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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Eve
Not classified
108,251
Piano & keyboards
Piano solo
135,204
Piano, Voice
64,231
Piano, Vocal and Guitar
55,928
Easy Piano
35,429
C Instruments
7,663
Organ
6,283
1 Piano, 4 hands
4,030
Accordion
3,737
Piano Accompaniment
1,442
Piano Trio: piano, violin, cello
1,409
Big Note Piano
1,149
2 Pianos, 4 hands
533
Piano Quartet: piano, violin, viola, cello
450
Piano Quartet: piano, 2 violins, cello
443
Piano Quintet: piano, 2 violins, viola, cello
407
Piano (band part)
248
Organ, Piano (duet)
213
Organ, Trumpet (duet)
191
Harpsichord
167
1 Piano, 6 hands
84
2 Pianos, 8 hands
42
Keyboard
32
Melody line, Piano
18
2 Accordions
14
Accordion, Voice
8
Fake Book
7
Accordion ensemble
7
Accordion, Piano
5
Organ and Orchestra
3
Solo instrument and Organ
3
Organ, Voice
1
Accordion, String(s)
1
Piano ensembles
1
2 Organs (duet)
1
+ 29 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
32,877
Melody line, (Lyrics) and Chords
21,580
Guitar
19,108
Lyrics and Chords
13,740
Bass guitar
9,022
Ukulele
8,814
2 Guitars (duet)
1,461
Piano, Guitar (duet)
615
Mandolin
591
Banjo
554
4 Guitars (Quartet)
531
Guitar Ensemble
465
Dulcimer
458
Band Scores
280
Guitar (band part)
271
Baritone Ukulele
232
3 Guitars (trio)
203
Ukulele Ensemble
98
Electric Bass (band part)
95
Mandolin, Piano (duet)
55
Mandolin, Guitar (duet)
38
2 Dulcimers (duet)
36
Dobro
28
Guitar, Violin, Cello (trio)
28
2 Ukuleles
18
3 Dulcimers (trio)
17
Plectrum Orchestra
5
2 Mandolins (duet)
3
Lap Steel Guitar
3
Guitar, String Quartet
2
Guitar, Harp
2
Guitar, Orchestra
2
Guitar, Flute, Clarinet
2
Lute
1
2 Guitars and Orchestra
1
+ 30 instrumentations
-
Retract
Voice
Choral SATB
36,441
Choral 3-part
15,501
Choral 2-part
10,921
Choral TTBB
9,534
Choral
4,924
Choral SSAA
4,773
Choral Unison
4,448
Vocal duet, Piano
2,866
Voice solo
1,667
Vocal duet
1,246
Soprano voice, Piano
948
High voice
898
Choral Instrumental Pak
897
Alto voice, Piano
678
Tenor voice, Piano
585
Baritone voice, Piano
414
Low voice, Piano
334
Medium voice, Piano
205
Tenor voice
130
Mezzo-Soprano voice, Piano
78
Voice, Guitar
67
Soprano voice
66
Choral SSAB a cappella
40
Low voice
40
Choral SSATB
31
Choral SSAB, Piano
29
Choral SSAATTBB
19
Children choir
13
Choral SSATTB
13
Soli, Mixted choir and accompaniment
11
Voix Masculines
8
Choral SSAATB
3
Choral SSATBB
2
Choral SAATB A Cappella
2
Choral, Orchestra
1
Choral SATBB
1
Choral SATTB
1
+ 32 instrumentations
-
Retract
Woodwind
Saxophone
15,549
Flute
14,714
Clarinet
13,423
Flute and Piano
9,991
Saxophone (band part)
9,272
Alto Saxophone
8,591
Saxophone Quartet: 4 saxophones
7,962
Clarinet and Piano
7,601
Tenor Saxophone
7,418
2 Saxophones (duet)
6,352
Oboe, Piano (duet)
6,253
Flute, Oboe, Clarinet, Bassoon
5,968
Alto Saxophone and Piano
5,885
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
5,427
2 Flutes (duet)
4,786
Tenor Saxophone and Piano
4,502
2 Clarinets (duet)
4,073
Clarinet Quartet: 4 clarinets
3,900
Oboe (band part)
3,719
Clarinet (band part)
3,177
Soprano Saxophone and Piano
2,795
Saxophone Quintet: 5 Saxophones
2,124
Flute Quartet: 4 flutes
2,053
3 Saxophones (trio)
2,017
3 Clarinets (trio)
1,767
Flute, Clarinet (duet)
1,708
Flute (band part)
1,542
Recorder
1,516
Flute and Guitar
1,428
Oboe
1,365
Clarinet Ensemble
1,290
Soprano Saxophone
1,278
Flute Trio: 3 flutes
1,228
Baritone Saxophone, Piano
1,121
2 Oboes (duet)
1,109
English horn, Piano
1,059
2 Recorders (duet)
1,038
Saxophone ensemble
957
Oboe, Bassoon (duet)
924
Clarinet Quintet: 5 clarinets
850
Flute, Violin
832
Clarinet, Violin (duet)
805
Oboe, Clarinet (duet)
742
Ocarina
697
Flute ensemble
677
Descant (Soprano) Recorder
668
Saxophone, Clarinet (duet)
628
Harmonica
584
Flute, Oboe, Clarinet (trio)
556
Flute, Clarinet and Bassoon.
540
Flute, Violin, Piano
516
Clarinet, Bassoon (duet)
506
Flute, Violoncello
469
Flute, Oboe (duet)
467
Flute, Oboe, Bassoon
437
Treble (Alto) Recorder
436
Recorder Quartet
428
Bass Clarinet, Piano
422
Oboe, Clarinet, Bassoon (trio)
396
Oboe, Flute
379
Clarinet, Guitar (duet)
362
Flute Quintet : 5 flutes
360
Clarinet, Cello (duet)
338
Eb Instruments
335
Baritone Saxophone
329
Flute, Trumpet (duet)
326
Clarinet, Trumpet (duet)
315
English Horn
314
Flute, Viola (duet)
303
Clarinet and Viola
290
Oboe, Cello
238
Flute, Saxophone (duet)
236
Clarinet, Harp (duet)
222
Oboe, Violin (duet)
218
Flute, Clarinet, Piano (trio)
214
3 Oboes
204
Flute, Violin and Violoncello
200
Flute, Cello, Piano (trio)
197
2 Saxophones, Piano
197
3 Recorders (trio)
181
Flute, Trombone (duet)
177
Recorder Ensemble
174
Flute, Bassoon, and Piano
158
2 Clarinets, Piano
147
Saxophone and Guitar
139
Bass Clarinet
126
Clarinet, Trombone (duet)
117
2 Flutes, Piano
114
Oboe, Guitar (duet)
114
Flute, Oboe, Piano (trio)
111
Saxophone, Violin (duet)
110
5 Recorders
108
Flute, Clarinet, Violin (trio)
106
Tenor Recorder
105
English Horn, Guitar (duet)
103
Flute, Oboe, Violin
103
Oboe, Trumpet (duet)
102
Pennywhistle
86
2 Clarinets, Bassoon
84
Clarinet, Cello, Piano (trio)
81
Treble (Alto) Recorder, Piano
81
Piccolo
80
Oboe and viola (duet)
76
Recorder, Piano
74
Clarinet, Bassoon, Piano (trio)
74
Flute, harp and violin
72
Descent (Soprano) Recorder, Piano
68
4 Oboes
68
Flute, Viola and Piano
66
Flute, Harp and Cello
65
Bagpipe
58
Clarinet Quartet: Clarinet, Violin, Viola, Cello
56
Saxophone and Organ
53
Flute and Strings Trio
50
Flute, Clarinet, Horn and Bassoon (Quartet)
50
Saxophone, Bassoon (duet)
49
Oboe, Trombone (duet)
48
Flute, Violin, Violoncello and Piano
45
Piccolo, Piano
43
Flute, Tuba (duet)
42
Harmonica, Piano
40
Saxophone and Harp
34
Flute, Organ (duet)
34
Saxophone and cello
33
Oboe, Harp
33
Flute, trombone and piano
32
Clarinette, Viola and Piano (trio)
32
2 English horns and Pianoforte
31
Clarinet, Tuba
30
Flute, Viola and harp
29
Oboe, Violin, Viola and Violoncello (Quartet)
25
Clarinet Quintet: Clarinet, String Quartet
23
Flute, French horn (duet)
23
Flute and String Quartet
19
Flute, Cello, Guitar
18
Oboe, Violin, Piano
17
Recorder, Guitar (duet)
15
English horn, Harp (duet)
15
Clarinet, Organ
15
Clarinet, trumpet and piano
14
Oboe, Clarinet and Piano (Trio)
14
Clarinet, Double bass (duet)
14
Oboe, Cello and Piano
13
Oboe, Bassoon and Piano
13
Wind ensemble
12
Saxophone, Tuba (duet)
9
Recorder, Harp
9
2 Oboes, Piano
7
Flute, Guitar, Piano
7
Oboe ensemble
7
Saxophone and Piano
6
Flute, Viola and Cello
5
Flute, Violin, Guitar
5
2 Recorders, Piano
5
Treble (Alto) Recorder, Basso continuo
5
Clarinet, Orchestra
3
Melodica
3
2 clarinets, 2 bassoons
1
Flute, Basso continuo
1
2 Flutes and Harp
1
2 Oboes and English horn
1
3 Recorders, Piano
1
Clarinet, Saxophone, Piano
1
Oboe and Orchestra
1
2 Flutes, 2 Clarinets (Quartet)
1
Flute, Orchestra
1
2 Recorders, Guitar
1
+ 162 instrumentations
-
Retract
Woodbrass
Trumpet
13,664
Trombone
11,212
Trumpet (band part)
5,769
Brass Quintet: 2 trumpets, horn, trombone, tuba
5,757
Trumpet, Piano
5,216
French horn
4,894
Trombone and Piano
4,639
Trombone (band part)
4,581
Brass quartet : 2 trumpets, trombone, tuba
4,296
French Horn and Piano
3,315
2 Trumpets (duet)
2,384
Tuba
2,303
2 Trombones (duet)
1,991
Brass Quartet: 2 trumpets, horn, trombone
1,666
French horn (band part)
1,662
Tuba and Piano
1,427
Brass Quartet
1,423
Trumpet, Trombone (duet)
1,267
English horn, Piano
1,059
Euphonium
1,027
2 French horns (duet)
1,022
Brass Quartet: 4 trombones
856
Tuba (band part)
773
Brass Quartet: 4 horns
716
Euphonium, Piano (duet)
715
Trumpet, Saxophone (duet)
607
Trumpet, Horn (duert)
541
Bass Clef Instruments
365
Trombone ensemble
354
2 Euphoniums and 2 Tubas
325
3 Trombones (trio)
322
English Horn
314
Bb Instruments
311
2 Tubas (duet)
308
Brass Trio
282
Trumpet, Tuba (duet)
228
Horn Ensemble
211
Trombone, Tuba (duet)
200
Trumpet ensemble
181
3 Trumpets (trio)
176
Brass Quartet: 4 trumpets
166
Tuba and Organ
153
4 Tubas
151
Trombone, cello (duet)
139
Trumpet, violin (duet)
135
Horn, Cello (duet)
118
Trumpet, Bassoon (duet)
118
Trombone, Horn (duet)
116
Euphonium, Tuba (duet)
110
English Horn, Guitar (duet)
103
Horn, Tuba (duet)
97
Trombone, Violin (duet)
93
Brass Quartet: 2 trumpets, 2 trombones
88
Bass Trombone
87
Trumpet, Cello (duet)
84
2 Euphoniums (duet)
76
Euphonium (band part)
69
Trombone, Organ
53
French horn and Basson (duet)
49
3 French horns (trio)
48
Bass Trombone and Piano
47
French Horn and Harp
45
Trumpet, Harp
34
Clarinet, Horn (duet)
32
2 English horns and Pianoforte
31
Trumpet, Cello, Piano
31
Trombone, Viola (duet)
28
3 Tubas (trio)
26
Trumpet, Trombone, Piano
22
Horn and Organ
20
Tuba or Euphonium or Saxhorn
19
2 Trumpets, Keyboard (piano or organ)
19
Horn, Trumpet, Trombone (trio)
18
Tuba ensemble
16
F Instruments
16
English horn, Harp (duet)
15
Trumpet and Guitar
12
2 Trombones, Piano
12
3 Euphoniums
9
Cornet
9
Flügelhorn
7
Brass Quintet: 2 trumpets, horn, 2 trombones
7
2 French horns, Piano
5
Trumpet, Euphonium (duet)
4
Horn, Cello and Piano
4
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
3
Trumpet, Orchestra
2
Cornet and Piano
1
Cornet and Orchestra
1
4 Euphoniums
1
Euphonium or Saxhorn and Piano
1
+ 86 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
20,187
Violin
13,641
Violin and Piano
13,311
Cello
9,613
Cello, Piano
8,393
Viola, Piano
6,863
Viola
6,803
Harp
5,636
Violin, Cello (duet)
4,319
2 Violins (duet)
4,221
String Trio: violin, viola, cello
3,486
2 Cellos (duet)
2,893
Violin, Viola (duet)
2,199
Violin (band part)
1,964
String Quintet: 2 violins, viola, cello, bass
1,819
2 Violas (duet)
1,786
Double Bass
1,720
Viola (band part)
1,673
Double bass, Piano (duet)
1,426
String Trio: 2 violins, cello
1,339
Viola, Cello (duet)
1,187
String Trio: 3 violins
770
Doublebass (band part)
761
Piano Trio: Violin, Viola, Piano
649
Violin, Guitar (duet)
640
4 Cellos
628
2 Harps (duet)
554
String Trio: 3 cellos
508
Cello, Guitar (duet)
412
Harp, Flute (duet)
399
Cello (band part)
338
2 Double basses (duet)
337
String Trio: 2 violins, viola
334
Harp, Violin (duet)
328
String quartet: 4 violins
315
Cello, String Bass (duet)
299
String Trio: 3 violas
286
Viola, Guitar (duet)
276
Violin, Bassoon (duet)
254
String Quartet : 4 violas
210
Viola and Bassoon
163
String trio
159
2 Violins, Piano
155
String Quintet: 2 violins, 2 violas, cello
97
Harp, Cello (duet)
89
String Quintet: 2 violins, viola, 2 cellos
75
Violin, Clarinet, Piano (trio)
71
2 Cellos, Piano
66
Viola and Harp
63
Harp and Piano
56
Harp, Voice
56
Flute, Doublebass (duet)
54
4 Double Basses
46
2 Violas, Piano
46
3 double basses
42
Cello, Organ
39
Harp, Violin, Violoncello
39
Violin ensemble
37
Violin, Tuba (duet)
32
Violin, Organ
32
Viola ensemble
29
Cello Ensemble
23
Violin, Cello, Clarinet
14
Harp, Trombone (duet)
14
Harp and mandolin
14
Harp (band part)
13
3 Harps
10
Viola, Organ
10
Violin, Trumpet and Piano
6
4 Harps
6
Autoharp
4
Harp, String quartet
4
Cello, Orchestra
3
5 Harps
2
Violoncello, Basso continuo
1
Viola and orchestra
1
Violin, Basso continuo
1
+ 72 instrumentations
-
Retract
Orchestra & Percussion
Concert band
39,262
Orchestra
15,512
Jazz Ensemble
13,044
String Orchestra
12,309
Drums
9,912
Marching band
7,598
Brass ensemble
4,740
Handbells
4,272
Chamber Orchestra
3,027
Percussion (band part)
2,481
Jazz combo
2,115
Percussion Ensemble
1,122
Percussion
886
Drum (band part)
521
Timpani (band part)
455
Marimba
319
Xylophone
292
Vibraphone
233
Xylophone, Piano
127
2 Xylophones
63
Snare drums
60
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
56
Vibraphone (band part)
44
Piano and Orchestra
28
Timpani
16
Xylophone (band part)
15
Vibraphone and Marimba
15
Woodwind Quintet
14
Brass Quintet: other combinaisons
14
Woodwind Quartet: any 4 woodwinds
10
Big band
10
Flexible Instrumentation
8
School Ensemble
7
Orchestra, Violin
6
3 Marimbas
5
Marimba, Piano (duet)
4
2 Marimbas
4
Woodwind Trio: any 3 woodwinds
3
Marimba and Organ
3
Bongos
3
3 Percussions
3
Conga
2
Drums-Marching band
1
Voice and Orchestra
1
Xylophone or Marimba or Vibraphone
1
Bodhran
1
2 Percussions
1
+ 42 instrumentations
-
Retract
Others
Musical course - Solfege
321
Music Theory
4
Musical Awakening
1
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ELECTRONIC …
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FLUTE
GUITAR
HANDBELLS
HARMONICA
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HORN
LUTE, THEOR…
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MARCHING BA…
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--INSTRUMENTS--
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BUGLE
CHORAL - VOCAL…
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2 Pianos, 4 hands
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533 sheet music found
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526
EVE
#
2 Pianos, 4 hands
#
ADVANCED
#
Contemporary
#
Hilary Brooks
#
PianoPiano
#
EVE
#
PianoPiano
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.999676 Composed by Hilary Brooks. Arranged by PianoPiano. Contemporary. Score. 11 pages....
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.999676 Composed by Hilary Brooks. Arranged by PianoPiano. Contemporary. Score. 11 pages. PianoPiano #6016663. Published by PianoPiano (A0.999676). The story of Eve, the First Woman told through music and text. Part of a series of ten compositions celebrating iconic women.
$3.99
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
For The First Time In Forever (reprise - Broadway Version)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Kristen Anderson-Lopez and Rob
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Halle Kaye
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For The First Time In Forever
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Halle Kaye
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.491259 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Halle Kaye. Broa...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.491259 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Halle Kaye. Broadway,Film/TV,Musical/Show,Pop. Score. 11 pages. Halle Kaye #106795. Published by Halle Kaye (A0.491259). Piano duet based on Frozen Broadway's For the First Time in Forever (reprise). Piano 1 sings Elsa's melody and piano 2 sings Anna's melody. I really love the tension in this piece and I think it is represented beautifully through this dueling piano style. This is the full score. If you would like individual parts please reach out!
$7.00
Every Time I Feel the Spirit (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Every Time I Feel the Spirit
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565174 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk,Jazz,...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565174 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Praise & Worship,Sacred,Spiritual. Score. 10 pages. Sharon Wilson #3515435. Published by Sharon Wilson (A0.565174). This arrangement of the traditional spiritual Every Time I Feel the Spirit is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. Bright and energetic, this dual piano duet is ideal for a postlude, offertory, or special music. The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 2 minutes.This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.
$5.99
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
If We Ever Broke Up
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Pop music
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Mae Stephens
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Helios D'Andrea
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If We Ever Broke Up
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D'Andrea Helios
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1211339 By Mae Stephens. By Mae Stephens, Morien Van Der Tang, and Natalia I Koronowska....
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1211339 By Mae Stephens. By Mae Stephens, Morien Van Der Tang, and Natalia I Koronowska. Arranged by Helios D'Andrea. Pop. Score. 9 pages. D'Andrea Helios #809005. Published by D'Andrea Helios (A0.1211339). Arranged for two pianos by Helios D'Andrea.
$4.99
Even The Nights Are Better
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Air Supply
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Unknown
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Even The Nights Are Better
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Clem & Jun Bascar
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1475995 By Air Supply. By J.L. Wallace, Ken Bell, and Terry Skinner. Arranged by Unknown...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1475995 By Air Supply. By J.L. Wallace, Ken Bell, and Terry Skinner. Arranged by Unknown. 21st Century,A Cappella,Contemporary,Contest,Festival,Pop. Score. 4 pages. Clem & Jun Bascar #1053561. Published by Clem & Jun Bascar (A0.1475995). A wonderful piece to play and explore. Playing with four hands, this music is very suitable specially during night time. Play and enjoy.
$4.99
I Shall Not Be Moved (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson
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I Shall Not Be Moved
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Standards,Traditional. Score. 13 pages. Sharon Wilson #3516203. Published by Sharon Wilson (A0.565175). This arrangement of the traditional spiritual I Shall Not Be Moved is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the first chorus and verse. Bold and cheerful, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 6-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the words found in Psalm 1: Blessed is the man who doesn’t walk in the counsel of the wicked…but his delight is in Yahweh’s law…He will be like a tree planted by the streams of water… (WEB)Lyrics:I shall not be moved,I shall not be moved,I shall not be moved,Like a tree planted by the water,I shall not be moved.When my cross is heavy,I shall not be moved,When my cross is heavy,I shall not be moved,Like a tree planted by the water,I shall not be moved.
$5.99
Classic Duets for Two Pianos - Level 4
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Lani Smith
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Classic Duets for Two Pianos -
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Heritage Music Press
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SheetMusicPlus
Arranged by Lani Smith. For Piano Duet. Educational Piano Collection. Level 4. Published by Heritage Music Press ...
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Arranged by Lani Smith. For Piano Duet. Educational Piano Collection. Level 4. Published by Heritage Music Press
$18.00
Classic Duets for Two Pianos - Level 3
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2 Pianos, 4 hands
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INTERMEDIATE
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Classical
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Lani Smith
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Classic Duets for Two Pianos -
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Heritage Music Press
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SheetMusicPlus
Arranged by Lani Smith. For Piano Duet. Educational Piano Collection. Level 3. Published by Heritage Music Press ...
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Arranged by Lani Smith. For Piano Duet. Educational Piano Collection. Level 3. Published by Heritage Music Press
$18.00
Five Joyful Tunes for Two Pianos (A Collection of 5 Mixed Level Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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EASY
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Sacred music
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Gospel/Spiritual
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Sharon Wilson
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Sharon Wilson
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Worship, Sacred, Spiritual
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Five Joyful Tunes for Two Pian
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Sharon Wilson
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SheetMusicPlus
By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk, Jazz, Praise & Worship, Sacred, Spiritual. Score. 51 pages. Sharon Wi...
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By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk, Jazz, Praise & Worship, Sacred, Spiritual. Score. 51 pages. Sharon Wilson #3519307. Published by Sharon Wilson
Here is a collection of 5 traditional spirituals arranged for two piano players with different "intermediate" skill levels. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level.
Two formats are provided for each song:
1. four-staff, grand stave with both parts (PIANO 1 and PIANO 2) on each page
2. two-staff score for each part; PIANO 1 and PIANO 2 on separate pages
These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for early-intermediate students and suitable for performances in a church setting. Each song is also available separately with accompanying preview pages and audio samples.
Song titles included in this collection:
Every Time I Feel the Spirit
I Shall Not Be Moved
I’m So Glad Jesus Lifted Me
Swing Low, Sweet Chariot
When the Saints Go marching In
$15.00
Magic Flute / Zauberflöte: Queen of the Night (Revenge Aria) / Königin der Nacht (Rachearie)
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2 Pianos, 4 hands
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Classical
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Wolfgang Amadeus Mozart
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Uwe Roessler / Rössler / Ra
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Magic Flute / Zauberflöte: Qu
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Uwe Roessler
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.504666 Composed by Wolfgang Amadeus Mozart. Arranged by Uwe Roessler / Rössler / Rassler. Class...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.504666 Composed by Wolfgang Amadeus Mozart. Arranged by Uwe Roessler / Rössler / Rassler. Classical,Contest,Festival,Opera. Score. 14 pages. Published by Uwe Roessler (A0.504666). This is a unique arrangement for professionals: The aria of the Queen of the Night from Mozart´s Magic Flute. Unabridged. Originally written for a European Piano Duo. Comes with full score and voices for piano 1 and piano 2. Other music of this opera for piano duet also available.
$15.00
Believer
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2 Pianos, 4 hands
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BEGINNER
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Pop music
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Imagine Dragons
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Warren & Debby
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Debby
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Believer
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SheetMusicPlus
By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by War...
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By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by Warren & Debby. Children, Contemporary, Film/TV, Pop. Score. 4 pages. World Music #559875. Published by World Music
$6.99
Chaminade: Le matin and Le soir (Morning and Evening), Opus 79 - Piano Duo (2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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Classical
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Cecile Chaminade
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Chaminade: Le matin and Le soi
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano Duets & Four Hands - Digital Download Composed by Cecile Chaminade (1857-1944). Edited by Allison Nelson and Maurice Hinson. Classical. 32 pa...
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Piano Duets & Four Hands - Digital Download Composed by Cecile Chaminade (1857-1944). Edited by Allison Nelson and Maurice Hinson. Classical. 32 pages. Alfred Music - Digital Sheet Music #00-PB-0000583. Published by Alfred Music - Digital Sheet Music
$7.99
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
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