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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
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BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Ring
Not classified
44,493
Piano & keyboards
Piano, Vocal and Guitar
45,752
Piano solo
44,656
Piano, Voice
26,264
Easy Piano
13,704
Big Note Piano
2,971
Organ
2,103
C Instruments
1,690
1 Piano, 4 hands
1,320
Piano Accompaniment
831
Piano Trio: piano, violin, cello
690
Melody line, Piano
564
Piano Quartet: piano, violin, viola, cello
331
Piano (band part)
267
Piano Quintet: piano, 2 violins, viola, cello
222
Accordion
207
2 Pianos, 4 hands
200
Solo instrument and Organ
165
Accordion, Voice
158
Organ, Piano (duet)
117
Piano Quartet: piano, 2 violins, cello
54
Organ, Trumpet (duet)
36
Organ, Voice
23
Harpsichord
20
2 Accordions
17
1 Piano, 6 hands
16
Accordion, String(s)
12
Keyboard
11
2 Pianos, 8 hands
5
Piano Quintet: piano, violin, viola, cello, double bass
4
2 Organs (duet)
1
Piano Trio: mixed chamber instrumentation
1
Accordion ensemble
1
Accordion and Orchestra
1
Fake Book
1
+ 29 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
16,032
Melody line, (Lyrics) and Chords
10,363
Ukulele
2,908
Guitar
2,085
Bass guitar
1,478
Mandolin
336
Lyrics and Chords
246
Banjo
223
2 Guitars (duet)
147
Piano, Guitar (duet)
143
Guitar (band part)
120
Dulcimer
66
4 Guitars (Quartet)
56
3 Guitars (trio)
25
Guitar Ensemble
21
Guitar, String Quartet
11
Mandolin, Guitar (duet)
8
Dobro
6
Electric Bass (band part)
6
2 Ukuleles
5
Guitar, Orchestra
5
Guitar, Violin, Cello (trio)
5
Baritone Ukulele
4
Lap Steel Guitar
4
2 Dulcimers (duet)
3
Lute
3
Ukulele Ensemble
2
Mandolin, Piano (duet)
2
Band Scores
2
Bouzouki
1
Plectrum Orchestra
1
+ 26 instrumentations
-
Retract
Voice
Choral SATB
9,720
Choral 3-part
3,932
Choral 2-part
2,336
Choral TTBB
1,301
Choral Instrumental Pak
1,207
Choral Unison
861
Vocal duet, Piano
743
Choral SSAA
628
Soprano voice, Piano
253
Choral
226
Vocal duet
226
Voice, Guitar
222
Alto voice, Piano
208
Tenor voice, Piano
179
Voice solo
167
Choral SSATBB
124
Baritone voice, Piano
95
Choral SATTB
93
High voice
78
Medium voice, Piano
39
Choral SSAATTBB
34
Voice, Basso continuo
31
Low voice, Piano
30
Tenor voice
29
Soprano voice
25
Choral SAATB A Cappella
24
Soli, Mixted choir and accompaniment
22
Choral SSATB
19
Choral SSAB, Piano
13
Choral SSATTB
13
Choral SATTBB, keyboard
11
Choral SSAB a cappella
8
Low voice
5
Soprano voice, Orchestra
5
Mezzo-Soprano voice, Piano
4
Medium Voice
1
Vocal duet, Organ
1
High voice, Piano
1
Choral, Organ
1
Choral SSAATB
1
Choral SATBB
1
+ 36 instrumentations
-
Retract
Woodwind
Flute
2,314
Alto Saxophone
2,125
Clarinet
2,042
Flute and Piano
1,750
Tenor Saxophone
1,499
Clarinet and Piano
1,496
Saxophone (band part)
1,446
Saxophone Quartet: 4 saxophones
1,338
Alto Saxophone and Piano
1,190
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,109
Oboe, Piano (duet)
1,031
2 Saxophones (duet)
906
Flute, Oboe, Clarinet, Bassoon
884
Clarinet (band part)
821
Tenor Saxophone and Piano
706
Clarinet Quartet: 4 clarinets
669
Saxophone Quintet: 5 Saxophones
659
2 Flutes (duet)
646
Flute (band part)
623
Oboe (band part)
483
Soprano Saxophone and Piano
437
2 Clarinets (duet)
432
Saxophone
412
Flute Quartet: 4 flutes
372
3 Saxophones (trio)
355
Descant (Soprano) Recorder
348
Baritone Saxophone, Piano
323
Eb Instruments
318
Ocarina
286
Oboe
284
3 Clarinets (trio)
280
Treble (Alto) Recorder
251
Flute, Clarinet (duet)
244
Saxophone ensemble
216
2 Oboes (duet)
207
2 Recorders (duet)
204
Clarinet Ensemble
201
Clarinet Quintet: 5 clarinets
185
Soprano Saxophone
172
Oboe, Bassoon (duet)
147
Flute ensemble
142
Flute Trio: 3 flutes
137
Oboe, Clarinet (duet)
131
Flute and Guitar
130
English horn, Piano
125
Recorder
117
Harmonica
108
Clarinet, Violin (duet)
102
Recorder Quartet
100
Flute Quintet : 5 flutes
100
Flute, Clarinet and Bassoon.
97
Baritone Saxophone
95
Flute, Oboe, Clarinet (trio)
93
Saxophone, Clarinet (duet)
93
Flute, Violin, Piano
92
Clarinet, Bassoon (duet)
87
Pennywhistle
86
Bass Clarinet, Piano
82
Flute, Violin
80
Flute, Violoncello
76
Recorder Ensemble
68
Flute, Oboe (duet)
67
Flute, Oboe, Bassoon
62
Oboe, Clarinet, Bassoon (trio)
62
Oboe, Cello
62
Clarinet, Cello (duet)
62
Wind ensemble
58
5 Recorders
52
English Horn
51
Clarinet and Viola
50
Clarinet, Trumpet (duet)
49
Flute, Viola (duet)
48
Flute and String Quartet
45
Flute, Harp and Cello
45
Treble (Alto) Recorder, Piano
44
Oboe, Flute
43
Flute, Trumpet (duet)
40
Recorder, Piano
39
Clarinet Quintet: Clarinet, String Quartet
38
Flute, Bassoon, and Piano
35
Clarinet, Guitar (duet)
35
Bagpipe
34
Flute, Violin and Violoncello
33
Flute, Saxophone (duet)
33
Flute and Strings Trio
30
Flute, Cello, Piano (trio)
30
Oboe, Violin (duet)
29
Tenor Recorder
29
Flute, Trombone (duet)
29
Clarinet Quartet: Clarinet, Violin, Viola, Cello
28
Flute, Clarinet, Piano (trio)
25
Flute, Oboe, Piano (trio)
24
2 Saxophones, Piano
23
Oboe and viola (duet)
20
Saxophone and Organ
20
2 Flutes, Piano
19
3 Recorders (trio)
19
Clarinet, Bassoon, Piano (trio)
18
Clarinet, Harp (duet)
18
2 Clarinets, Piano
16
Flute, Orchestra
16
Clarinet, Cello, Piano (trio)
15
Descent (Soprano) Recorder, Piano
15
2 Clarinets, Bassoon
15
Piccolo, Piano
15
Flute, Clarinet, Horn and Bassoon (Quartet)
15
Flute, harp and violin
14
Clarinet, Orchestra
14
Flute, Viola and Piano
14
3 Oboes
13
Clarinet, Trombone (duet)
12
Oboe, Trumpet (duet)
11
Saxophone and Guitar
10
Bass Clarinet
10
Flute, Violin, Violoncello and Piano
10
Clarinet, String quartet and Piano
9
Saxophone, Violin (duet)
9
2 English horns and Pianoforte
9
Piccolo
8
Oboe, Harp
8
Saxophone and Harp
7
English Horn, Guitar (duet)
7
Clarinette, Viola and Piano (trio)
7
Clarinet, Double bass (duet)
7
Oboe, Guitar (duet)
7
Oboe, Clarinet and Piano (Trio)
7
4 Oboes
7
Clarinet, Tuba
6
Oboe, Trombone (duet)
6
Clarinet, Organ
6
Flute, Tuba (duet)
5
Oboe, Violin, Viola and Violoncello (Quartet)
5
Flute, French horn (duet)
4
Oboe, Bassoon and Piano
4
Oboe, Cello and Piano
4
Oboe and String quartet
4
Flute, Organ (duet)
4
Oboe, Violin, Piano
3
Flute, Clarinet, Violin (trio)
3
Flute, Cello, Guitar
3
Flute, trombone and piano
3
Saxophone and Piano
3
Oboe and Orchestra
3
Recorder, Guitar (duet)
3
Oboe ensemble
3
Clarinet, trumpet and piano
2
Flute, Viola and harp
2
2 Oboes, Piano
2
Flute, Oboe, Violin
2
Saxophone and Orchestra
1
2 Flutes and Harp
1
Flute, Basso continuo
1
Treble (Alto) Recorder, Basso continuo
1
2 Recorders, Piano
1
Flute, Violin, Guitar
1
English horn, Harp (duet)
1
+ 151 instrumentations
-
Retract
Woodbrass
Trumpet
2,234
Trombone
1,632
French horn
1,330
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,300
Trumpet, Piano
1,166
Trumpet (band part)
1,042
Trombone and Piano
950
Trombone (band part)
828
French Horn and Piano
810
Brass quartet : 2 trumpets, trombone, tuba
563
Bass Clef Instruments
431
Tuba and Piano
411
2 Trombones (duet)
393
Tuba
392
French horn (band part)
374
Bb Instruments
373
Brass Quartet: 2 trumpets, horn, trombone
282
Brass Quartet
281
2 Trumpets (duet)
277
2 French horns (duet)
227
Tuba (band part)
158
Trumpet, Trombone (duet)
156
Euphonium, Piano (duet)
126
English horn, Piano
125
Brass Quartet: 4 trombones
118
Trombone ensemble
91
2 Tubas (duet)
77
Brass Quartet: 4 horns
77
3 Trombones (trio)
76
Trumpet, Horn (duert)
74
Euphonium
72
Brass Trio
64
Trumpet ensemble
61
Trumpet, Saxophone (duet)
60
English Horn
51
Brass Quartet: 4 trumpets
41
Horn Ensemble
32
4 Tubas
31
2 Euphoniums and 2 Tubas
29
3 Trumpets (trio)
27
Horn, Cello (duet)
26
Trumpet, Bassoon (duet)
23
Trombone, Horn (duet)
22
Tuba and Organ
22
Trumpet, Cello (duet)
20
Trombone, Tuba (duet)
20
2 Euphoniums (duet)
19
Euphonium, Tuba (duet)
16
Trombone, Organ
15
Trumpet, violin (duet)
15
Trumpet, Tuba (duet)
15
Trumpet, Trombone, Piano
14
Bass Trombone and Piano
13
Horn, Tuba (duet)
13
3 Tubas (trio)
12
French horn and Basson (duet)
12
Bass Trombone
10
2 English horns and Pianoforte
9
French Horn and Harp
9
Trombone, cello (duet)
8
English Horn, Guitar (duet)
7
3 French horns (trio)
7
Trombone, Violin (duet)
7
Trombone and Orchestra
7
Brass Quartet: 2 trumpets, 2 trombones
7
Trumpet, Harp
6
Horn and Orchestra
6
3 Euphoniums
5
Horn and Organ
5
2 Trumpets, Keyboard (piano or organ)
5
Cornet
5
Trumpet, Cello, Piano
4
Clarinet, Horn (duet)
4
Trumpet, Orchestra
4
Brass Quintet: 2 trumpets, horn, 2 trombones
4
4 Euphoniums
2
Tuba ensemble
2
2 French horns, Piano
2
Tuba or Euphonium or Saxhorn
1
Horn, Cello and Piano
1
Trumpet, Euphonium (duet)
1
Cornet and Orchestra
1
English horn, Harp (duet)
1
F Instruments
1
Trumpet and Guitar
1
+ 80 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
33,522
Violin (band part)
5,069
String Trio: violin, viola, cello
4,601
Violin
3,407
Doublebass (band part)
3,281
Violin and Piano
2,819
Viola
2,644
Cello
2,234
String Quintet: 2 violins, viola, cello, bass
2,114
Double Bass
1,924
Violin, Cello (duet)
1,910
Cello (band part)
1,799
String Trio: 2 violins, cello
1,775
Harp
1,746
Cello, Piano
1,742
Viola, Piano
1,527
Double bass, Piano (duet)
1,395
Viola (band part)
1,294
2 Violins (duet)
1,098
String Trio: 3 violins
996
String trio
863
2 Cellos (duet)
698
String Trio: 3 cellos
683
Violin, Viola (duet)
607
4 Cellos
556
String quartet: 4 violins
509
String Trio: 2 violins, viola
367
String Trio: 3 violas
352
2 Violas (duet)
351
String Quartet : 4 violas
341
Viola, Cello (duet)
276
Cello, String Bass (duet)
192
Piano Trio: Violin, Viola, Piano
186
String Quintet: 2 violins, 2 violas, cello
157
2 Harps (duet)
139
Violin, Guitar (duet)
111
2 Double basses (duet)
103
String Quintet: 2 violins, viola, 2 cellos
95
Harp, Flute (duet)
62
Violin, Bassoon (duet)
60
Harp, Violin (duet)
58
Cello, Orchestra
42
Cello, Guitar (duet)
40
Violin ensemble
37
2 Violins, Piano
35
4 Double Basses
33
Viola and Bassoon
31
Viola ensemble
29
3 double basses
28
Cello Ensemble
26
2 Cellos, Piano
24
Cello, Organ
20
Viola, Guitar (duet)
20
Harp, Cello (duet)
20
Violin, Double bass (duet)
16
Violin, Clarinet, Piano (trio)
14
2 Violas, Piano
13
Harp, Voice
13
Flute, Doublebass (duet)
12
Harp, Violin, Violoncello
10
Viola and Harp
8
Viola and orchestra
8
Harp, String quartet
6
Violin, Tuba (duet)
6
Violin, Organ
5
Harp, Orchestra
5
Harp and Piano
5
Harp (band part)
4
Violin, Cello, Clarinet
4
Harp, Trombone (duet)
4
Violoncello, Basso continuo
4
Harp and mandolin
3
4 Harps
3
Viola, Organ
2
Autoharp
2
Violin, Trumpet and Piano
2
3 Harps
2
2 Violins and Basso
1
+ 73 instrumentations
-
Retract
Orchestra & Percussion
String Orchestra
19,277
Concert band
9,407
Orchestra
2,933
Handbells
1,689
Chamber Orchestra
1,616
Jazz Ensemble
1,243
Marching band
638
Brass ensemble
575
Percussion (band part)
537
Drums
354
Jazz combo
239
Drum (band part)
187
Percussion Ensemble
148
Marimba
62
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
61
Timpani (band part)
57
Orchestra, Violin
48
Piano and Orchestra
45
Percussion
43
Xylophone, Piano
33
Xylophone
28
Vibraphone
22
2 Marimbas
16
School Ensemble
9
Flexible Instrumentation
7
Woodwind Quartet: any 4 woodwinds
5
2 Xylophones
5
Brass Quintet: other combinaisons
5
Woodwind Quintet
4
Xylophone or Marimba or Vibraphone
3
Big band
3
Vibraphone (band part)
3
Snare drums
3
Vibraphone and Marimba
2
Voice and Orchestra
2
Symphonic Band
1
Bongos
1
Conga
1
2 Snare Drums (duet)
1
+ 34 instrumentations
-
Retract
Others
Music Theory
14
Stationery
2
Musical course - Solfege
1
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You've selected:
Ring
2 Pianos, 4 hands
Sheetmusic to print
200 sheet music found
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176
Jesu, Joy of Man's Desiring (BWV 147) - Arranged for 2 Pianos
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2 Pianos, 4 hands
#
Classical
#
Johann Sebastian Bach
#
Pietro Prugna
#
Jesu, Joy of Man's Desiring
#
Pietro Prugna
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.497955 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,E...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.497955 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Score. 17 pages. Published by Pietro Prugna (A0.497955). Jesu, Joy of Man's Desiring is a beautiful song for Choir, String Orchestra and Tromba. This is an arrangement for 2 pianos. As the range of the Tromba/Soprano overlaps with Violin 1, some of the melodies are hidden in each other. Violin 1 is 1 octave higher in this arrangement. Piano 1 plays the Violin 1 melody on the right hand and parts of the strings (except continuo) on the left. Piano 2 plays the Choir/Continuo. Occasionally, the right hand plays some parts of Strings, when the Choir is silent.
$1.99
Poor Wayfaring Stranger - Piano Duet - 2 pianos, 4 hands
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2 Pianos, 4 hands
#
BEGINNER
#
Traditional
#
Ene Nixon
#
Poor Wayfaring Stranger - Pian
#
Ene Nixon
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.896678 Composed by Traditional. Arranged by Ene Nixon. Folk,Multicultural,Spiritual,Worl...
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.896678 Composed by Traditional. Arranged by Ene Nixon. Folk,Multicultural,Spiritual,World. Score. 5 pages. Ene Nixon #6324193. Published by Ene Nixon (A0.896678). Poor Wayfaring Stranger is a well-known American folk and gospel song. This is a piano duet arrangement for 2 pianos and 4 hands. Perfect as a teacher-student duet!Primo part is for a beginner (left hand plays simple chords, right hand plays a single melodic line). Secondo part uses some arpeggiated chords and bigger jumps between octaves - suitable for an early intermediate player.
$3.99
Fantasy for Spring
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2 Pianos, 4 hands
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ADVANCED
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Scott Ooley
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Fantasy for Spring
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Scott Ooley
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.991409 Composed by Scott Ooley. 20th Century,Concert,Contemporary,Easter,Standards. Scor...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.991409 Composed by Scott Ooley. 20th Century,Concert,Contemporary,Easter,Standards. Score. 20 pages. Scott Ooley #3042395. Published by Scott Ooley (A0.991409). This wonderful two piano duet, Fantasy for Spring, is a tribute to the renewal of nature that occurs each Spring. It features several melodic sequences that feature both pianists, as well as memorable sections that drive the piece throughout the entire work. This duet is reminiscent of Gershwin's style due to its refreshing harmonies, spirited melodic passages, and continuous enhancement of the original motif. In a concert or recital situation, this piece will work perfectly for an accomplished piano duo. Highly recommended!
$8.00
Mozart: Concerto for Two Pianos K.365 for string ensemble and piano
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2 Pianos, 4 hands
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Sahun Hong
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Mozart: Concerto for Two Piano
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Sahun Hong
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SheetMusicPlus
String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1017629 Composed by Wolfgang Amadeus Mozart. Arranged by Sahun ...
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String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1017629 Composed by Wolfgang Amadeus Mozart. Arranged by Sahun Hong. Classical. Score and parts. 105 pages. Sahun Hong #6209261. Published by Sahun Hong (A0.1017629). Mozart, arr. Sahun Hong: Concerto for Two PIanos, K.365version for string ensemble (two violins, viola, cello, bass) and two pianosDownloadable PDF - score and parts
$69.99
Mozart: Double Concert nr 10 for 2 Piano and Orchestra - version for 2 Pf and String Quintet
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Igor Sciavolino
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Mozart: Double Concert nr 10 f
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Igor Sciavolino
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1014412 Composed by Wolfgang Amadeus Mozart. Arranged by Igor Sciavolino. Classical. Sco...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1014412 Composed by Wolfgang Amadeus Mozart. Arranged by Igor Sciavolino. Classical. Score. 101 pages. Igor Sciavolino #4804907. Published by Igor Sciavolino (A0.1014412). Useful version for 2 Piano and String Quintet of the very famous Double Concert nr 10 KV365 by W.A. Mozart.
$89.99
Gathering Starflowers: A Music Drama for 2 Pianos
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2 Pianos, 4 hands
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INTERMEDIATE
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Contemporary
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Chris Gordon
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Gathering Starflowers: A Music
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Cool Wind Music Digital
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SheetMusicPlus
2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool ...
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2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool Wind Music Digital
Gathering Starflowers distils, in the form of a symphonic poem interspersed with narratives commenting on the story, elements of Günter Grass’ 1969 novel - Local Anaesthetic - itself a powerful satirical polemic on the futility and wastefulness of war. In his novel, Grass has two of his characters, who lived through the 1939-1945 war as teenagers, continually relive it and relive major battles of the campaign in the East to overcome the Red Army and win Russia for the German Reich.
Gathering Starflowers is written to be performed as a melodrama. A 'drama with music'. The drama will be provided by a narrator who will read excerpts from Local Anaesthetic interspersed with dramatic dialogues from which the audience will learn a little about the main protagonists of Günter Grass’ novel. The music, especially composed by Chris Gordon, is for two pianos.
Please note: this volume contains only the music for 2 pianos for Gathering Starflowers.
Baffled by music bindings? Read this:
https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html
$15.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Christmas for Sharing - Piano Duo (2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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Christmas
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Catherine Rollin
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Christmas for Sharing - Piano
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000706 Composed by Catherine Rollin. Instructional. 12 pages. Alfred Music - Digital Sheet Mus...
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Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000706 Composed by Catherine Rollin. Instructional. 12 pages. Alfred Music - Digital Sheet Music #00-PB-0000706. Published by Alfred Music - Digital Sheet Music (AX.00-PB-0000706). UPC: 038081260150.
$6.95
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Spring Concerto: In Four Movements for Solo Piano with Piano Accompaniment - Piano Duo (2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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Classical
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Alexander Peskanov
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Spring Concerto: In Four Movem
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano Duets and Four Hands - Digital Download Composed by Alexander Peskanov. Instructional. 35 pages. Alfred Music - Digital Sheet Music #00-PB-0000894. P...
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Piano Duets and Four Hands - Digital Download Composed by Alexander Peskanov. Instructional. 35 pages. Alfred Music - Digital Sheet Music #00-PB-0000894. Published by Alfred Music - Digital Sheet Music
$9.99
Wind of Spring
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2 Pianos, 4 hands
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Contemporary
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Vitalij Neugasimov
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Wind of Spring
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Oxford University Press Digital
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SheetMusicPlus
2 piano 4 hands - Digital Download Composed by Vitalij Neugasimov. Score (2). 4 pages. Oxford University Press Digital #9780193545571. Published by O...
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2 piano 4 hands - Digital Download Composed by Vitalij Neugasimov. Score (2). 4 pages. Oxford University Press Digital #9780193545571. Published by Oxford University Press Digital
$4.99
Air from a string quartet by Mozart for 2 pianos (additional piano part by Simon Peberdy)
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2 Pianos, 4 hands
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EASY
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Piano II: Mozart, PIano I: Sim
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Simon Peberdy
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Air from a string quartet by M
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757055 Composed by Piano II: Mozart, PIano I: Simon Peberdy. Arranged by Simon Peberdy. ...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757055 Composed by Piano II: Mozart, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #3680441. Published by Simon Peberdy (A0.757055). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 2 arranged by Simon Peberdy, a second book of arrangements to follow 5 Easy Pieces for 2 Pianos  Book 1. There is also a Book 3.Video of all of Book 2: https://youtu.be/WvSNEp_eq-wFor more compositions and arrangements, please visit www.simonpeberdymusic.comThe mp3 is a computer generated one at the moment, I'm afraid.
$1.99
TOCCATA for two pianos and string orchestra
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2 Pianos, 4 hands
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ADVANCED
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Alisher Latif-Zade
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TOCCATA for two pianos and str
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Alisher Latif-Zade
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1021573 Composed by Alisher Latif-Zade. Concert,Contemporary,Standards. Score and parts. 54 pages....
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1021573 Composed by Alisher Latif-Zade. Concert,Contemporary,Standards. Score and parts. 54 pages. Alisher Latif-Zade #6070321. Published by Alisher Latif-Zade (A0.1021573).
$17.00
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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James Nathaniel Holland
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Piano Concerto No. 4 "The Bell
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathani...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Piano Quintet in A minor
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2 Pianos, 4 hands
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ADVANCED
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Florence B
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Mena Williams (b
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Piano Quintet in A minor
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Mena C. Williams | The Unfinished Symphony
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99
Swanee
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2 Pianos, 4 hands
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ADVANCED
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Paul Posnak & Anita Castiglion
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Paul Posnak
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Swanee
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Paul Posnak
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak....
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.
$12.00
Sucker
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2 Pianos, 4 hands
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EASY
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Rock
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Jonas Brothers
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Dave Prudon
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Sucker
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Prudon String Ensembles
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1363305 By Jonas Brothers. By Adam Feeney, Homer Steinweiss, Joseph Jonas, Kevin Jonas, L...
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Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1363305 By Jonas Brothers. By Adam Feeney, Homer Steinweiss, Joseph Jonas, Kevin Jonas, Louis Bell, Miles Ale, Mustafa Ahmed, Nick Jonas, and Ryan Tedder. Arranged by Dave Prudon. Pop,Rock. 8 pages. Prudon String Ensembles #947813. Published by Prudon String Ensembles (A0.1363305). One of the most satisfying musical experiences one can have is sitting next to a friend or loved one and playing through a piano duet together.  This arrangement of Sucker by the Jonas Brothers, will bring a smile to your face every time you play through it.  Written for two different levels of playing ability, it's perfect when played by a teacher and student, or a parent and child. You can find other duets like this one at:  Prudon String Ensembles Sheet Music, where you'll also find tons of nice arrangements for strings.
$5.99
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 hands
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ADVANCED
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois É
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
A Shropshire Lad - Rhapsody
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2 Pianos, 4 hands
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ADVANCED
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Richard Simm
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Richard Simm
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A Shropshire Lad - Rhapsody
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1288884 By Richard Simm. By George Butterworth. Arranged by Richard Simm. 20th Century,C...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1288884 By Richard Simm. By George Butterworth. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 11 pages. Richard Simm #879723. Published by Richard Simm (A0.1288884). George Butterworth was a uniquely gifted composer and arranger of English folk songs, who was tragically killed in action during WW1 at the age of only 31.His small output included the song cycle, A Shropshire Lad, from which he expanded the first song, Loveliest of Trees into a wonderful orchestral rhapsody.The music is full of passion, but also the most delicate sensitivity, capturing the romantic essence of the English countryside from bygone days.This arrangement by Richard Simm for two pianos now gives pianists access to this beautiful music.
$7.95
Solveig's Lullaby from "Peer Gynt", for 2 pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Edvard Grieg
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Richard Simm
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Solveig's Lullaby from "Peer G
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.800640 Composed by Edvard Grieg. Arranged by Richard Simm. Romantic Period. Score. 3 pag...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.800640 Composed by Edvard Grieg. Arranged by Richard Simm. Romantic Period. Score. 3 pages. Richard Simm #6744729. Published by Richard Simm (A0.800640). This beautiful, sad lullaby, which Solveig sings at the end of Ibsen's play, is every bit as touching as Solveig's more famous 'Song'. Grieg's original orchestral accompaniment uses only muted strings and harp, but the result is full of powerful emotion, inspiring this effective, warm-textured performing version for two pianos by Richard Simm.
$6.99
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