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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
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MARCHING BAND
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MUSIC COURSE
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ORCHESTRA - BA…
ORGAN
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Ritual:
Not classified
6,306
Piano & keyboards
Piano solo
5,019
Piano, Voice
1,886
Easy Piano
1,502
Piano, Vocal and Guitar
964
Organ
676
C Instruments
585
Piano Accompaniment
330
1 Piano, 4 hands
97
Piano Trio: piano, violin, cello
75
2 Pianos, 4 hands
49
Piano Quartet: piano, 2 violins, cello
41
Big Note Piano
27
Organ, Piano (duet)
18
Piano Quartet: piano, violin, viola, cello
17
Piano Quintet: piano, 2 violins, viola, cello
17
Harpsichord
15
Accordion
12
Organ, Trumpet (duet)
9
1 Piano, 6 hands
8
Piano (band part)
4
Accordion, Voice
3
Solo instrument and Organ
2
2 Organs (duet)
1
+ 18 instrumentations
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Retract
Guitars
Guitar notes and tablatures
473
Guitar
298
Melody line, (Lyrics) and Chords
221
Ukulele
181
Lyrics and Chords
99
Mandolin
79
2 Guitars (duet)
62
Piano, Guitar (duet)
25
Banjo
18
Bass guitar
16
4 Guitars (Quartet)
10
Dulcimer
7
3 Guitars (trio)
5
Guitar (band part)
4
Guitar, Violin, Cello (trio)
2
Electric Bass (band part)
2
Dobro
1
Guitar Ensemble
1
+ 13 instrumentations
-
Retract
Voice
Choral SATB
4,281
Choral 3-part
1,504
Choral 2-part
1,474
Choral Unison
1,145
Vocal duet, Piano
784
Choral TTBB
445
Choral Instrumental Pak
264
Choral SSAA
182
Choral
156
Soprano voice, Piano
139
Tenor voice, Piano
109
Alto voice, Piano
108
Vocal duet
87
High voice
75
Baritone voice, Piano
40
Voice solo
35
Low voice, Piano
26
Medium voice, Piano
25
Voice, Guitar
24
Children choir
10
Tenor voice
9
Low voice
7
Choral SSATB
5
Choral SSAB a cappella
4
Choral SSAB, Piano
3
Soprano voice
3
Choral SSATBB
2
Mezzo-Soprano voice, Piano
2
Choral SSATTB
2
Choral SSAATTBB
1
Choral SSAATB
1
+ 26 instrumentations
-
Retract
Woodwind
Flute and Piano
472
Clarinet and Piano
405
Oboe, Piano (duet)
354
2 Saxophones (duet)
348
Flute
346
Alto Saxophone and Piano
336
Tenor Saxophone and Piano
302
Saxophone Quartet: 4 saxophones
250
Flute, Oboe, Clarinet, Bassoon
236
Soprano Saxophone and Piano
224
2 Flutes (duet)
208
2 Clarinets (duet)
172
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
171
Clarinet
155
Alto Saxophone
155
English horn, Piano
139
Clarinet Quartet: 4 clarinets
134
Saxophone (band part)
111
Baritone Saxophone, Piano
110
3 Saxophones (trio)
107
Oboe (band part)
101
Tenor Saxophone
97
Flute, Clarinet (duet)
95
Flute Quartet: 4 flutes
80
3 Clarinets (trio)
77
Saxophone Quintet: 5 Saxophones
76
Flute, Violin
73
Saxophone, Clarinet (duet)
70
Flute Trio: 3 flutes
60
2 Oboes (duet)
57
Treble (Alto) Recorder
56
Harmonica
56
Clarinet, Violin (duet)
55
Oboe, Bassoon (duet)
54
Clarinet, Trumpet (duet)
51
Clarinet (band part)
47
Descant (Soprano) Recorder
46
Bass Clarinet, Piano
40
2 Recorders (duet)
39
Flute (band part)
38
Oboe, Clarinet (duet)
35
Oboe
34
Flute, Trumpet (duet)
32
2 Flutes, Piano
29
Clarinet and Viola
28
Clarinet Ensemble
28
Flute, Viola (duet)
26
Flute, Saxophone (duet)
26
Flute ensemble
25
Clarinet, Bassoon (duet)
24
Flute, Violin, Piano
23
Treble (Alto) Recorder, Piano
23
Flute, Cello, Piano (trio)
22
Descent (Soprano) Recorder, Piano
22
Flute and Guitar
17
Flute, Violin and Violoncello
17
Oboe, Flute
17
Soprano Saxophone
15
Clarinet Quintet: 5 clarinets
15
Clarinet, Cello, Piano (trio)
14
Flute, Oboe, Bassoon
14
Flute, Clarinet, Piano (trio)
13
Flute, Clarinet and Bassoon.
13
Flute, Oboe, Clarinet (trio)
12
2 Clarinets, Piano
11
Saxophone ensemble
11
Flute Quintet : 5 flutes
10
Clarinet, trumpet and piano
10
3 Oboes
10
Flute, Oboe, Piano (trio)
10
Flute, Clarinet, Violin (trio)
9
Oboe, Guitar (duet)
9
Flute, Organ (duet)
9
Recorder
9
2 Saxophones, Piano
8
Saxophone and Guitar
8
Flute, Oboe (duet)
8
Oboe, Clarinet, Bassoon (trio)
6
Baritone Saxophone
6
Oboe, Bassoon and Piano
6
Oboe, Cello and Piano
6
Flute, trombone and piano
6
Flute, Violoncello
6
Ocarina
5
Clarinet, Cello (duet)
5
Tenor Recorder
5
English Horn
5
Flute, Viola and Piano
4
Oboe, Cello
4
Clarinet, Guitar (duet)
4
Flute, Bassoon, and Piano
4
Recorder Quartet
3
Flute, Oboe, Violin
3
Flute, Cello, Guitar
3
Flute, Trombone (duet)
3
Saxophone and Organ
2
Piccolo
2
Flute, Guitar, Piano
2
2 Oboes, Piano
2
Clarinet, Harp (duet)
2
Saxophone
2
Bagpipe
2
3 Recorders (trio)
2
Recorder Ensemble
2
Recorder, Piano
2
4 Oboes
2
Flute, Clarinet, Horn and Bassoon (Quartet)
2
2 Recorders, Piano
2
Piccolo, Piano
2
Flute, harp and violin
2
5 Recorders
2
Eb Instruments
1
Oboe, Violin (duet)
1
Wind ensemble
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Flute, Violin, Guitar
1
Clarinet, Saxophone, Piano
1
Flute and Strings Trio
1
Oboe, Clarinet and Piano (Trio)
1
Flute, Viola and Cello
1
Pennywhistle
1
Flute, Violin, Violoncello and Piano
1
Saxophone, Tuba (duet)
1
Flute, Viola and harp
1
Saxophone and Piano
1
Clarinet, Bassoon, Piano (trio)
1
Oboe and viola (duet)
1
+ 122 instrumentations
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Retract
Woodbrass
Trumpet, Piano
351
Trombone and Piano
305
Trumpet
233
Brass Quintet: 2 trumpets, horn, trombone, tuba
205
French Horn and Piano
161
Brass quartet : 2 trumpets, trombone, tuba
151
English horn, Piano
139
Trombone
121
2 Trumpets (duet)
118
Brass Quartet: 2 trumpets, horn, trombone
99
Trumpet, Trombone (duet)
93
French horn
90
2 Trombones (duet)
90
Euphonium, Piano (duet)
81
2 French horns (duet)
54
Trumpet, Saxophone (duet)
53
Trumpet (band part)
49
Tuba
48
Tuba and Piano
44
Trumpet, Horn (duert)
42
Brass Quartet
42
Trombone (band part)
41
Brass Quartet: 4 trombones
34
Brass Trio
26
3 Trumpets (trio)
22
3 Trombones (trio)
22
Trombone ensemble
20
Brass Quartet: 4 horns
17
2 Trumpets, Keyboard (piano or organ)
17
French horn (band part)
16
Tuba (band part)
13
2 Tubas (duet)
12
2 Euphoniums and 2 Tubas
10
Brass Quartet: 4 trumpets
9
4 Tubas
8
Brass Quartet: 2 trumpets, 2 trombones
8
Euphonium
7
Bass Trombone
7
Bass Trombone and Piano
6
English Horn
5
Trombone, Organ
4
Trumpet, Cello, Piano
4
Euphonium, Tuba (duet)
3
Horn, Cello and Piano
3
Trumpet, Trombone, Piano
3
Bass Clef Instruments
3
Tuba and Organ
3
3 French horns (trio)
3
Trumpet ensemble
2
Bb Instruments
2
Horn, Cello (duet)
2
2 French horns, Piano
2
Brass Quintet: 2 trumpets, horn, 2 trombones
2
Tuba or Euphonium or Saxhorn
2
French Horn and Harp
1
4 Euphoniums
1
Trumpet, Tuba (duet)
1
Horn, Tuba (duet)
1
Trombone, Horn (duet)
1
Horn, Trumpet, Trombone (trio)
1
+ 55 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
733
Violin and Piano
665
Cello, Piano
416
Viola, Piano
363
Violin
327
Harp
316
Cello
211
Violin, Cello (duet)
196
Viola
158
2 Violins (duet)
155
2 Cellos (duet)
145
String Trio: violin, viola, cello
98
String Quintet: 2 violins, viola, cello, bass
96
Violin, Viola (duet)
92
Double Bass
71
2 Violas (duet)
65
Viola (band part)
52
Piano Trio: Violin, Viola, Piano
45
Double bass, Piano (duet)
44
String Trio: 2 violins, cello
41
Violin (band part)
37
Viola, Cello (duet)
36
2 Harps (duet)
35
String Trio: 3 violins
30
4 Cellos
22
String Trio: 3 cellos
21
Doublebass (band part)
15
Cello (band part)
15
Harp, Flute (duet)
12
String trio
12
2 Double basses (duet)
11
Cello, Guitar (duet)
11
Harp and Piano
10
String Trio: 3 violas
10
Harp, Voice
9
Violin, Guitar (duet)
9
Harp, Violin (duet)
8
String quartet: 4 violins
8
2 Violins, Piano
8
Viola, Guitar (duet)
7
Violin, Clarinet, Piano (trio)
4
String Quartet : 4 violas
4
String Quintet: 2 violins, viola, 2 cellos
4
Violin, Organ
4
Cello, Organ
4
2 Cellos, Piano
4
Violin, Bassoon (duet)
3
Harp, Cello (duet)
3
String Trio: 2 violins, viola
2
Viola and Harp
2
Viola and Bassoon
2
Violin ensemble
2
Violin, Trumpet and Piano
2
Cello Ensemble
2
4 Double Basses
1
Harp (band part)
1
Autoharp
1
2 Violas, Piano
1
+ 53 instrumentations
-
Retract
Orchestra & Percussion
Concert band
309
Orchestra
265
Handbells
251
String Orchestra
215
Brass ensemble
143
Jazz combo
105
Jazz Ensemble
85
Chamber Orchestra
68
Marching band
40
Percussion (band part)
25
Drums
21
Marimba
19
2 Xylophones
18
Percussion Ensemble
16
Percussion
11
Timpani (band part)
7
Xylophone
6
Woodwind Quintet
6
Vibraphone
4
Timpani
3
Piano and Orchestra
3
Woodwind Quartet: any 4 woodwinds
3
Drum (band part)
2
Vibraphone and Marimba
1
Orchestra, Violin
1
3 Percussions
1
Xylophone, Piano
1
+ 22 instrumentations
-
Retract
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Ritual:
2 Pianos, 4 hands
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26
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
dislocation I mean a degree of
#
Jenni Roditi
#
RITUALISE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
#
2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
SURRENDER, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
#
2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
THREAD, Between the Octaves A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Joshua Fit the Battle of Jericho (2 Piano Duet)
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2 Pianos, 4 hands
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Gospel/Spiritual
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Gospel/Spiritual
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Traditional Spiritual
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Canaan J
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Joshua Fit the Battle of Jeric
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SheetMusicPlus
Composed by Traditional Spiritual. Arranged by Canaan J. Harris. Christian, Gospel, Spiritual, Sacred, General Worship. 17 pages. Published by Published by Cana...
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Composed by Traditional Spiritual. Arranged by Canaan J. Harris. Christian, Gospel, Spiritual, Sacred, General Worship. 17 pages. Published by Published by Canaan Harris (S0.304193). - - Christian,Gospel,Spiritual,Sacred,General Worship - Published by Canaan Harris
$8.95
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
Every Time I Feel the Spirit (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Every Time I Feel the Spirit
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565174 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk,Jazz,...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565174 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Praise & Worship,Sacred,Spiritual. Score. 10 pages. Sharon Wilson #3515435. Published by Sharon Wilson (A0.565174). This arrangement of the traditional spiritual Every Time I Feel the Spirit is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. Bright and energetic, this dual piano duet is ideal for a postlude, offertory, or special music. The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 2 minutes.This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.
$5.99
Amazing Grace - for piano duet
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2 Pianos, 4 hands
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Sacred music
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Gospel/Spiritual
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John Newton
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Samuel Stokes
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Amazing Grace - for piano duet
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SamuelStokesMusic.com
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SheetMusicPlus
Composed by John Newton. Arranged by Samuel Stokes. Christian, Spiritual, General Worship, Folk, Funeral. 10 pages. Published by SamuelStokesMusic.com (S0.13889...
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Composed by John Newton. Arranged by Samuel Stokes. Christian, Spiritual, General Worship, Folk, Funeral. 10 pages. Published by SamuelStokesMusic.com (S0.138899). - - Christian,Spiritual,General Worship,Folk,Funeral - SamuelStokesMusic.com
$6.99
It Is Well with My Soul
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2 Pianos, 4 hands
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Sacred music
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Gospel/Spiritual
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Philip P
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Jeremy Yowell
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It Is Well with My Soul
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Jeremy Yowell
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SheetMusicPlus
Composed by Philip P. Bliss. Arranged by Jeremy Yowell. Christian, Gospel, Spiritual, Sacred, Recital. Individual Part. 12 pages. Published by Jeremy Yowell (S0...
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Composed by Philip P. Bliss. Arranged by Jeremy Yowell. Christian, Gospel, Spiritual, Sacred, Recital. Individual Part. 12 pages. Published by Jeremy Yowell (S0.273675). - Individual Part - Christian,Gospel,Spiritual,Sacred,Recital - Jeremy Yowell
$5.99
Carol of Emmanuel for Two Pianos
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2 Pianos, 4 hands
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Christmas
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Traditional
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Jacob Smith Jr
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Carol of Emmanuel for Two Pian
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Shadow Music
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SheetMusicPlus
Composed by Traditional. Arranged by Jacob Smith Jr. Christian, Spiritual, Praise & Worship, Christmas. Score, Set of Parts. 9 pages. Published by Shadow Music ...
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Composed by Traditional. Arranged by Jacob Smith Jr. Christian, Spiritual, Praise & Worship, Christmas. Score, Set of Parts. 9 pages. Published by Shadow Music (S0.267427). - Score,Set of Parts - Christian,Spiritual,Praise & Worship,Christmas - Shadow Music
$20.00
Oh when the Saints
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2 Pianos, 4 hands
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anonimo
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Ester Alessandrini
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Oh when the Saints
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ester
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SheetMusicPlus
Composed by anonimo. Arranged by Ester Alessandrini. Gospel, Spiritual, Sacred, Christmas, Funeral. Score. 3 pages. Published by ester (S0.89645). - Score - Gos...
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Composed by anonimo. Arranged by Ester Alessandrini. Gospel, Spiritual, Sacred, Christmas, Funeral. Score. 3 pages. Published by ester (S0.89645). - Score - Gospel,Spiritual,Sacred,Christmas,Funeral - ester
$8.00
Joy to the World - Duet
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2 Pianos, 4 hands
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Classical
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George Frideric Handel
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Andrea Neustaeter
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Joy to the World - Duet
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Andrea Neustaeter
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SheetMusicPlus
Composed by George Frideric Handel (1685-1759). Arranged by Andrea Neustaeter. Spiritual, Sacred, Etudes and Exercises, Technique Training, Christmas. Score, Se...
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Composed by George Frideric Handel (1685-1759). Arranged by Andrea Neustaeter. Spiritual, Sacred, Etudes and Exercises, Technique Training, Christmas. Score, Set of Parts. 4 pages. Published by Andrea Neustaeter (S0.253805). - Score,Set of Parts - Spiritual,Sacred,Etudes and Exercises,Technique Training,Christmas - Andrea Neustaeter
$2.99
Bring a Torch, Jeanette Isabella
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2 Pianos, 4 hands
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Christmas
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Wesley King
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Bring a Torch, Jeanette Isabel
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Wesley King
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SheetMusicPlus
Arranged by Wesley King. Classical Period, Spiritual, Sacred, Christmas, Recital. Score. 10 pages. Published by Wesley King (S0.163209). - Score - Classical Per...
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Arranged by Wesley King. Classical Period, Spiritual, Sacred, Christmas, Recital. Score. 10 pages. Published by Wesley King (S0.163209). - Score - Classical Period,Spiritual,Sacred,Christmas,Recital - Wesley King
$8.00
Go, Tell It on the Mountain
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Jazz
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Traditional Spiritual
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Brenda Dillon
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Go, Tell It on the Mountain
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Dillon's Music Group
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1461060 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Spiritual. Score. ...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1461060 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Spiritual. Score. 7 pages. Dillon's Music Group #1039969. Published by Dillon's Music Group (A0.1461060). Arranged for two pianos with Piano I more elementary and Piano II more intermediate.
$1.99
I Shall Not Be Moved (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson
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I Shall Not Be Moved
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Standards,Traditional. Score. 13 pages. Sharon Wilson #3516203. Published by Sharon Wilson (A0.565175). This arrangement of the traditional spiritual I Shall Not Be Moved is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the first chorus and verse. Bold and cheerful, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 6-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the words found in Psalm 1: Blessed is the man who doesn’t walk in the counsel of the wicked…but his delight is in Yahweh’s law…He will be like a tree planted by the streams of water… (WEB)Lyrics:I shall not be moved,I shall not be moved,I shall not be moved,Like a tree planted by the water,I shall not be moved.When my cross is heavy,I shall not be moved,When my cross is heavy,I shall not be moved,Like a tree planted by the water,I shall not be moved.
$5.99
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