho Marco. 21st Century,Contemporary,Multicultural,New Age,Spiritual,World. Score and Parts. 133 pages. Kwok Man Ho Marco #875499. Published by Kwok Man Ho Marco (A0.1284327). The Nirvana of Phoenix 鳳凰涅ç£Composed for full orchestra by Kwok Man Ho MarcoScore and PartsThe piece The Nirvana of Phoenix《鳳凰涅ç£ã€‹for a full orchestra is inspired by the story of phoenix rebirths in Greek mythology. The word Nirvana literally means blown off. Additionally, it is a term associated with Buddhism, representing the ultimate state of soteriological release and liberation from rebirths in Samsara.The Chinese title of this piece first appeared in the modern poem with the same title, written by Guo Mo-ruo (éƒæ²«è‹¥). His long poem mentions that phoenixes are envoys of happiness in our world. They carry all the sadness and hatred and fly into the flame every five hundred years. By ending their lives, they bring happiness and peace to the world. After the ordeal, they can be reborn from the ashes with even stronger bodies.In Buddhism, pain in life is inevitable, but suffering is optional. The deaths of the phoenixes are not the end of their lives; instead, they mark a new beginning of the story of happiness and peace.For any inquiry, please visit my personal website:https://kwokmanhomarco.wordpress.com
$99.99
Sarabande - (from 'Keyboard Suite in D minor' - III. Mov.) for Orchestra
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Orchestra
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INTERMEDIATE
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George Frideric Handel
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Flavio Regis Cunha
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Sarabande -
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.597316 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,...
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Full Orchestra - Level 3 - Digital Download SKU: A0.597316 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 15 pages. Flavio Regis Cunha #5355195. Published by Flavio Regis Cunha (A0.597316). The Keyboard suite in D minor (HWV 437) was composed by George Frideric Händel, for solo keyboard (harpsichord), between 1703 and 1706. It is also referred to as Suite de pièce Vol. 2 No. 4. It was first published in 1733.The piece was used in an orchestral arrangement for Stanley Kubrick's Barry Lyndon. Dutch singer Petra Berger used the Sarabande as the musical setting for her song about Mary, Queen of Scots, Still a Queen (In My End Is My Beginning), from her album Eternal Woman (2001). An orchestral version was also used on the first episode of the 2018 television mini-series of Agatha Christie's A.B.C. Murders, starring John Malkovich as Poirot.This beautiful arrangement for orchestra brings in its variations, an intercalation of orchestral forces and different climaxes. The first part of the theme starts on the strings accompanied by the continuum. The second part includes the metals and the tympani. In the first variation, the theme is played by a group of strings, within a chamber proposal. In the third variation, the strings give way to the woodwinds, where horns, trombones talk to the woodwinds. In the fourth variation, the same group of winds remains, but they are accompanied by the ow strings. Finally, in the last variation, the orchestral force appears with brilliance and intensity.
$19.99
Harry Potter and the Order of the Phoenix, Selections from: Mallets
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Orchestra
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Instructional
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0015708_M1 Mallets. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. ...
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Full Orchestra - Digital Download SKU: AX.00-PC-0015708_M1 Mallets. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015708_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015708_M1). UPC: 038081314907.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series, Harry Potter and the Order of the Phoenix. Highlights of Nicholas Hooper's brilliant score are masterfully arranged in this musical montage that captures all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge, and the Patronus Charm with tunes titled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages! Designed to play with strings alone or with any combination of winds. (3:00).
$3.00
Harry Potter and the Order of the Phoenix, Selections from: Timpani
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Orchestra
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Instructional
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0015708_TMP Timpani. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner....
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Full Orchestra - Digital Download SKU: AX.00-PC-0015708_TMP Timpani. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015708_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015708_TMP). UPC: 038081314907.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series, Harry Potter and the Order of the Phoenix. Highlights of Nicholas Hooper's brilliant score are masterfully arranged in this musical montage that captures all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge, and the Patronus Charm with tunes titled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages! Designed to play with strings alone or with any combination of winds. (3:00).
$3.00
Harry Potter and the Order of the Phoenix, Selections from: Cello
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Orchestra
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Instructional
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0015708_VC1 Cello. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. I...
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Full Orchestra - Digital Download SKU: AX.00-PC-0015708_VC1 Cello. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015708_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015708_VC1). UPC: 038081314907.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series, Harry Potter and the Order of the Phoenix. Highlights of Nicholas Hooper's brilliant score are masterfully arranged in this musical montage that captures all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge, and the Patronus Charm with tunes titled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages! Designed to play with strings alone or with any combination of winds. (3:00).
$3.00
Harry Potter and the Order of the Phoenix, Selections from: Flute
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Orchestra
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Instructional
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0015708_F1 Flute. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. In...
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Full Orchestra - Digital Download SKU: AX.00-PC-0015708_F1 Flute. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015708_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015708_F1). UPC: 038081314907.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series, Harry Potter and the Order of the Phoenix. Highlights of Nicholas Hooper's brilliant score are masterfully arranged in this musical montage that captures all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge, and the Patronus Charm with tunes titled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages! Designed to play with strings alone or with any combination of winds. (3:00).
$3.00
Harry Potter and the Order of the Phoenix, Selections from: Bassoon
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Orchestra
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Instructional
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0015708_B1 Bassoon. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. ...
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Full Orchestra - Digital Download SKU: AX.00-PC-0015708_B1 Bassoon. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015708_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015708_B1). UPC: 038081314907.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series, Harry Potter and the Order of the Phoenix. Highlights of Nicholas Hooper's brilliant score are masterfully arranged in this musical montage that captures all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge, and the Patronus Charm with tunes titled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages! Designed to play with strings alone or with any combination of winds. (3:00).
$3.00
Harry Potter and the Order of the Phoenix, Selections from: Score
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Orchestra
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Instructional
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John Williams and Nicholas Hoo
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Douglas E
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Harry Potter and the Order of
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PR-0004020 Score. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instr...
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Full Orchestra - Digital Download SKU: AX.00-PR-0004020 Score. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Score. 20 pages. Alfred Music - Digital Sheet Music #00-PR-0004020. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004020). UPC: 038081314907.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series, Harry Potter and the Order of the Phoenix. Highlights of Nicholas Hooper's brilliant score are masterfully arranged in this musical montage that captures all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge, and the Patronus Charm with tunes titled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages! Designed to play with strings alone or with any combination of winds. (3:00).
$9.00
The Fiddle Concerto (violin solo part – violin and symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861946 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861946 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6208695. Published by Mark O'Connor Musik International (A0.861946). The Fiddle Concerto (violin solo part – violin and symphony orchestra) MO120BViolin Solo Part (score and parts available)Music by Mark O’Connor19 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120BCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
The Fiddle Concerto (string parts – violin and symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861951 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Mark O'...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861951 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Mark O'Connor Musik International #6208705. Published by Mark O'Connor Musik International (A0.861951). The Fiddle Concerto (string parts – violin and symphony orchestra) MO120P-UString Parts (score and parts available)Music by Mark O’Connor157 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120P-UCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$75.00
The Fiddle Concerto (wind parts – violin and symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861947 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 111 pages. Mark O'...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861947 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 111 pages. Mark O'Connor Musik International #6208697. Published by Mark O'Connor Musik International (A0.861947). The Fiddle Concerto (wind parts – violin and symphony orchestra) MO120C-HWind Parts (score and parts available)Music by Mark O’Connor111 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120C-HCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$75.00
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