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Beautiful In Its Time
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You've selected:
Beautiful In Its Time
SheetMusicPlus
1 Piano, 4 hands
Sheetmusic to print
2 sheet music found
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1
Jesus Loves Me
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1 Piano, 4 hands
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BEGINNER
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Sacred music
#
William B
#
Jo Hovind
#
Worship
#
Jesus Loves Me
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Jo Notes, LLC
#
SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1460529 Composed by William B. Bradbury. Arranged by Jo Hovind. Children,Christian,Instru...
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1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1460529 Composed by William B. Bradbury. Arranged by Jo Hovind. Children,Christian,Instructional,Praise & Worship,Sacred. Score. 9 pages. Jo Notes, LLC #1039454. Published by Jo Notes, LLC (A0.1460529). Jesus Loves MePublic Domain | Words by Anna Warner (1820-1915) | Music by William Bradbury (1816-1868) | © 2023 Arrangement by Jo Hovind | Jo Notes LLC, Pensacola, FLDetailed Description:Piano Duet, 4 Hands at One Piano - Student Pre-Reader Black Keys with Finger Numbers, Teacher Advanced - Digital Download.Jesus Loves Me | Words by Anna Warner (1820-1915), Music by William Bradbury (1816-1868) | Arranged and Published by Jo Hovind, Jo Notes, LLC, Pensacola, Florida | Praise & Worship. Score - 5 pages. A Note from the Arranger:Pre-Reader on the Black Keys by Finger NumbersTeacher Duet in Gb Major One of the most beloved and most translated children’s hymns of all time can be played by finger numbers on the black keys. The singable, pentatonic melody is beautiful even in its own simplicity. But when combined with lush harmonies of the teacher duet, this beginner piece becomes a heart-warming show-stopper for recitals, Sunday School, nursing home, and church performances.Teaching Idea: Remembering which hand plays which notes (left and right) can be very challenging for beginning students. The notes for the student part in this arrangement have blue note heads for right hand notes, and green note heads for left hand notes. Purchase a blue and a green athletic wrist band. Put the blue one on the student’s right wrist (because the blue sky is high and the right hand plays the higher notes), and place the green wrist band on the student’s left hand (because the green grass is down low and the hand plays the lower notes.) Then the single three white key notes that the hands must MOVE to play have red note heads.
$4.99
Sonate Jason, qui emporte la Toison d'or
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1 Piano, 4 hands
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INTERMEDIATE
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Classical
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Carl Ditters von Dittersdorf
#
Allan Badley
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Sonate Jason, qui emporte la T
#
Artaria Editions
#
SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1485603 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Sc...
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1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1485603 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 75 pages. Artaria Editions #1062669. Published by Artaria Editions (A0.1485603). Unlike the narratives concerning the death of Hercules, and his transformation into a god, and the dispute between Ajax and Ulysses over the weapons of Achilles, the story of Jason's capture of the Golden Fleece provided Dittersdorf with few opportunities for genuine pictorial writing. His explanation for the piano second theme in the first movement seems a little glib – it is, after all, a favourite device of his in non-programmatic works as well but Medea's beautiful soliloquy in the second movement, assigned here to the primo part and in all probability to a wind solo in the original, is as effective as anything in the extant orchestral scores of the Ovid symphonies. His choice of a Ciaconna for the Finale is not only highly appropriate given the heroic theme of the work, but also neatly solves the problem of how to end the symphony unconventionally in the absence of a transformation scene of the kind found in the other symphonies. Yet again, one marvels at Dittersdorf 's powerful creative imagination. The parts are marked carefully although Dittersdorf is not over-detailed in his instructions to the performers. The occasional copying errors provide insufficient evidence to determine whether the parts were copied from a piano score or prepared directly from the composer's full orchestral score. Little editorial work has been necessary to prepare this edition. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources, the manuscript is at times inconsistent in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$53.00
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