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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Once In A While
Not classified
708
Piano & keyboards
Piano solo
404
Piano, Voice
126
Piano Accompaniment
53
Easy Piano
40
Piano, Vocal and Guitar
38
C Instruments
26
Organ
22
2 Pianos, 4 hands
12
Piano Trio: piano, violin, cello
12
1 Piano, 4 hands
9
Keyboard
5
Piano Quintet: piano, 2 violins, viola, cello
4
Piano Quartet: piano, violin, viola, cello
2
Big Note Piano
1
Piano Quartet: piano, 2 violins, cello
1
Accordion
1
Organ, Piano (duet)
1
Organ, Trumpet (duet)
1
Piano (band part)
1
Melody line, Piano
1
+ 15 instrumentations
-
Retract
Guitars
Guitar
41
Ukulele
22
Melody line, (Lyrics) and Chords
19
Guitar notes and tablatures
14
2 Guitars (duet)
9
2 Ukuleles
4
Banjo
4
Mandolin
3
Bass guitar
2
Piano, Guitar (duet)
1
Dulcimer
1
Guitar, Orchestra
1
4 Guitars (Quartet)
1
+ 8 instrumentations
-
Retract
Voice
Choral SATB
141
Choral 3-part
63
Choral 2-part
38
Choral TTBB
24
Choral Unison
21
Tenor voice, Piano
17
Choral SSAA
13
Soprano voice, Piano
9
Alto voice, Piano
6
Vocal duet, Piano
6
Voice solo
5
Tenor voice
4
High voice
4
Vocal duet
2
Choral SSATTB
2
Choral
1
Voice, Guitar
1
Soprano voice
1
Low voice, Piano
1
+ 14 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
134
Saxophone Quartet: 4 saxophones
62
Flute and Piano
60
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
58
Saxophone Quintet: 5 Saxophones
56
Clarinet and Piano
53
2 Flutes (duet)
47
Alto Saxophone and Piano
46
Flute, Oboe, Clarinet, Bassoon
45
Oboe, Piano (duet)
43
Soprano Saxophone and Piano
40
2 Clarinets (duet)
37
Tenor Saxophone and Piano
36
Saxophone, Clarinet (duet)
34
Flute, Clarinet (duet)
27
Clarinet Quartet: 4 clarinets
26
Clarinet
26
Clarinet, Violin (duet)
24
Clarinet Ensemble
23
Saxophone ensemble
23
Flute
21
2 Oboes (duet)
21
Clarinet, Trumpet (duet)
20
Flute Quartet: 4 flutes
19
Baritone Saxophone, Piano
19
3 Saxophones (trio)
18
2 Recorders (duet)
17
Flute Quintet : 5 flutes
14
Alto Saxophone
14
Flute ensemble
14
Flute, Violin
13
English horn, Piano
13
Clarinet and Viola
13
Oboe, Clarinet (duet)
12
Clarinet Quintet: 5 clarinets
12
3 Clarinets (trio)
12
Tenor Saxophone
11
Oboe, Bassoon (duet)
11
Flute, Saxophone (duet)
11
Flute Trio: 3 flutes
10
Flute, Viola (duet)
10
Piccolo, Piano
9
Soprano Saxophone
9
Oboe (band part)
9
Flute, Trumpet (duet)
8
Baritone Saxophone
8
Oboe
8
Oboe, Flute
7
Oboe, Clarinet, Bassoon (trio)
6
Flute, Oboe, Clarinet (trio)
6
Bass Clarinet, Piano
6
Clarinet, Bassoon (duet)
5
Recorder Ensemble
5
Recorder Quartet
5
Flute, Oboe, Bassoon
5
5 Recorders
5
Flute (band part)
5
3 Recorders (trio)
4
Saxophone and Organ
4
4 Oboes
3
Flute, Clarinet and Bassoon.
3
Flute, Violin, Piano
3
Flute, Cello, Piano (trio)
2
Flute, Clarinet, Piano (trio)
2
Recorder
2
Flute, Oboe (duet)
2
2 Clarinets, Piano
2
Clarinet, Cello (duet)
2
Clarinet (band part)
2
Flute, Violoncello
2
Saxophone (band part)
2
Treble (Alto) Recorder, Piano
2
Flute and Guitar
1
Descant (Soprano) Recorder
1
Clarinet, Orchestra
1
Clarinet, Harp (duet)
1
2 Flutes, Piano
1
Clarinet, Organ
1
Flute, Bassoon, and Piano
1
English Horn
1
Tenor Recorder
1
Wind ensemble
1
Clarinet, Guitar (duet)
1
Recorder, Piano
1
+ 79 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
67
Brass quartet : 2 trumpets, trombone, tuba
43
Trumpet
39
Trombone and Piano
38
Trumpet, Piano
37
French Horn and Piano
31
2 Trombones (duet)
29
2 Trumpets (duet)
28
Trumpet, Saxophone (duet)
26
Tuba and Piano
23
Trumpet, Trombone (duet)
23
Brass Quartet: 2 trumpets, horn, trombone
21
2 French horns (duet)
19
French horn
19
Trombone ensemble
15
Euphonium, Piano (duet)
15
English horn, Piano
13
Trumpet ensemble
12
Trombone
10
Tuba
10
Brass Quartet: 4 horns
8
Trumpet, Horn (duert)
7
Trumpet (band part)
7
Horn Ensemble
6
2 Tubas (duet)
6
Brass Quartet: 4 trombones
6
Brass Quartet
6
Trombone, Tuba (duet)
6
Trombone, Horn (duet)
5
Brass Quartet: 4 trumpets
5
Horn, Tuba (duet)
5
Trombone (band part)
4
Euphonium, Tuba (duet)
3
3 Trombones (trio)
2
4 Tubas
2
French horn and Basson (duet)
2
Trumpet, Tuba (duet)
2
2 Euphoniums and 2 Tubas
2
French horn (band part)
2
Horn, Cello (duet)
2
3 Tubas (trio)
1
Bass Trombone and Piano
1
3 French horns (trio)
1
Horn and Organ
1
Trombone and Orchestra
1
English Horn
1
Brass Trio
1
Trombone, Organ
1
Trumpet, Cello, Piano
1
Tuba (band part)
1
Bass Trombone
1
+ 46 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
119
Violin and Piano
60
Viola, Piano
46
Violin
43
Cello, Piano
41
2 Cellos (duet)
34
Cello
34
String Trio: violin, viola, cello
34
2 Violins (duet)
30
Violin, Cello (duet)
29
Violin, Viola (duet)
28
2 Violas (duet)
26
Violin (band part)
21
Double bass, Piano (duet)
18
Viola
16
Double Bass
12
String Quintet: 2 violins, viola, cello, bass
9
4 Cellos
9
Viola, Cello (duet)
8
Piano Trio: Violin, Viola, Piano
8
Harp
8
Viola (band part)
8
String Trio: 3 violins
7
String quartet: 4 violins
6
Violin ensemble
6
Viola ensemble
5
Violin, Guitar (duet)
5
String Trio: 3 cellos
5
Cello, String Bass (duet)
5
String Quartet : 4 violas
5
Cello (band part)
5
String Trio: 3 violas
4
String Quintet: 2 violins, 2 violas, cello
3
2 Double basses (duet)
2
String Trio: 2 violins, cello
2
String Quintet: 2 violins, viola, 2 cellos
2
Viola and Bassoon
2
Harp, Voice
2
Doublebass (band part)
2
4 Double Basses
1
Harp, Flute (duet)
1
Viola, Guitar (duet)
1
Cello, Organ
1
Violin, Clarinet, Piano (trio)
1
String Trio: 2 violins, viola
1
Harp, Violin, Violoncello
1
+ 41 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,179
String Orchestra
129
Orchestra
69
Brass ensemble
31
Handbells
28
Chamber Orchestra
21
Jazz Ensemble
14
Percussion Ensemble
7
Percussion (band part)
5
Drums
5
Marching band
3
Jazz combo
2
Percussion
2
Piano and Orchestra
1
2 Marimbas
1
Vibraphone
1
Orchestra, Violin
1
Marimba
1
Xylophone, Piano
1
+ 14 instrumentations
-
Retract
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--INSTRUMENTS--
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CLARINET
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Once In A While
2 Pianos, 4 hands
Sheetmusic to print
12 sheet music found
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1
Once In Royal David's City variations for two pianos
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Henry John Gauntlett
#
James Mayhew
#
Once In Royal David's City var
#
James Mayhew
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporar...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporary,Romantic Period. Score. 10 pages. James Mayhew #4969389. Published by James Mayhew (A0.996518). This is a piece for two pianos (4 hands), which starts out with the Once In Royal David's City theme, and then there are 5 variations on it. The 1st, 2nd and 3rd variations are in G major, while the 4th and the start of the 5th ones are in G minor. The 5th variation is an extended variation with a fugato start in G minor which transitions back to G major again for a triumphant final play of the theme, and a small coda. It is quite challenging - probably early advanced level, particularly the 5th variation, although the other variations are more like late intermediate level. Listen to the computer played recording to get an idea of what it's like!You may print it twice or copy the first print to have two copies. .
$4.99
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Johann Simon Mayr
#
Fabrizio Capitanio
#
Concerto for Cembalo [Fortepia
#
Artistic Score Engraving di Galvagno Michele
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Clas...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
Concerto in C minor for Oboe and Violin (BWV 1060) - 2nd Movt - - 2 pianos
#
2 Pianos, 4 hands
#
Classical
#
Johann Sebastian Bach
#
Pietro Prugna
#
Concerto in C minor for Oboe a
#
Pietro Prugna
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.501267 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,E...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.501267 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Score. 17 pages. Published by Pietro Prugna (A0.501267). This was originally for Oboe and Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Oboe Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin Solo while left hand plays Basso Continuo (Cello). The Oboe and Violin Solos (right hands) are played 1 octave higher (as indicated in the clefs). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99
Concerto in C minor for Oboe and Violin (BWV 1060) - 3rd Movt - - 2 pianos
#
2 Pianos, 4 hands
#
Classical
#
Johann Sebastian Bach
#
Pietro Prugna
#
Concerto in C minor for Oboe a
#
Pietro Prugna
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.501361 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Instruction...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.501361 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Instructional. Score. 25 pages. Published by Pietro Prugna (A0.501361). This was originally for Oboe and Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Oboe Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin Solo while left hand plays Basso Continuo (Cello). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99
Concerto in C minor for Oboe and Violin (BWV 1060) - 1st Movt - - 2 pianos
#
2 Pianos, 4 hands
#
Classical
#
Johann Sebastian Bach
#
Pietro Prugna
#
Concerto in C minor for Oboe a
#
Pietro Prugna
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.500758 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,E...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.500758 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Instructional. Score. 31 pages. Published by Pietro Prugna (A0.500758). This was originally for Oboe and Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Oboe Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin Solo while left hand plays Basso Continuo (Cello). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99
Double Violin Concerto in D minor (BWV 1043) - 1st Movt - - 2 pianos
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2 Pianos, 4 hands
#
Classical
#
Johann Sebastian Bach
#
Pietro Prugna
#
Double Violin Concerto in D mi
#
Pietro Prugna
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.502000 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Instruction...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.502000 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Instructional. Score. 27 pages. Published by Pietro Prugna (A0.502000). This was originally for Double Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Violin I Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin II Solo while left hand plays Basso Continuo (Cello). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99
Double Violin Concerto in D minor (BWV 1043) - 2nd Movt - - 2 pianos
#
2 Pianos, 4 hands
#
Classical
#
Johann Sebastian Bach
#
Pietro Prugna
#
Double Violin Concerto in D mi
#
Pietro Prugna
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.497954 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,E...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.497954 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Score. 17 pages. Published by Pietro Prugna (A0.497954). This was originally for Double Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Violin I Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin II Solo while left hand plays Basso Continuo (Cello). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99
Double Violin Concerto in D minor (BWV 1043) - 3rd Movt - - 2 pianos
#
2 Pianos, 4 hands
#
Classical
#
Johann Sebastian Bach
#
Pietro Prugna
#
Double Violin Concerto in D mi
#
Pietro Prugna
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.503131 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Contest,Fes...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.503131 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Contest,Festival,Instructional. Score. 31 pages. Published by Pietro Prugna (A0.503131). This was originally for Double Violin with String Orchestra. This is an arrangement for 2 Pianos. For Piano 1, right hand plays Violin I Solo while left hand plays Strings (violin and viola). For Piano 2, right hand plays Violin II Solo while left hand plays Basso Continuo (Cello). In a few bars, minor adjustments made to prevent overlapping. The pdf contains Full Score and Set of Parts (Piano 1, Piano 2).
$1.99
Piano Concerto No. 5
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2 Pianos, 4 hands
#
ADVANCED
#
Rodion Shchedrin
#
II: Gong [h
#
Piano Concerto No. 5
#
Schott Music - Digital
#
SheetMusicPlus
Piano and orchestra - difficult - Digital Download SKU: S9.Q3160 Composed by Rodion Shchedrin. This edition: piano reduction for 2 pianos. Downloadable, ...
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Piano and orchestra - difficult - Digital Download SKU: S9.Q3160 Composed by Rodion Shchedrin. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 32 minutes. Schott Music - Digital #Q3160. Published by Schott Music - Digital (S9.Q3160). Shchedrin, son of a composer and music teacher, underwent a thorough musical training in Moscow. His versatility and dazzling competence across a wide variety of musical genres are surely a result of his studies. The composer is also an exceptional pianist and frequently performs his own piano works (concertos, sonatas, 24 preludes and fugues, etc.) on the concert platform. While employing a variety of modern compositional techniques he has, nevertheless, succeeded in uniting traditional and contemporary forms. His work is suffused with his love for Russian folkmusic, poetry and literature, yet it is not just relevant in his homeland but speaks to a wider audience. His more recent works too, are characterized by this fusion of a deep Slavic sensitivity with outstanding virtuosity.3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · 2 · 2 – 4 · 3 · 3 · 1 – 4 P. S. (I: hg. Crot. [chrom.] · Tr. [h.] · Choclo · Glass-chimes; II: Gong [h.] · Tamt. [t.] · Tr. [m.] · Choclo · Guiro [m.]; III: Sonagli [Troika] · gr. Tr. · Bambusi [oder Guiro h.]) (3 Spieler) – Str. (16 · 14 · 12 · 10 · 8).
$43.99
"Conversations" A piece for Piano Four (4) Hands
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2 Pianos, 4 hands
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INTERMEDIATE
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Antonis Koundourakis
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"Conversations" A piece for Pi
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ANTONIOS KOUNDOURAKIS
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.991619 Composed by Antonis Koundourakis. Concert,Contemporary,Instructional,Standards. S...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.991619 Composed by Antonis Koundourakis. Concert,Contemporary,Instructional,Standards. Score. 11 pages. ANTONIOS KOUNDOURAKIS #3471903. Published by ANTONIOS KOUNDOURAKIS (A0.991619). In this piece Antonis explores the polyphonic and the homophonic style of composition with the added benefit and freedom of having 2 extra hands on the keyboard. Therefore there is a wide range being used simultaneously and in many cases the piece requires good coordination of the performers while in other cases independence of dynamics and phrasing. There is an extended period of stretto immitations, normally found in the style of the Fugue, and a 7 voice homophonic section resembling choral music. The different styles are juxtaposed in the form of a conversation, hence the title of the piece.This piece is ideal for live performance but can also be played by teacher and student while interchanging the parts they play for added benefit of learing coordination and understanding the challenges of the other performer when playing together. In case you buy and perform the piece don't hesitate to contact Antonis at midnightnotesband@gmail.com to give him any feedback on the score legibility/playability and the experience of playing his composition! Videos are also very welcome!
$6.00
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 hands
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ADVANCED
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois É
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Sonata Hymnica No. 6
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
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