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3,247
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2,138
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818
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762
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723
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174
Organ
149
1 Piano, 4 hands
100
Piano Accompaniment
49
Accordion
25
2 Pianos, 4 hands
16
Piano Trio: piano, violin, cello
16
Piano Quartet: piano, 2 violins, cello
9
Piano Quartet: piano, violin, viola, cello
9
Big Note Piano
7
Organ, Piano (duet)
6
Piano Quintet: piano, 2 violins, viola, cello
5
Organ, Trumpet (duet)
4
Piano (band part)
4
1 Piano, 6 hands
3
Keyboard
1
2 Pianos, 8 hands
1
+ 16 instrumentations
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Retract
Guitars
Guitar notes and tablatures
428
Guitar
228
Melody line, (Lyrics) and Chords
218
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155
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144
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102
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16
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12
4 Guitars (Quartet)
10
Banjo
5
Piano, Guitar (duet)
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2 Dulcimers (duet)
3
Electric Bass (band part)
3
Baritone Ukulele
2
Guitar, Violin, Cello (trio)
2
Guitar (band part)
2
3 Guitars (trio)
2
Band Scores
1
Mandolin
1
+ 15 instrumentations
-
Retract
Voice
Choral SATB
1,155
Choral 3-part
495
Choral TTBB
426
Choral 2-part
295
Choral SSAA
195
Choral Unison
160
Vocal duet, Piano
81
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68
Voice solo
30
Vocal duet
30
Alto voice, Piano
22
Soprano voice, Piano
15
High voice
14
Baritone voice, Piano
10
Tenor voice, Piano
8
Low voice
5
Medium voice, Piano
5
Low voice, Piano
5
Soprano voice
3
Voix Masculines
3
Choral SSAB, Piano
2
Tenor voice
2
Choral SSATTB
1
Choral SSAB a cappella
1
Mezzo-Soprano voice, Piano
1
+ 20 instrumentations
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Retract
Woodwind
Clarinet
271
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248
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241
Flute and Piano
217
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214
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167
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158
Alto Saxophone
157
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149
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147
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142
Alto Saxophone and Piano
140
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138
2 Clarinets (duet)
125
Saxophone
124
2 Flutes (duet)
122
Saxophone (band part)
99
Tenor Saxophone and Piano
90
Oboe (band part)
81
Saxophone, Clarinet (duet)
71
Soprano Saxophone and Piano
64
Flute Quartet: 4 flutes
61
Clarinet, Violin (duet)
56
Flute, Clarinet (duet)
49
Saxophone Quintet: 5 Saxophones
45
Flute, Violin
45
2 Oboes (duet)
41
3 Saxophones (trio)
40
Flute and Guitar
38
Clarinet, Trumpet (duet)
38
3 Clarinets (trio)
35
Flute Trio: 3 flutes
34
Oboe, Bassoon (duet)
34
Clarinet Ensemble
33
Flute ensemble
31
Oboe, Flute
31
Recorder
30
Saxophone ensemble
28
Oboe, Clarinet (duet)
27
Baritone Saxophone, Piano
27
Soprano Saxophone
26
English horn, Piano
25
Flute, Viola (duet)
24
Flute, Trumpet (duet)
24
2 Recorders (duet)
23
Clarinet Quintet: 5 clarinets
23
Flute, Saxophone (duet)
23
Oboe
22
Clarinet and Viola
22
Clarinet (band part)
19
Flute (band part)
17
Bass Clarinet, Piano
17
Clarinet, Guitar (duet)
15
Flute, Oboe, Clarinet (trio)
13
Descant (Soprano) Recorder
10
Clarinet, Bassoon (duet)
9
Flute Quintet : 5 flutes
9
Flute, Violoncello
8
Flute, Clarinet and Bassoon.
8
Descent (Soprano) Recorder, Piano
7
Recorder Quartet
6
Clarinet, Cello, Piano (trio)
5
Flute, Oboe, Bassoon
5
Flute, Oboe (duet)
5
Flute, Violin, Piano
5
English Horn
5
English Horn, Guitar (duet)
5
Clarinet, Harp (duet)
5
Treble (Alto) Recorder
5
Flute, Clarinet, Violin (trio)
4
Saxophone and Guitar
4
Treble (Alto) Recorder, Piano
4
Flute, Violin, Violoncello and Piano
4
2 Clarinets, Piano
4
2 Flutes, Piano
4
Flute, Violin and Violoncello
3
Oboe, Harp
3
Eb Instruments
3
Flute, Oboe, Violin
3
3 Oboes
3
Flute, harp and violin
3
Oboe, Guitar (duet)
3
Ocarina
3
Pennywhistle
3
Bass Clarinet
3
Oboe, Cello
3
Oboe, Clarinet, Bassoon (trio)
3
3 Recorders (trio)
2
Flute, Bassoon, and Piano
2
Piccolo, Piano
2
Clarinet, Cello (duet)
2
Flute, Harp and Cello
2
Flute and Strings Trio
2
Flute, Trombone (duet)
2
Flute, Cello, Piano (trio)
2
Tenor Recorder
2
Baritone Saxophone
2
Recorder, Piano
2
Piccolo
1
Flute, trombone and piano
1
Oboe, Violin (duet)
1
Harmonica
1
Clarinet, Tuba
1
2 Oboes, Piano
1
Flute, Clarinet, Piano (trio)
1
Clarinet, Trombone (duet)
1
Clarinet, trumpet and piano
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Recorder Ensemble
1
Saxophone and Organ
1
2 Clarinets, Bassoon
1
Flute, Tuba (duet)
1
Oboe and viola (duet)
1
2 Flutes, 2 Clarinets (Quartet)
1
2 Saxophones, Piano
1
+ 110 instrumentations
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Retract
Woodbrass
Trumpet
253
Brass Quintet: 2 trumpets, horn, trombone, tuba
241
Trombone
176
Brass quartet : 2 trumpets, trombone, tuba
163
Trombone and Piano
128
Trumpet, Piano
125
French horn
92
French Horn and Piano
75
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71
2 Trumpets (duet)
69
2 Trombones (duet)
65
Trumpet, Saxophone (duet)
64
Tuba
52
Trumpet, Trombone (duet)
37
Tuba and Piano
36
Trombone (band part)
34
Brass Quartet: 2 trumpets, horn, trombone
31
Brass Quartet: 4 trombones
29
2 French horns (duet)
28
Euphonium, Piano (duet)
28
English horn, Piano
25
Brass Quartet
22
Brass Quartet: 4 horns
16
2 Tubas (duet)
14
Euphonium
11
Trombone ensemble
9
Trumpet, Horn (duert)
9
French horn (band part)
9
Tuba (band part)
7
3 Trombones (trio)
7
English Horn
5
English Horn, Guitar (duet)
5
2 Euphoniums and 2 Tubas
5
Bass Clef Instruments
4
French Horn and Harp
4
Horn Ensemble
4
Brass Trio
4
Brass Quartet: 4 trumpets
4
4 Tubas
3
Bass Trombone
3
Tuba and Organ
3
Bb Instruments
3
3 Trumpets (trio)
3
2 Euphoniums (duet)
3
Brass Quartet: 2 trumpets, 2 trombones
2
Trombone, Tuba (duet)
2
Horn and Organ
1
Trumpet, Harp
1
Trumpet, Euphonium (duet)
1
Cornet and Piano
1
Trombone, Violin (duet)
1
Clarinet, Horn (duet)
1
Trumpet, Bassoon (duet)
1
Trombone, Organ
1
2 Trumpets, Keyboard (piano or organ)
1
2 French horns, Piano
1
3 French horns (trio)
1
Trumpet, Tuba (duet)
1
Bass Trombone and Piano
1
Trumpet, Trombone, Piano
1
French horn and Basson (duet)
1
Trumpet ensemble
1
+ 57 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
518
Violin
286
Violin and Piano
248
Cello
236
Cello, Piano
161
Harp
135
Viola
130
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123
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113
2 Violins (duet)
101
2 Cellos (duet)
96
String Trio: violin, viola, cello
75
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64
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53
2 Violas (duet)
51
String Trio: 2 violins, cello
44
Double bass, Piano (duet)
40
Viola (band part)
30
2 Harps (duet)
30
String Quintet: 2 violins, viola, cello, bass
28
Viola, Cello (duet)
19
Violin (band part)
17
4 Cellos
14
String Trio: 3 violins
13
Cello, Guitar (duet)
13
Harp, Flute (duet)
12
2 Double basses (duet)
10
String Trio: 3 cellos
10
Piano Trio: Violin, Viola, Piano
9
Violin, Guitar (duet)
9
Cello, String Bass (duet)
8
Doublebass (band part)
7
String quartet: 4 violins
5
Cello (band part)
5
Harp, Violin (duet)
5
Viola, Guitar (duet)
4
String Trio: 3 violas
4
Harp, Cello (duet)
3
Viola and Harp
3
Harp, Voice
3
Violin, Bassoon (duet)
2
2 Violas, Piano
2
Cello Ensemble
2
String Trio: 2 violins, viola
1
Violin, Tuba (duet)
1
Harp and Piano
1
String Quartet : 4 violas
1
Harp, Violin, Violoncello
1
Autoharp
1
Viola and Bassoon
1
Cello, Organ
1
Violin, Clarinet, Piano (trio)
1
Harp and mandolin
1
Flute, Doublebass (duet)
1
+ 49 instrumentations
-
Retract
Orchestra & Percussion
Concert band
667
Jazz Ensemble
518
Orchestra
313
String Orchestra
251
Marching band
240
Brass ensemble
217
Handbells
212
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178
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119
Chamber Orchestra
107
Percussion Ensemble
62
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17
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9
Vibraphone
7
School Ensemble
6
Xylophone
6
Marimba
5
Timpani (band part)
4
Percussion
3
Xylophone, Piano
2
Piano and Orchestra
1
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
1
Marimba, Piano (duet)
1
Brass Quintet: other combinaisons
1
+ 19 instrumentations
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Musical course - Solfege
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2 Pianos, 4 hands
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16 sheet music found
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1
Rise Up, O Church of God--Duo Piano (Keyboard).pdf
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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William Walter/ Aaron Williams
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Marilyn Thompson
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Rise Up, O Church of God--Duo
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Marilyn Thompson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809597 Composed by William Walter/ Aaron Williams. Arranged by Marilyn Thompson. Christi...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809597 Composed by William Walter/ Aaron Williams. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. Score. 8 pages. Marilyn Thompson #6339185. Published by Marilyn Thompson (A0.809597). A stirring call to the Church to face the challenges of today is reflected in this high-energy duet. The two hymn tunes of FESTAL SONG and ST THOMAS are superimposed in the Finale section of the piece. A Piano/Organ Duet is available on another post. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP.
$4.99
Up On the House Top
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Benjamin Hanby
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Ashley Ivers
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Up On the House Top
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Ashley Ivers
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.823547 Composed by Benjamin Hanby. Arranged by Ashley Ivers. Children,Christmas. Score. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.823547 Composed by Benjamin Hanby. Arranged by Ashley Ivers. Children,Christmas. Score. 5 pages. Ashley Ivers #4979323. Published by Ashley Ivers (A0.823547). Duet for 2 pianos, 4 hands, duo, two copies needed for performance. .
$4.99
If We Ever Broke Up
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Pop music
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Mae Stephens
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Helios D'Andrea
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If We Ever Broke Up
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D'Andrea Helios
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1211339 By Mae Stephens. By Mae Stephens, Morien Van Der Tang, and Natalia I Koronowska....
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1211339 By Mae Stephens. By Mae Stephens, Morien Van Der Tang, and Natalia I Koronowska. Arranged by Helios D'Andrea. Pop. Score. 9 pages. D'Andrea Helios #809005. Published by D'Andrea Helios (A0.1211339). Arranged for two pianos by Helios D'Andrea.
$4.99
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
#
Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Ornament for Two Pianos
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2 Pianos, 4 hands
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ADVANCED
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Jean Ahn
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Ornament for Two Pianos
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Jean Ahn
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1373528 Composed by Jean Ahn. 21st Century,Classical,Contemporary. Score. 18 pages. Jean...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1373528 Composed by Jean Ahn. 21st Century,Classical,Contemporary. Score. 18 pages. Jean Ahn #957896. Published by Jean Ahn (A0.1373528). Ornament is about the sparkling chords. The constant six note chords and the shimmering ornaments fill up a resonant space, thus a pianosphere.
$15.00
Løvfald ("Falling Leaves")
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2 Pianos, 4 hands
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INTERMEDIATE
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Contemporary
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Christian Vestergaard
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Løvfald
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Christian Vestergaard
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.921614 Composed by Christian Vestergaard. Contemporary. Score. 11 pages. Christian Veste...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.921614 Composed by Christian Vestergaard. Contemporary. Score. 11 pages. Christian Vestergaard #4810583. Published by Christian Vestergaard (A0.921614). A late night improvisation on the piano, about 3½ minutes long. Technically not a particularly difficult piece to learn. I do a lot of improvisations on the piano and sometimes they end up as finished piano works like this one :-)The synth part is optional, so the piece can be performed as a piano solo, or as a duet with a synth player. I recommend using a sustain pedal and mod wheel for the synth, like I did in my own recording of the piece.Christian Vestergaard, Composer & Pianistwww.christianvestergaard.dk www.youtube.com/cvnielsenwww.facebook.com/chrvestergaardwww.soundcloud.com/christian-vestergaard-wennerlin
$3.99
"A Youthful Vow" from An Icelandic Suite
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" from An Icela
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamb...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
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2 Pianos, 4 hands
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EASY
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Classical
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Ludwig van Beethoven
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John M
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Beethoven - Moonlight Sonata D
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Music Innovators Workshop
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
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