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Instrumental Solo in C Major.
Not classified
688
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Instrumental Solo in C Major.
Orchestra
Sheetmusic to print
8 sheet music found
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1
Haydn - Symphony No.7 in C major, "Le Midi" Hob.I:7
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Orchestra
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Classical
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Franz Joseph Haydn
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J
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Haydn - Symphony No.7 in C maj
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.819598 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 96 pages. J...
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Full Orchestra - Digital Download SKU: A0.819598 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 96 pages. J.G. Cuco Barber #5800749. Published by J.G. Cuco Barber (A0.819598). Movements/Sections 5 movements:Adagio – Allegro (C major, 149 bars)Recitativo. Adagio – Allegro – Adagio (C minor, 29 bars)Adagio – Allegro – Adagio (G major, 53 bars)Minuet - Trio (C major, 54 bars)Finale. Allegro (C major, 131 bars)Year/Date of Composition 1761First Publication 1881Duration 26 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation Parts: Flute 1-2, Oboe 1-2, Bassoon, Horn 1-2 in C [original], Horn 1-2 in F [transposed], Solo Violin 1, Violin1, Solo Violin 2, Violin 2 Viola, Solo Violoncello, Violoncello, Contrabass.
$28.00
Haydn - Symphony No.50 in C major, Hob.I:50
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Orchestra
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Classical
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Franz Joseph Haydn
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J
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Haydn - Symphony No.50 in C ma
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.819643 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 91 pages. J...
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Full Orchestra - Digital Download SKU: A0.819643 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 91 pages. J.G. Cuco Barber #5987635. Published by J.G. Cuco Barber (A0.819643). Composer Haydn, JosephOpus/Catalogue Number Hob.I:50Key C majorMovements/Sections 4 movements:Adagio e maestoso – Allegro di molto (C major, 152 bars)Andante moderato (G major, 63 bars)Minuet (C major, 56 bars) – Trio (F major, 46 bars)Finale. Presto (C major, 193 bars)Year/Date of Composition 1773-74Average Duration 18 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: OrchestraOboe 1Oboe 2BassoonHorn in C alto 1 original & F transposedHorn in C alto 2 original & F transposedTrumpet in C 1 original & Bb transposedTrumpet in C 2 original & Bb transposedTimpaniViolin IViolin IIViolaVioloncello SoloVioloncelloContrabass
$28.00
Haydn - Symphony No.8 in G major, "Le Soir" Hob.I:8
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Orchestra
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Classical
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Franz Joseph Haydn
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J
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Haydn - Symphony No.8 in G maj
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.819600 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 90 pages. J...
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Full Orchestra - Digital Download SKU: A0.819600 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 90 pages. J.G. Cuco Barber #5987021. Published by J.G. Cuco Barber (A0.819600). Composer Haydn, JosephOpus/Catalogue Number Hob.I:8Key G majorMovements/Sections 4 movements:Allegro molto (G major, 247 bars)Andante (C major, 129 bars)Minuet (G major, 36 bars) - Trio (C major, 46 bars)La Tempesta. Presto (G major, 141 bars)Year/Date of Composition 1761First Publication 1777Average Duration 26 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation Orchestra:fluteoboe 1 & 2bassoonhorn in G 1 original & F transposedhorn in G 2 original & F transposedsolo violin Iviolin Isolo violin IIviolin IIviolasolo violoncellovioloncellocontrabass
$28.00
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestra
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ADVANCED
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #94204...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestra
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ADVANCED
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Contemporary
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #94126...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 1 ... Fallen Angels (1993, rev. 1995)
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Orchestra
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Thomas Oboe Lee
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Symphony No. 1 ... Fallen Ange
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part...
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Full Orchestra - Digital Download SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Thomas Oboe Lee #33639. Published by Thomas Oboe Lee (A0.869366). Instrumentation: 2222-2211-timp-perc-hp-pf-strings. Program note. SYMPHONY No.1, subtitled Fallen Angels and commissioned by Bruce Hangen and the Omaha Symphony Orchestra, is in three movements - I. Prince of Darkness II. Waltz!!!III. Lilith's Lament. The first movement begins in a dark, underground world, the world of the Prince of Darkness. Melodies emerge, growing, evolving gradually ... transforming ... finally, explosively ... into a syncopated danse macabre. The movement ends, agitatedly, in a quasi-scherzo fashion, scurrying from the lower depths of the orchestra to a heavenly cadence in C major. The second movement is a dance for the Prince and Lilith. [In talmudic lore, Lilith was regarded as a devilish being, and as Adam's first wife.] Each segment of this movement begins at first cautiously, and then very quickly reaches an ecstatic outburst of shouts and exclamations. A middle trio section offers a contrast of lyric introspection and contemplation. The third and last movement is rather sad and melancholy. Ironically, it is again in C major. The solo flute coupled with two bassoons is the main feature, with a Gil Evans-like wind choir floating in and out ... The work is dedicated to Miles, the original Prince of Darkness.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-1-fallen-angels-1993-rev-1995
$9.99
Silent Night, Holy Night (for Orchestra)
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. V...
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Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$35.00
Have Yourself A Merry Little Christmas
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Barry Manilow
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Bryan Kidd
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Have Yourself A Merry Little C
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BryanKiddMusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1313565 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Bryan Kidd. Broadway,Christmas,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1313565 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Bryan Kidd. Broadway,Christmas,Holiday,Jazz,Musical/Show,Standards. 68 pages. BryanKiddMusic.com #902298. Published by BryanKiddMusic.com (A0.1313565). Have Yourself a Merry Little Christmas from the M.G.M. movie, Meet Me in St. Louis. For full orchestra, vocal soloist (F major) and Flugelhorn soloist. A letter-size (8.5x11) score and complete set of instrumental parts are included; a more easily read tabloid (11x17) score is available separately (RECOMMENDED) For the tabloid-size score, click here Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C. Â Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$75.00
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