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--INSTRUMENTS--
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Rhythm Dance - piano
Not classified
303
Piano & keyboards
C Instruments
11
Organ
11
Harpsichord
2
Organ, Trumpet (duet)
1
Guitars
Guitar
34
Guitar notes and tablatures
23
Ukulele
8
Bass guitar
4
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3
2 Guitars (duet)
3
3 Guitars (trio)
2
4 Guitars (Quartet)
1
Guitar Ensemble
1
Melody line, (Lyrics) and Chords
1
+ 6 instrumentations
-
Retract
Voice
Choral SATB
42
Choral 3-part
21
Choral Unison
11
Choral TTBB
11
Choral 2-part
10
Choral SSAA
5
Choral Instrumental Pak
4
Voice solo
1
Vocal duet
1
+ 4 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
117
2 Clarinets (duet)
62
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59
2 Flutes (duet)
56
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42
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35
Saxophone Quartet: 4 saxophones
30
2 Oboes (duet)
26
Oboe, Clarinet (duet)
25
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24
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24
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22
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20
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20
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19
Oboe, Flute
18
3 Saxophones (trio)
17
Flute, Trumpet (duet)
16
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14
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14
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
13
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11
Flute Quartet: 4 flutes
9
Alto Saxophone
8
Clarinet
8
Oboe (band part)
7
3 Clarinets (trio)
7
Flute, Oboe (duet)
6
Flute Trio: 3 flutes
6
Tenor Saxophone
6
Saxophone ensemble
6
Flute, Oboe, Bassoon
6
Saxophone (band part)
5
Oboe, Clarinet, Bassoon (trio)
4
Clarinet Ensemble
4
2 Recorders (duet)
4
Clarinet Quintet: 5 clarinets
4
Clarinet, Cello (duet)
3
Recorder Quartet
3
Flute ensemble
3
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3
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2
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2
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Clarinet, Bassoon (duet)
2
3 Recorders (trio)
2
Oboe, Violin (duet)
2
Eb Instruments
1
Flute, Clarinet and Bassoon.
1
Flute, Organ (duet)
1
Oboe and viola (duet)
1
Oboe, Cello
1
Saxophone Quintet: 5 Saxophones
1
Treble (Alto) Recorder
1
Harmonica
1
+ 50 instrumentations
-
Retract
Woodbrass
Trumpet, Saxophone (duet)
40
Trumpet, Trombone (duet)
22
2 Trombones (duet)
22
2 Trumpets (duet)
21
Brass Quintet: 2 trumpets, horn, trombone, tuba
20
Brass quartet : 2 trumpets, trombone, tuba
10
French horn
9
Trombone
9
Trumpet
5
Trumpet (band part)
4
Tuba
4
Trombone (band part)
3
French horn (band part)
2
Brass Quartet
2
Bass Clef Instruments
1
Bb Instruments
1
2 French horns (duet)
1
Euphonium
1
Brass Quartet: 2 trumpets, horn, trombone
1
Brass Quartet: 4 trombones
1
+ 15 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
69
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60
Violin
29
2 Violins (duet)
29
2 Cellos (duet)
27
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26
2 Violas (duet)
25
String Trio: violin, viola, cello
19
Cello
15
Violin (band part)
15
Harp
12
String Trio: 2 violins, cello
9
Viola (band part)
8
Viola
7
4 Cellos
5
Double Bass
5
String Trio: 3 violins
4
Viola, Cello (duet)
4
String quartet: 4 violins
4
String Trio: 3 cellos
4
Cello (band part)
4
String Quartet : 4 violas
4
Doublebass (band part)
4
String Trio: 3 violas
2
String Quintet: 2 violins, viola, cello, bass
2
Cello, String Bass (duet)
2
Violin, Bassoon (duet)
2
4 Double Basses
1
Autoharp
1
Violin, Guitar (duet)
1
+ 25 instrumentations
-
Retract
Orchestra & Percussion
Concert band
269
String Orchestra
94
Marching band
42
Orchestra
36
Jazz Ensemble
25
Handbells
24
Brass ensemble
19
Jazz combo
13
Chamber Orchestra
10
Percussion Ensemble
9
Percussion (band part)
2
Marimba
2
Drums
2
Percussion
1
+ 9 instrumentations
-
Retract
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Rhythm Dance - piano
Orchestra
Sheetmusic to print
36 sheet music found
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1
26
Central Park Dances
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Orchestra
#
ADVANCED
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Contemporary
#
Jazz
#
David Chesky
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Central Park Dances
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Pamaluc Music
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.882373 Composed by David Chesky. Contemporary,Jazz. Score and parts. 395 pages. Pamaluc Music #18023....
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Full Orchestra - Level 5 - Digital Download SKU: A0.882373 Composed by David Chesky. Contemporary,Jazz. Score and parts. 395 pages. Pamaluc Music #18023. Published by Pamaluc Music (A0.882373). Three exciting dances exploring the urban rhythms of New York city. The genres of Latin, Jazz, Classical all collide to create a new urban type music.Excellent for ballets as well. 2fl./ 2ob./ 2cl./ 2bs/ harp/ 5 perc./ strings Dance No. 1 for Orchestra 6:00 min Dance No. 2 for Orchestra 5:40 min Dance No. 3 for Orchestra 5:00 min.
$24.98
Nwa Nnunu (African Dance)
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Orchestra
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ADVANCED
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Uzowulu Ezenwa Henry Uche
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Uzowulu Ezenwa Henry Uche
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Nwa Nnunu
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Greathenz
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1158537 Composed by Uzowulu Ezenwa Henry Uche. Arranged by Uzowulu Ezenwa Henry Uche. Folk,Multicultu...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1158537 Composed by Uzowulu Ezenwa Henry Uche. Arranged by Uzowulu Ezenwa Henry Uche. Folk,Multicultural,Standards,Traditional,World. Score and parts. 17 pages. Greathenz #758827. Published by Greathenz (A0.1158537). This is an indigenous intercultural African composition featuring complex rhythms and styles. This is a dance composed showcasing the use of aerophones, idiophones, membranophones and chordophones found in both African and Western cultures. It is an inter-cultural African dance. The application of complex rhythmic structures in Africa helps drive home indigenization,.
$5.00
I Wanna Dance With Somebody
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Orchestra
#
ADVANCED
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Pop music
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Whitney Houston
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Paul Langford
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I Wanna Dance With Somebody
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Paul Langford
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1394357 By Whitney Houston. By George Merrill and Shannon Rubicam. Arranged by Paul Langford. Pop. 11...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1394357 By Whitney Houston. By George Merrill and Shannon Rubicam. Arranged by Paul Langford. Pop. 119 pages. Paul Langford #977837. Published by Paul Langford (A0.1394357). Vocal feature with full orchestra and rhythm section arrangement of the Whitney Houston hit.
$49.99
Dances Divergentes - A Symphonic Poem
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Orchestra
#
Stephen Lines
#
Dances Divergentes - A Symphon
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Stephen Lines
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.957786 Composed by Stephen Lines. Contemporary,World. Score and parts. 92 pages. Stephen Lines #3411867. Publis...
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Full Orchestra - Digital Download SKU: A0.957786 Composed by Stephen Lines. Contemporary,World. Score and parts. 92 pages. Stephen Lines #3411867. Published by Stephen Lines (A0.957786). This piece is named Dances Divergent because it explores, in parts, elements of rhythmic contrasts between displaced melodic common time with triple time performed simultaneously. The whole is based on the opening timpani solo with contrasting variations. It is not as complex as this description sounds but will provide performers and audience with a pleasing experience. Essentially good listening that may be performed by advanced intermediate players. .
$27.50
Dance Rhythmico (7-Piece Digital Pack)
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Orchestra
#
EASY
#
Contemporary
#
Jeff Frizzi
#
Dance Rhythmico
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Hal Leonard - Digital
#
SheetMusicPlus
Orchestra Bass - Level 2 - Digital Download SKU: HX.251065 Composed by Jeff Frizzi. Concert. Individual instrument part. 1 pages. Hal Leonard - Digital #...
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Orchestra Bass - Level 2 - Digital Download SKU: HX.251065 Composed by Jeff Frizzi. Concert. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.251065).
Digital Pack includes
:
Dance Rhythmico - Full Score
Dance Rhythmico - Violin 1
Dance Rhythmico - Violin 2
Dance Rhythmico - Violin 3 (Viola Treble Clef)
Dance Rhythmico - Viola
Dance Rhythmico - Cello
Dance Rhythmico - Bass
$35.00
Dance Rhythmico - Full Score
#
Orchestra
#
Jeff Frizzi
#
Dance Rhythmico - Full Score
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Jeff Frizzi. Orchestra. Concert. Orchestra. 6 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Jeff Frizzi. Orchestra. Concert. Orchestra. 6 pages. Published by Hal Leonard - Digital Sheet Music
$5.00
Alan Billingsley: Sunroof (arr. Alan Billingsley) (complete set of parts) - orchestra/band (Rhythm)
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Orchestra
#
INTERMEDIATE
#
Alan Billingsley
#
Virtualsheetmusic
Instantly printable sheet music by Alan Billingsley for orchestra/band (Rhythm) of MEDIUM skill level. / pop,dance
Instantly printable sheet music by Alan Billingsley for orchestra/band (Rhythm) of MEDIUM skill level. / pop,dance
$29.99
Irving Berlin: Let's Face The Music And Dance (complete set of parts) - orchestra/band (Rhythm)
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Orchestra
#
INTERMEDIATE
#
Jazz
#
Irving Berlin
#
Virtualsheetmusic
Instantly printable sheet music by Irving Berlin for orchestra/band (Rhythm) of MEDIUM skill level. / jazz,latin,pop,standards,concert
Instantly printable sheet music by Irving Berlin for orchestra/band (Rhythm) of MEDIUM skill level. / jazz,latin,pop,standards,concert
$19.99
Voices of the Night - orchestra
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Orchestra
#
ADVANCED
#
Richard E Brown
#
2
#
Voices of the Night - orchestr
#
Dacker Music
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.814789 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 175 pages. Dacker Music ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.814789 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 175 pages. Dacker Music #4302031. Published by Dacker Music (A0.814789). Voices of the Night, subtitled A Nocturnal Fantasy for Orchestra, is in 3 parts: 1. a slow, moody introductory section; 2. a lively but somewhat dark rhythmic dance-like section; 3. a quiet epilogue based on the opening music.
$65.00
Munamiktia - Score Only
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Juan Guerra González
#
Munamiktia - Score Only
#
Juan Carlos Guerra Gonzalez
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1208333 Composed by Juan Guerra González. Classical,Contemporary. 30 pages. Juan Carlos Guerra Gon...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1208333 Composed by Juan Guerra González. Classical,Contemporary. 30 pages. Juan Carlos Guerra Gonzalez #806440. Published by Juan Carlos Guerra Gonzalez (A0.1208333). “Munamiktia†(To marry) is based on the six sones from “Los Chapetones†(a folkloric dance from Panchimalco, El Salvador). “Los Chapetones†is a satiric dance portraying the social constructs of the Colonial time. It represents a wedding between Doña Lucrecia de Castilla and Don Tomás Rainer with the intention of making an alliance between Turkey and Spain. The investigation of this dance and its original music was made possible thanks to Aracely Sánchez (cultural researcher), Marcial Gudiel (folkloric dance researcher), and Concepción Clará de Guevara (anthropologist) for the creation of the work “Panchimalco†in 1982 work that was commissioned by the National Dance School of El Salvador “Morena Celariéâ€. The editors of the “Diccionario de la Música Española e Hispanoamericana†(Dictionary of Spanish and Hispanic Music) found this dance was unique in its genre in America and the Caribbean making “Los Chapetones†something exclusive from El Salvador. For this work, a part of each one of the sones is transformed in its rhythm or intervals to put them in melodies or in lines for the bass that have been harmonized in a different way while interacting with themes created especially for this work. The title, which in Nahuat means to marry, also serves as a reference to the union between the traditional themes used and the composer’s own musical language. Munamiktia (To marry) was written for the Salvadoran Composers Competition organized by the Pan American Symphony Orchestra (PASO) in Washington, DC. Given its originality, the Jury decided, after a long deliberation, to award it second place. The World Premiere will take place during their 21/22 season after PASO resumes activities due to COVID.* The actual World Premiere took place on March 25th, 2023 in Washington D.C. With the Pan American Symphony Orchestra (PASO) conducted by the composer.For parts please visit www.juancarlosguerra.com/munamiktia
$99.99
Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
#
Orchestra
#
ADVANCED
#
James Nathaniel Holland
#
Symphony No. 2, In Praise to H
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James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. J...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel Holland #4357263. Published by James Nathaniel Holland (A0.730486). FULL SCORE only, Individual instrument parts sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip), maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$18.95
Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
#
Orchestra
#
ADVANCED
#
James Nathaniel Holland
#
Symphony No. 2, In Praise to H
#
James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. Jame...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holland #4359113. Published by James Nathaniel Holland (A0.730488). INDIVIDUAL INSTRUMENT PARTS only, Full score sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip) maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$42.95
Divinum Mysterium
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Orchestra
#
INTERMEDIATE/ADVANCED
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
#
Divinum Mysterium
#
WheatMyer Music
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporar...
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
Can't Stop The Feeling!
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Orchestra
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INTERMEDIATE
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Justin Timberlake
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Matt Amy
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Can't Stop The Feeling!
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1452899 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arrang...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1452899 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Matt Amy. Contemporary,Pop. 170 pages. Matt Amy Music #1032183. Published by Matt Amy Music (A0.1452899). Key: C majorBPM: 132Style: Dance/PopDuration: 3:32“ Ensemble type: Pops OrchestraFull Recording (MIDI): Can't Stop This Feeling (MIDI)Instrumentation- Flute 1, 2- Oboe 1, 2- Clarinet 1, 2- Bass Clarinet- Bassoon 1, 2- Alto Sax 1, 2- Tenor Sax 1, 2- Baritone Sax- Horn 1, 2- Horn 3, 4- Trumpet 1, 2, 3, 4- Trombone 1, 2, 3, 4- Tuba- Voice- BV's- Keyboard 1- Keyboard 2- Keyboard 3- Guitar 1- Guitar 2- Electric Bass (Rhythm Section)- Drums- Percussion 1- Percussion 2 - Timpani- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
Clarity
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Orchestra
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INTERMEDIATE
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Zedd
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Matt Amy
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Clarity
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1453783 By Zedd. By Anton Zaslavski, Holly Brook, Matthew Bair, Porter Robinson, and Skylar Grey. Arr...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1453783 By Zedd. By Anton Zaslavski, Holly Brook, Matthew Bair, Porter Robinson, and Skylar Grey. Arranged by Matt Amy. Contemporary,Pop. 154 pages. Matt Amy Music #1033032. Published by Matt Amy Music (A0.1453783). Key: Bb minorBPM: 128Style: Dance PopDuration: 4:20“ Ensemble type: Pops OrchestraNote: This arrangement will work as a 60 piece with keyboard 1 and guitar 1Full Recording (MIDI): Clarity (MIDI)Instrumentation- Piccolo- Flute 1, 2- Oboe 1, 2- Clarinet 1, 2- Bass Clarinet- Bassoon 1, 2- Alto Sax 1, 2- Tenor Sax 1, 2- Baritone Sax- Horn 1, 2- Horn 3, 4- Trumpet 1, 2, 3, 4- Trombone 1, 2, 3, 4- Tuba- Keyboard 1- Keyboard 2- Keyboard 3- Guitar 1- Guitar 2- Electric Bass (Rhythm Section)- Drums- Percussion 1- Percussion 2 - Timpani- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
Together Again
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Orchestra
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INTERMEDIATE/ADVANCED
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Janet Jackson
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Matt Amy
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Together Again
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1410112 By Janet Jackson. By James Harris III, Janet Jackson, and Terry Lewis. Arranged by Matt Amy. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1410112 By Janet Jackson. By James Harris III, Janet Jackson, and Terry Lewis. Arranged by Matt Amy. Contemporary,Hip-Hop,Pop. 116 pages. Matt Amy Music #992569. Published by Matt Amy Music (A0.1410112). Key: C majorBPM: 120Style: Dance PopDuration: 4:11“ Ensemble type: Pops OrchestraFull Recording (MIDI): Together Again (MIDI)Instrumentation- Piccolo- Flute 1, 2- Oboe 1, 2- Clarinet 1, 2- Bass Clarinet- Bassoon 1, 2- Alto Sax 1, 2- Tenor Sax 1, 2- Baritone Sax- Horn 1, 2- Horn 3, 4- Trumpet 1, 2, 3, 4- Trombone 1, 2, 3- Baritone Horn- Tuba- Voice- BV's- Choir- Keyboard- Guitar- Electric Bass (Rhythm Section)- Drums- Percussion 1- Percussion 2 - Timpani- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
Get The Party Started
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Orchestra
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INTERMEDIATE/ADVANCED
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Pink
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Matt Amy
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Get The Party Started
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1411261 By Pink. By Linda Perry. Arranged by Matt Amy. Contemporary,Pop,Rock. 95 pages. Matt Amy Musi...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1411261 By Pink. By Linda Perry. Arranged by Matt Amy. Contemporary,Pop,Rock. 95 pages. Matt Amy Music #993595. Published by Matt Amy Music (A0.1411261). Key: B minorBPM: 128Style: Dance RockDuration: 2:53“ Ensemble type: Pops OrchestraFull Recording (MIDI): Get The Party Started (MIDI)Instrumentation- Piccolo- Flute 1, 2- Oboe 1, 2- Clarinet 1, 2- Bass Clarinet- Bassoon 1, 2- Alto Sax 1, 2- Tenor Sax 1, 2- Baritone Sax- Horn 1, 2- Horn 3, 4- Trumpet 1, 2, 3, 4- Trombone 1, 2, 3- Baritone Horn- Tuba- Voice- BV's- Choir- Keyboard- Guitar- Electric Bass (Rhythm Section)- Drums- Percussion 1- Percussion 2 - Timpani- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Under The Sea - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Walt Disney
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Alan Menken and Howard Ashman
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David Schubert
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Under The Sea - Score Only
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Schubert Music Productions
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1259910 Composed by Alan Menken and Howard Ashman. Arranged by David Schubert. Broadway,Film/TV,Music...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1259910 Composed by Alan Menken and Howard Ashman. Arranged by David Schubert. Broadway,Film/TV,Musical/Show. 45 pages. Schubert Music Productions #853158. Published by Schubert Music Productions (A0.1259910). Your orchestra can’t help but groove with this high-energy dance number from Disney’s popular The Little Mermaid.  Level: Advanced Intermediate (grade 3.5) This arrangement is part of the “Strings Plus†series. The melody is carried throughout the piece by the string section allowing it to be performed alone as a traditional string orchestra piece. It can be enhanced with accompaniment by the winds, brass, percussion, and rhythm to add rich color, greater energy, and drive. The parts are fun and challenging for everyone. The result is a highly flexible orchestration usable in almost any application or ensemble size. Be sure to check out additional titles in this series from The Little Mermaid:      Fathoms Below      Kiss the Girl.
$7.00
Mozartina
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Orchestra
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ADVANCED
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Otoniel Rojas
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Mozartina
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Otoniel Rojas
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts. 119 pages. Otoniel Rojas #891863. Published by Otoniel Rojas (A0.1302257). Based on a traditional Merengue tune from Dominican Republic in a Rondó style a'la Mozart, combining Mozart's Jupiter symphony 35th 4-note theme.Originally commissioned by the 'Fundación Filarmónica del Cibao' in  1997. Mozartina is an effervescent overture that paints us a contemporary Mozart, exposed to the melodic and rhythmic resources of the Caribbean identity, fusing the style and spirit of the famous Austrian with a mixed of the rhythmic and harmonic developments of the last 200 years of musical development. The work is structured as Rondo ,taking as its theme the traditional merengue (a traditional Dominican dance) El jarro 'ta pichao using it as melodic material that integrates into many styles and orchestral techniques. The topic is presented in juxtaposition with the monumental melodic motif of the last movement of the symphony ' Jupiter ' . Sometimes we appreciate it as it is , sometimes in inverted or hidden among contrapuntistic passages in striped and woven into different instrumental colors and harmonic richness coated within countless melodic modulations or put into small pieces. The climax part suddenly surrounds us with the classic merengue, where the 'tambora' (traditional dominican percussion instrument) makes appearance and gives it its soul. Meanwhile, in the background we still can hear the theme of 'Jupiter'. There briefly we can discover a 'perico ripiao' (another traditional Dominican dance)with its typical melisma embodied by the horn, we finally get to a climax that concludes with a short cadenza of 'tambora' and the reitaration of the main merengue theme in unison. The work was commissioned in 1997 for the opening concert of the Philharmonic of Cibao and this time receives his first audition by the National Symphony Orchestra.
$9.99
The American Seasons (violin solo part – violin and string orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
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