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You've selected:
On A Quiet Night
Orchestra
Sheetmusic to print
6 sheet music found
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1
Gregory Sullivan Isaacs: Quiet Night for piano and orchestra - score only
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Orchestra
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INTERMEDIATE/ADVANCED
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Quiet
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.533285 Composed by Gregory Sullivan Isaacs. 20th Century,Christmas,Contemporary,Sacred. Score and par...
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Full Orchestra - Level 4 - Digital Download SKU: A0.533285 Composed by Gregory Sullivan Isaacs. 20th Century,Christmas,Contemporary,Sacred. Score and parts. 11 pages. Musik Fabrik Music Publishing #2331287. Published by Musik Fabrik Music Publishing (A0.533285). A minimalist piece for Christmas! Written for Jeffrey Biegle and recorded on his Steinway Piano Christmas album, the piece uses fragments of Silent Night to create an impression of a calm, cold, still night. The orchestration is 1120/2220/timp/1perc/hp/strings
$11.95
Voices of the Night - orchestra
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Orchestra
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ADVANCED
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Richard E Brown
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2
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Voices of the Night - orchestr
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Dacker Music
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.814789 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 175 pages. Dacker Music ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.814789 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 175 pages. Dacker Music #4302031. Published by Dacker Music (A0.814789). Voices of the Night, subtitled A Nocturnal Fantasy for Orchestra, is in 3 parts: 1. a slow, moody introductory section; 2. a lively but somewhat dark rhythmic dance-like section; 3. a quiet epilogue based on the opening music.
$65.00
Divertimento for Orchestra
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Orchestra
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Contemporary
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Vincent M
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a prelude
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Divertimento for Orchestra
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Vincent M. Bonafede
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.997183 Composed by Vincent M. Bonafede. Contemporary. Score and parts. 141 pages. Vincent M. Bonafede #5220243....
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Full Orchestra - Digital Download SKU: A0.997183 Composed by Vincent M. Bonafede. Contemporary. Score and parts. 141 pages. Vincent M. Bonafede #5220243. Published by Vincent M. Bonafede (A0.997183). Divertimento is a work for full orchestra not to be taken too seriously! It is a diversion! It contains 5 very diverse movements. First a prelude; second a generic ragtime tune; third a quiet reverie featuring a flute trio; fourth a march to the saloon on Saturday night and five a finale based on a hymn tune from the Sacred Harp. Each movement is short. Whole work is about 9' 30. All string parts are suitable for the average community orchestra. I have conducted the work with two different community orchestras and feedback was positive from both musicians and audience members.
$15.00
Lily Park - I. Wind Bell
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Orchestra
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INTERMEDIATE
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Yoonjee Kim
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Lily Park - I. Wind Bell
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Yoonjee Kim
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoonjee Kim (A0.1022807). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.I. Wind BellThe first movement expresses the general images of the cemetery; calm atmosphere, blowing wind, clean air, and a wide green field. The place is so quiet that the only the wind-bell ringing as the wind blows can be heard. In order to depict the wind-bell sound along with other optic and aural images, I create various tone colors by using various instrumental combinations in different transpositions and registrations.
$17.00
Lily Park - II. Goblin Lights
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Orchestra
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Yoonjee Kim
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Lily Park - II. Goblin Lights
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Yoonjee Kim
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1022809 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 16 pages. Yoonjee Kim #3417625. Published...
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Full Orchestra - Digital Download SKU: A0.1022809 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 16 pages. Yoonjee Kim #3417625. Published by Yoonjee Kim (A0.1022809). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.II. Goblin Lights
$17.00
Bramshill Concert Rondo
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Orchestra
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INTERMEDIATE
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Contemporary
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Stephen Lines
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Bramshill Concert Rondo
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Stephen Lines
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Publ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen Lines (A0.957733). Bramshill was written to commemorate the 50th anniversary of the police staff college and was premiered by the British Police Symphony Orchestra in 2008. In 2011 it undertook some quite serious revision. Bramshill House was until recently the home of the Police Staff College. In 1953 the Home Office purchased Bramshill from Lord Brocket. There is evidence that the site has been inhabited since the time of Domesday and the Norman Conquest. The present building was constructed principally by Edward Zouche, 11th Baron Zouche of Harringworth, between c. 1605-1625. The music is written in large ternary form as a concert rondo. There are features within which depict and draw together various facets of the early history of Bramshill House as a Jacobean structure with that of its current role as the police staff college. After a declamatory eighteen bar opening in the key of C minor the piece leads towards the principal theme - it is introduced by the horn, quietly accompanied by chords from the clarinets dipping in and out of the chalumeau register - a haunting, ethereal theme that depicts the mystery of the ancient building and its numerous reported wraiths. The theme develops and is pronounced giacoso in the strings with light accompaniment in the higher woodwinds. A restatement of the main theme is followed by a section, fugato; this depicts a police officer on the beat in the early hours of a cold, wet, winter’s night. This theme transmutes into a quasi-stately dance such as may have been performed in Bramshill’s great withdrawing room or the long gallery in the 1600’s. A series of 6/3 chords then develop into what sounds akin to a police siren; the section culminates in a wash of sound with police theme, stately dance and siren sounding simultaneously. In the final section, the principal theme is reiterated in various guises and sub-themes are further explored.
$22.50
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