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To The Moon, Op. 48
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You've selected:
To The Moon, Op. 48
Orchestra
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1 sheet music found
To The Moon, Op. 48
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Orchestra
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INTERMEDIATE
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Chris Knapp
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To The Moon, Op. 48
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Chris Knapp
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1512855 Composed by Chris Knapp. 21st Century,Classical. 83 pages. Chris Knapp #1087810. Published by...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1512855 Composed by Chris Knapp. 21st Century,Classical. 83 pages. Chris Knapp #1087810. Published by Chris Knapp (A0.1512855). About the piece'To The Moon' takes inspiration from the Earth's Moon, the beauty andmajesty of the celestial body and all it encompasses. It also charts the energy and excitement surrounding the space race and the ultimate goal to get to the Moon! The piece helps to explore extended tonalities and considers a different approach to Orchestral writing and performance choreography.This piece can be performed by any number of performers, ideally, traditional Orchestral numbers work well but experimentation with larger/fewer numbers on various parts within the different 'ensembles' can produce exciting results.Performance directionsThe ideal performing conditions for this piece are that the orchestra are split into 4 'ensembles' as indicated in the score. Each ensemble is grouped in a way that means all ensembles are pointing to the centre (see diagram 1 below). The audience should similarly be positioned around the room in a circle behinf each of the ensembles. Therefore, an ideal focal point for this performance would be a visual representation of the Moon in the centre of the room, ideally lit in some way. Representations of the Moon may take the form of a 3D lit representation (potentially made, perhaps a local Art project) or a projected representation onto the floor of the performance space. TheMoon should be of sufficient size as to not be lost in the space and careful planning should be done to ensure optimal visual effect. The role of the conductor during the performance ideally would be minimal, perhaps sat in one of the ensembles providing minimal direction. However, due to the capabilities of the performers, the conductor may have to take a more active role in the performance. In this case, diagram 1 (below) shows the ideal place for the conductor to be positioned so that performers can see as much as possible but so that attention is not diverted from the visual effect.To get in touch email me at: cknapp.nottingham@gmail.com.
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