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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
(7 pages)
Sheetmusicplus
Not classified
11,045
Piano & keyboards
Piano, Voice
8,054
Piano, Vocal and Guitar
8,024
Piano solo
7,531
Easy Piano
2,076
Organ
617
1 Piano, 4 hands
333
Piano Trio: piano, violin, cello
254
Piano Quintet: piano, 2 violins, viola, cello
229
Big Note Piano
155
C Instruments
121
Accordion
111
Piano Quartet: piano, violin, viola, cello
108
Piano Quartet: piano, 2 violins, cello
107
2 Pianos, 4 hands
105
Piano (band part)
74
Piano Accompaniment
72
Organ, Trumpet (duet)
34
1 Piano, 6 hands
24
Organ, Piano (duet)
22
Accordion, Voice
19
Harpsichord
19
Keyboard
7
2 Accordions
5
Accordion, Piano
2
Accordion ensemble
1
2 Pianos, 8 hands
1
+ 21 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
3,375
Guitar
544
Bass guitar
472
Ukulele
148
2 Guitars (duet)
108
Piano, Guitar (duet)
90
Melody line, (Lyrics) and Chords
84
4 Guitars (Quartet)
51
Lyrics and Chords
33
3 Guitars (trio)
29
Guitar Ensemble
23
Dulcimer
16
Banjo
12
Guitar (band part)
12
Mandolin
12
2 Ukuleles
8
Guitar, Violin, Cello (trio)
5
Baritone Ukulele
3
2 Dulcimers (duet)
3
Mandolin, Piano (duet)
3
Mandolin, Guitar (duet)
2
Electric Bass (band part)
2
3 Dulcimers (trio)
1
2 Guitars, Clarinet (trio)
1
Plectrum Orchestra
1
+ 20 instrumentations
-
Retract
Voice
Choral SATB
4,904
Choral 3-part
1,878
Choral 2-part
1,663
Choral TTBB
1,113
Choral SSAA
635
Vocal duet, Piano
519
Choral Instrumental Pak
466
Choral Unison
407
Vocal duet
213
Choral
203
Voice solo
171
Soprano voice, Piano
87
High voice
80
Alto voice, Piano
41
Tenor voice, Piano
33
Choral SSAATTBB
32
Baritone voice, Piano
31
Medium voice, Piano
28
Low voice, Piano
26
Choral SSATB
25
Choral SSATTB
11
Mezzo-Soprano voice, Piano
10
Tenor voice
9
Soli, Mixted choir and accompaniment
6
Choral SSAATB
6
Soprano voice
6
Medium Voice
5
Choral SSAB a cappella
4
Voice, Guitar
4
Choral SSAB, Piano
4
Children choir
4
Voix Masculines
4
Vocal duet, Organ
1
Choral SATBB
1
Low voice
1
Choral, Organ
1
+ 31 instrumentations
-
Retract
Woodwind
Flute and Piano
1,463
Saxophone Quartet: 4 saxophones
919
Clarinet and Piano
868
Oboe, Piano (duet)
709
Alto Saxophone and Piano
677
Flute, Oboe, Clarinet, Bassoon
629
Clarinet Quartet: 4 clarinets
487
Tenor Saxophone and Piano
454
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
441
2 Saxophones (duet)
440
2 Flutes (duet)
408
3 Clarinets (trio)
352
2 Clarinets (duet)
345
Clarinet
308
Soprano Saxophone and Piano
265
Flute Trio: 3 flutes
240
3 Saxophones (trio)
229
Flute Quartet: 4 flutes
224
Flute
199
Baritone Saxophone, Piano
160
Saxophone Quintet: 5 Saxophones
130
Flute, Clarinet (duet)
125
Clarinet, Harp (duet)
124
Saxophone (band part)
120
Flute, Oboe, Clarinet (trio)
119
2 Oboes (duet)
114
Flute and Guitar
109
2 Recorders (duet)
101
Recorder Quartet
96
Clarinet Ensemble
92
Clarinet (band part)
85
Bass Clarinet, Piano
84
Alto Saxophone
78
Oboe, Bassoon (duet)
76
Recorder
72
Oboe (band part)
70
Flute, Oboe, Violin
66
Flute, Clarinet and Bassoon.
65
English horn, Piano
61
Oboe, Clarinet (duet)
61
Flute, Clarinet, Violin (trio)
60
Flute, Violin, Piano
60
Tenor Saxophone
57
Clarinet, Guitar (duet)
55
Piccolo, Piano
55
Clarinet, Violin (duet)
51
Oboe, Clarinet, Bassoon (trio)
48
Clarinet, Bassoon (duet)
47
Flute ensemble
47
Saxophone ensemble
44
Flute, Violin
43
5 Recorders
43
Tenor Recorder
40
Saxophone, Clarinet (duet)
39
Clarinet Quintet: 5 clarinets
39
Flute (band part)
38
Flute, Violoncello
38
Flute, Oboe, Bassoon
37
Descent (Soprano) Recorder, Piano
35
3 Recorders (trio)
34
Flute, Oboe (duet)
33
Treble (Alto) Recorder, Piano
33
Recorder, Piano
33
Clarinet, Cello (duet)
30
Flute, Cello, Piano (trio)
29
Oboe, Flute
27
Saxophone and Guitar
26
Flute, Violin and Violoncello
25
Harmonica
25
Flute and String Quartet
23
Clarinet and Viola
21
Oboe
20
2 Clarinets, Bassoon
20
Descant (Soprano) Recorder
20
Flute, Viola (duet)
18
2 Saxophones, Piano
17
Recorder Ensemble
17
Flute, Trumpet (duet)
16
Oboe, Violin (duet)
16
Flute Quintet : 5 flutes
16
Flute, Clarinet, Horn and Bassoon (Quartet)
15
Ocarina
15
Oboe, Cello
15
3 Oboes
14
2 Clarinets, Piano
13
Treble (Alto) Recorder
13
Flute, Bassoon, and Piano
11
English Horn
11
Flute, Saxophone (duet)
11
Clarinet, Trumpet (duet)
10
Oboe, Trumpet (duet)
10
Saxophone, Violin (duet)
10
2 English horns and Pianoforte
10
Oboe and viola (duet)
10
Oboe, Guitar (duet)
9
Saxophone and Piano
8
English Horn, Guitar (duet)
8
Flute, Clarinet, Piano (trio)
8
Flute, Trombone (duet)
7
Oboe, Trombone (duet)
7
2 Flutes, Piano
7
Clarinet, Trombone (duet)
7
Flute and Strings Trio
6
Saxophone
6
Clarinet, Bassoon, Piano (trio)
6
Piccolo
6
4 Oboes
5
Recorder, Guitar (duet)
5
Bass Clarinet
5
Clarinet, Tuba
4
Flute, Oboe, Piano (trio)
4
Flute, Viola and harp
4
Saxophone and cello
4
Wind ensemble
4
Flute, Organ (duet)
4
Flute, Tuba (duet)
4
Saxophone, Bassoon (duet)
3
Oboe, Harp
3
Soprano Saxophone
3
Baritone Saxophone
3
Flute, Viola and Cello
3
Treble (Alto) Recorder, Basso continuo
3
Flute, Harp and Cello
2
2 Oboes, Piano
2
Flute, Guitar, Piano
2
2 Recorders, Piano
2
Saxophone and Organ
2
Flute, harp and violin
2
Saxophone and Harp
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
Flute, Cello, Guitar
2
Clarinet, Cello, Piano (trio)
1
Flute, Viola and Piano
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Clarinette, Viola and Piano (trio)
1
Recorder, Harp
1
Flute, French horn (duet)
1
Flute, Orchestra
1
2 Flutes and Guitar
1
2 Flutes, 2 Clarinets (Quartet)
1
Oboe, Clarinet and Piano (Trio)
1
Eb Instruments
1
2 Flutes, Basso continuo
1
Oboe ensemble
1
2 Recorders, Guitar
1
+ 140 instrumentations
-
Retract
Woodbrass
Trombone and Piano
547
Trumpet, Piano
507
Brass Quintet: 2 trumpets, horn, trombone, tuba
371
Brass quartet : 2 trumpets, trombone, tuba
330
French Horn and Piano
308
Trumpet
252
Tuba and Piano
220
Brass Quartet: 2 trumpets, horn, trombone
202
Brass Quartet
180
2 Trumpets (duet)
164
Brass Quartet: 4 trombones
142
Euphonium, Piano (duet)
134
2 Trombones (duet)
129
Brass Quartet: 4 horns
113
2 French horns (duet)
109
3 Trombones (trio)
106
Trumpet (band part)
105
Trombone
79
Trumpet, Trombone (duet)
76
Trombone (band part)
71
French horn
71
English horn, Piano
61
French horn (band part)
47
Bass Trombone and Piano
44
3 Trumpets (trio)
36
Brass Trio
36
2 Euphoniums and 2 Tubas
35
2 Tubas (duet)
34
Trumpet, Saxophone (duet)
33
4 Tubas
32
Trombone ensemble
29
Tuba
26
Tuba (band part)
25
Trumpet, Horn (duert)
22
Brass Quartet: 4 trumpets
20
Trumpet, Tuba (duet)
19
Euphonium, Tuba (duet)
16
Trumpet, violin (duet)
16
Horn Ensemble
14
Trombone, Tuba (duet)
13
3 French horns (trio)
13
Tuba and Organ
11
English Horn
11
2 Euphoniums (duet)
11
Trombone, cello (duet)
11
Trombone, Horn (duet)
11
Horn, Tuba (duet)
10
Euphonium
10
2 English horns and Pianoforte
10
English Horn, Guitar (duet)
8
Trombone, Violin (duet)
8
Trumpet, Bassoon (duet)
8
Trombone, Organ
8
Trumpet ensemble
8
Cornet and Piano
6
Tuba or Euphonium or Saxhorn
5
3 Tubas (trio)
5
Bass Trombone
5
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
4
2 Trumpets, Keyboard (piano or organ)
4
Horn, Cello (duet)
4
Brass Quartet: 2 trumpets, 2 trombones
4
Trumpet and Guitar
4
3 Euphoniums
3
French horn and Basson (duet)
3
Trumpet, Euphonium (duet)
2
Trombone, Viola (duet)
2
Instruments en Sol
2
Trumpet, Cello (duet)
2
French Horn and Harp
2
Clarinet, Horn (duet)
2
Horn and Organ
2
Trumpet, Harp
2
Tuba ensemble
1
Bb Instruments
1
Trumpet, Trombone, Piano
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
F Instruments
1
Bass Clef Instruments
1
Horn, Trumpet, Trombone (trio)
1
+ 75 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
2,868
Violin and Piano
1,845
Cello, Piano
1,179
Viola, Piano
971
Violin, Cello (duet)
544
String Trio: violin, viola, cello
460
2 Violins (duet)
353
String Trio: 2 violins, cello
315
2 Cellos (duet)
294
Violin
242
Harp, Flute (duet)
223
Harp
220
Violin, Viola (duet)
217
2 Violas (duet)
195
4 Cellos
187
String Trio: 3 violins
179
String Quintet: 2 violins, viola, cello, bass
178
Cello
171
Double bass, Piano (duet)
157
Harp, Violin (duet)
134
String trio
112
String quartet: 4 violins
112
2 Violins, Piano
110
Viola, Cello (duet)
100
String Trio: 3 cellos
93
Viola
76
Violin (band part)
74
Violin, Guitar (duet)
71
String Quartet : 4 violas
67
Piano Trio: Violin, Viola, Piano
66
String Trio: 2 violins, viola
63
Cello, Guitar (duet)
62
2 Cellos, Piano
44
Doublebass (band part)
38
2 Violas, Piano
35
Double Bass
34
Viola, Guitar (duet)
30
Viola (band part)
28
String Trio: 3 violas
28
2 Double basses (duet)
25
2 Harps (duet)
22
Violin, Clarinet, Piano (trio)
21
Cello (band part)
21
Violin, Bassoon (duet)
20
Cello, String Bass (duet)
16
Harp, Cello (duet)
11
Cello, Organ
10
4 Double Basses
10
Harp, Voice
10
String Quintet: 2 violins, viola, 2 cellos
8
Violin, Tuba (duet)
8
Viola and Bassoon
7
Violin, Organ
7
Viola and Harp
6
3 double basses
5
Harp, Violin, Violoncello
3
5 Harps
3
Viola, Organ
3
String Quintet: 2 violins, 2 violas, cello
3
Harp and Piano
2
Violin, Cello, Clarinet
2
Cello Ensemble
2
Violin, Basso continuo
2
4 Harps
1
Viola ensemble
1
Harp, Trombone (duet)
1
3 Harps
1
Flute, Doublebass (duet)
1
Violin ensemble
1
+ 64 instrumentations
-
Retract
Orchestra & Percussion
Concert band
837
Orchestra
831
String Orchestra
594
Handbells
458
Jazz Ensemble
264
Brass ensemble
245
Marching band
231
Drums
175
Chamber Orchestra
148
Jazz combo
125
Percussion Ensemble
85
Percussion (band part)
52
Vibraphone (band part)
40
Marimba
25
Drum (band part)
23
Percussion
18
Woodwind Quartet: any 4 woodwinds
15
Timpani
10
Xylophone, Piano
9
Vibraphone
8
2 Xylophones
7
Timpani (band part)
7
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
7
Woodwind Quintet
4
2 Marimbas
4
Snare drums
3
Vibraphone and Marimba
3
Brass Quintet: other combinaisons
3
Xylophone
2
Drums-Marching band
2
Woodwind Trio: any 3 woodwinds
2
Piano and Orchestra
1
Marimba, Piano (duet)
1
Flexible Instrumentation
1
Xylophone or Marimba or Vibraphone
1
+ 30 instrumentations
-
Retract
Others
Musical course - Solfege
12
Music Theory
6
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CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
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VIBRAPHONE
VIELLE A RO…
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101
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
#
2 Pianos, 4 hands
#
INTERMEDIATE
#
Sharon Wilson
#
Sharon Wilson
#
some soothing, some startling
#
Sounds of Creation
#
Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Chri...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Orchestral Suite 2 BWV 1067, mov. 2-7 for piano duet
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Klas Krantz
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Orchestral Suite 2 BWV 1067, m
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Amadeus Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Sc...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 14 pages. Amadeus Music #2026685. Published by Amadeus Music (A0.530862). For piano duet, score, no parts, 13 pages. Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$8.95
Mahler - Symphony No. 7, IV. Nachtmusik
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2 Pianos, 4 hands
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ADVANCED
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, IV. N
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389354 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389354 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 49 pages. Barry Mortichesky #972937. Published by Barry Mortichesky (A0.1389354). Part of a long-term project to arrange the entire Mahler cycle, all 11 symphonic works, to only two pianos on four hands. This is my version of the fourth of five movements, the second of two Nachtmusik andantes, from Mahler's Seventh Symphony.
$15.00
Mahler - Symphony No. 7 (1905)
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2 Pianos, 4 hands
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ADVANCED
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389358 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389358 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 389 pages. Barry Mortichesky #972943. Published by Barry Mortichesky (A0.1389358). This is my complete version of Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. The mp3 recordings are available listen under each movement's individual entries. Thank you, and I hope you enjoy.
$70.00
Mahler - Symphony No. 7, II. Nachtmusik
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2 Pianos, 4 hands
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ADVANCED
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, II. N
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389349 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389349 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 59 pages. Barry Mortichesky #972932. Published by Barry Mortichesky (A0.1389349). This is my version of the second of five movements, the first of two Nachtmusik andantes, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. Thank you, and I hope you enjoy.
$15.00
Mahler - Symphony No. 7, III. Scherzo
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2 Pianos, 4 hands
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ADVANCED
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, III.
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389350 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389350 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 69 pages. Barry Mortichesky #972933. Published by Barry Mortichesky (A0.1389350). This is my version of the third of five movements, the Scherzo, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. Thank you, and I hope you enjoy.
$15.00
Mahler - Symphony No. 7, I. Langsam, Adagio
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2 Pianos, 4 hands
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ADVANCED
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, I. La
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389348 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389348 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 112 pages. Barry Mortichesky #972931. Published by Barry Mortichesky (A0.1389348). This is my version of the first of five movements, Langsam-Adagio, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles.Thank you, and I hope you enjoy.
$15.00
Mahler - Symphony No. 7, V. Rondo-Finale
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2 Pianos, 4 hands
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ADVANCED
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, V. Ro
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389355 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1389355 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 96 pages. Barry Mortichesky #972939. Published by Barry Mortichesky (A0.1389355). This is my version of the last of five movements, the Rondo-Finale, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. Thank you, and I hope you enjoy.
$15.00
Bach 2 Part Invention No. 7 in E minor for 2 pianos, 4 hands (second piano part by Simon Peberdy)
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2 Pianos, 4 hands
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Simon Peberdy
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Bach 2 Part Invention No. 7 in
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.757127 Composed by Johann Sebastian Bach. Arranged by Simon Peberdy. Baroque,Instruction...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.757127 Composed by Johann Sebastian Bach. Arranged by Simon Peberdy. Baroque,Instructional,Standards. Score. 6 pages. Simon Peberdy #6097739. Published by Simon Peberdy (A0.757127). One of Bach's popular 2 part inventions with a new additional piano part written by Simon Peberdy to double the fun! For more music for 2 pianos and piano duets, please visit www.simonpeberdymusic.com.For a video of the first 5 of Bach's 2 Part Inventions in new arrangements with an additional piano part by Simon Peberdy, click [https://www.youtube.com/watch?v=rx3IphRUhBo]
$2.99
7. Le Courant Limpide (The Limpid Stream) 25 Progressive Studies Opus 100 for 2 pianos by Friedrich
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Studies
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Classical
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Johann Friedrich Burgmuller
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Philip Kim
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7. Le Courant Limpide
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Philip Kim
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SheetMusicPlus
Composed by Johann Friedrich Burgmuller (1806-1874). Arranged by Philip Kim. Instructional. Score and parts. 2 pages. Philip Kim #4303241. Published b...
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Composed by Johann Friedrich Burgmuller (1806-1874). Arranged by Philip Kim. Instructional. Score and parts. 2 pages. Philip Kim #4303241. Published by Philip Kim
$4.00
Bach 2 Part Inventions No. 7 for 2 pianos
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2 Pianos, 4 hands
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Classical
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Johann Sebastian Bach
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Philip Kim
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Bach 2 Part Inventions No. 7 f
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Philip Kim. Baroque, Instructional, Standards. Score and parts. 5 pages. Philip Kim #571264...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Philip Kim. Baroque, Instructional, Standards. Score and parts. 5 pages. Philip Kim #5712649. Published by Philip Kim
$6.00
The Entertainer (2 piano duet)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Ragtime
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Scott Joplin
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Sandra Zylstra
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The Entertainer
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sandra dee zylstra
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712484 Composed by Scott Joplin. Arranged by Sandra Zylstra. Instructional,Standards. Sc...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712484 Composed by Scott Joplin. Arranged by Sandra Zylstra. Instructional,Standards. Score. 7 pages. Sandra dee zylstra #6039333. Published by sandra dee zylstra (A0.712484). The Entertainer by Scott Joplin is one of the best known ragtime pieces! Grab a partner and have fun playing this late intermediate two-piano duet arrangement in the keys of C and F. This arrangement includes both piano parts. (Approximately 4:30, 6 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$4.75
How Great Thou Art (2 piano duet)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Swedish Folk Melody
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Sandra Zylstra
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How Great Thou Art
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sandra dee zylstra
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712251 Composed by Swedish Folk Melody. Arranged by Sandra Zylstra. Christian,Multicultu...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712251 Composed by Swedish Folk Melody. Arranged by Sandra Zylstra. Christian,Multicultural,Sacred,Traditional,World. Score. 8 pages. Sandra dee zylstra #4268385. Published by sandra dee zylstra (A0.712251). How Great Thou Art is one of the most well-known popular hymns in Christian churches everywhere! The tune comes from a Swedish melody (O Stor Gud) and is arranged in the keys of Bb, C, and D. This two piano duet arrangement would be great for worship! This arrangement is for both piano parts. (Approximately 4 min., 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25
Hark! The Herald Angels Sing (2 piano duet)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Christmas
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Felix Bartholdy Mendelssohn
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Sandra Zylstra
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Hark! The Herald Angels Sing
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sandra dee zylstra
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Ch...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. Score. 8 pages. Sandra dee zylstra #6039401. Published by sandra dee zylstra (A0.712487). Luke 2:13-14 And suddenly there was with the angel a multitude of the heavenly host praising God and saying: Glory to God in the highest, and on earth peace, goodwill toward men! Hark! The Herald Angels Sing is a great classic Christmas carol. This late intermediate two-piano duet arrangement takes on a new twist with some extra syncopated rhythms! This arrangement includes both piano parts. (Approximately 3:30, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25
It Is Well with My Soul (When Peace Like a River)
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2 Pianos, 4 hands
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Sacred music
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Paul Jones
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It Is Well with My Soul
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Paul S. Jones
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SheetMusicPlus
Composed by Paul Jones. Christian, Sacred, General Worship, Funeral, Recital. Score. 7 pages. Published by Paul S. Jones (S0.377639). - Score - Christian,Sacred...
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Composed by Paul Jones. Christian, Sacred, General Worship, Funeral, Recital. Score. 7 pages. Published by Paul S. Jones (S0.377639). - Score - Christian,Sacred,General Worship,Funeral,Recital - Paul S. Jones
$9.99
The Bare Necessities - piano duet
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2 Pianos, 4 hands
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Terry Gilkyson
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Ian Assersohn
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The Bare Necessities - piano d
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Apple Tree Music
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SheetMusicPlus
By Terry Gilkyson. Arranged by Ian Assersohn. Sheet Music Single. 7 pages. Published by Apple Tree Music (H0.161049-58600). - Sheet Music Single - - Apple Tree...
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By Terry Gilkyson. Arranged by Ian Assersohn. Sheet Music Single. 7 pages. Published by Apple Tree Music (H0.161049-58600). - Sheet Music Single - - Apple Tree Music
$6.50
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