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Elle King
Not classified
702
Piano & keyboards
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879
Piano, Voice
215
Easy Piano
139
Accordion
89
Piano Trio: piano, violin, cello
75
Piano, Vocal and Guitar
66
C Instruments
47
Piano Accompaniment
33
Organ
15
1 Piano, 4 hands
11
Piano Quartet: piano, 2 violins, cello
4
2 Pianos, 4 hands
3
Piano (band part)
3
Big Note Piano
3
Keyboard
2
1 Piano, 6 hands
1
Piano Quartet: piano, violin, viola, cello
1
Melody line, Piano
1
+ 13 instrumentations
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Retract
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250
Bass guitar
192
Guitar notes and tablatures
141
Ukulele
17
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11
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6
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5
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4
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4
Piano, Guitar (duet)
3
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1
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1
3 Guitars (trio)
1
Electric Bass (band part)
1
+ 9 instrumentations
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235
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132
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121
Choral TTBB
115
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92
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48
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30
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29
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8
Low voice, Piano
7
High voice
6
Choral Instrumental Pak
5
Alto voice, Piano
5
Baritone voice, Piano
2
Choral
2
Vocal duet, Piano
1
+ 11 instrumentations
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833
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346
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329
2 Saxophones (duet)
115
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91
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87
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81
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76
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70
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70
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68
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65
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65
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56
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55
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45
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43
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43
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40
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39
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30
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29
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28
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27
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25
Baritone Saxophone
24
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23
2 Recorders (duet)
20
3 Clarinets (trio)
19
Flute ensemble
18
Flute, Clarinet (duet)
17
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16
Descant (Soprano) Recorder
15
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15
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13
English horn, Piano
11
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11
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11
Flute, Trombone (duet)
11
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10
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9
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8
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8
Oboe, Clarinet (duet)
8
5 Recorders
8
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7
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7
Bass Clarinet, Piano
7
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6
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6
Oboe, Clarinet, Bassoon (trio)
5
3 Recorders (trio)
5
Flute, Clarinet and Bassoon.
4
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4
Flute, Oboe, Clarinet (trio)
4
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4
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4
Piccolo
3
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3
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3
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3
Flute (band part)
3
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3
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3
4 Oboes
2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
Flute, Trumpet (duet)
1
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1
Flute, Violin
1
Flute, Tuba (duet)
1
Oboe, Trumpet (duet)
1
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1
Oboe, Violin (duet)
1
Oboe, Trombone (duet)
1
Clarinet, Harp (duet)
1
Clarinet, Double bass (duet)
1
2 Flutes, Piano
1
2 Clarinets, Piano
1
Pennywhistle
1
+ 89 instrumentations
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340
Trombone
322
Brass Quintet: 2 trumpets, horn, trombone, tuba
72
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62
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62
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48
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48
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43
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43
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38
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31
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28
2 French horns (duet)
25
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19
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15
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14
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14
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12
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11
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11
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9
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8
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8
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7
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5
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5
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4
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4
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3
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2
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1
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3 Trumpets (trio)
1
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1
English Horn
1
3 French horns (trio)
1
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234
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226
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206
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190
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151
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117
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70
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52
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51
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43
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38
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30
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25
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16
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11
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9
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9
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7
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6
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5
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5
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5
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5
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5
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5
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5
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4
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4
4 Cellos
3
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3
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2
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2
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2
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2
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2
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1
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1
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1
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1
Flute, Doublebass (duet)
1
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1
Autoharp
1
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223
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38
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27
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23
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6
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5
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2
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1
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1
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You've selected:
Elle King
2 Pianos, 4 hands
Sheetmusic to print
3 sheet music found
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1
In the Hall of the Mountain King Piano Duet
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2 Pianos, 4 hands
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Classical
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Halloween
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Edvard Grieg
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Michelle Ayler
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In the Hall of the Mountain Ki
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MEA Music
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SheetMusicPlus
Composed by Edvard Grieg (1843-1907). Arranged by Michelle Ayler. Romantic Period, Repertoire, Recital. Score, Set of Parts, Sheet Music Single. 9 pages. Publis...
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Composed by Edvard Grieg (1843-1907). Arranged by Michelle Ayler. Romantic Period, Repertoire, Recital. Score, Set of Parts, Sheet Music Single. 9 pages. Published by MEA Music (S0.323741). - Score,Set of Parts,Sheet Music Single - Romantic Period,Repertoire,Recital - MEA Music
$4.85
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
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