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LAP STEEL GUIT…
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MANDOLIN
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Our Time Now
Not classified
2,313
Piano & keyboards
Piano solo
1,060
Piano, Voice
747
Easy Piano
464
C Instruments
301
Piano, Vocal and Guitar
163
Piano Accompaniment
69
Organ
46
Accordion
28
Piano Trio: piano, violin, cello
23
1 Piano, 4 hands
20
Piano Quartet: piano, violin, viola, cello
9
2 Pianos, 4 hands
7
Piano Quintet: piano, 2 violins, viola, cello
4
Piano Quartet: piano, 2 violins, cello
4
Big Note Piano
4
Piano (band part)
3
Organ, Piano (duet)
2
1 Piano, 6 hands
1
+ 13 instrumentations
-
Retract
Guitars
Guitar
162
Bass guitar
123
Guitar notes and tablatures
80
Ukulele
11
2 Guitars (duet)
10
Guitar (band part)
8
Piano, Guitar (duet)
6
Melody line, (Lyrics) and Chords
6
4 Guitars (Quartet)
6
Dulcimer
5
Banjo
5
Mandolin
5
Lyrics and Chords
2
3 Guitars (trio)
1
2 Ukuleles
1
Guitar Ensemble
1
Mandolin, Guitar (duet)
1
+ 12 instrumentations
-
Retract
Voice
Choral SATB
322
Choral 3-part
121
Choral 2-part
109
Voice solo
73
Choral TTBB
52
Tenor voice, Piano
46
Choral Unison
40
Alto voice, Piano
35
Choral SSAA
34
Soprano voice, Piano
32
Baritone voice, Piano
28
Vocal duet, Piano
27
Choral Instrumental Pak
21
Vocal duet
10
Tenor voice
8
High voice
7
Low voice, Piano
3
Choral
2
Choral SSAB, Piano
1
Medium voice, Piano
1
Soprano voice
1
Soli, Mixted choir and accompaniment
1
Choral SSAATB
1
+ 18 instrumentations
-
Retract
Woodwind
Saxophone
411
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
300
Clarinet
285
Flute
274
Saxophone Quintet: 5 Saxophones
271
Saxophone Quartet: 4 saxophones
247
Flute, Oboe, Clarinet, Bassoon
217
Flute and Piano
172
2 Saxophones (duet)
161
Clarinet and Piano
153
Oboe, Piano (duet)
151
Alto Saxophone and Piano
135
Alto Saxophone
126
2 Flutes (duet)
104
Tenor Saxophone and Piano
88
Tenor Saxophone
86
Oboe
80
Soprano Saxophone and Piano
78
2 Clarinets (duet)
75
3 Saxophones (trio)
72
Oboe (band part)
66
Baritone Saxophone, Piano
60
Saxophone (band part)
60
Recorder
54
Clarinet Quartet: 4 clarinets
54
Saxophone ensemble
46
2 Oboes (duet)
42
Flute, Clarinet (duet)
42
2 Recorders (duet)
42
Saxophone, Clarinet (duet)
37
Soprano Saxophone
31
Clarinet Ensemble
30
Clarinet, Violin (duet)
29
Clarinet Quintet: 5 clarinets
27
Oboe, Clarinet (duet)
27
3 Clarinets (trio)
26
Flute Quartet: 4 flutes
26
Flute Quintet : 5 flutes
26
Oboe, Bassoon (duet)
24
Clarinet, Trumpet (duet)
24
English horn, Piano
22
Baritone Saxophone
20
Flute, Oboe, Clarinet (trio)
19
Flute, Violin
19
Descant (Soprano) Recorder
18
Oboe, Clarinet, Bassoon (trio)
18
Flute ensemble
18
Flute Trio: 3 flutes
18
Clarinet and Viola
16
Flute, Viola (duet)
13
Flute, Saxophone (duet)
13
Oboe, Flute
13
Treble (Alto) Recorder
13
Flute, Clarinet and Bassoon.
13
Flute, Oboe (duet)
12
Flute, Oboe, Bassoon
12
English Horn
12
Recorder Quartet
12
Bass Clarinet, Piano
12
Clarinet (band part)
10
Flute, Oboe, Piano (trio)
9
Flute, Trumpet (duet)
9
Flute, Clarinet, Horn and Bassoon (Quartet)
8
Flute (band part)
8
Clarinet, Bassoon (duet)
8
Flute, Cello, Piano (trio)
7
Clarinet, Cello, Piano (trio)
6
5 Recorders
6
Piccolo
5
3 Recorders (trio)
5
Flute, Violoncello
5
Clarinet, Cello (duet)
5
Clarinet, Guitar (duet)
4
Descent (Soprano) Recorder, Piano
4
Flute, Viola and Piano
3
Treble (Alto) Recorder, Piano
3
Flute and Guitar
3
Flute, Violin, Piano
3
Ocarina
2
2 Flutes, Piano
2
Flute, Clarinet, Piano (trio)
2
Clarinette, Viola and Piano (trio)
2
2 Clarinets, Piano
2
Bass Clarinet
2
Oboe and viola (duet)
2
Piccolo, Piano
2
Clarinet, Harp (duet)
2
Oboe, Cello
2
Clarinet, trumpet and piano
1
Oboe ensemble
1
Oboe, Cello and Piano
1
Oboe, Violin, Piano
1
Clarinet, Bassoon, Piano (trio)
1
Flute, Bassoon, and Piano
1
Flute and Strings Trio
1
Recorder, Piano
1
Oboe, Violin (duet)
1
2 English horns and Pianoforte
1
Clarinet, Trombone (duet)
1
Recorder Ensemble
1
Flute, Organ (duet)
1
Pennywhistle
1
Saxophone and Guitar
1
Oboe, Harp
1
Oboe, Clarinet and Piano (Trio)
1
Harmonica
1
English horn, Harp (duet)
1
Oboe, Guitar (duet)
1
Oboe, Bassoon and Piano
1
+ 104 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
322
Trumpet
281
Trombone
220
Trumpet, Piano
149
Brass quartet : 2 trumpets, trombone, tuba
122
French Horn and Piano
118
Trombone and Piano
116
French horn
99
Tuba
92
Brass Quartet
91
Brass Quartet: 2 trumpets, horn, trombone
75
Tuba and Piano
71
Trumpet ensemble
54
2 Trumpets (duet)
40
2 Trombones (duet)
36
Trumpet, Trombone (duet)
32
Trumpet, Saxophone (duet)
27
Trombone (band part)
25
English horn, Piano
22
Euphonium
21
2 French horns (duet)
20
Trombone ensemble
18
Trumpet (band part)
16
Euphonium, Piano (duet)
14
Brass Quartet: 4 horns
13
English Horn
12
2 Tubas (duet)
11
Trumpet, Horn (duert)
10
Brass Quartet: 4 trombones
9
Horn Ensemble
9
French horn (band part)
8
Brass Quartet: 4 trumpets
8
Tuba and Organ
5
Tuba (band part)
5
4 Tubas
5
Bass Trombone
4
3 Trumpets (trio)
3
Bass Trombone and Piano
3
3 Trombones (trio)
3
Brass Trio
3
Brass Quartet: 2 trumpets, 2 trombones
2
Trumpet, Cello (duet)
1
2 English horns and Pianoforte
1
Tuba ensemble
1
Trumpet, Bassoon (duet)
1
Euphonium, Tuba (duet)
1
2 Trumpets, Keyboard (piano or organ)
1
Trumpet, Euphonium (duet)
1
Trumpet, Trombone, Piano
1
English horn, Harp (duet)
1
+ 45 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
421
Violin
245
Violin and Piano
221
Cello
197
String Quintet: 2 violins, viola, cello, bass
188
Viola, Piano
180
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169
Viola
162
Double Bass
87
String Trio: violin, viola, cello
77
Violin, Cello (duet)
76
Double bass, Piano (duet)
65
2 Violins (duet)
63
Violin, Viola (duet)
54
2 Cellos (duet)
49
2 Violas (duet)
41
String Trio: 2 violins, cello
21
Harp
21
Viola (band part)
19
String Trio: 3 cellos
16
Viola, Cello (duet)
15
4 Cellos
14
Violin (band part)
12
Violin ensemble
10
String Trio: 3 violins
10
2 Double basses (duet)
9
String quartet: 4 violins
9
String Quartet : 4 violas
9
Viola ensemble
8
Doublebass (band part)
8
Piano Trio: Violin, Viola, Piano
7
String Quintet: 2 violins, 2 violas, cello
6
String Trio: 3 violas
6
Harp, Flute (duet)
5
Violin, Bassoon (duet)
5
Harp, Voice
4
Cello (band part)
4
Harp, Violin, Violoncello
4
2 Harps (duet)
3
4 Harps
3
String Trio: 2 violins, viola
2
Violin, Clarinet, Piano (trio)
2
Cello Ensemble
2
String Quintet: 2 violins, viola, 2 cellos
2
2 Violins, Piano
1
2 Cellos, Piano
1
Cello, Orchestra
1
Harp, Violin (duet)
1
Harp, Trombone (duet)
1
Violin, Guitar (duet)
1
4 Double Basses
1
Viola and Harp
1
+ 47 instrumentations
-
Retract
Orchestra & Percussion
Concert band
281
String Orchestra
107
Orchestra
98
Brass ensemble
43
Jazz Ensemble
35
Marching band
31
Chamber Orchestra
29
Drums
23
Handbells
23
Jazz combo
16
Percussion Ensemble
10
Marimba
10
Drum (band part)
5
Xylophone
4
Percussion
4
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Percussion (band part)
4
Xylophone, Piano
2
Vibraphone
2
Piano and Orchestra
1
Snare drums
1
Brass Quintet: other combinaisons
1
+ 17 instrumentations
-
Retract
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You've selected:
Our Time Now
2 Pianos, 4 hands
Sheetmusic to print
7 sheet music found
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1
Whiter Than Snow (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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Whiter Than Snow
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458061 By Sharon Wilson. By James L. Nicholson and William G. Fischer. Arranged by Shar...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458061 By Sharon Wilson. By James L. Nicholson and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037031. Published by Sharon Wilson (A0.1458061). Here is the beautiful hymn Whiter Than Snow by William G. Fischer arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of C major and then transitions to the key of G major for the second verse.This relaxed and flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by James L. Nicholson: Lord Jesus, I long to be perfectly whole; I want Thee forever to live in my soul . . . Whiter than snow, yes, whiter than snow, Now wash me, and I shall be whiter than snow.The purchase price includes an 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Musi...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
Clementi - Sonatina Op36 No3 1st Mvt - 2nd. Piano Part
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2 Pianos, 4 hands
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EASY
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TK Tim Murray
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tkmurraycomp@aol
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Clementi - Sonatina Op36 No3 1
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TK
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.824029 Composed by TK Tim Murray. Classical,Standards. Score. 4 pages. TK (Tim) Murray #...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.824029 Composed by TK Tim Murray. Classical,Standards. Score. 4 pages. TK (Tim) Murray #4786377. Published by TK (Tim) Murray (A0.824029). This 2nd Piano part is a beautifully stylistic and equal in interest duet part for the original - making the whole performance experience even more enjoyable. It can be used by a teacher to motivate their student in lessons or, as was intended, it is a 2nd part for Concert performance.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Sonata Hymnica No. 6
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Even The Nights Are Better
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Air Supply
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Unknown
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Even The Nights Are Better
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Clem & Jun Bascar
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1475995 By Air Supply. By J.L. Wallace, Ken Bell, and Terry Skinner. Arranged by Unknown...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1475995 By Air Supply. By J.L. Wallace, Ken Bell, and Terry Skinner. Arranged by Unknown. 21st Century,A Cappella,Contemporary,Contest,Festival,Pop. Score. 4 pages. Clem & Jun Bascar #1053561. Published by Clem & Jun Bascar (A0.1475995). A wonderful piece to play and explore. Playing with four hands, this music is very suitable specially during night time. Play and enjoy.
$4.99
Little Concerto
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2 Pianos, 4 hands
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Classical
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Albert Rozin
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Solo Small Ensembles
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Little Concerto
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Jubilate Music Group - Digital
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SheetMusicPlus
Composed by Albert Rozin. Piano Duo (2 Pianos, 4 Hands); Solo Small Ensembles. Score. 20 pages. Jubilate Music Group - Digital #00- BP4. Published by Jubila...
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Composed by Albert Rozin. Piano Duo (2 Pianos, 4 Hands); Solo Small Ensembles. Score. 20 pages. Jubilate Music Group - Digital #00- BP4. Published by Jubilate Music Group - Digital
English. Deuteronomy 26:1-11, Psalm 91, Luke 4:1-13, Romans 10:8b-13.
One of our best-selling anthems is now available in a unison or 2-part edition. Mark Hayes' transcendent choral arrangement of Michael Joncas' timeless song, On Eagle's Wings, is a perennial favorite of many denominations and singers of all ages. The unforgettable text adaptation of Psalm 91 is well suited to performance by both school and church choirs throughout the year, and especially Baptism, Benediction, Funerals, Graduation, Lent and Weddings. In 4 voicings for singers of all ages.
$14.95
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