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8 sheet music found
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1
Sérgio Varalonga - Declaração de amor (Love proposal) Score+parts
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Orchestra
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EASY
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Contemporary
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Sérgio Varalonga
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Sérgio Varalonga - DeclaraçÃ
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Sérgio Varalonga
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.977694 Composed by Sérgio Varalonga. 20th Century,Contemporary. Score and parts. 36 pages. Sérg...
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Full Orchestra - Level 2 - Digital Download SKU: A0.977694 Composed by Sérgio Varalonga. 20th Century,Contemporary. Score and parts. 36 pages. Sérgio Varalonga #4794227. Published by Sérgio Varalonga (A0.977694). Love proposal is an orchestra score, composed by the portuguese composer Sérgio Varalonga and through music tells a love story full of drama and passion. .
$25.00
Sérgio Varalonga - Declaração de amor (Love proposal) Score only
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Orchestra
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EASY
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Contemporary
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Sérgio Varalonga
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Sérgio Varalonga - DeclaraçÃ
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Sérgio Varalonga
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.977693 Composed by Sérgio Varalonga. 20th Century,Contemporary. Score and parts. 13 pages. Sérg...
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Full Orchestra - Level 2 - Digital Download SKU: A0.977693 Composed by Sérgio Varalonga. 20th Century,Contemporary. Score and parts. 13 pages. Sérgio Varalonga #4794235. Published by Sérgio Varalonga (A0.977693). Love proposal is an orchestra score, composed by the portuguese composer Sérgio Varalonga and through music tells a love story full of drama and passion.
$8.00
Reflection
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Orchestra
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INTERMEDIATE
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Christina Aguilera
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Kevin Riley
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Reflection
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.575288 By Christina Aguilera. By David Zippel and Matthew Wilder. Arranged by Kevin Riley. 20th Centu...
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Full Orchestra - Level 3 - Digital Download SKU: A0.575288 By Christina Aguilera. By David Zippel and Matthew Wilder. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 39 pages. Kevin Riley #184647. Published by Kevin Riley (A0.575288). Reflection is a song written and produced by Matthew Wilder and David Zippel for the soundtrack of Disney's 1998 animated film Mulan. In the film, the song is performed by Tony Award winner, Filipina singer and actress Lea Salonga as Fa Mulan. An accompanying music video for Reflection was included as a bonus to the Disney Gold Classic Collection DVD release of the film in February 2000. Reflection has received highly positive reviews, with critics highlighting its emotional writing and Salonga's vocals. A single version of the song was recorded by American singer Christina Aguilera and became her debut single. She was 17 at the time it was released. The single's commercial success funded Aguilera's debut album from RCA, in addition to gaining her credibility amongst established writers and producers. Releases of the single were limited, which resulted in the track charting only on the Billboard Adult Contemporary chart. An accompanying music video for the song was included on the DVD release of Mulan. Aguilera has performed the track on four televised performances, including at the CBS This Morning show, which saw her gain the attention of songwriter Diane Warren. A later, the remix by Eric Kupper was released. In 2020, Aguilera re-recorded the song for the live adaption of Mulan.
$70.00
Doctor Who Theme
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Orchestra
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INTERMEDIATE
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Film/TV
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Murray Gold
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James Golborn
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Doctor Who Theme
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James Golborn
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1383368 By Murray Gold. By Murray Gold. Arranged by James Golborn. 20th Century,21st Century,Film/TV....
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Full Orchestra - Level 3 - Digital Download SKU: A0.1383368 By Murray Gold. By Murray Gold. Arranged by James Golborn. 20th Century,21st Century,Film/TV. 76 pages. James Golborn #967804. Published by James Golborn (A0.1383368). This arrangement of the Doctor Who Theme is scored for Pops Orchestra and has been elongated slightly to make a more substantial concert piece than the original theme, however, a cut of bs.31-65 will result in the original TV theme tune structure.
$79.99
Erik Satie - "Trois Morceaux en Forme de Poire", Orchestrated by Arkady Leytush
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Orchestra
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Classical
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Contemporary
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Erik Satie
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Arkady Leytush
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Erik Satie - "Trois Morceaux e
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008391 Composed by Erik Satie. Arranged by Arkady Leytush. Contemporary. Score and parts. 89 pages. Arkady Ley...
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Full Orchestra - Digital Download SKU: A0.1008391 Composed by Erik Satie. Arranged by Arkady Leytush. Contemporary. Score and parts. 89 pages. Arkady Leytush #6199449. Published by Arkady Leytush (A0.1008391). This is a new orchestration ofTrois Morceaux en Forme de Poire - 1. Manière de Commencement 2. Prolongation du même 3. Morceau I : Lentement 4. Morceau II : Enlevé 5. Morceau III : Brutal 6. En Plus 7. Redite Orchestra suite
$60.00
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pag...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
#
Orchestra
#
ADVANCED
#
Thierry Pélicant
#
Thierry Pélicant: Concerto fo
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 page...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
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