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The Art of Fugue
Orchestra
Sheetmusic to print
26 sheet music found
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26
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestra
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestra
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjam...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Where Eagles Dare (Theme) - Score Only
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Orchestra
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INTERMEDIATE
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Film/TV
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Pu...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
The American Seasons (violin solo part – violin and string orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
Family Fugue
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Orchestra
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INTERMEDIATE
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Contemporary
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Classical
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Jenny-Joy Ahimsa Moore
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Family Fugue
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Jenny Joy Ahimsa Moore
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore #1026786. Published by Jenny Joy Ahimsa Moore (A0.1447011). This piece is for a symphony that would play more challenging music. It is how I view, and harmonize, my dysfuctional/abusive family. The middle section falls apart much like my family truly was, behind closed doors. That is: we lived in the same house, but we did not communicate, we did not listen to each other. Near the end, it becomes much darker, almost funereal, like the truth of what being the youngest child (of a narcissistice mother, with an older narcissistic sister, a dad who chooses to remain ignorant) in my family was truly like. The various parts represent members of my family , sometimes several parts represent one member, or (at times) one part represents several members. Typically, the flute represents my sister, clarinet represents myself (sometimes tuba and trumpet as well). The parts overlap , to show how we did not listen and spoke at each other rather than with each other. This piece shows not just what each person was like on the outside, but also shows the more subtle sides of each member that few people really see or know about (the abuse behind closed doors). This piece is multi faceted, multi layered, like the 4 main members of my family are. The very end points to the Grace of God being the only thing that can heal my family at this point. The flute ends higher than clarinet, in the Hope that Healing can truly occur (not just my family, but with other families that hurt as well).
$79.99
Overture in Am/A: The Light Of Inner Mist (Valse & Fugue)
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Orchestra
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ADVANCED
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Contemporary
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Socrates Arvanitakis
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Overture in Am/A: The Light Of
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Socrates Arvanitakis
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1153607 Composed by Socrates Arvanitakis. Classical,Contemporary. Score and parts. 104 pages. Socrate...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1153607 Composed by Socrates Arvanitakis. Classical,Contemporary. Score and parts. 104 pages. Socrates Arvanitakis #753872. Published by Socrates Arvanitakis (A0.1153607). As the header and title of this score implies, this is an orchestral overture to a cycle of songs entitled The Light Of Inner Mist which In turn belongs to much bigger structural units, present in the header, i.e. LEMONIA => SUMMER BLAST => A DREAM OF LONG AGO, containing other song cycles with their overtures. Many of these songs are still works in progress, but all thematic material of this particular overture is taken from some of its songs.
$50.00
Missa Solemnis, op. 27 - Score Only
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Orchestra
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #86...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Variations and Fugue
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Orchestra
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Max Reger
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Variations and Fugue
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Orchestra - Digital Download SKU: S9.Q42992 On a Theme of Mozart. Composed by Max Reger. This edition: study score. Ernst eulenburg - orchestra - ...
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Orchestra - Digital Download SKU: S9.Q42992 On a Theme of Mozart. Composed by Max Reger. This edition: study score. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 132. Ernst Eulenburg & Co. GmbH - Digital #Q42992. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q42992). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$12.99
Christmas Fantasia and Fugue
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Alex Tinlin
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Alex Tinlin
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Christmas Fantasia and Fugue
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Alex Tinlin
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1143801 By Alex Tinlin. By Alex Tinlin. Arranged by Alex Tinlin. 20th Century,Christmas. Score and pa...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1143801 By Alex Tinlin. By Alex Tinlin. Arranged by Alex Tinlin. 20th Century,Christmas. Score and parts. 130 pages. Alex Tinlin #744112. Published by Alex Tinlin (A0.1143801). This Christmas-themed piece was originally written for the strings of the St Clement Danes School Orchestra in 1993. It is based on two predominant themes, the Christmas carols 'The First Noel' and 'Deck the Halls'.
$5.99
Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
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Orchestra
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ADVANCED
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James Nathaniel Holland
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Symphony No. 2, In Praise to H
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. Jame...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holland #4359113. Published by James Nathaniel Holland (A0.730488). INDIVIDUAL INSTRUMENT PARTS only, Full score sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip) maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$42.95
Fantasy for Horn and Orchestra - score and parts
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Orchestra
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ADVANCED
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Contemporary
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Philip Orem
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Fantasy for Horn and Orchestra
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Philip Orem
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.872612 Composed by Philip Orem. Contemporary. Score and parts. 109 pages. Philip Orem #3523825. Publi...
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Full Orchestra - Level 5 - Digital Download SKU: A0.872612 Composed by Philip Orem. Contemporary. Score and parts. 109 pages. Philip Orem #3523825. Published by Philip Orem (A0.872612). My Fantasy for Horn and Orchestra featured on the CD, Concerto, from Roven Records available on iTunes.After a mysterious opening with the horn rising from the depths the orchestra breaks into a jagged fugue which the horn then quells. A lyrical melody follows after a short cadenza which gives way to a march macabre. After some working out of material the fugue and lyrical melody return before a rousing finale. A great show piece for the soloist!SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$150.00
Prelude, Fugue and Hymn Orchestration on "Soldiers of the Cross, Arise!" (tune by C. Gabriel) for Orchestra
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Orchestra
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EASY
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Classical
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Carles Hutchinson Gabriel
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Eugenio Gall
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Prelude, Fugue and Hymn Orches
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Eugenio Gall
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SheetMusicPlus
Composed by Carles Hutchinson Gabriel. Arranged by Eugenio Gall. Christian, Gospel, Praise & Worship, Latter-Day Saints, General Worship. Score, S...
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Composed by Carles Hutchinson Gabriel. Arranged by Eugenio Gall. Christian, Gospel, Praise & Worship, Latter-Day Saints, General Worship. Score, Set of Parts. 37 pages. Published by Eugenio Gall
$49.99
Toccata and Fugue in D Minor: Cello
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Orchestra
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Classical
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Johann Sebastian Bach
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Victor López
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Concert/Contest
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Toccata and Fugue in D Minor:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0014483_VC1 Cello. Composed by Johann Sebastian Bach. Arranged by Victor López. Classical. ...
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Full Orchestra - Digital Download SKU: AX.00-PC-0014483_VC1 Cello. Composed by Johann Sebastian Bach. Arranged by Victor López. Classical. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014483_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014483_VC1). UPC: 038081378244.Eminently playable by advanced amateur or student orchestras, this arrangement maintains the lush and driven rendition of the original without the developmental sections. The tempo may be adjusted to accommodate your group and the strings have been scored to sound full with or without the winds.Closer; Concert/Contest; Festival; Opener.
$3.00
Toccata and Fugue in D Minor: Bassoon
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Orchestra
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Classical
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Johann Sebastian Bach
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Victor López
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Concert/Contest
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Toccata and Fugue in D Minor:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0014483_B1 Bassoon. Composed by Johann Sebastian Bach. Arranged by Victor López. Classical....
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Full Orchestra - Digital Download SKU: AX.00-PC-0014483_B1 Bassoon. Composed by Johann Sebastian Bach. Arranged by Victor López. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014483_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014483_B1). UPC: 038081378244.Eminently playable by advanced amateur or student orchestras, this arrangement maintains the lush and driven rendition of the original without the developmental sections. The tempo may be adjusted to accommodate your group and the strings have been scored to sound full with or without the winds.Closer; Concert/Contest; Festival; Opener.
$3.00
Toccata and Fugue in D Minor: Mallets
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Orchestra
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Classical
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Johann Sebastian Bach
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Victor López
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Concert/Contest
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Toccata and Fugue in D Minor:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0014483_M1 Mallets. Composed by Johann Sebastian Bach. Arranged by Victor López. Classical....
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Full Orchestra - Digital Download SKU: AX.00-PC-0014483_M1 Mallets. Composed by Johann Sebastian Bach. Arranged by Victor López. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014483_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014483_M1). UPC: 038081378244.Eminently playable by advanced amateur or student orchestras, this arrangement maintains the lush and driven rendition of the original without the developmental sections. The tempo may be adjusted to accommodate your group and the strings have been scored to sound full with or without the winds.Closer; Concert/Contest; Festival; Opener.
$3.00
Toccata and Fugue in D Minor: 3rd F Horn
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Orchestra
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Classical
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Johann Sebastian Bach
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Victor López
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Concert/Contest
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Toccata and Fugue in D Minor:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0014483_H3 3rd F Horn. Composed by Johann Sebastian Bach. Arranged by Victor López. Classic...
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Full Orchestra - Digital Download SKU: AX.00-PC-0014483_H3 3rd F Horn. Composed by Johann Sebastian Bach. Arranged by Victor López. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014483_H3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014483_H3). UPC: 038081378244.Eminently playable by advanced amateur or student orchestras, this arrangement maintains the lush and driven rendition of the original without the developmental sections. The tempo may be adjusted to accommodate your group and the strings have been scored to sound full with or without the winds.Closer; Concert/Contest; Festival; Opener.
$3.00
Toccata and Fugue in D Minor: Timpani
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Orchestra
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Classical
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Johann Sebastian Bach
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Victor López
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Concert/Contest
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Toccata and Fugue in D Minor:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0014483_TMP Timpani. Composed by Johann Sebastian Bach. Arranged by Victor López. Classical...
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Full Orchestra - Digital Download SKU: AX.00-PC-0014483_TMP Timpani. Composed by Johann Sebastian Bach. Arranged by Victor López. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014483_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014483_TMP). UPC: 038081378244.Eminently playable by advanced amateur or student orchestras, this arrangement maintains the lush and driven rendition of the original without the developmental sections. The tempo may be adjusted to accommodate your group and the strings have been scored to sound full with or without the winds.Closer; Concert/Contest; Festival; Opener.
$3.00
Symphony No. 8 for Orchestra, Full Score and Parts
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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James Nathaniel Holland
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Symphony No. 8 for Orchestra,
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.730526 Composed by James Nathaniel Holland. Contemporary. Score and parts. 156 pages. James Nathaniel...
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Full Orchestra - Level 4 - Digital Download SKU: A0.730526 Composed by James Nathaniel Holland. Contemporary. Score and parts. 156 pages. James Nathaniel Holland #6225809. Published by James Nathaniel Holland (A0.730526). Eighth symphony of American, 21st century composer James Nathaniel Holland. The symphony begins with an ominous first movement as the universal clock ticks down for humankind. The second contrasts with a religious, somber chimes and a meandering flowing of emotion and ends with a marching, almost military quasi-fugue. Orchestration for medium group: fl12, ob12 (eh), clBb12, bsn 12, hrns 12, tpt Bb12, trom12, timp/xyl, perc (Wood blk, Chimes, BD, Small gong, Large Gong, Snr, Cym, Tri, H.Hat), hrp, strings.
$25.95
Paisano Suite
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Orchestra
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INTERMEDIATE/ADVANCED
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Richard E Brown
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Paisano Suite
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Dacker Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.814731 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 232 pages. Dacker Music ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.814731 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 232 pages. Dacker Music #2991487. Published by Dacker Music (A0.814731). The music of Paisano Suite was composed in 1982 for the Austin Ballet Theatre on a grant from the City of Austin. The resulting ballet was produced in February, 1983 under the title Ballabile, with choreography by ABT Artistic Director Stanley Hall.This music was originally scored for a small pit orchestra, and it was only in 2012 that it was shortened and re-orchestrated to create this suite for full orchestra. Since the original title is a term used specifically for dance music, and the new version of the work is meant to be a concert suite rather than a ballet, it was also re-titled after the Paisano Ranch, in the central Texas Hill Country, where it was originally composed and which served as its inspiration.The entire nearly twenty-minute suite is actually based on a fairly modest amount of musical material and the eight short movements are thematically all very closely related. The overall framework is highly unified in that way.Scored for woodwinds, horns, and trumpets in pairs; 1 trombone, tympani, and strings.1. Prelude 2. Scherzo 3. Berceuse 4. Fugue 5. Pastorale 6. Caprice 7. Romanza 8. FinaleThe price includes license to make as many copies of string parts as necessary.Grade 5 - Duration 19:00
$80.00
Kabuki Pieces, Op. 20
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Orchestra
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ADVANCED
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Chris Knapp
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Kabuki Pieces, Op. 20
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Chris Knapp
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1373704 Composed by Chris Knapp. 21st Century,Classical,Contemporary. 52 pages. Chris Knapp #958094. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1373704 Composed by Chris Knapp. 21st Century,Classical,Contemporary. 52 pages. Chris Knapp #958094. Published by Chris Knapp (A0.1373704). Kabuki pieces takes influence and inspiration from Japanese Kabuki theatre productions. In this work, the main aspects of Kabuki theatre are explored through the 'deconstructed' Orchestra. Kabuki theatre employs the principles of jo-ha-kyu which helps sets the pace for a dramatic play. Jo-ha-kyustates that a play should start slow, get quicker and end fast. Kabuki employs this technique over a series of 5 acts, hence this composition uses 5 movements and the pace of the work as a whole speeds up as it moves through.1. Introduction - Like with all good pieces of theatre, the first act sets the scene and establishes characters. In this compositon, the scene is set by the Cello accompanied by a selection of percussion (a characteristic trait of Kabuki theatre).2. Battle #1 - In Kabuki theatre there are always a number of battles, these usually occur during the 2nd and 4th acts. This composition similarly mimics the chaos of a battle and features the Woodwind section.3. Tragedy - During the 3rd act, a Tragedy or emotional event usually occurs, thus this composition hopes to mirror that with an emotional outpouring of melodic ideas introducing the Brass.4. Battle #2 - In the 2nd battle of this work, the feature is placed more on the Xylophone who takes a solo role and sets out a frantic tune which provides the basis for a Fugue of sorts picked up by the Strings.5. Conclusion - The conclusion to most Kabuki plays are satisfying and short, this is mirrored by the very brief conclusion to this work.
$35.99
Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
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Orchestra
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ADVANCED
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James Nathaniel Holland
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Symphony No. 2, In Praise to H
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. J...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel Holland #4357263. Published by James Nathaniel Holland (A0.730486). FULL SCORE only, Individual instrument parts sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip), maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$18.95
Pastoral Fantasy (066) Revised in 2004
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Hiro Fujikake
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Pastoral Fantasy
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Mari Suzuki
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.922789 Composed by Hiro Fujikake (Hiroyuki Fujikake). Contemporary. Score and parts. 83 pages. Mari S...
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Full Orchestra - Level 4 - Digital Download SKU: A0.922789 Composed by Hiro Fujikake (Hiroyuki Fujikake). Contemporary. Score and parts. 83 pages. Mari Suzuki #6425063. Published by Mari Suzuki (A0.922789). Pastoral Fantasy (066) Revised in 2004Set: Score + Parts1st Mandolin, 2nd Mandolin, Mandola, Guitar, Mand Cello,Double Bass,Level: ★★★★Duration: 14min.(83 pages incl. front page and instruction)The most well performed piece.It was the second work for Hiro to compose a mandolin orchestra, the work was composing during June to July, 1975 and was first performed by Tokai Student Mandolin Association in August. The inspiration of this music came from fresh greenery in early summer. The title of Pastoral Fantasy is based on the image of pastoral scenery and it consists the theme of the music. The following is the construction of the music.1. Initial pastoral andante2. Introduction of fugue, develop freely3. Recreation of touching pastoral theme4. Powerful codaPlease do not stick with interpretation of the music, just feel the sounds, as you like. It would be great pleasure for the composer if this music means something to those who play or listen to it.
$100.00
Variations on an American Folksong
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Orchestra
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EASY
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Contemporary
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Robert Edward Smith
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ROBERT EDWARD SMITH MUSIC
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Variations on an American Folk
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ROBERT EDWARD SMITH MUSIC
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.998660 Composed by Robert Edward Smith. Arranged by ROBERT EDWARD SMITH MUSIC. Contemporary. Score an...
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Full Orchestra - Level 2 - Digital Download SKU: A0.998660 Composed by Robert Edward Smith. Arranged by ROBERT EDWARD SMITH MUSIC. Contemporary. Score and parts. 122 pages. ROBERT EDWARD SMITH MUSIC #4793719. Published by ROBERT EDWARD SMITH MUSIC (A0.998660). Variations on an American Folksong is a set of variations on the Appalachian folk song Brightest and Best, a shape note hymn for the season of Epiphany. The music is tonal and melodic. It is scored for 2 fl, 2 ob, 2 cl, 2 bsn, 2 horns, 2 trpts, timp and percuss (one player), and strings. The purchaser has permission to print the number of string parts necessary for the size of the orchestra. The music is not difficult. Duration is about 20 minutes. The audio sample is a digital rendition of the final fugue.
$60.00
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