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4 sheet music found
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RAGING FURIES - Goettinnen der Rache
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Orchestra
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INTERMEDIATE/ADVANCED
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classic...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
We Need A Little Christmas
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Orchestra
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ADVANCED
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Christmas
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Kimberley Locke
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Bryan Kidd
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We Need A Little Christmas
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BryanKiddMusic.com
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1164372 By Kimberley Locke. By Jerry Herman. Arranged by Bryan Kidd. Christmas,Holiday,Standards. Sco...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1164372 By Kimberley Locke. By Jerry Herman. Arranged by Bryan Kidd. Christmas,Holiday,Standards. Score and Parts. 101 pages. BryanKiddMusic.com #764719. Published by BryanKiddMusic.com (A0.1164372). With a touch of John Philip Sousa, a spiritedly bright opener for your Christmas Season concert. Jerry Herman’s “We Need a Little Christmas†was introduced by Angela Lansbury and Beatrice Arthur in the 1966 Tony Award-winning Broadway production, Mame. A subsequent cover later that year by Percy Faith and His Orchestra and Chorus further established it as a seasonal favorite – other notable artists include the Muppets, Johnny Mathis, Idina Menzel and Pentatonix. This set includes a full score* and complete set of instrumental parts. NOTE: The SSATB Chorus is only shown on the score (for reference) and is NOT included as a separate part in this set. You are legally required to purchase as many copies of the choral parts as there are members of your chorus (includes rehearsal piano). Choral Parts Click Here Brass high note: Trumpet D6 (with an optional F6); Trombone A4 *A letter-size (8.5x11) score is included with the set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). Tabloid Score Click HereWith 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for the American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.Please visit BryanKiddMusic.comÂ
$75.00
Dove
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Orchestra
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INTERMEDIATE
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Contemporary
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Sebastian Yradier and Shan Zha
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Javier MartÃnez Maya
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Dove
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.742596 Composed by Sebastian Yradier and Shan Zhang. Arranged by Javier MartÃnez Maya. Contemporar...
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Full Orchestra - Level 3 - Digital Download SKU: A0.742596 Composed by Sebastian Yradier and Shan Zhang. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 59 pages. Arte Nova Music Lab #6432131. Published by Arte Nova Music Lab (A0.742596). La Paloma, The Dove in English, is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) in the 1850s. In 1879, it was registered at the copyright office in Madrid as a Canción Americana con acompañamiento de Piano. Iradier was to die in obscurity within few years, never to learn how popular his song would become.Very quickly, La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Cuba, Colombia, Hawaii, the Philippines, Germany, Romania, Venezuela, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years, the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds. There are more than one thousand versions of this song, and together with Yesterday by The Beatles, is one of the most-recorded songs in the history of music; it is certainly the most-recorded Spanish song.Taken from https://en.wikipedia.org/wiki/La_Paloma
$60.00
Alice In Wonderland
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Orchestra
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Walt Disney
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Jud Conlon Chorus
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Amphibia Cultural Legacy
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Alice In Wonderland
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Amphibia Cultural Legacy
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,2...
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Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broadway,Classical,Film/TV,Musical/Show. Score and Parts. 5 pages. Amphibia Cultural Legacy #807612. Published by Amphibia Cultural Legacy (A0.1209483). Amphibia Cultural Legacy, a musical group known for their instrumental covers of classic Disney songs, has released a new remix of Alice In Wonderland from the 1951 movie of the same name. The original song was sung by the Jud Conlon Chorus, and Amphibia Cultural Legacy has added additional instruments to create a unique spin on this beloved tune. This new version is sure to delight both fans of the original film and music enthusiasts alike.The addition of extra instruments adds depth to an already catchy melody, making it perfect for dancing or just enjoying as background music. The group's attention to detail shines through in every note played, perfectly capturing the whimsical feel of Walt Disney's Alice in Wonderland. Those who are familiar with Amphibia Cultural Legacy's previous works will not be disappointed with this latest release, which is sure to become a fan favorite among their extensive discography.Amphibia Cultural Legacy is proud to present its orchestral cover of Alice In Wonderland, the central theme in the 1951 animated movie. Initially written by the Jud Conlon Chorus for Walt Disney's Alice In Wonderland, this piece has stood the test of time and remains a beloved classic. Amphibia Cultural Legacy has taken this iconic tune and given it new life with its unique arrangement.The Jud Conlon Chorus version of Alice In Wonderland intends initially as a fun and whimsical introduction to the fantastical world that awaited viewers in the film. The song features playful lyrics and an upbeat melody that perfectly captures the adventure spirit permeating Alice's journey. Amphibia Cultural Legacy's version pays homage to these themes while adding their flair through orchestral instruments.Amphibia Cultural Legacy has done it again with their latest release, an orchestral cover of Alice In Wonderland. Initially written by the Jud Conlon Chorus in Walt Disney's Alice In Wonderland, this classic song has been given a fresh new sound thanks to the fantastic talent and creativity of Amphibia Cultural Legacy.Listening to this cover is like going down the rabbit hole into a magical world filled with wonder and imagination. Various instruments help create a whimsical atmosphere that perfectly captures the essence of Lewis Carroll's timeless tale. The music builds up gradually, taking listeners through different emotions and moods before finally reaching its climax at the end.The attention to detail in this cover is truly remarkable, with every instrument perfectly timed and synchronized throughout the entire piece.
$70.00
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