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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
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VIOLIN - FIDDL…
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XYLOPHONE
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What a Day
Not classified
663
Piano & keyboards
Piano solo
625
Easy Piano
209
Piano, Voice
160
Piano, Vocal and Guitar
156
Organ
56
Big Note Piano
47
C Instruments
38
1 Piano, 4 hands
21
Accordion
16
Piano Accompaniment
10
Piano Trio: piano, violin, cello
6
Piano (band part)
4
Keyboard
4
Piano Quartet: piano, violin, viola, cello
3
2 Pianos, 4 hands
1
Piano Quartet: piano, 2 violins, cello
1
1 Piano, 6 hands
1
+ 12 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
57
Guitar
38
Melody line, (Lyrics) and Chords
25
Bass guitar
12
Ukulele
12
Lyrics and Chords
11
Guitar (band part)
6
Piano, Guitar (duet)
4
2 Guitars (duet)
3
Banjo
2
3 Guitars (trio)
1
Baritone Ukulele
1
2 Dulcimers (duet)
1
4 Guitars (Quartet)
1
Dulcimer
1
Mandolin
1
+ 11 instrumentations
-
Retract
Voice
Choral SATB
223
Choral 2-part
62
Choral 3-part
54
Choral TTBB
34
Choral Unison
25
Vocal duet, Piano
23
Choral Instrumental Pak
13
Alto voice, Piano
9
High voice
8
Choral SSAA
8
Voice solo
5
Vocal duet
5
Choral
4
Baritone voice, Piano
3
Soprano voice, Piano
3
Soprano voice
2
Tenor voice, Piano
2
Choral SSAATTBB
1
Low voice, Piano
1
Tenor voice
1
Choral SSATB
1
Choral SSATTB
1
Medium voice, Piano
1
+ 18 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
60
Clarinet
53
Flute and Piano
50
Clarinet and Piano
47
Flute
44
Saxophone (band part)
43
Alto Saxophone and Piano
43
Flute, Oboe, Clarinet, Bassoon
42
Oboe, Piano (duet)
41
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
40
Oboe (band part)
36
2 Flutes (duet)
35
Alto Saxophone
31
Tenor Saxophone and Piano
28
2 Saxophones (duet)
27
Tenor Saxophone
23
Saxophone Quintet: 5 Saxophones
23
Clarinet Quartet: 4 clarinets
22
2 Clarinets (duet)
21
Soprano Saxophone and Piano
20
Saxophone
15
3 Saxophones (trio)
14
Baritone Saxophone, Piano
12
Flute Quartet: 4 flutes
12
Flute (band part)
11
Clarinet Quintet: 5 clarinets
9
Flute, Clarinet (duet)
9
English Horn
7
Flute ensemble
7
Clarinet Ensemble
7
Descant (Soprano) Recorder
7
3 Clarinets (trio)
6
Saxophone, Clarinet (duet)
6
2 Recorders (duet)
6
Flute Quintet : 5 flutes
6
2 Oboes (duet)
5
Flute, Violin, Piano
5
Flute, Violin and Violoncello
5
Clarinet, Violin (duet)
5
Recorder Quartet
5
English horn, Piano
4
Flute and Guitar
4
Clarinet, Guitar (duet)
4
Oboe, Clarinet (duet)
4
Oboe, Bassoon (duet)
4
Flute, Clarinet, Piano (trio)
3
Flute, Trumpet (duet)
3
Flute Trio: 3 flutes
3
Clarinet, Cello (duet)
3
Clarinet, Bassoon (duet)
3
2 Flutes, Piano
3
Clarinet (band part)
3
Flute, Saxophone (duet)
3
Oboe, Flute
3
Flute, Oboe (duet)
3
Clarinet, Trumpet (duet)
3
Flute, Violin
3
Flute, Viola (duet)
2
Oboe
2
Flute, Oboe, Clarinet (trio)
2
Piccolo
2
Clarinet and Viola
2
Clarinette, Viola and Piano (trio)
2
2 Clarinets, Piano
2
Oboe, Clarinet, Bassoon (trio)
1
Recorder Ensemble
1
Bass Clarinet, Piano
1
Saxophone and Organ
1
Flute, Oboe, Piano (trio)
1
Clarinet, Cello, Piano (trio)
1
Flute, Oboe, Bassoon
1
Recorder
1
Flute, Clarinet, Violin (trio)
1
Flute, Clarinet and Bassoon.
1
Clarinet, Harp (duet)
1
Saxophone ensemble
1
Flute, Bassoon, and Piano
1
Flute, Oboe, Violin
1
Pennywhistle
1
Flute, trombone and piano
1
Flute, Viola and Piano
1
Tenor Recorder
1
Treble (Alto) Recorder, Piano
1
2 Flutes and Harp
1
3 Recorders (trio)
1
5 Recorders
1
+ 81 instrumentations
-
Retract
Woodbrass
Trumpet
51
Brass Quintet: 2 trumpets, horn, trombone, tuba
48
Trumpet, Piano
39
Trombone and Piano
37
French Horn and Piano
30
Trombone
29
French horn
27
Brass quartet : 2 trumpets, trombone, tuba
23
Brass Quartet
22
Brass Quartet: 4 trombones
21
Tuba and Piano
21
Tuba
20
Brass Quartet: 2 trumpets, horn, trombone
15
Trombone (band part)
15
Trumpet (band part)
14
2 Trombones (duet)
12
2 Trumpets (duet)
11
Brass Trio
9
2 French horns (duet)
9
English Horn
7
Trumpet, Trombone (duet)
6
2 Tubas (duet)
5
English horn, Piano
4
French horn (band part)
4
Trumpet, Saxophone (duet)
3
Brass Quartet: 4 horns
2
Tuba (band part)
2
Trumpet, Horn (duert)
2
Brass Quartet: 4 trumpets
2
Euphonium, Piano (duet)
2
Euphonium, Tuba (duet)
2
4 Tubas
2
Trumpet ensemble
1
2 Euphoniums and 2 Tubas
1
2 Trumpets, Keyboard (piano or organ)
1
3 Trombones (trio)
1
Trumpet, Cello, Piano
1
Horn Ensemble
1
+ 33 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
127
Violin and Piano
74
Violin
57
Viola, Piano
55
Cello, Piano
53
Cello
43
Viola
34
2 Violins (duet)
33
Harp
27
String Quintet: 2 violins, viola, cello, bass
23
Violin, Cello (duet)
19
Violin, Viola (duet)
17
2 Cellos (duet)
17
Double Bass
17
Double bass, Piano (duet)
16
2 Violas (duet)
13
String Trio: violin, viola, cello
10
String Trio: 2 violins, cello
10
Viola (band part)
8
String quartet: 4 violins
7
Cello, String Bass (duet)
6
Doublebass (band part)
6
Harp, Voice
5
Viola, Cello (duet)
5
2 Harps (duet)
4
4 Cellos
4
String Trio: 3 cellos
4
2 Double basses (duet)
4
String Trio: 3 violins
4
String Quintet: 2 violins, 2 violas, cello
3
Violin (band part)
3
Harp, Cello (duet)
2
String trio
2
String Trio: 2 violins, viola
2
Viola and Harp
1
String Trio: 3 violas
1
2 Cellos, Piano
1
Violin, Guitar (duet)
1
4 Double Basses
1
Piano Trio: Violin, Viola, Piano
1
String Quartet : 4 violas
1
2 Violins, Piano
1
Cello, Organ
1
Violin ensemble
1
Violin, Clarinet, Piano (trio)
1
Cello, Guitar (duet)
1
Cello (band part)
1
Violin, Trumpet and Piano
1
+ 43 instrumentations
-
Retract
Orchestra & Percussion
Concert band
261
Orchestra
57
String Orchestra
49
Handbells
25
Jazz Ensemble
20
Brass ensemble
19
Drums
17
Chamber Orchestra
16
Jazz combo
10
Drum (band part)
3
Marching band
3
Percussion Ensemble
2
Percussion (band part)
2
Marimba
1
Piano and Orchestra
1
Xylophone, Piano
1
Vibraphone
1
+ 12 instrumentations
-
Retract
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You've selected:
What a Day
Orchestra
Sheetmusic to print
57 sheet music found
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1
26
51
Hallelujah, What a Saviour Piano Quintet
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Orchestra
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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Philip P
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Carrie Wickens
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Hallelujah, What a Saviour Pia
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Carrie Wickens
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.784269 Composed by Philip P. Bliss. Arranged by Carrie Wickens. Christian,Easter,Gospel,Sacred. Score...
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Full Orchestra - Level 4 - Digital Download SKU: A0.784269 Composed by Philip P. Bliss. Arranged by Carrie Wickens. Christian,Easter,Gospel,Sacred. Score and parts. 15 pages. Carrie Wickens #3475053. Published by Carrie Wickens (A0.784269). The piano begins with a light accompaniment which is soon joined by a contemplative line from the cello, after which the viola simply introduces the melody. The Cello takes the melody on verse two, ending full and rich. This would be a wonderfully special addition to your Easter or Good Friday services. Instrumentation: Violin, Viola, Cello, Double Bass, Piano.
$15.00
A Festival of Carols: 4th F Horn
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Orchestra
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Instructional
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Douglas E
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Festival.
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A Festival of Carols: 4th F Ho
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0014690_H4 4th F Horn. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music -...
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Full Orchestra - Digital Download SKU: AX.00-PC-0014690_H4 4th F Horn. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014690_H4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014690_H4). UPC: 038081405230.A Festival of Carols -- What a versatile holiday collection! This one will work as a stand-alone full orchestra, stand-alone string orchestra, or either can accompany the partner choral arrangements [SATB Chorus (SVM05043) or Three-Part Mixed Chorus (SVM05044)]. You can feature your entire music department on this holiday concert closer! The medley features Hark! The Herald Angels Sing, While by my Sheep, God Rest Ye Merry Gentlemen, Still, Still, Still, and Angels, We Have Heard on High. (4:23)Concert/Contest; Festival.
$3.00
A Festival of Carols: Flute
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Orchestra
#
Instructional
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Douglas E
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Festival.
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A Festival of Carols: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0014690_F1 Flute. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digi...
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Full Orchestra - Digital Download SKU: AX.00-PC-0014690_F1 Flute. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014690_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014690_F1). UPC: 038081405230.A Festival of Carols -- What a versatile holiday collection! This one will work as a stand-alone full orchestra, stand-alone string orchestra, or either can accompany the partner choral arrangements [SATB Chorus (SVM05043) or Three-Part Mixed Chorus (SVM05044)]. You can feature your entire music department on this holiday concert closer! The medley features Hark! The Herald Angels Sing, While by my Sheep, God Rest Ye Merry Gentlemen, Still, Still, Still, and Angels, We Have Heard on High. (4:23)Concert/Contest; Festival.
$3.00
A Festival of Carols: 3rd F Horn
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Orchestra
#
Instructional
#
Douglas E
#
Festival.
#
A Festival of Carols: 3rd F Ho
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0014690_H3 3rd F Horn. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music -...
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Full Orchestra - Digital Download SKU: AX.00-PC-0014690_H3 3rd F Horn. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014690_H3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014690_H3). UPC: 038081405230.A Festival of Carols -- What a versatile holiday collection! This one will work as a stand-alone full orchestra, stand-alone string orchestra, or either can accompany the partner choral arrangements [SATB Chorus (SVM05043) or Three-Part Mixed Chorus (SVM05044)]. You can feature your entire music department on this holiday concert closer! The medley features Hark! The Herald Angels Sing, While by my Sheep, God Rest Ye Merry Gentlemen, Still, Still, Still, and Angels, We Have Heard on High. (4:23)Concert/Contest; Festival.
$3.00
A Festival of Carols: Bassoon
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Orchestra
#
Instructional
#
Douglas E
#
Festival.
#
A Festival of Carols: Bassoon
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0014690_B1 Bassoon. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Di...
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Full Orchestra - Digital Download SKU: AX.00-PC-0014690_B1 Bassoon. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014690_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014690_B1). UPC: 038081405230.A Festival of Carols -- What a versatile holiday collection! This one will work as a stand-alone full orchestra, stand-alone string orchestra, or either can accompany the partner choral arrangements [SATB Chorus (SVM05043) or Three-Part Mixed Chorus (SVM05044)]. You can feature your entire music department on this holiday concert closer! The medley features Hark! The Herald Angels Sing, While by my Sheep, God Rest Ye Merry Gentlemen, Still, Still, Still, and Angels, We Have Heard on High. (4:23)Concert/Contest; Festival.
$3.00
A Festival of Carols: Score
#
Orchestra
#
Instructional
#
Douglas E
#
Festival.
#
A Festival of Carols: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PR-0003006 Score. Arranged by Douglas E. Wagner. Instructional. Score. 28 pages. Alfred Music - Digit...
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Full Orchestra - Digital Download SKU: AX.00-PR-0003006 Score. Arranged by Douglas E. Wagner. Instructional. Score. 28 pages. Alfred Music - Digital Sheet Music #00-PR-0003006. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0003006). UPC: 038081405230.A Festival of Carols -- What a versatile holiday collection! This one will work as a stand-alone full orchestra, stand-alone string orchestra, or either can accompany the partner choral arrangements [SATB Chorus (SVM05043) or Three-Part Mixed Chorus (SVM05044)]. You can feature your entire music department on this holiday concert closer! The medley features Hark! The Herald Angels Sing, While by my Sheep, God Rest Ye Merry Gentlemen, Still, Still, Still, and Angels, We Have Heard on High. (4:23)Concert/Contest; Festival.
$9.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestra
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestra
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ADVANCED
#
Contemporary
#
Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
What Are You Doing New Year's Eve?
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Frank Loesser
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Bryan Kidd
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French Horn, F-sharp 5
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What Are You Doing New Year's
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BryanKiddMusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1285486 Composed by Frank Loesser. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. Score an...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1285486 Composed by Frank Loesser. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. Score and Parts. 57 pages. BryanKiddMusic.com #876592. Published by BryanKiddMusic.com (A0.1285486). A beautifully orchestrated and dreamy arrangement. Although Frank Loesser wrote this as an anytime-of-the-year question, most often it’s heard during the Christmas Season. A veritable who’s who have covered it since first being introduced in 1947 by Margaret Whiting. A partial list includes Ella Fitzgerald, Ramsey Lewis, Joe Williams, Nancy Wilson, Johnny Mathis, Idina Menzel, Seth MacFarlane, Barbra Streisand, Andy Williams, Lee Ann Womack, Lena Horne and The Carpenters. Full Orchestra with Vocal Soloist (G3 to A-flat 4) Brass high note: Trumpet F 5; French Horn, F-sharp 5; Trombone E 4 Saxophones are optional NOTE: a letter-size (8.5x11) score is included with the set; a more easily read Tabloid-size (11x17) score is available separately (RECOMMENDED). For the Tabloid-size score, click here. Please visit BryanKiddMusic.com    With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$65.00
What Child Is This?
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Orchestra
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INTERMEDIATE
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Christmas
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William C Dix
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Elizabeth Ross
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What Child Is This?
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Elizabeth Ross
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1142103 Composed by William C Dix. Arranged by Elizabeth Ross. Christmas,Classical,Holiday,Religious,...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1142103 Composed by William C Dix. Arranged by Elizabeth Ross. Christmas,Classical,Holiday,Religious,Traditional. Score and Parts. 45 pages. Elizabeth Ross #742479. Published by Elizabeth Ross (A0.1142103). Intermediate Level Orchestral arrangement of a seasonal favorite.
$10.00
Too Early For Christmas
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Orchestra
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INTERMEDIATE
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Christmas
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Jimmy Fallon With Dolly Parton
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Marek Czekala
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Too Early For Christmas
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Marek Czekala
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victori...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged by Marek Czekala. Christmas,Comedy. Score and Parts. 44 pages. Marek Czekala #846120. Published by Marek Czekala (A0.1251902). Jimmy Fallon revealed his latest holiday collaboration with Dolly Parton, a comical song called “Almost Too Early for Christmas,†out Nov. 4. “I’m releasing another holiday song this year, and I thought what better day to announce it than Halloween,†said Fallon on the Tonight Show Starring Jimmy Fallon on Oct. 31.He added, “People have that debate after Thanksgiving of, ‘Can we listen to holiday music? Can we listen to Christmas music? Is it too early? Can we put on Mariah Carey now?’ I say, ‘Yeah.’ … So I thought it would be fun if I put out a song and released it around Halloween, for the holidays.â€Parton starts off the holiday song singing, It’s almost too early for Christmas before Fallon takes on the next verse, Too soon to be singing this song. The pair then continue line by line throughout the humorous duet: There’s still Halloween decorations / And haters will say that it’s wrong / Let’s turn on the lights for Mariah / Tell Rudolph to shine up his nose with both singing  It’s almost too early for Christmas / Why don’t we see how it goes. © 2023 American Songwriter.
$50.00
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
I Can Only Imagine
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Orchestra
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EASY
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MercyMe
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Paul Lorenz
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I Can Only Imagine
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1515617 By MercyMe. By Bart Millard. Arranged by Paul Lorenz. Broadway,Musical/Show,Pop,Praise & Wors...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1515617 By MercyMe. By Bart Millard. Arranged by Paul Lorenz. Broadway,Musical/Show,Pop,Praise & Worship,Religious,Spiritual. 28 pages. Paul Lorenz #1089971. Published by Paul Lorenz (A0.1515617). Discover Paul Lorenz's Stunning Choral Arrangement of I Can Only Imagine by Mercy Me Download now: I Can Only Imagine sheet music for SATB choir and orchestra, arranged by acclaimed composer Paul Lorenz. This exceptional arrangement includes the full choir score, piano accompaniment, and all orchestral parts, perfect for worship settings, concerts, and performances. Breathtaking Choral and Orchestral Arrangement Experience the power of Mercy Me's beloved Christian anthem with this moving arrangement tailored for Soprano, Alto, Tenor, and Bass voices. Paul Lorenz's sensitive orchestration brings depth and beauty, elevating the song to new heights. Ideal for choirs, church ensembles, and community groups, this sheet music is available as a PDF download, ensuring you can access it instantly. Perfect for Worship and Concerts Whether you're preparing for a Sunday service or a special event, this Christian worship sheet music provides all you need for a flawless performance. With easy-to-read piano and vocal scores, and individual orchestral parts, your ensemble can deliver a polished and emotional rendition of I Can Only Imagine. Bring the heartfelt message of this worship classic to life. Download your copy today and share this moving piece with your choir and audience. FAQs: What is included in the I Can Only Imagine sheet music by Paul Lorenz? The download includes the full SATB choir score, piano accompaniment, and individual orchestral parts. This arrangement is perfect for choirs and orchestras performing in worship settings or concerts. Is the I Can Only Imagine sheet music suitable for beginner choirs? This arrangement is designed for SATB choirs and may require intermediate to advanced skill levels, particularly for the orchestral parts. However, the piano accompaniment and vocal lines are accessible for most choir groups. How can I purchase and download I Can Only Imagine sheet music? The sheet music is available for instant PDF download after purchase. You’ll receive the full score and all individual parts, ready to print and distribute to your choir or orchestra.
$149.90
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Jurame
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Andrea Bocelli
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Javier MartÃnez Maya
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Jurame
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.742593 By Andrea Bocelli. By Maria Grever. Arranged by Javier MartÃnez Maya. Contemporary. Score a...
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Full Orchestra - Level 4 - Digital Download SKU: A0.742593 By Andrea Bocelli. By Maria Grever. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 44 pages. Arte Nova Music Lab #6432101. Published by Arte Nova Music Lab (A0.742593). MarÃa Grever (14 September 1885 – 15 December 1951) was the first female Mexican composer to achieve international acclaim. She is best known for the song What A Difference A Day Makes (originally Cuando vuelva a tu lado), which was popularized by Dinah Washington and has been covered by numerous artists. Grever wrote more than 1000 songs - the majority of them boleros - and her popularity reached audiences in Latin America, Europe, and the United States. She was said to have possessed perfect pitchand wrote most of her songs in one key. Her first piece of music, a Christmas carol, was composed when she was four years old. She wrote her first song when she was 18 years old, A Una Ola (To a Wave), and it sold three million copies.Taken from https://en.wikipedia.org/wiki/Mar%C3%ADa_Grever
$60.00
Horizons
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Orchestra
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INTERMEDIATE
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Nick Elliott
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Horizons
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Nick Elliott
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1418381 By Nick Elliott. By Nick Elliott. 21st Century,Classical,Contemporary. 117 pages. Nick Elliot...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1418381 By Nick Elliott. By Nick Elliott. 21st Century,Classical,Contemporary. 117 pages. Nick Elliott #999942. Published by Nick Elliott (A0.1418381). “Horizons†intends to demonstrate through music the beautiful imagery of nature in Atlantic Canada. The musical imagery expressed in this tone poem is largely inspired by the Acadian forest, Fundy National Park and other geographical features of Atlantic Canada. This tone poem is split into two movements: Sunrise and Sunset. “Horizons aims to reveal what a sunrise and a sunset on the horizon would sound like in Atlantic Canada. In essence “Horizons†aims to create that picture in the listener mind through music. Horizons is a tone poem that seeks to encapsulate the breathtaking nature found in Atlantic Canada. Drawing its inspiration from the lush Acadian forest,  majestic Fundy National Park, and the diverse geographical landscapes that define Atlantic Canada, this piece vividly translates the essence of these natural wonders into sound. The composition is divided into two movements, Sunrise and Sunset, each crafted to convey the unique ambiance and colors of the Atlantic horizon at these times of the day.In Horizons, orchestral textures are pivotal in painting the auditory landscape. The intricate layering of instrumental timbres and dynamics is akin to the interplay of light and shadow across the landscape. The delicate whispers of the woodwinds evoke the gentle rustle of leaves in the Acadian forest at dawn, while the bold, resonant brass mirrors the dramatic hues that streak the sky at dusk. Strings weave throughout, like the constant ebb and flow of the tides at Fundy Bay. Through Horizons, listeners are invited to embark on an auditory journey that mirrors the experience of witnessing a sunrise and sunset on the Atlantic horizon. The orchestral textures serve as dynamic and integral components of the narrative, bringing to life the serene beauty and the vibrant tapestry of Atlantic Canada's natural landscapes through music.
$50.00
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) - Score Only
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Orchestra
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ADVANCED
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An-lun Huang
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Dream of Dunhuang - Ballet in
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DoReMi Edition
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score an...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pages. DoReMi Edition #644919. Published by DoReMi Edition (A0.1040096). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuangâ€. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the â€road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang†was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century†in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang†depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.
$29.99
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestra
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ADVANCED
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
John Leavitt: What Sweeter Music (A Cantata For Christmas) - orchestra/band (bb/a clarinet 2)
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Orchestra
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INTERMEDIATE
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Christmas
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John Leavitt
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Virtualsheetmusic
Instantly printable sheet music by John Leavitt for orchestra/band (bb/a clarinet 2) of MEDIUM skill level. / christmas,holiday,sacred,carol,advent,festival...
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Instantly printable sheet music by John Leavitt for orchestra/band (bb/a clarinet 2) of MEDIUM skill level. / christmas,holiday,sacred,carol,advent,festival
$24.99
John Leavitt: What Sweeter Music (A Cantata For Christmas) - orchestra/band (bb/a clarinet 1)
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Orchestra
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INTERMEDIATE
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Christmas
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John Leavitt
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Virtualsheetmusic
Instantly printable sheet music by John Leavitt for orchestra/band (bb/a clarinet 1) of MEDIUM skill level. / christmas,holiday,sacred,carol,advent,festival...
(+)
Instantly printable sheet music by John Leavitt for orchestra/band (bb/a clarinet 1) of MEDIUM skill level. / christmas,holiday,sacred,carol,advent,festival
$24.99
Sarabande from the Dance Suite for Orchestra
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Orchestra
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INTERMEDIATE
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Robert E
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Sarabande from the Dance Suite
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.809814 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 33 pages. R. E. Proc...
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Full Orchestra - Level 3 - Digital Download SKU: A0.809814 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 33 pages. R. E. Proctor #3417175. Published by R. E. Proctor (A0.809814). Sarabande - Apparently a notorious dance for it's day, having been banded in Spain by Philip II in 1590. This Sarabnde is written in C minor, in 3/4 meter, and a tempo set to 1/4 note = 44. Moody and somewhat dark, it will not be what your listeners will be expecting. A haunting melody is passed from various instruments over pizzicato strings then the orchestra as a whole. Approximate length 3 minutes and 51 seconds.
$7.95
John Leavitt: What Sweeter Music (a Cantata For Christmas) (COMPLETE) - orchestra/band
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Orchestra
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INTERMEDIATE
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Christmas
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John Leavitt
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Virtualsheetmusic
Instantly printable sheet music by John Leavitt for orchestra/band of MEDIUM skill level. / christmas,holiday,sacred,carol,advent,festival
Instantly printable sheet music by John Leavitt for orchestra/band of MEDIUM skill level. / christmas,holiday,sacred,carol,advent,festival
$209.99
John Leavitt: What Sweeter Music (A Cantata For Christmas) - orchestra/band (harp)
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Orchestra
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INTERMEDIATE
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Christmas
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John Leavitt
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Virtualsheetmusic
Instantly printable sheet music by John Leavitt for orchestra/band (harp) of MEDIUM skill level. / christmas,holiday,sacred,carol,advent,festival
Instantly printable sheet music by John Leavitt for orchestra/band (harp) of MEDIUM skill level. / christmas,holiday,sacred,carol,advent,festival
$24.99
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