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ACCORDION
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BAGPIPE
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CHORAL - VOCAL…
CLARINET
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DJ GEAR
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ENGLISH HORN
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FRENCH HORN
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ORGAN
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XYLOPHONE
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Take
Not classified
4,082
Piano & keyboards
Piano solo
3,389
Piano, Voice
2,344
Piano, Vocal and Guitar
1,685
Easy Piano
1,288
C Instruments
233
Organ
208
1 Piano, 4 hands
109
Big Note Piano
80
Piano Accompaniment
78
Piano Trio: piano, violin, cello
57
2 Pianos, 4 hands
29
Accordion
27
Piano (band part)
24
Piano Quartet: piano, violin, viola, cello
17
Organ, Piano (duet)
11
Piano Quintet: piano, 2 violins, viola, cello
8
Harpsichord
6
Keyboard
5
Melody line, Piano
4
Organ, Trumpet (duet)
3
1 Piano, 6 hands
3
Piano Quartet: piano, 2 violins, cello
3
Accordion, Voice
2
Accordion ensemble
1
Organ and Orchestra
1
Accordion, Piano
1
+ 21 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
596
Melody line, (Lyrics) and Chords
393
Guitar
315
Lyrics and Chords
211
Ukulele
152
Bass guitar
135
Guitar (band part)
48
Mandolin
28
2 Guitars (duet)
23
Dulcimer
21
Banjo
17
4 Guitars (Quartet)
9
3 Guitars (trio)
8
Piano, Guitar (duet)
8
Electric Bass (band part)
4
Baritone Ukulele
3
Guitar Ensemble
3
2 Mandolins (duet)
2
2 Ukuleles
1
Guitar, Violin, Cello (trio)
1
Lap Steel Guitar
1
Guitar, Orchestra
1
Mandolin, Guitar (duet)
1
Plectrum Orchestra
1
+ 19 instrumentations
-
Retract
Voice
Choral SATB
1,529
Choral Unison
928
Choral 3-part
495
Choral TTBB
318
Choral 2-part
260
Choral SSAA
184
Vocal duet, Piano
74
Voice solo
58
Soprano voice, Piano
49
Choral Instrumental Pak
48
Choral
43
Vocal duet
27
High voice
24
Baritone voice, Piano
15
Alto voice, Piano
10
Tenor voice, Piano
7
Choral SSATB
6
Soli, Mixted choir and accompaniment
5
Low voice, Piano
5
Tenor voice
5
Choral SSAATTBB
5
Choral SSAB a cappella
3
Mezzo-Soprano voice, Piano
3
Medium voice, Piano
3
Soprano voice
2
Choral SSAB, Piano
2
Choral SSATTB
2
Choral SATTBB A Cappella
1
Baritone voice
1
Choral SAATB A Cappella
1
Voice, Guitar
1
+ 26 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
305
Flute
278
Saxophone Quartet: 4 saxophones
269
Clarinet
257
Flute and Piano
249
Saxophone (band part)
229
Saxophone
214
2 Saxophones (duet)
191
Flute, Oboe, Clarinet, Bassoon
188
Alto Saxophone
181
Saxophone Quintet: 5 Saxophones
177
Clarinet and Piano
175
Oboe, Piano (duet)
171
Tenor Saxophone
158
Alto Saxophone and Piano
155
2 Flutes (duet)
127
Tenor Saxophone and Piano
116
2 Clarinets (duet)
114
Clarinet Quartet: 4 clarinets
113
Saxophone ensemble
90
Soprano Saxophone and Piano
80
Oboe (band part)
78
Clarinet Ensemble
77
Baritone Saxophone, Piano
65
Flute Quartet: 4 flutes
62
Clarinet (band part)
61
3 Saxophones (trio)
49
Flute ensemble
43
2 Oboes (duet)
43
Saxophone, Clarinet (duet)
39
3 Clarinets (trio)
38
Flute, Clarinet (duet)
38
Flute Trio: 3 flutes
35
Flute (band part)
35
Soprano Saxophone
34
Oboe, Bassoon (duet)
34
Clarinet, Violin (duet)
31
Clarinet Quintet: 5 clarinets
31
Flute and Guitar
30
2 Flutes, Piano
27
Oboe
25
English horn, Piano
25
Clarinet, Trumpet (duet)
24
Recorder Ensemble
23
Oboe, Clarinet (duet)
23
Clarinet, Bassoon (duet)
22
Bass Clarinet, Piano
22
Flute Quintet : 5 flutes
22
Flute, Violin
21
Descant (Soprano) Recorder
20
Baritone Saxophone
19
Recorder
18
Flute, Oboe, Clarinet (trio)
18
Oboe, Clarinet, Bassoon (trio)
16
Flute, Trumpet (duet)
15
Recorder Quartet
15
Oboe, Flute
15
Flute, Clarinet and Bassoon.
15
Flute, Viola (duet)
14
Clarinet and Viola
14
Flute, Saxophone (duet)
14
Flute, Violoncello
13
Clarinet, Cello (duet)
13
Flute, Oboe (duet)
13
Treble (Alto) Recorder, Piano
12
Treble (Alto) Recorder
11
Flute, Violin, Piano
11
Harmonica
10
Clarinet, Guitar (duet)
10
Flute, Oboe, Bassoon
9
2 Recorders (duet)
9
English Horn
9
Oboe, Cello
8
Eb Instruments
8
Piccolo
7
Tenor Recorder
6
Flute, Oboe, Piano (trio)
6
Piccolo, Piano
5
5 Recorders
5
2 Clarinets, Piano
4
Flute, Viola and Piano
4
Saxophone and Guitar
4
Saxophone and Piano
4
Recorder, Piano
4
Ocarina
4
Flute, harp and violin
3
Flute, Clarinet, Piano (trio)
3
Flute, Organ (duet)
3
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
Descent (Soprano) Recorder, Piano
2
2 Saxophones, Piano
2
Clarinet, Cello, Piano (trio)
2
Flute, Bassoon, and Piano
2
English Horn, Guitar (duet)
2
Bass Clarinet
2
Flute, Clarinet, Horn and Bassoon (Quartet)
2
2 Clarinets, Bassoon
2
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2
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1
Flute, Violin and Violoncello
1
Flute, Clarinet, Violin (trio)
1
Oboe, Guitar (duet)
1
Flute, Trombone (duet)
1
Clarinet, Harp (duet)
1
Flute, Cello, Piano (trio)
1
Flute, Cello, Guitar
1
Clarinet, Organ
1
+ 102 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
324
Trumpet
245
Brass quartet : 2 trumpets, trombone, tuba
186
Trombone
166
Trombone (band part)
159
Trumpet (band part)
143
Trombone and Piano
143
Trumpet, Piano
142
French horn
119
French Horn and Piano
104
Brass Quartet: 2 trumpets, horn, trombone
71
Brass Quartet
70
Tuba and Piano
60
2 Trombones (duet)
57
Tuba
56
2 Trumpets (duet)
51
Trumpet ensemble
50
Trombone ensemble
39
Euphonium, Piano (duet)
36
French horn (band part)
35
2 French horns (duet)
30
Brass Quartet: 4 trombones
30
Tuba (band part)
28
Trumpet, Saxophone (duet)
27
Trumpet, Trombone (duet)
26
English horn, Piano
25
Brass Quartet: 4 horns
19
2 Euphoniums and 2 Tubas
14
Trumpet, Horn (duert)
13
Brass Quartet: 4 trumpets
11
Brass Trio
11
Euphonium
11
Bb Instruments
10
Horn Ensemble
9
English Horn
9
2 Tubas (duet)
8
Horn, Cello (duet)
6
Bass Clef Instruments
6
3 Trumpets (trio)
6
Bass Trombone
5
4 Tubas
5
Trombone, Horn (duet)
4
Bass Trombone and Piano
4
Trombone, Tuba (duet)
3
Trumpet and Guitar
3
Horn, Tuba (duet)
3
Trumpet, Bassoon (duet)
3
French horn and Basson (duet)
3
3 Trombones (trio)
3
Trombone, Organ
2
Euphonium, Tuba (duet)
2
English Horn, Guitar (duet)
2
Trumpet, Cello (duet)
2
Brass Quartet: 2 trumpets, 2 trombones
2
2 Euphoniums (duet)
2
Trombone and Orchestra
2
2 Trumpets, Keyboard (piano or organ)
2
Tuba or Euphonium or Saxhorn
2
Tuba ensemble
1
Trumpet, Euphonium (duet)
1
Trumpet, Tuba (duet)
1
F Instruments
1
Tuba and Organ
1
Horn and Organ
1
+ 59 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
865
Violin and Piano
349
Violin
298
Cello, Piano
221
Harp
194
String Trio: violin, viola, cello
190
Viola, Piano
186
Cello
177
Violin, Cello (duet)
136
Viola
131
2 Violins (duet)
131
Violin (band part)
72
Violin, Viola (duet)
72
2 Cellos (duet)
68
String Quintet: 2 violins, viola, cello, bass
65
Double bass, Piano (duet)
58
Viola (band part)
55
Doublebass (band part)
54
2 Violas (duet)
52
String Trio: 2 violins, cello
48
Double Bass
38
Viola, Cello (duet)
22
4 Cellos
19
String quartet: 4 violins
18
Cello (band part)
15
Violin, Guitar (duet)
13
Viola ensemble
12
String Trio: 2 violins, viola
12
Violin ensemble
12
String trio
11
Piano Trio: Violin, Viola, Piano
11
String Trio: 3 violas
11
Viola and Bassoon
8
String Trio: 3 violins
8
Cello, Guitar (duet)
8
Harp, Flute (duet)
7
Harp, Voice
7
Violin, Bassoon (duet)
7
String Quartet : 4 violas
7
String Quintet: 2 violins, 2 violas, cello
6
String Trio: 3 cellos
5
String Quintet: 2 violins, viola, 2 cellos
5
2 Harps (duet)
5
4 Double Basses
3
Harp, Violin (duet)
3
2 Double basses (duet)
3
Cello Ensemble
3
Viola, Guitar (duet)
2
Harp, Cello (duet)
2
Harp, Violin, Violoncello
2
Cello, String Bass (duet)
2
2 Violins, Piano
2
Cello, Organ
2
Violin, Organ
2
Violin, Clarinet, Piano (trio)
1
2 Cellos, Piano
1
Harp, Trombone (duet)
1
2 Violas, Piano
1
Autoharp
1
Viola, Organ
1
Harp and mandolin
1
+ 56 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,362
String Orchestra
386
Orchestra
374
Jazz Ensemble
371
Drums
225
Brass ensemble
192
Marching band
159
Handbells
147
Chamber Orchestra
81
Jazz combo
74
Percussion (band part)
37
Percussion Ensemble
33
Drum (band part)
30
Marimba
13
Xylophone
13
Percussion
11
Xylophone, Piano
10
Vibraphone
4
Cajon
2
Timpani (band part)
1
Marimba or Xylophone and Piano
1
Marimba, Piano (duet)
1
Snare drums
1
Brass Quintet: other combinaisons
1
Vibraphone (band part)
1
+ 20 instrumentations
-
Retract
Others
Musical course - Solfege
7
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1
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Take
2 Pianos, 4 hands
Sheetmusic to print
29 sheet music found
<
1
26
Take My Life and Let It Be (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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Take My Life and Let It Be
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. A...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Take The a Train
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Jazz
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Billy Strayhorn
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Watarai Mio
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Take The a Train
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Watarai Studio
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SheetMusicPlus
Composed by Billy Strayhorn (1915-1967). Arranged by Watarai Mio. Contemporary. Score and parts. 10 pages. Watarai Studio #5743293. Published by Watar...
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Composed by Billy Strayhorn (1915-1967). Arranged by Watarai Mio. Contemporary. Score and parts. 10 pages. Watarai Studio #5743293. Published by Watarai Studio
For advanced-intermediate players. Might be slightly on the more difficult side, but one of the best piano versions there is.
$5.49
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
Children on the Beach (for 2 Pianos)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Takeru Hirabayashi
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Children on the Beach
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TAKeru Hirabayashi
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1144550 By Takeru Hirabayashi. By Takeru Hirabayashi. Classical,Holiday. Score. 6 pages....
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1144550 By Takeru Hirabayashi. By Takeru Hirabayashi. Classical,Holiday. Score. 6 pages. TAKeru Hirabayashi #744883. Published by TAKeru Hirabayashi (A0.1144550). The notes in the treble register represent splashing waves. After the lilting melody begins in the middle register, the children's play intensifies, culminating in the fortissimo at bar 19. The recapitulation section follows and at 39 their parents call them back home. The waves there continue to crash on the shore, and in the coda, both pianists play the sound of splashing waves.
$12.00
Hymns of Reflection for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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Hymns of Reflection for Two Pi
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan,...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spafford, James L Nicholson, Lowell Mason, Philip P. Bliss, and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Folk,Lent,Sacred. Score. 75 pages. Sharon Wilson #1037027. Published by Sharon Wilson (A0.1458057). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Face to Face and the YouTube video features It Is Well with My Soul.Song titles included in this collection: Face to FaceIt Is Well with My SoulTake My Life and Let It BeThere Is a FountainWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Chri...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
From This Day Forward
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2 Pianos, 4 hands
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INTERMEDIATE
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Kevin Kern
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Dave Prudon
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From This Day Forward
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Prudon String Ensembles
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1364124 By Kevin Kern. By Kevin Gibbs. Arranged by Dave Prudon. Contemporary,Jazz,New Age...
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Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1364124 By Kevin Kern. By Kevin Gibbs. Arranged by Dave Prudon. Contemporary,Jazz,New Age,Pop. 7 pages. Prudon String Ensembles #948433. Published by Prudon String Ensembles (A0.1364124). If you've ever had the pleasure of sitting beside a friend or loved one and playing through a piano duet together, you're going to enjoy owning this beautiful arrangement. Â The parts are pretty evenly matched for difficulty so you can have fun playing either part.To see other arrangements for 2 pianists, take a look at:Â Prudon String Ensembles Sheet Music, where you will also find hundreds of other nice arrangements for strings.
$5.99
Sounds of Creation - Pastoral (Keyboard Duet; 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation - Pastoral
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Conte...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #1776277. Published by Sharon Wilson (A0.564490). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling. This piece is one of seven in a series of keyboard duets inspired by the sounds of nature.Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements are as inspirational to play as they are to listen to. This piece sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. The purchase price includes a combined score with both parts on each page plus a separate score for each part. Titles in the Sounds of Creation†series: Prelude, Pastoral, Serenade, Intermezzo, Nocturne, Fantasia, FinaleVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
"La Fleur" from "Carmen", arr. for 2 pianos
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2 Pianos, 4 hands
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ADVANCED
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Opera
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Classical
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Georges Bizet
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Richard Simm
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"La Fleur" from "Carmen", arr.
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1170301 Composed by Georges Bizet. Arranged by Richard Simm. 19th Century,Classical,Oper...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1170301 Composed by Georges Bizet. Arranged by Richard Simm. 19th Century,Classical,Opera,Romantic Period. Score. 6 pages. Richard Simm #770661. Published by Richard Simm (A0.1170301). The brigadier, Don José, has fallen madly in love with Carmen, but she already has her eyes on another man, the bull-fighter, Escamillo. In this aria Don José declares his love for Carmen, but she belittles his passionate attempts to convince her of his feelings, saying that if he really loved her, he would take her away from her humble surroundings to a place where she could really be free.The arranger has added a short bridge passage between the opera's initial scenes of communal life centred around a cigarette factory and Don José's beautiful expression of his ill-fated love in Act II.
$7.95
Pre Zoom II [for 2 pianos]
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2 Pianos, 4 hands
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ADVANCED
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Masakazu YAMAMOTO
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Pre Zoom II [for 2 pianos]
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Motch Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.912065 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. Score....
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.912065 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. Score. 22 pages. Motch Music #517993. Published by Motch Music (A0.912065). Original work by Masakazu Yamamoto.Work for 2 pianos. It consists of an improvisational approach and an ostinato contrast, and a slightly jazzy and rhythmic ensemble. Premiered at the concert that produced for 21st Century Music Creation from Yamanashi-Concert Part III by Yamanashi Composers held at Kingswell Hall (Kai City, Yamanashi Prefecture) in October 2018. Duration : about 12'40 Works For Piano Original Composition (Sheet Music Plus / Sheet Music Direct)→Music For Children (Sheet Music Plus / Sheet Music Direct) ​Arrangement (Sheet Music Plus / Sheet Music Direct)→Christmas Arrangement (Sheet Music Plus / Sheet Music Direct) Music Analysis (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english Â
$21.00
Zen Garden Arr. For 2 Piano's
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Wen Van Dorpe
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Wen Van Dorpe
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Zen Garden Arr. For 2 Piano's
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Wen Van Dorpe
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1265293 By Wen Van Dorpe. By Wen Van Dorpe. Arranged by Wen Van Dorpe. 21st Century,Cont...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1265293 By Wen Van Dorpe. By Wen Van Dorpe. Arranged by Wen Van Dorpe. 21st Century,Contemporary,Multicultural,Spiritual,World. Score. 12 pages. Wen Van Dorpe #858145. Published by Wen Van Dorpe (A0.1265293). Take a relaxing strole in a Zen Garden to open your mind and soul and find inner balance back. Close your eyes, enjoy and chill out!
$5.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Five Chorales from The Intelligence Park
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2 Pianos, 4 hands
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ADVANCED
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Gerald Barry
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Five Chorales from The Intelli
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Schott Music - Digital
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SheetMusicPlus
2 pianos - difficult - Digital Download SKU: S9.Q46705 For two pianos. Composed by Gerald Barry. This edition: Sheet music. Downloadable. Duration...
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2 pianos - difficult - Digital Download SKU: S9.Q46705 For two pianos. Composed by Gerald Barry. This edition: Sheet music. Downloadable. Duration 16 minutes. Schott Music - Digital #Q46705. Published by Schott Music - Digital (S9.Q46705). The Chorales are taken from my opera, The Intelligence Park.© Gerald Barry.
$33.99
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Carl Philipp Emanuel Bach, Gio
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Kiyoshi Tamagawa
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Concertino Barocco
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Mastery for Strings Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Ki...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
$9.99
Piano Battle - 2 Pianos 4 Hands
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2 Pianos, 4 hands
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ADVANCED
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Bill Walker
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pianist Bill Walker, this exci
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Bill Walker
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Piano Battle - 2 Pianos 4 Hand
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Bill Walker Music Publishing
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1118272 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Contemporary,Contest,Fe...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1118272 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Contemporary,Contest,Festival,New Age. Score. 18 pages. Bill Walker Music Publishing #719787. Published by Bill Walker Music Publishing (A0.1118272). Grab a friend and a second piano and get ready to battle. Composed by pianist Bill Walker, this exciting piece is for 2 pianos and 4 hands. It only takes a little more than two minutes to perform but so much happens. Each player has the opportunity to battle for piano domination. 18 pages of piano excitement! Key signature: F minor. Published by Bill Walker Music Publishing.
$6.99
Hark! The Herald Angels Sing (2 piano duet)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Christmas
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Felix Bartholdy Mendelssohn
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Sandra Zylstra
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Hark! The Herald Angels Sing
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sandra dee zylstra
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Ch...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. Score. 8 pages. Sandra dee zylstra #6039401. Published by sandra dee zylstra (A0.712487). Luke 2:13-14 And suddenly there was with the angel a multitude of the heavenly host praising God and saying: Glory to God in the highest, and on earth peace, goodwill toward men! Hark! The Herald Angels Sing is a great classic Christmas carol. This late intermediate two-piano duet arrangement takes on a new twist with some extra syncopated rhythms! This arrangement includes both piano parts. (Approximately 3:30, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25
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