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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
The Hand
Not classified
6,294
Piano & keyboards
Piano solo
6,765
1 Piano, 4 hands
3,523
Easy Piano
3,145
Piano, Voice
1,938
Piano, Vocal and Guitar
581
2 Pianos, 4 hands
545
Organ
380
C Instruments
365
Piano Accompaniment
219
1 Piano, 6 hands
99
2 Pianos, 8 hands
43
Piano Trio: piano, violin, cello
34
Accordion
33
Organ, Piano (duet)
30
Organ, Trumpet (duet)
25
Big Note Piano
22
Piano Quartet: piano, violin, viola, cello
14
Keyboard
11
Piano Quintet: piano, 2 violins, viola, cello
10
Piano (band part)
10
Harpsichord
9
Piano Quartet: piano, 2 violins, cello
5
Solo instrument and Organ
1
Melody line, Piano
1
+ 19 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
645
Guitar
352
Melody line, (Lyrics) and Chords
182
Ukulele
137
Bass guitar
89
Lyrics and Chords
53
2 Guitars (duet)
41
Mandolin
27
Banjo
24
Piano, Guitar (duet)
21
Dulcimer
20
Guitar (band part)
13
4 Guitars (Quartet)
11
Guitar Ensemble
8
3 Guitars (trio)
6
Baritone Ukulele
3
Lap Steel Guitar
3
Ukulele Ensemble
2
Electric Bass (band part)
1
Guitar, Orchestra
1
Mandolin, Piano (duet)
1
2 Ukuleles
1
+ 17 instrumentations
-
Retract
Voice
Choral SATB
1,530
Choral 3-part
448
Choral 2-part
391
Choral Unison
390
Choral TTBB
156
Vocal duet, Piano
100
Choral SSAA
93
Voice solo
84
Choral Instrumental Pak
75
Soprano voice, Piano
51
Alto voice, Piano
32
Choral
26
Vocal duet
24
High voice
11
Baritone voice, Piano
7
Medium voice, Piano
5
Choral SSATTB
5
Tenor voice, Piano
5
Low voice, Piano
3
Choral SSAATTBB
3
Choral SSATB
3
High voice, Piano
2
Voice, Guitar
1
Soli, Mixted choir and accompaniment
1
Soprano voice
1
+ 20 instrumentations
-
Retract
Woodwind
Flute and Piano
327
Saxophone Quartet: 4 saxophones
215
Clarinet and Piano
197
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
196
Flute, Oboe, Clarinet, Bassoon
174
Oboe, Piano (duet)
154
Alto Saxophone and Piano
150
Clarinet
147
Flute
140
2 Saxophones (duet)
133
Clarinet Quartet: 4 clarinets
127
Alto Saxophone
121
2 Flutes (duet)
120
Tenor Saxophone and Piano
108
Saxophone (band part)
108
2 Clarinets (duet)
84
Soprano Saxophone and Piano
82
Saxophone Quintet: 5 Saxophones
79
Tenor Saxophone
75
Saxophone
58
Flute ensemble
55
Flute Quartet: 4 flutes
55
Oboe (band part)
47
Clarinet Ensemble
44
Baritone Saxophone, Piano
43
3 Clarinets (trio)
41
2 Oboes (duet)
33
Flute, Clarinet (duet)
33
Saxophone ensemble
32
Clarinet (band part)
31
3 Saxophones (trio)
31
2 Flutes, Piano
28
English horn, Piano
28
Soprano Saxophone
28
Saxophone, Clarinet (duet)
25
Clarinet, Violin (duet)
25
Flute Trio: 3 flutes
24
Oboe
23
Clarinet Quintet: 5 clarinets
23
Oboe, Bassoon (duet)
21
2 Recorders (duet)
21
Flute (band part)
21
Recorder
20
Bass Clarinet, Piano
20
Harmonica
18
Flute, Violin
17
Descant (Soprano) Recorder
17
Oboe, Clarinet (duet)
15
Flute, Viola (duet)
15
Clarinet, Trumpet (duet)
15
Flute, Violin, Piano
15
Flute Quintet : 5 flutes
15
Recorder Quartet
14
Flute, Oboe, Clarinet (trio)
14
Flute and Guitar
13
Baritone Saxophone
13
Clarinet, Bassoon (duet)
13
Flute, Trumpet (duet)
12
Clarinet and Viola
12
Flute, Clarinet, Piano (trio)
11
Flute, Clarinet and Bassoon.
11
Descent (Soprano) Recorder, Piano
10
Flute, Saxophone (duet)
8
Flute, Oboe, Bassoon
8
Treble (Alto) Recorder
8
Oboe, Flute
8
Oboe, Clarinet, Bassoon (trio)
8
Flute, Oboe (duet)
7
Flute, Violoncello
7
Flute, Cello, Piano (trio)
7
5 Recorders
7
2 Clarinets, Piano
6
Clarinet, Cello (duet)
6
Flute, harp and violin
6
Tenor Recorder
6
Treble (Alto) Recorder, Piano
6
Flute, Oboe, Violin
5
Clarinet, Guitar (duet)
5
Oboe, Cello
5
Ocarina
5
Clarinet, Cello, Piano (trio)
5
Clarinet, Harp (duet)
5
2 Saxophones, Piano
5
Recorder Ensemble
4
Flute, Organ (duet)
4
3 Recorders (trio)
4
Treble (Alto) Recorder, Basso continuo
4
Recorder, Piano
4
3 Oboes
4
English Horn, Guitar (duet)
3
Pennywhistle
3
4 Oboes
3
Flute, Violin and Violoncello
3
Flute, Bassoon, and Piano
3
Bass Clarinet
3
Flute, Trombone (duet)
2
Piccolo
2
Flute, Basso continuo
2
Flute, Harp and Cello
2
Flute, Tuba (duet)
2
Saxophone and Guitar
2
Eb Instruments
2
Piccolo, Piano
2
Flute, Clarinet, Violin (trio)
2
Oboe, Guitar (duet)
2
Flute, Violin, Violoncello and Piano
2
Flute, Viola and harp
1
Clarinet Quintet: Clarinet, String Quartet
1
English Horn
1
Recorder, Guitar (duet)
1
Recorder, Harp
1
Flute, Cello, Guitar
1
Saxophone and Harp
1
Oboe, Violin (duet)
1
2 English horns and Pianoforte
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Flute, Viola and Cello
1
Flute, Viola and Piano
1
2 Clarinets, Bassoon
1
Oboe, Harp
1
Saxophone and Piano
1
Flute, Oboe, Piano (trio)
1
Saxophone and Organ
1
Oboe and viola (duet)
1
English horn, Harp (duet)
1
Oboe, Bassoon and Piano
1
Saxophone, Violin (duet)
1
+ 122 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
303
Brass quartet : 2 trumpets, trombone, tuba
160
Trumpet, Piano
153
Trombone and Piano
137
Trumpet
132
Trombone
104
French Horn and Piano
103
French horn
80
Trombone (band part)
63
Trumpet (band part)
63
Trumpet ensemble
57
Brass Quartet: 2 trumpets, horn, trombone
56
2 Trumpets (duet)
54
Tuba and Piano
44
Tuba
40
2 Trombones (duet)
39
Brass Quartet
35
2 French horns (duet)
31
Euphonium, Piano (duet)
29
English horn, Piano
28
Trumpet, Trombone (duet)
27
Brass Quartet: 4 trombones
24
French horn (band part)
20
Brass Quartet: 4 horns
19
Tuba (band part)
18
Trumpet, Saxophone (duet)
15
Trombone ensemble
13
2 Tubas (duet)
10
3 Trombones (trio)
9
Brass Trio
9
Euphonium
8
4 Tubas
8
Horn Ensemble
7
Trumpet, Horn (duert)
6
2 Euphoniums and 2 Tubas
6
Brass Quartet: 4 trumpets
6
Trombone, Tuba (duet)
5
3 Trumpets (trio)
5
2 Trumpets, Keyboard (piano or organ)
4
English Horn, Guitar (duet)
3
Trumpet, violin (duet)
3
Tuba and Organ
3
Tuba ensemble
3
Trumpet, Tuba (duet)
2
French Horn and Harp
2
Bass Clef Instruments
2
Euphonium, Tuba (duet)
2
2 Euphoniums (duet)
2
Bass Trombone and Piano
2
Horn, Tuba (duet)
2
Bb Instruments
2
Horn, Cello (duet)
1
Trombone, Horn (duet)
1
English Horn
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
Trumpet, Cello (duet)
1
Clarinet, Horn (duet)
1
2 English horns and Pianoforte
1
F Instruments
1
2 Trombones, Piano
1
Trumpet, Bassoon (duet)
1
3 French horns (trio)
1
English horn, Harp (duet)
1
Trumpet, Harp
1
+ 59 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
478
Harp
417
Violin and Piano
338
Violin
282
Cello, Piano
229
Viola, Piano
190
Cello
178
Violin, Cello (duet)
149
Viola
136
String Trio: violin, viola, cello
116
2 Violins (duet)
98
Violin (band part)
73
2 Cellos (duet)
62
String Trio: 2 violins, cello
57
Violin, Viola (duet)
55
Double Bass
45
2 Violas (duet)
45
Viola (band part)
44
Double bass, Piano (duet)
41
String Quintet: 2 violins, viola, cello, bass
36
Viola, Cello (duet)
24
Doublebass (band part)
23
Piano Trio: Violin, Viola, Piano
15
Cello (band part)
14
4 Cellos
14
String Trio: 3 violins
14
String Trio: 3 cellos
13
String quartet: 4 violins
13
String trio
12
Harp, Flute (duet)
12
2 Harps (duet)
11
String Trio: 2 violins, viola
10
2 Violins, Piano
8
Cello, String Bass (duet)
7
Violin, Guitar (duet)
7
String Quartet : 4 violas
6
Violin ensemble
6
Viola ensemble
6
Viola, Guitar (duet)
5
4 Double Basses
5
Harp, Voice
5
2 Double basses (duet)
4
Harp, Violin (duet)
4
Violin, Clarinet, Piano (trio)
4
2 Cellos, Piano
4
Cello, Guitar (duet)
4
Violin, Organ
3
String Quintet: 2 violins, 2 violas, cello
3
Viola and Harp
3
String Trio: 3 violas
3
Violin, Bassoon (duet)
2
Cello Ensemble
2
2 Violas, Piano
1
Harp, Cello (duet)
1
Violin, Basso continuo
1
Flute, Doublebass (duet)
1
Viola, Organ
1
Harp and mandolin
1
String Quintet: 2 violins, viola, 2 cellos
1
Harp, Violin, Violoncello
1
Viola and Bassoon
1
Harp (band part)
1
+ 57 instrumentations
-
Retract
Orchestra & Percussion
Handbells
4,376
Concert band
469
String Orchestra
371
Orchestra
212
Brass ensemble
133
Chamber Orchestra
102
Jazz Ensemble
84
Marching band
69
Drums
45
Percussion Ensemble
32
Percussion (band part)
29
Jazz combo
22
Drum (band part)
13
Marimba
9
Woodwind Quintet
8
Percussion
7
Vibraphone
5
Timpani (band part)
4
Xylophone
3
Piano and Orchestra
3
Bodhran
2
Snare drums
2
Cajon
2
Conga
2
Timpani
1
Xylophone, Piano
1
Orchestra, Violin
1
Bongos
1
Woodwind Quartet: any 4 woodwinds
1
Vibraphone (band part)
1
+ 25 instrumentations
-
Retract
Others
Music Theory
3
Musical course - Solfege
3
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DOUBLE BASS
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DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
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MARIMBA
MUSICAL COU…
NO SCORES
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ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
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PERCUSSION
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RECORDER
SAXOPHONE
TROMBONE
TRUMPET
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545 sheet music found
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526
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
#
EASY
#
Gospel/Spiritual
#
Sacred music
#
Sharon Wilson
#
Sharon Wilson Music
#
When the Saints Go Marching In
#
Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
One Handed Trio #4
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2 Pianos, 4 hands
#
INTERMEDIATE
#
Tom Rule
#
One Handed Trio #4
#
MaconMacMusicGuy
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacM...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812. Published by MaconMacMusicGuy (A0.492547). Composer’s note: Every piece in the “One Handed Trio†series can be played by 1, 2, or 3 players. They can be played on just piano, keyboards, or any combination - in fact, each piece will have a completely different feel and effect depending on what sounds are used. Feel free to experiment! Each part has OHT #4 has a lot of repetition. Figure out all the separate bits in “your†part, learn them, and THEN try to string them together. That will make it much more fun when you put the piece together. The sample mp3 has two versions, one after another. The first has only piano on all three parts - the repeat uses other keyboard sounds, just to give you a taste of what is possible. Go ahead - explore! Have some fun with this! ….and if you enjoy it, please rate, review, leave a note, and tell others about it. This composer will be grateful.
$1.99
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
#
dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
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2 Pianos, 4 hands
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INTERMEDIATE
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Classical
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Piano II: Various, Piano I:
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Simon Peberdy
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5 Easy Pieces for 2 pianos Boo
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Simon Peberdy
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SheetMusicPlus
2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical...
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2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical Period, Baroque Period, Repertoire, General Instructional, Children's Music. 70 pages. Published by Simon Peberdy
Have fun with 25 newly arranged pieces for 2 pianos, 4 hands with a brand new additional piano part by Simon Peberdy.
This anthology is a special offer giving you a saving $10 compared to if you buy the books separately.
This is a collection of books 1-5 of my series of Easy Pieces for 2 pianos, 4 hands.
Excellent for learners with other learners or teachers, or for more advanced pianists wanting to have some fun sight reading on 2 pianos.
Book 1: https://www.youtube.com/watch?v=nsxdXu3Q9DY
Schumann - Stückchen
W A Mozart - Menuett
Tschaikowsky - Old French song
G F Handel - Sarabande
Haydn - German Dance
Book 2: https://www.youtube.com/watch?v=WvSNEp_eq-w
Haydn - Shepherd's Song
Mozart - Air from a String Quartet
Handel - Sonatina in B flat
Rathgeber - Vivace in A
Hook - Pastorale
Book 3: https://www.youtube.com/watch?v=7BugdfBm_2Y
W.A. Mozart - Minuet in F (K5)
Hook - Tempo di Minuetto
J.S. Bach - Gavotte en Rondeau
Gurlitt - Wild Mignonette
W.F. Bach - Menuett
Book 4: (https://www.youtube.com/watch?v=lwNeO_YaBEI
Hook - Air
Müller - Study in A minor
Purcell - Round O'
Couperin - Gavotte
Rameau - Minuet
Book 5: https://www.youtube.com/watch?v=eRbF5QeR95Q
J.S. Bach - Minuet in G (I)
J.S. Bach - Minuet in G minor
J.S. Bach - Minuet in G (II)
J.S. Bach - Minuet in A minor
J.S. Bach - Minuet in D minor
Arranged for 2 pianos, 4 hands by Simon Peberdy.
The pieces are also available individually from www.simonpeberdymusic.com
If you print out everything, there are 70 pages.
The mp3 is of Rameau's Minuet from Book 4 and is computer generated, I'm afraid. To hear the other pieces, please call them up individually from www.simonpeberdymusic.com
$19.99
Gathering Starflowers: A Music Drama for 2 Pianos
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2 Pianos, 4 hands
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INTERMEDIATE
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Contemporary
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Chris Gordon
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Gathering Starflowers: A Music
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Cool Wind Music Digital
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SheetMusicPlus
2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool ...
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2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool Wind Music Digital
Gathering Starflowers distils, in the form of a symphonic poem interspersed with narratives commenting on the story, elements of Günter Grass’ 1969 novel - Local Anaesthetic - itself a powerful satirical polemic on the futility and wastefulness of war. In his novel, Grass has two of his characters, who lived through the 1939-1945 war as teenagers, continually relive it and relive major battles of the campaign in the East to overcome the Red Army and win Russia for the German Reich.
Gathering Starflowers is written to be performed as a melodrama. A 'drama with music'. The drama will be provided by a narrator who will read excerpts from Local Anaesthetic interspersed with dramatic dialogues from which the audience will learn a little about the main protagonists of Günter Grass’ novel. The music, especially composed by Chris Gordon, is for two pianos.
Please note: this volume contains only the music for 2 pianos for Gathering Starflowers.
Baffled by music bindings? Read this:
https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html
$15.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
"Conversations" A piece for Piano Four (4) Hands
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2 Pianos, 4 hands
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INTERMEDIATE
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Antonis Koundourakis
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"Conversations" A piece for Pi
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ANTONIOS KOUNDOURAKIS
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.991619 Composed by Antonis Koundourakis. Concert,Contemporary,Instructional,Standards. S...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.991619 Composed by Antonis Koundourakis. Concert,Contemporary,Instructional,Standards. Score. 11 pages. ANTONIOS KOUNDOURAKIS #3471903. Published by ANTONIOS KOUNDOURAKIS (A0.991619). In this piece Antonis explores the polyphonic and the homophonic style of composition with the added benefit and freedom of having 2 extra hands on the keyboard. Therefore there is a wide range being used simultaneously and in many cases the piece requires good coordination of the performers while in other cases independence of dynamics and phrasing. There is an extended period of stretto immitations, normally found in the style of the Fugue, and a 7 voice homophonic section resembling choral music. The different styles are juxtaposed in the form of a conversation, hence the title of the piece.This piece is ideal for live performance but can also be played by teacher and student while interchanging the parts they play for added benefit of learing coordination and understanding the challenges of the other performer when playing together. In case you buy and perform the piece don't hesitate to contact Antonis at midnightnotesband@gmail.com to give him any feedback on the score legibility/playability and the experience of playing his composition! Videos are also very welcome!
$6.00
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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Sounds of Creation
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Chri...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Musi...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
Easter Hymns for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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Easter Hymns for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges, and Robert Lowry. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 72 pages. Sharon Wilson #1039070. Published by Sharon Wilson (A0.1460130). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These bright and festive arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). Though frequently associated with the Easter and Lent season, these arrangements can be performed any time of year as a celebration of Jesus' love for us.PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Are You Washed in theBlood? and the YouTube video features Christ Arose.Song titles included in this collection: Are You Washed in the Blood?Christ Arose (Low in the Grave He Lay)Crown Him with Many CrownsNothing but the BloodPower in the BloodVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Sounds of Creation - Pastoral (Keyboard Duet; 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Sounds of Creation - Pastoral
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Conte...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #1776277. Published by Sharon Wilson (A0.564490). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling. This piece is one of seven in a series of keyboard duets inspired by the sounds of nature.Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements are as inspirational to play as they are to listen to. This piece sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. The purchase price includes a combined score with both parts on each page plus a separate score for each part. Titles in the Sounds of Creation†series: Prelude, Pastoral, Serenade, Intermezzo, Nocturne, Fantasia, FinaleVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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James Nathaniel Holland
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Piano Concerto No. 4 "The Bell
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathani...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Take My Life and Let It Be (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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Take My Life and Let It Be
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. A...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
The Mastersingers of Nuremberg
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2 Pianos, 4 hands
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ADVANCED
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Classical
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Richard Wagner
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The Mastersingers of Nuremberg
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Schott Music - Digital
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SheetMusicPlus
Piano or 2 pianos (4 hands) - difficult - Digital Download SKU: S9.Q17510 Prelude. Composed by Richard Wagner. The Virtuoso Piano Transcription Se...
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Piano or 2 pianos (4 hands) - difficult - Digital Download SKU: S9.Q17510 Prelude. Composed by Richard Wagner. The Virtuoso Piano Transcription Series. Downloadable. Op. 6. Duration 10 minutes. Schott Music - Digital #Q17510. Published by Schott Music - Digital (S9.Q17510). With the prelude to the Mastersingers we now publish the second of three Wagner transcriptions already made legendary by Gould's 1973 recording. Gould brought Wagner's 'brilliant counterpoint' to life with the help of recording technology, by superimposing a second, supplementary part over an initial recording. For live performances it is therefore preferable to have two pianists playing the piece on two pianos, rather than the piano solo version which is made possible with some cuts.Den glanzvollen Kontrapunkt Wagners realisierte Gould mit Hilfe der Aufnahmetechnik, indem er eine erste Aufnahme mit einem ergänzenden zweiten Teil überblendete. Für Aufführungen ist daher eine Ausführung an zwei Klavieren zu vier Händen einer mit Abstrichen möglichen Realisierung zu zwei Händen vorzuziehen.
$15.99
Children on the Beach (for 2 Pianos)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Takeru Hirabayashi
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Children on the Beach
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TAKeru Hirabayashi
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1144550 By Takeru Hirabayashi. By Takeru Hirabayashi. Classical,Holiday. Score. 6 pages....
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1144550 By Takeru Hirabayashi. By Takeru Hirabayashi. Classical,Holiday. Score. 6 pages. TAKeru Hirabayashi #744883. Published by TAKeru Hirabayashi (A0.1144550). The notes in the treble register represent splashing waves. After the lilting melody begins in the middle register, the children's play intensifies, culminating in the fortissimo at bar 19. The recapitulation section follows and at 39 their parents call them back home. The waves there continue to crash on the shore, and in the coda, both pianists play the sound of splashing waves.
$12.00
O Master. Let Me Walk With Thee-Duo Piano.pdf
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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H
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Marilyn Thompson
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O Master. Let Me Walk With The
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Marilyn Thompson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809602 Composed by H. Percy Smith. Arranged by Marilyn Thompson. Christian,Gospel,Sacred...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809602 Composed by H. Percy Smith. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. Score. 8 pages. Marilyn Thompson #6369955. Published by Marilyn Thompson (A0.809602). An unusual and creative setting for Duo Piano (Keyboard) of the old hymn tune Maryton. Suitable for sacred concert or worship service. Marilyn Thompson, ASCAP, is familiar arranger to many church pianists and is known for her many published collections. (Please contact marilyn@mtmusicministries.com for further information.)
$4.99
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