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Summer Of
Not classified
675
Piano & keyboards
Piano solo
757
Piano, Vocal and Guitar
358
Piano, Voice
225
Easy Piano
137
Organ
49
C Instruments
26
1 Piano, 4 hands
24
Big Note Piano
19
Accordion
14
Piano Trio: piano, violin, cello
11
Piano Accompaniment
4
Melody line, Piano
2
Piano Quartet: piano, violin, viola, cello
2
Piano (band part)
2
Keyboard
2
2 Pianos, 4 hands
2
Piano Quintet: piano, 2 violins, viola, cello
1
Harpsichord
1
Accordion, Piano
1
+ 14 instrumentations
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Guitars
Guitar notes and tablatures
111
Melody line, (Lyrics) and Chords
90
Guitar
63
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48
Ukulele
29
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13
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3
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3
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2
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Mandolin
2
3 Guitars (trio)
1
Guitar, Violin, Cello (trio)
1
Mandolin, Guitar (duet)
1
Guitar Ensemble
1
+ 11 instrumentations
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Voice
Choral SATB
239
Choral 3-part
87
Choral 2-part
46
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32
Baritone voice, Piano
29
Choral TTBB
29
Alto voice, Piano
28
Tenor voice, Piano
28
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27
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24
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18
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17
Choral
12
Voice solo
5
High voice
4
Vocal duet
4
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1
Tenor voice
1
Choral SSAATTBB
1
+ 14 instrumentations
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Retract
Woodwind
2 Saxophones (duet)
92
Flute and Piano
74
2 Clarinets (duet)
61
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59
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57
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47
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47
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43
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43
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42
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39
Flute
35
Alto Saxophone
33
Clarinet
33
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32
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31
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27
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27
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25
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23
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20
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16
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15
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15
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14
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14
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14
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13
Clarinet and Viola
13
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13
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13
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12
Soprano Saxophone and Piano
12
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11
3 Clarinets (trio)
10
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9
Recorder
9
Flute (band part)
8
Baritone Saxophone, Piano
8
Flute ensemble
7
Bass Clarinet, Piano
7
Flute, Violin, Piano
6
Recorder Quartet
6
Saxophone ensemble
6
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6
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5
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5
Flute Quintet : 5 flutes
5
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4
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4
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3
Oboe
3
English Horn
3
5 Recorders
3
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
Flute, Clarinet and Bassoon.
1
Flute, Trombone (duet)
1
+ 80 instrumentations
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Retract
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Brass Quintet: 2 trumpets, horn, trombone, tuba
63
2 Trumpets (duet)
35
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35
Trumpet
33
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31
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28
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26
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25
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24
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23
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22
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20
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17
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16
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12
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10
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7
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7
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6
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6
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6
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6
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1
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1
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1
+ 37 instrumentations
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166
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79
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74
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41
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39
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36
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32
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27
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26
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24
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21
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18
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15
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11
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7
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1
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1
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1
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1
2 Double basses (duet)
1
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1
+ 37 instrumentations
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Retract
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466
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104
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93
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88
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68
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23
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23
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14
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9
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2
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2
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1
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Summer Of
2 Pianos, 4 hands
Sheetmusic to print
2 sheet music found
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1
Tango for the Road - for two pianos
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
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Tango
#
Ofer Ben-Amots
#
Tango for the Road - for two p
#
The Composer's Own Press
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 page...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00
Harmonic Spaces (four-hands piano)
#
2 Pianos, 4 hands
#
ADVANCED
#
Contemporary
#
Paul SanGregory
#
Harmonic Spaces
#
Distant Engraver Music
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Musi...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
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