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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Pat\\\\\\\\\\\\\\\\
Not classified
7,078
Piano & keyboards
Piano solo
5,760
Easy Piano
2,175
Piano, Voice
2,084
Piano, Vocal and Guitar
1,769
C Instruments
454
Organ
288
1 Piano, 4 hands
239
Piano Accompaniment
190
Big Note Piano
177
Accordion
103
Piano Trio: piano, violin, cello
48
Piano (band part)
46
2 Pianos, 4 hands
39
Piano Quartet: piano, violin, viola, cello
22
Organ, Piano (duet)
19
Piano Quartet: piano, 2 violins, cello
16
1 Piano, 6 hands
16
Melody line, Piano
12
Piano Quintet: piano, 2 violins, viola, cello
11
Solo instrument and Organ
8
2 Pianos, 8 hands
7
2 Accordions
5
Accordion, Voice
3
Piano ensembles
3
Harpsichord
2
Organ, Trumpet (duet)
2
Accordion and Orchestra
2
2 Organs (duet)
2
Organ, Voice
1
Piano Quintet: piano, violin, viola, cello, double bass
1
All Instruments
1
Keyboard
1
+ 27 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
1,365
Melody line, (Lyrics) and Chords
690
Guitar
517
Ukulele
245
Lyrics and Chords
176
Bass guitar
137
Guitar (band part)
48
Piano, Guitar (duet)
38
2 Guitars (duet)
37
Banjo
36
Dulcimer
34
Mandolin
29
4 Guitars (Quartet)
23
Guitar Ensemble
10
Lap Steel Guitar
9
Electric Bass (band part)
8
3 Guitars (trio)
6
Baritone Ukulele
5
Dobro
4
2 Dulcimers (duet)
3
Band Scores
2
3 Dulcimers (trio)
2
2 Ukuleles
1
Mandolin, Guitar (duet)
1
Bouzouki
1
2 Guitars and Orchestra
1
+ 21 instrumentations
-
Retract
Voice
Choral SATB
2,298
Choral 3-part
882
Choral 2-part
514
Choral Instrumental Pak
491
Choral TTBB
402
Choral Unison
250
Choral SSAA
217
Choral
172
Vocal duet, Piano
97
Voice solo
71
Vocal duet
54
High voice
54
Low voice, Piano
44
Soprano voice, Piano
37
Medium Voice
34
Baritone voice, Piano
17
Tenor voice, Piano
16
Alto voice, Piano
12
Choral SSATB
8
Choral SSATBB
5
Medium voice, Piano
4
Choral SSAATTBB
3
Mezzo-Soprano voice, Piano
2
Tenor voice
1
Choral SSAB, Piano
1
Choral SATTB
1
Voice, Guitar
1
Low voice
1
+ 23 instrumentations
-
Retract
Woodwind
Saxophone (band part)
553
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
433
Flute and Piano
427
Saxophone Quartet: 4 saxophones
420
Flute
379
Clarinet (band part)
343
Clarinet
274
Flute, Oboe, Clarinet, Bassoon
266
Clarinet and Piano
266
Clarinet Quartet: 4 clarinets
234
Alto Saxophone
234
Alto Saxophone and Piano
232
2 Saxophones (duet)
213
Oboe (band part)
202
Oboe, Piano (duet)
200
Flute (band part)
186
2 Flutes (duet)
182
Tenor Saxophone
181
Tenor Saxophone and Piano
177
Saxophone Quintet: 5 Saxophones
164
2 Clarinets (duet)
159
Soprano Saxophone and Piano
125
Flute Quartet: 4 flutes
123
Saxophone
119
Clarinet Ensemble
96
3 Saxophones (trio)
83
3 Clarinets (trio)
75
Flute, Clarinet (duet)
74
Flute Trio: 3 flutes
68
Flute ensemble
66
Flute, Oboe, Clarinet (trio)
66
Clarinet Quintet: 5 clarinets
60
Saxophone ensemble
50
Oboe
48
2 Oboes (duet)
40
Clarinet, Violin (duet)
38
2 Flutes, Piano
37
Flute, Violin
35
Oboe, Clarinet (duet)
33
Oboe, Bassoon (duet)
32
Flute, Clarinet and Bassoon.
31
Baritone Saxophone, Piano
31
Eb Instruments
30
Bass Clarinet, Piano
30
English horn, Piano
28
Flute and Guitar
27
Clarinet, Trumpet (duet)
27
Flute, Oboe, Bassoon
26
Ocarina
24
2 Recorders (duet)
24
Flute, Oboe (duet)
24
Soprano Saxophone
22
Recorder
21
Flute, Violin, Piano
20
Flute, Viola (duet)
19
Saxophone, Clarinet (duet)
18
Flute Quintet : 5 flutes
16
Clarinet and Viola
16
Flute, Saxophone (duet)
16
Bass Clarinet
15
Descant (Soprano) Recorder
15
Oboe, Violin (duet)
15
Clarinet, Bassoon (duet)
14
Flute, Trumpet (duet)
14
Flute, Clarinet, Piano (trio)
13
Harmonica
13
Flute, Violoncello
13
Recorder Quartet
13
Oboe, Clarinet, Bassoon (trio)
13
English Horn
12
3 Oboes
11
Clarinet, Cello (duet)
11
Treble (Alto) Recorder
11
Oboe, Cello
10
Flute, Cello, Piano (trio)
8
Flute, Bassoon, and Piano
8
Baritone Saxophone
8
Flute, Trombone (duet)
8
Clarinet, Guitar (duet)
8
Tenor Recorder
8
2 Clarinets, Piano
7
Oboe, Flute
7
Clarinet, Cello, Piano (trio)
7
4 Oboes
7
Pennywhistle
6
Clarinet, Harp (duet)
6
Flute, Violin, Violoncello and Piano
5
Treble (Alto) Recorder, Piano
5
Descent (Soprano) Recorder, Piano
5
Flute, Violin and Violoncello
5
Clarinet, Trombone (duet)
5
2 Clarinets, Bassoon
4
Flute, Clarinet, Violin (trio)
4
5 Recorders
4
Piccolo
4
Clarinet Quartet: Clarinet, Violin, Viola, Cello
4
Recorder Ensemble
4
2 Saxophones, Piano
3
Recorder, Piano
3
Flute, trombone and piano
3
Saxophone, Violin (duet)
3
English Horn, Guitar (duet)
3
Saxophone and Harp
3
Flute, Viola and Piano
3
Oboe, Trumpet (duet)
3
Saxophone and Guitar
3
Piccolo, Piano
2
Flute, Tuba (duet)
2
Flute, Harp and Cello
2
Oboe and viola (duet)
2
Flute, Clarinet, Horn and Bassoon (Quartet)
2
Oboe, Trombone (duet)
2
Clarinet, trumpet and piano
2
Clarinet Quintet: Clarinet, String Quartet
2
3 Recorders (trio)
2
Flute, Oboe, Piano (trio)
2
Bagpipe
2
Flute, harp and violin
2
Harmonica, Piano
2
Clarinet, Double bass (duet)
1
Saxophone and Piano
1
Clarinette, Viola and Piano (trio)
1
Clarinet, Tuba
1
Flute, Oboe, Violin
1
Pan Flute
1
Wind ensemble
1
Oboe, Bassoon and Piano
1
Saxophone and cello
1
Oboe ensemble
1
2 Recorders, Piano
1
Oboe, Harp
1
2 Oboes and English horn
1
Flute, French horn (duet)
1
Clarinet, Organ
1
Treble (Alto) Recorder, Basso continuo
1
Saxophone, Bassoon (duet)
1
Oboe, Guitar (duet)
1
+ 132 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
964
Trumpet
379
Trombone (band part)
367
Trumpet (band part)
335
Brass quartet : 2 trumpets, trombone, tuba
246
Trombone
240
Trumpet, Piano
236
Trombone and Piano
203
French horn (band part)
167
French horn
157
French Horn and Piano
148
Tuba (band part)
100
2 Trumpets (duet)
97
Brass Quartet
83
Brass Quartet: 2 trumpets, horn, trombone
82
2 Trombones (duet)
73
Tuba
73
Trumpet, Trombone (duet)
60
Tuba and Piano
57
Brass Quartet: 4 trombones
51
Brass Quartet: 4 horns
45
Bass Clef Instruments
44
2 French horns (duet)
35
Euphonium, Piano (duet)
33
3 Trumpets (trio)
31
English horn, Piano
28
2 Euphoniums and 2 Tubas
26
Trumpet, Horn (duert)
26
Trumpet, Saxophone (duet)
25
Bb Instruments
24
Brass Trio
21
Euphonium
20
Trombone ensemble
19
3 Trombones (trio)
17
Trumpet ensemble
12
Tuba or Euphonium or Saxhorn
12
English Horn
12
Brass Quartet: 4 trumpets
12
2 Tubas (duet)
11
4 Tubas
10
Trumpet, Tuba (duet)
7
Cornet
7
Euphonium, Tuba (duet)
5
Horn, Cello (duet)
5
Trombone, Horn (duet)
5
Horn Ensemble
5
Bass Trombone
4
Brass Quartet: 2 trumpets, 2 trombones
4
English Horn, Guitar (duet)
3
2 Euphoniums (duet)
3
Bass Trombone and Piano
3
2 Trumpets, Keyboard (piano or organ)
3
3 French horns (trio)
3
Trumpet, violin (duet)
2
Trombone, Tuba (duet)
2
Trombone, cello (duet)
2
Trumpet, Euphonium (duet)
2
F Instruments
2
Flügelhorn
2
Trumpet and Guitar
1
Tuba ensemble
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
Horn and Orchestra
1
Horn and Organ
1
French Horn and Harp
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
Tuba and Organ
1
Trombone, Viola (duet)
1
Trumpet, Cello (duet)
1
Trombone, Organ
1
Clarinet, Horn (duet)
1
Trombone and Orchestra
1
Trumpet, Cello, Piano
1
Trombone, Violin (duet)
1
French horn and Basson (duet)
1
2 Trombones, Piano
1
+ 71 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,030
Violin and Piano
566
Violin
480
Harp
314
Cello, Piano
290
Violin (band part)
286
Cello
281
Viola, Piano
273
Viola
270
Violin, Cello (duet)
182
Doublebass (band part)
143
2 Violins (duet)
132
String Trio: violin, viola, cello
118
Cello (band part)
107
Viola (band part)
105
2 Cellos (duet)
91
String Quintet: 2 violins, viola, cello, bass
83
Violin, Viola (duet)
73
2 Violas (duet)
66
Double bass, Piano (duet)
61
String Trio: 2 violins, cello
57
Double Bass
56
4 Cellos
53
Harp, Flute (duet)
45
String Trio: 3 violins
38
Viola, Cello (duet)
31
2 Harps (duet)
29
Piano Trio: Violin, Viola, Piano
29
String Trio: 3 cellos
24
String trio
21
Violin, Guitar (duet)
18
Harp, Violin (duet)
15
Cello, Guitar (duet)
14
String Trio: 3 violas
11
Viola, Guitar (duet)
11
String Trio: 2 violins, viola
10
String quartet: 4 violins
10
2 Double basses (duet)
5
Viola and Bassoon
5
String Quintet: 2 violins, viola, 2 cellos
5
Violin, Bassoon (duet)
5
Harp (band part)
4
Harp, Voice
4
Viola ensemble
4
Violin ensemble
4
Violin, Clarinet, Piano (trio)
4
Harp, Cello (duet)
3
String Quartet : 4 violas
3
Cello Ensemble
3
Autoharp
2
2 Violins, Piano
2
Harp and Piano
2
String Quintet: 2 violins, 2 violas, cello
2
Cello, String Bass (duet)
2
2 Cellos, Piano
2
Harp, Orchestra
2
Cello, Orchestra
1
Flute, Doublebass (duet)
1
Violin, Basso continuo
1
Violin, Organ
1
Cello, Organ
1
Harp, Trombone (duet)
1
+ 57 instrumentations
-
Retract
Orchestra & Percussion
Concert band
3,392
String Orchestra
890
Orchestra
820
Jazz Ensemble
350
Brass ensemble
322
Handbells
298
Marching band
292
Percussion (band part)
208
Drums
162
Chamber Orchestra
116
Jazz combo
99
Percussion Ensemble
96
Percussion
62
Timpani (band part)
49
Marimba
48
Drum (band part)
47
Timpani
15
Xylophone
11
Big band
8
Vibraphone
7
Woodwind Quintet
6
Brass Quintet: other combinaisons
5
Woodwind Quartet: any 4 woodwinds
4
Piano and Orchestra
4
School Ensemble
4
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Snare drums
4
Flexible Instrumentation
3
Vibraphone and Marimba
3
2 Xylophones
2
Xylophone, Piano
2
Bongos
1
Bodhran
1
Marimba, Piano (duet)
1
+ 29 instrumentations
-
Retract
Others
Musical course - Solfege
3
Music Theory
1
Instruments
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EUPHONIUM
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GUITAR
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HARMONICA
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HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
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PIANO
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Pat\\\\\\\\\\\\\\\\
2 Pianos, 4 hands
Sheetmusic to print
39 sheet music found
<
1
26
Chief Niwot Rag for Two Pianos
#
2 Pianos, 4 hands
#
Contemporary
#
Pat Holmberg
#
Chief Niwot Rag for Two Pianos
#
Patricia Tanttila Holmberg
#
SheetMusicPlus
Composed by Pat Holmberg. 21st Century, Ragtime, Americana. Score. 8 pages. Published by Patricia Tanttila Holmberg (S0.123993). - Score - 21st Century,Ragtime,...
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Composed by Pat Holmberg. 21st Century, Ragtime, Americana. Score. 8 pages. Published by Patricia Tanttila Holmberg (S0.123993). - Score - 21st Century,Ragtime,Americana - Patricia Tanttila Holmberg
$3.99
Spanish Moss
#
2 Pianos, 4 hands
#
Contemporary
#
Patricia Hurlbutt
#
Spanish Moss
#
Patricia Hurlbutt
#
SheetMusicPlus
Composed by Patricia Hurlbutt. 21st Century, Impressionistic, Latin, South American, Recital. Sheet Music Single. 6 pages. Published by Patricia Hurlbutt (S0.10...
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Composed by Patricia Hurlbutt. 21st Century, Impressionistic, Latin, South American, Recital. Sheet Music Single. 6 pages. Published by Patricia Hurlbutt (S0.109391). - Sheet Music Single - 21st Century,Impressionistic,Latin,South American,Recital - Patricia Hurlbutt
$4.99
Wonderful Christmastime
#
2 Pianos, 4 hands
#
Christmas
#
Paul McCartney
#
Patricia Hurlbutt
#
Wonderful Christmastime
#
Patricia Hurlbutt
#
SheetMusicPlus
By Paul McCartney. Arranged by Patricia Hurlbutt. Sheet Music Single. 7 pages. Published by Patricia Hurlbutt (H0.163095-945640). - Sheet Music Single - - Patr...
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By Paul McCartney. Arranged by Patricia Hurlbutt. Sheet Music Single. 7 pages. Published by Patricia Hurlbutt (H0.163095-945640). - Sheet Music Single - - Patricia Hurlbutt
$4.99
Fast Patterns
#
2 Pianos, 4 hands
#
Classical
#
Nico Muhly
#
Fast Patterns
#
Hal Leonard - Digital
#
SheetMusicPlus
Composed by Nico Muhly. This edition: scorch. Classical. Score. 24 pages. Published by Hal Leonard - Digital...
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Composed by Nico Muhly. This edition: scorch. Classical. Score. 24 pages. Published by Hal Leonard - Digital
$29.99
Abide with Me, D
#
2 Pianos, 4 hands
#
INTERMEDIATE
#
Words by Henry F
#
Pattie A
#
Abide with Me, D
#
Pattie A. Dunlap
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1208053 Composed by Words by Henry F. Lyte, Music by William H. Monk. Arranged by Pattie...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1208053 Composed by Words by Henry F. Lyte, Music by William H. Monk. Arranged by Pattie A. Dunlap. Christian,Instructional,Religious,Sacred. Score. 10 pages. Pattie A. Dunlap #806180. Published by Pattie A. Dunlap (A0.1208053). Arranged in D-major for piano and synthesizer strings. Use for duet performance or accompaniment. Suggested fingering for piano part included. Merged pdf includes complete score plus separate pages for both piano and synthesizer.
$3.99
Chasing Cars
#
2 Pianos, 4 hands
#
INTERMEDIATE
#
Snow Patrol
#
D
#
Chasing Cars
#
D. Berry
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1213634 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson,...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1213634 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by D. Berry. Pop,Rock,Wedding. Score. 20 pages. D. Berry #810830. Published by D. Berry (A0.1213634). An arrangement of Snow Patrol's popular song Chasing Cars for piano duo (two pianos, four hands). The interest of this song comes partly from the evolution of textures, and this piano duo version continually varies the texture, while keeping the parts simple enough to be playable by intermediate pianists.
$12.99
Dance of the Comedians (from The Bartered Bride)
#
2 Pianos, 4 hands
#
ADVANCED
#
Bedrich Smetana
#
Patrick Speckamp
#
Dance of the Comedians
#
Patrick Speckamp
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1433983 Composed by Bedrich Smetana. Arranged by Patrick Speckamp. 19th Century,Classica...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1433983 Composed by Bedrich Smetana. Arranged by Patrick Speckamp. 19th Century,Classical. Score. 21 pages. Patrick Speckamp #1014212. Published by Patrick Speckamp (A0.1433983). This is a two-piano version of B. Smetana's ever popular and energetic Dance of the Comedians. Smetana employed the lively Czech folk dance Skočná in the third act of his opera The Bartered Bride, where a circus troupe performs an array of tricks and acrobatics. The transcription is intended to be played by two pianists at two pianos. The original orchestral score has been rendered as accurately as possible, while also keeping issues of piano-specific playability in mind. Where appropriate, slight changes to the original text (such as changes in register, piano-specific figurations) have been made to either enhance the overall sound impression and/or to improve playability on the piano. The difficulty level of the arrangement is high-intermediate to advanced. That said, Dance of the Comedians is a rewarding and fun piece - as well as a genuine crowd-pleaser - that may be performed by skilled amateurs and professional pianists alike.
$9.99
Chasing Cars
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2 Pianos, 4 hands
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Rock
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Snow Patrol
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Rock
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Chasing Cars
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Snow Patrol. Pop; Rock. Piano Duet. 4 pages. Published by Hal Leonard - Digital Sheet Music (HX.338492). - Piano Duet - Pop; Rock - Hal Leonard - Digital She...
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By Snow Patrol. Pop; Rock. Piano Duet. 4 pages. Published by Hal Leonard - Digital Sheet Music (HX.338492). - Piano Duet - Pop; Rock - Hal Leonard - Digital Sheet Music
$4.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Danny Boy (The Londonderry Air) - 2 Pianos 4 hands
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2 Pianos, 4 hands
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Tradional Irish
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Ian Rae
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Danny Boy
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Irma Music
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SheetMusicPlus
Composed by Tradional Irish. Arranged by Ian Rae. World, Folk, St. Patrick's Day, Recital. Score. 8 pages. Published by Irma Music (S0.320659). - Score - World,...
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Composed by Tradional Irish. Arranged by Ian Rae. World, Folk, St. Patrick's Day, Recital. Score. 8 pages. Published by Irma Music (S0.320659). - Score - World,Folk,St. Patrick's Day,Recital - Irma Music
$4.99
Solar
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2 Pianos, 4 hands
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EASY
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Jazz
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Miles Davis
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Cristiano Vecchi
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Solar
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Cristiano Vecchi
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.963302 By Miles Davis. By Miles Davis. Arranged by Cristiano Vecchi. Jazz. Score. 12 pag...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.963302 By Miles Davis. By Miles Davis. Arranged by Cristiano Vecchi. Jazz. Score. 12 pages. Cristiano Vecchi #4580723. Published by Cristiano Vecchi (A0.963302). This arrangement (in all keys) has a didactic purpose: the melody is doubled to the octave, while the accompaniment uses a simple stride piano pattern with four-part voicing; it is useful for practicing to sight read and to memorize chords and scales in all keys. This famous standard is particularly useful because it contains numerous ii-V-I cadences.
$4.99
Sonata Hymnica No. 6
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Via Dolorosa (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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Sandi Patty
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Sharon Wilson
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Via Dolorosa
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Sharon Wilson
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SheetMusicPlus
By Sandi Patty. Arranged by Sharon Wilson. Score, Set of Parts. 15 pages. Published by Sharon Wilson (H0.173531-888750). - Score,Set of Parts - - Sharon Wilson...
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By Sandi Patty. Arranged by Sharon Wilson. Score, Set of Parts. 15 pages. Published by Sharon Wilson (H0.173531-888750). - Score,Set of Parts - - Sharon Wilson
$6.99
How Majestic Is Your Name
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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Sandi Patty
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Marilyn Thompson
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How Majestic Is Your Name
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Marilyn Thompson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809617 By Sandi Patty. By Michael W. Smith. Arranged by Marilyn Thompson. Contemporary. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809617 By Sandi Patty. By Michael W. Smith. Arranged by Marilyn Thompson. Contemporary. Score. 9 pages. Marilyn Thompson #6486787. Published by Marilyn Thompson (A0.809617). An exciting keyboard duo arrangement of this classic Praise and Worship song.
$8.99
Comfortably Numb
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2 Pianos, 4 hands
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INTERMEDIATE
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Rock
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Pink Floyd
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Laura Poblete
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Comfortably Numb
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Laura Poblete
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.898274 By Pink Floyd. By David Gilmour and Roger Waters. Arranged by Laura Poblete. Rock...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.898274 By Pink Floyd. By David Gilmour and Roger Waters. Arranged by Laura Poblete. Rock. Score. 9 pages. Laura Poblete #5312365. Published by Laura Poblete (A0.898274). This is a massive song, but luckily with a lot of repeating patterns, so it’s actually quite enjoyable to play. I make no attempts to accurately represent the guitar solo at the end of the song, but this arrangement is a pretty fun piano version, ideally with the top line either sung or played by a third hand/second track on the piano. View a tutorial of this arrangement on YouTube: https://youtu.be/z1_Nzk3-a78. Learn more at http://thebrokenpiano.com.
$5.99
Cumbia Op.22
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2 Pianos, 4 hands
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Alexander Klein
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Cumbia Op.22
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Alexander Klein
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.987687 Composed by Alexander Klein. Contemporary,Jazz,Latin,World. Score. 19 pages. Alexander Klei...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.987687 Composed by Alexander Klein. Contemporary,Jazz,Latin,World. Score. 19 pages. Alexander Klein #2076019. Published by Alexander Klein (A0.987687). Cumbia is yet another of my musical homages to the rhythms and sounds of Colombia. This lively, syncopated musical expression was partly imported to Colombia from Africa during the slave trade back in the 16th, 17th and 18th centuries. Since the Atlantic coast of Colombia was the main port of this trade, the area also became the cradle of Cumbia and many other African-influenced genres. My work explores the main rhythmical patterns of the Cumbia, as well as its modal-type melodies. However, I have also mixed it with jazz-influenced harmonies and salsa-flavored rhythms to reflect my own bi-cultural upbringing. All in all, I like to consider my Cumbia as a homage to the rich, lively and irresistible music of African-American cultures. - Alexander Klein.
$6.00
God Bless America (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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Patriotic
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Irving Berlin
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Sharon Wilson
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God Bless America
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Sharon Wilson
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SheetMusicPlus
By Irving Berlin. Arranged by Sharon Wilson. Christian, Sacred, Fourth of July, Patriotic. Score, Set of Parts. 17 pages. Published by Sharon Wilson (H0.82765-2...
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By Irving Berlin. Arranged by Sharon Wilson. Christian, Sacred, Fourth of July, Patriotic. Score, Set of Parts. 17 pages. Published by Sharon Wilson (H0.82765-281960). - Score,Set of Parts - Christian,Sacred,Fourth of July,Patriotic - Sharon Wilson
$6.99
A Million Buffalo Roam (Conductor's Score for Piano Ensemble)
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2 Pianos, 4 hands
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Americana
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Patriotic
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James Siddons
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A Million Buffalo Roam
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James Siddons Music and Writings
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SheetMusicPlus
Composed by James Siddons. 20th Century, Ragtime, Fourth of July, Patriotic, Americana. Score. 54 pages. Published by James Siddons Music and Writings (S0.22876...
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Composed by James Siddons. 20th Century, Ragtime, Fourth of July, Patriotic, Americana. Score. 54 pages. Published by James Siddons Music and Writings (S0.228769). - Score - 20th Century,Ragtime,Fourth of July,Patriotic,Americana - James Siddons Music and Writings
$8.99
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