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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
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BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
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HARMONICA
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HARPSICHORD
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LUTE
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MARCHING BAND
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MUSIC COURSE
OBOE
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ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
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TROMBONE
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VIOLONCELLO - …
XYLOPHONE
ZITHER
Cam
Not classified
4,094
Piano & keyboards
Piano, Voice
4,898
Piano solo
3,210
Piano, Vocal and Guitar
1,309
Easy Piano
1,053
C Instruments
416
Organ
245
1 Piano, 4 hands
100
Accordion
78
Piano Trio: piano, violin, cello
55
2 Pianos, 4 hands
54
Big Note Piano
46
Piano Accompaniment
38
Piano (band part)
17
Piano Quartet: piano, violin, viola, cello
16
Piano Quintet: piano, 2 violins, viola, cello
13
Piano Quartet: piano, 2 violins, cello
10
Organ, Trumpet (duet)
7
Organ, Piano (duet)
3
Accordion ensemble
3
Harpsichord
3
Melody line, Piano
3
2 Pianos, 8 hands
1
1 Piano, 6 hands
1
+ 18 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
549
Guitar
330
Melody line, (Lyrics) and Chords
312
Ukulele
152
Lyrics and Chords
101
Bass guitar
69
2 Guitars (duet)
43
Mandolin
22
Guitar Ensemble
20
4 Guitars (Quartet)
20
Banjo
11
Piano, Guitar (duet)
7
Dulcimer
6
Electric Bass (band part)
5
3 Guitars (trio)
4
Baritone Ukulele
3
Guitar (band part)
3
Guitar, Violin, Cello (trio)
1
Mandolin, Guitar (duet)
1
Plectrum Orchestra
1
Band Scores
1
2 Dulcimers (duet)
1
Guitar, Orchestra
1
Ukulele Ensemble
1
3 Dulcimers (trio)
1
+ 20 instrumentations
-
Retract
Voice
Choral SATB
1,287
Choral 3-part
366
Choral Instrumental Pak
341
Choral TTBB
226
Choral 2-part
196
Choral SSAA
126
Soprano voice, Piano
89
Alto voice, Piano
75
Choral Unison
74
Low voice, Piano
69
Vocal duet, Piano
66
Tenor voice, Piano
65
Voice solo
46
Choral
41
Vocal duet
35
High voice
17
Voice, Basso continuo
14
Tenor voice
10
Medium voice, Piano
8
Baritone voice, Piano
8
Voice, Guitar
7
Soprano voice
6
Choral SSAB, Piano
3
Choral SSAB a cappella
3
Low voice
3
Choral SSATTB
2
Choral SSAATTBB
2
Vocal duet, Organ
2
Mezzo-Soprano voice, Piano
1
Baritone voice
1
Choral SATTBB A Cappella
1
Choral SATBB
1
+ 27 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
369
Flute and Piano
366
Clarinet and Piano
339
Flute
321
Clarinet
295
Alto Saxophone and Piano
257
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
246
Alto Saxophone
221
Oboe, Piano (duet)
220
Flute, Oboe, Clarinet, Bassoon
220
2 Saxophones (duet)
212
Saxophone (band part)
210
Tenor Saxophone
199
Soprano Saxophone and Piano
181
Tenor Saxophone and Piano
177
Clarinet Quartet: 4 clarinets
177
Oboe (band part)
156
Saxophone Quintet: 5 Saxophones
148
2 Flutes (duet)
145
2 Clarinets (duet)
145
Clarinet (band part)
126
Flute Quartet: 4 flutes
88
English horn, Piano
83
Descant (Soprano) Recorder
79
Baritone Saxophone, Piano
77
Flute (band part)
76
Flute, Clarinet (duet)
72
3 Saxophones (trio)
63
Treble (Alto) Recorder
62
Saxophone
57
Oboe
55
Saxophone, Clarinet (duet)
52
Flute ensemble
50
Recorder
46
2 Oboes (duet)
46
Soprano Saxophone
43
3 Clarinets (trio)
42
Clarinet Ensemble
41
Bass Clarinet, Piano
40
Clarinet, Violin (duet)
39
Saxophone ensemble
39
Clarinet Quintet: 5 clarinets
39
Flute and Guitar
35
Flute Trio: 3 flutes
31
Clarinet, Trumpet (duet)
31
Oboe, Bassoon (duet)
29
Oboe, Clarinet (duet)
26
2 Recorders (duet)
26
Oboe, Flute
26
Flute, Violin
25
Flute, Violin, Piano
23
Flute, Saxophone (duet)
20
Recorder Quartet
17
Clarinet and Viola
16
Flute Quintet : 5 flutes
15
Flute, Viola (duet)
15
Treble (Alto) Recorder, Piano
14
Flute, Oboe (duet)
13
Harmonica
13
Oboe, Clarinet, Bassoon (trio)
12
Ocarina
12
Flute, Clarinet and Bassoon.
12
Flute, Oboe, Bassoon
11
Flute, Trumpet (duet)
11
Flute, Oboe, Clarinet (trio)
10
Eb Instruments
9
2 Flutes, Piano
9
Clarinet, Bassoon (duet)
9
Clarinet, Guitar (duet)
9
5 Recorders
9
Clarinet, Harp (duet)
9
3 Recorders (trio)
8
Clarinet, Cello (duet)
8
Descent (Soprano) Recorder, Piano
8
Flute, Oboe, Piano (trio)
8
Saxophone and Harp
7
Flute, Violin and Violoncello
6
Flute, Violoncello
6
Piccolo, Piano
6
Piccolo
6
2 Saxophones, Piano
5
Flute, Harp and Cello
5
Baritone Saxophone
5
Recorder, Piano
5
Oboe, Harp
4
English Horn
4
Flute, harp and violin
4
Tenor Recorder
4
Flute, Clarinet, Piano (trio)
4
Saxophone and Piano
4
Recorder Ensemble
4
Flute, Oboe, Violin
3
Oboe, Cello
3
Oboe, Guitar (duet)
3
Pennywhistle
3
Bass Clarinet
3
Flute, Bassoon, and Piano
2
2 Clarinets, Bassoon
2
Clarinet, Cello, Piano (trio)
2
Flute, Basso continuo
2
3 Oboes
2
Flute, Cello, Piano (trio)
2
Bagpipe
2
Saxophone and Guitar
2
Treble (Alto) Recorder, Basso continuo
2
Flute and Strings Trio
2
Harmonica, Piano
2
English Horn, Guitar (duet)
2
English horn, Harp (duet)
1
Clarinet, Trombone (duet)
1
Flute, Violin, Violoncello and Piano
1
Flute, Cello, Guitar
1
Clarinet Quintet: Clarinet, String Quartet
1
Flute and String Quartet
1
2 Clarinets, Piano
1
Saxophone and cello
1
Oboe, Trombone (duet)
1
2 Flutes and Harp
1
Wind ensemble
1
Flute, Clarinet, Violin (trio)
1
Oboe and Orchestra
1
Saxophone, Bassoon (duet)
1
Saxophone and Organ
1
Flute, Trombone (duet)
1
+ 119 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
355
Trumpet
311
Trombone
222
Trombone and Piano
209
Brass quartet : 2 trumpets, trombone, tuba
188
Trumpet, Piano
187
French horn
180
French Horn and Piano
144
Trumpet (band part)
134
Tuba
116
Trombone (band part)
110
Brass Quartet
109
Tuba and Piano
94
English horn, Piano
83
2 Trumpets (duet)
77
Euphonium, Piano (duet)
70
2 Trombones (duet)
61
French horn (band part)
46
Trumpet, Trombone (duet)
44
Brass Quartet: 4 trombones
41
Trumpet, Saxophone (duet)
37
Brass Quartet: 2 trumpets, horn, trombone
32
Tuba (band part)
30
2 French horns (duet)
28
Brass Quartet: 4 horns
27
Euphonium
23
Trombone ensemble
20
2 Euphoniums and 2 Tubas
20
Trumpet, Horn (duert)
16
Trumpet ensemble
16
Brass Trio
13
Brass Quartet: 4 trumpets
12
2 Tubas (duet)
11
4 Tubas
9
Bb Instruments
9
Bass Trombone and Piano
7
Euphonium, Tuba (duet)
6
Bass Clef Instruments
6
French Horn and Harp
5
Tuba or Euphonium or Saxhorn
5
Trombone, Tuba (duet)
5
3 Trumpets (trio)
4
Trumpet, Tuba (duet)
4
English Horn
4
Horn Ensemble
4
Tuba and Organ
4
Brass Quintet: 2 trumpets, horn, 2 trombones
4
Trumpet, Harp
4
Trumpet, violin (duet)
3
Cornet
3
3 French horns (trio)
3
F Instruments
3
Trombone, Horn (duet)
3
Tuba ensemble
3
Horn, Tuba (duet)
2
Trumpet, Trombone, Piano
2
3 Trombones (trio)
2
2 Euphoniums (duet)
2
Trombone, Organ
2
English Horn, Guitar (duet)
2
English horn, Harp (duet)
1
Horn and Organ
1
2 Trombones, Piano
1
Bass Trombone
1
Trombone and Orchestra
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
3 Tubas (trio)
1
French horn and Basson (duet)
1
Trumpet, Cello (duet)
1
Horn, Cello (duet)
1
Trombone, Viola (duet)
1
Trombone, Violin (duet)
1
+ 67 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
885
Violin and Piano
526
Violin
425
Cello, Piano
326
Viola, Piano
280
Cello
277
Viola
191
Violin, Cello (duet)
190
Harp
139
2 Violins (duet)
136
2 Cellos (duet)
133
Double Bass
114
Violin, Viola (duet)
111
String Quintet: 2 violins, viola, cello, bass
99
String Trio: violin, viola, cello
98
Violin (band part)
83
2 Violas (duet)
78
String Trio: 2 violins, cello
70
Double bass, Piano (duet)
62
Viola (band part)
62
2 Harps (duet)
55
Doublebass (band part)
35
Cello (band part)
34
String Quintet: 2 violins, 2 violas, cello
30
Viola, Cello (duet)
29
String Trio: 3 violins
28
String Trio: 3 cellos
22
Violin, Guitar (duet)
22
4 Cellos
21
Cello, String Bass (duet)
20
String trio
17
Harp, Violin (duet)
17
Harp, Flute (duet)
17
Cello, Guitar (duet)
14
Piano Trio: Violin, Viola, Piano
14
String quartet: 4 violins
13
Harp, Voice
11
String Quartet : 4 violas
11
String Trio: 3 violas
11
2 Double basses (duet)
10
Harp (band part)
9
String Trio: 2 violins, viola
9
String Quintet: 2 violins, viola, 2 cellos
8
Harp, Cello (duet)
8
2 Violins, Piano
6
Viola and Harp
5
Cello, Orchestra
5
Viola, Guitar (duet)
4
Cello, Organ
4
Violin, Clarinet, Piano (trio)
3
Viola ensemble
3
Cello Ensemble
3
Violin ensemble
3
Harp, Trombone (duet)
3
Violin, Bassoon (duet)
2
2 Cellos, Piano
2
Harp and Piano
1
4 Double Basses
1
Violin, Tuba (duet)
1
Violin, Basso continuo
1
Harp, Violin, Violoncello
1
2 Violas, Piano
1
Viola, Organ
1
Violin, Organ
1
+ 59 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,097
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444
String Orchestra
350
Jazz Ensemble
288
Brass ensemble
205
Marching band
164
Chamber Orchestra
101
Drums
92
Percussion (band part)
70
Handbells
65
Jazz combo
26
Percussion
26
Marimba
24
Percussion Ensemble
24
Timpani (band part)
15
Drum (band part)
13
Xylophone
7
Orchestra, Violin
5
Vibraphone
5
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Vibraphone (band part)
4
Piano and Orchestra
3
Woodwind Quintet
3
Timpani
2
2 Xylophones
1
Flexible Instrumentation
1
Brass Quintet: other combinaisons
1
Snare drums
1
Vibraphone and Marimba
1
Xylophone (band part)
1
2 Marimbas
1
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You've selected:
Cam
2 Pianos, 4 hands
Sheetmusic to print
54 sheet music found
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51
Don Camillo
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2 Pianos, 4 hands
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BEGINNER
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Film/TV
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Wollmar Axel Sandell
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Harvus Sylvain
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Don Camillo
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sylvain harvus
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SheetMusicPlus
Composed by Wollmar Axel Sandell. Arranged by Harvus Sylvain. Film/TV. Score. 4 pages. Sylvain harvus #770292. Published by sylvain harvus ...
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Composed by Wollmar Axel Sandell. Arranged by Harvus Sylvain. Film/TV. Score. 4 pages. Sylvain harvus #770292. Published by sylvain harvus
$6.00
Camille Saint-Sans: Piano Concerto No. 2 in G Minor, Op. 22 (COMPLETE) - two pianos, four hands
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2 Pianos, 4 hands
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EASY
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Classical
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Camille Saint-Sans
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Virtualsheetmusic
Instantly printable sheet music by Camille Saint-Saens for two pianos, four hands of EASY/MEDIUM skill level. / classical,concert,light concert,french
Instantly printable sheet music by Camille Saint-Saens for two pianos, four hands of EASY/MEDIUM skill level. / classical,concert,light concert,french
$13.99
And Can It Be? (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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And Can It Be?
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wils...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Religious,Sacred. Score. 15 pages. Sharon Wilson #1034900. Published by Sharon Wilson (A0.1455801). This arrangement of the familiar hymn tune SAGINA by Thomas Campbell is written as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bright and cheerful throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever an upbeat musical interlude is desired. The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Say Something
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2 Pianos, 4 hands
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INTERMEDIATE
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Pop music
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A Great Big World
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Sam C
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Say Something
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Sam Lee
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998587 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998587 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by Sam C. Lee. Pop. Score. 11 pages. Sam Lee #5998079. Published by Sam Lee (A0.998587). A duet for two pianos. This arrangement takes an otherwise solemn piece and turns it into something powerful and flamboyant with the persistent heavy chords in the second piano and the striking melody in the first.
$4.99
Thomas Theme
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2 Pianos, 4 hands
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INTERMEDIATE
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Film/TV
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Mike O'Donnell and Will
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Mario Stallbaumer
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Thomas Theme
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SheetMusicPlus
Composed by Mike O'Donnell and William Campbell. Arranged by Mario Stallbaumer. Film/TV. Score. 3 pages. Mario Stallbaumer #353369. Published by ...
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Composed by Mike O'Donnell and William Campbell. Arranged by Mario Stallbaumer. Film/TV. Score. 3 pages. Mario Stallbaumer #353369. Published by Mario Stallbaumer
$4.99
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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2 Pianos, 4 hands
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ADVANCED
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James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Sc...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
"La Fleur" from "Carmen", arr. for 2 pianos
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2 Pianos, 4 hands
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ADVANCED
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Opera
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Classical
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Georges Bizet
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Richard Simm
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"La Fleur" from "Carmen", arr.
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1170301 Composed by Georges Bizet. Arranged by Richard Simm. 19th Century,Classical,Oper...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1170301 Composed by Georges Bizet. Arranged by Richard Simm. 19th Century,Classical,Opera,Romantic Period. Score. 6 pages. Richard Simm #770661. Published by Richard Simm (A0.1170301). The brigadier, Don José, has fallen madly in love with Carmen, but she already has her eyes on another man, the bull-fighter, Escamillo. In this aria Don José declares his love for Carmen, but she belittles his passionate attempts to convince her of his feelings, saying that if he really loved her, he would take her away from her humble surroundings to a place where she could really be free.The arranger has added a short bridge passage between the opera's initial scenes of communal life centred around a cigarette factory and Don José's beautiful expression of his ill-fated love in Act II.
$7.95
Le Cygne (The Swan)
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2 Pianos, 4 hands
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Classical
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Camille Saint-Saens
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Jacques Durant
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Le Cygne
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A. J. Cornell Publications
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SheetMusicPlus
Composed by Camille Saint-Saens (1835-1921). Arranged by Jacques Durant. Romantic Period. Sheet Music Single. 6 pages. Published by A. J. Cornell Publications (...
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Composed by Camille Saint-Saens (1835-1921). Arranged by Jacques Durant. Romantic Period. Sheet Music Single. 6 pages. Published by A. J. Cornell Publications (S0.237989). - Sheet Music Single - Romantic Period - A. J. Cornell Publications
$4.99
The Swan
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2 Pianos, 4 hands
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Classical
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Camille Saint-Saens
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Justin M
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The Swan
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Justin M. Ryan
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SheetMusicPlus
Composed by Camille Saint-Saens (1835-1921). Arranged by Justin M. Ryan. Romantic Period, Contemporary Classical. 6 pages. Published by Justin M. Ryan (S0.19597...
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Composed by Camille Saint-Saens (1835-1921). Arranged by Justin M. Ryan. Romantic Period, Contemporary Classical. 6 pages. Published by Justin M. Ryan (S0.195975). - - Romantic Period,Contemporary Classical - Justin M. Ryan
$3.99
The Swan
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2 Pianos, 4 hands
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ADVANCED
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Classical
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Camille Saint-Saens
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Emile Naoumoff
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The Swan
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Schott Music - Digital
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SheetMusicPlus
2 pianos - advanced - Digital Download SKU: S9.Q771472 Composed by Camille Saint-Saens. Arranged by Emile Naoumoff. Experience a new dimension of musical...
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2 pianos - advanced - Digital Download SKU: S9.Q771472 Composed by Camille Saint-Saens. Arranged by Emile Naoumoff. Experience a new dimension of musicality with this fascinating arrangement of the „Swan from Saint-Saëns' „Carnival of the Animals for two pianos. Enjoy the charming melody and expressive interpretation while playing together. Downloadable, Separate edition. Duration 3' 14. Schott Music - Digital #Q771472. Published by Schott Music - Digital (S9.Q771472). Experience a new dimension of musicality with this fascinating arrangement of the „Swan from Saint-Saëns' „Carnival of the Animals for two pianos. Enjoy the charming melody and expressive interpretation while playing together.
$9.99
The Swan
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2 Pianos, 4 hands
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Classical
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Camille Saint-Saens
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Justin M
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The Swan
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Justin M. Ryan
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SheetMusicPlus
Composed by Camille Saint-Saens (1835-1921). Arranged by Justin M. Ryan. Romantic Period, Contemporary Classical. 6 pages. Published by Justin M. Ryan (S0.19597...
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Composed by Camille Saint-Saens (1835-1921). Arranged by Justin M. Ryan. Romantic Period, Contemporary Classical. 6 pages. Published by Justin M. Ryan (S0.195971). - - Romantic Period,Contemporary Classical - Justin M. Ryan
$3.99
It Came Upon a Midnight Clear by Joseph M. Martin - 2 Piano 4-Hands
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2 Pianos, 4 hands
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Joseph M. Martin
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It Came Upon a Midnight Clear
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Musicnotes
Performed by: Joseph M. Martin: It Came Upon a Midnight Clear - with "O Jesus So Sweet" Digital Sheetmusic plus an interactive, downloadable digital s...
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Performed by: Joseph M. Martin: It Came Upon a Midnight Clear - with "O Jesus So Sweet" Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: 2 Piano 4-Hands;Instrumental Duet, instruments: Piano 1;Piano 2; 8 pages -- Holiday & Special Occasion~~Christmas~~Christian~~Christmas - Religious
$5.25
Visconti Sforza Tarot Cards, opus 66 ... Il Matto (1996) for two pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869254 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemp...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869254 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Thomas Oboe Lee #32677. Published by Thomas Oboe Lee (A0.869254). When the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Reflections on a Winter's Morning
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2 Pianos, 4 hands
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ADVANCED
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Matthew Nunes
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Reflections on a Winter's Morn
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Matthew Nunes Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1263486 Composed by Matthew Nunes. Chamber,Christmas,Classical. Score. 32 pages. Matthew...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1263486 Composed by Matthew Nunes. Chamber,Christmas,Classical. Score. 32 pages. Matthew Nunes Music #856450. Published by Matthew Nunes Music (A0.1263486). Listen to this piece hereCommissioned by James EhmerReflections on a Winter’s Morning is a piece especially composed for James Ehmer, a composer, euphonium player, and soon to be medical student, as a personal thank you for his generous donation to my “Get Matt to Maryland†Rally via rally.org. James came to me with two wonderful poems describing idyllic winter scenes and the awe of a morning’s sun. These instantly reminded me of the first mornings I would ever wake to snow fall. The two pianos share multiple roles in recalling these moments: the persistence of an alarm clock in a drowsy morning, the first few fluttering snowflakes, a child teeming with excitement, and finally the grandeur of the sun reigning over the flurry.Orlando, May 2014- Matthew Nunes.
$9.99
"A Youthful Vow" from An Icelandic Suite
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" from An Icela
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamb...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 16 Il Diavolo
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2 Pianos, 4 hands
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869342 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romant...
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869342 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 6 pages. Thomas Oboe Lee #32739. Published by Thomas Oboe Lee (A0.869342). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 20 Il Sole
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2 Pianos, 4 hands
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869327 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romant...
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.869327 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 7 pages. Thomas Oboe Lee #2032505. Published by Thomas Oboe Lee (A0.869327). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
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