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There is a Time
Not classified
2,298
Piano & keyboards
Piano solo
704
Piano, Voice
335
Easy Piano
121
Piano, Vocal and Guitar
89
Big Note Piano
58
Organ
57
C Instruments
19
Piano Trio: piano, violin, cello
17
Piano Accompaniment
11
1 Piano, 4 hands
10
2 Pianos, 4 hands
10
Piano (band part)
6
Piano Quintet: piano, 2 violins, viola, cello
4
Piano Quartet: piano, violin, viola, cello
4
Organ, Piano (duet)
1
Accordion
1
Organ, Trumpet (duet)
1
Piano Quartet: piano, 2 violins, cello
1
Harpsichord
1
2 Accordions
1
2 Pianos, 8 hands
1
+ 16 instrumentations
-
Retract
Guitars
Guitar
112
Guitar notes and tablatures
65
2 Guitars (duet)
25
4 Guitars (Quartet)
13
Guitar (band part)
10
Ukulele
8
Mandolin
7
3 Guitars (trio)
5
Bass guitar
5
Banjo
5
Guitar Ensemble
4
Melody line, (Lyrics) and Chords
3
Piano, Guitar (duet)
2
Mandolin, Guitar (duet)
2
Guitar, Orchestra
1
+ 10 instrumentations
-
Retract
Voice
Choral SATB
386
Choral Unison
319
Choral 3-part
91
Choral 2-part
84
Choral TTBB
54
Vocal duet, Piano
37
Choral SSAA
30
Vocal duet
15
Alto voice, Piano
10
Voice solo
7
Baritone voice, Piano
6
Tenor voice, Piano
6
Soprano voice, Piano
5
Medium voice, Piano
4
High voice
3
Choral
2
Tenor voice
1
Choral SSAATTBB
1
Low voice, Piano
1
+ 14 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
725
Saxophone, Clarinet (duet)
392
2 Clarinets (duet)
317
2 Flutes (duet)
266
Clarinet, Violin (duet)
263
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228
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156
Flute and Piano
151
2 Oboes (duet)
144
Oboe, Clarinet (duet)
136
Flute, Violin
132
Clarinet and Viola
131
Oboe, Bassoon (duet)
130
Flute, Saxophone (duet)
129
Oboe, Flute
119
Clarinet and Piano
114
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
112
Flute, Viola (duet)
105
Oboe, Piano (duet)
105
Flute, Trumpet (duet)
105
Saxophone Quintet: 5 Saxophones
102
Alto Saxophone and Piano
86
Pennywhistle
81
Clarinet
78
Saxophone ensemble
74
Soprano Saxophone and Piano
63
Flute
62
Tenor Saxophone and Piano
62
Saxophone Quartet: 4 saxophones
58
Flute, Oboe, Clarinet, Bassoon
57
Saxophone (band part)
44
Clarinet Ensemble
43
English horn, Piano
41
Baritone Saxophone, Piano
37
Alto Saxophone
34
2 Recorders (duet)
33
Clarinet Quartet: 4 clarinets
33
Flute ensemble
30
Bass Clarinet, Piano
30
Oboe (band part)
30
Oboe
29
3 Saxophones (trio)
24
Tenor Saxophone
23
Flute and Guitar
22
Flute Quartet: 4 flutes
22
Flute Quintet : 5 flutes
19
Descant (Soprano) Recorder
13
Flute Trio: 3 flutes
13
3 Clarinets (trio)
10
Flute, Oboe, Clarinet (trio)
10
Flute, Oboe (duet)
8
Harmonica
8
Clarinet, Trombone (duet)
7
Oboe, Clarinet, Bassoon (trio)
7
Flute (band part)
6
Clarinet, Guitar (duet)
6
Oboe, Violin (duet)
5
Clarinet Quintet: 5 clarinets
5
Clarinet (band part)
5
Clarinet, Bassoon (duet)
5
Descent (Soprano) Recorder, Piano
5
Clarinet, Cello (duet)
5
Soprano Saxophone
5
English Horn
5
3 Recorders (trio)
5
Flute, Clarinet and Bassoon.
4
2 Clarinets, Piano
4
Baritone Saxophone
4
Flute, Oboe, Piano (trio)
3
Tenor Recorder
3
Recorder Quartet
3
Flute, Clarinet, Piano (trio)
3
Flute, Violoncello
3
Clarinet, Harp (duet)
3
Flute, Violin, Piano
3
Treble (Alto) Recorder, Piano
2
2 Oboes, Piano
2
Oboe, Guitar (duet)
2
Oboe, Bassoon and Piano
2
Piccolo, Piano
2
Recorder Ensemble
2
Flute, Oboe, Bassoon
2
2 Flutes, Piano
2
Recorder
1
Oboe ensemble
1
Oboe, Violin, Piano
1
English Horn, Guitar (duet)
1
Oboe, Clarinet and Piano (Trio)
1
Saxophone and Guitar
1
Flute, Bassoon, and Piano
1
Saxophone and Organ
1
Bass Clarinet
1
Recorder, Piano
1
Saxophone
1
Flute, harp and violin
1
Flute, Clarinet, Violin (trio)
1
Piccolo
1
+ 92 instrumentations
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Retract
Woodbrass
Trumpet, Saxophone (duet)
273
Brass Quintet: 2 trumpets, horn, trombone, tuba
153
Trumpet, Trombone (duet)
148
2 Trombones (duet)
145
2 Trumpets (duet)
136
Trombone and Piano
96
Brass quartet : 2 trumpets, trombone, tuba
96
Trumpet
76
Trumpet, Piano
72
French Horn and Piano
62
Trombone
55
Trumpet ensemble
49
Euphonium, Piano (duet)
42
English horn, Piano
41
Tuba and Piano
37
French horn
37
Trombone (band part)
33
Brass Quartet: 2 trumpets, horn, trombone
29
Tuba
28
Trombone ensemble
27
Trumpet (band part)
23
Brass Quartet
19
2 Euphoniums (duet)
8
3 Trumpets (trio)
8
Brass Quartet: 4 trombones
7
Brass Trio
7
Horn Ensemble
5
Brass Quartet: 4 horns
5
English Horn
5
French horn (band part)
4
2 Tubas (duet)
4
3 Trombones (trio)
4
2 French horns (duet)
4
Tuba (band part)
3
Euphonium
2
Brass Quartet: 4 trumpets
2
Trombone, Horn (duet)
2
Trumpet, Tuba (duet)
2
Horn, Tuba (duet)
2
2 Euphoniums and 2 Tubas
1
Trumpet, Euphonium (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Tuba and Organ
1
English Horn, Guitar (duet)
1
Bass Trombone
1
2 French horns, Piano
1
3 Euphoniums
1
4 Tubas
1
+ 43 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
313
Violin, Cello (duet)
290
Violin
184
String Trio: violin, viola, cello
163
Violin, Viola (duet)
158
2 Violins (duet)
151
2 Violas (duet)
148
Violin and Piano
142
2 Cellos (duet)
135
Viola, Piano
104
Cello, Piano
92
Cello
67
Harp
66
Viola
50
String Quintet: 2 violins, viola, cello, bass
49
String Trio: 2 violins, cello
28
Double Bass
17
Double bass, Piano (duet)
16
Violin ensemble
15
Viola ensemble
14
2 Harps (duet)
12
Violin (band part)
10
Viola (band part)
9
Doublebass (band part)
9
4 Cellos
7
String Trio: 3 violins
6
Viola, Cello (duet)
5
String Trio: 2 violins, viola
4
String Quintet: 2 violins, 2 violas, cello
4
Harp, Flute (duet)
4
String Trio: 3 cellos
3
2 Violas, Piano
3
Harp, Voice
3
String Quintet: 2 violins, viola, 2 cellos
2
2 Double basses (duet)
2
4 Double Basses
2
String Quartet : 4 violas
2
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Cello (band part)
2
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1
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1
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1
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1
Piano Trio: Violin, Viola, Piano
1
Cello, Guitar (duet)
1
2 Violins, Piano
1
Cello, Orchestra
1
2 Cellos, Piano
1
Violin, Clarinet, Piano (trio)
1
+ 44 instrumentations
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Retract
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296
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212
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80
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78
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66
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56
Chamber Orchestra
32
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28
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6
Marching band
6
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2
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2
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2
Piano and Orchestra
1
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1
Vibraphone
1
Marimba
1
School Ensemble
1
2 Marimbas
1
Bodhran
1
Percussion
1
Brass Quintet: other combinaisons
1
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Retract
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You've selected:
There is a Time
2 Pianos, 4 hands
Sheetmusic to print
10 sheet music found
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1
Easter Hymns for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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Easter Hymns for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges, and Robert Lowry. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 72 pages. Sharon Wilson #1039070. Published by Sharon Wilson (A0.1460130). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These bright and festive arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). Though frequently associated with the Easter and Lent season, these arrangements can be performed any time of year as a celebration of Jesus' love for us.PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Are You Washed in theBlood? and the YouTube video features Christ Arose.Song titles included in this collection: Are You Washed in the Blood?Christ Arose (Low in the Grave He Lay)Crown Him with Many CrownsNothing but the BloodPower in the BloodVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
There Is a Fountain (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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There Is a Fountain
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458068 By Sharon Wilson. By American Folk Song, Folk Song, and William Cowper. Arranged...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458068 By Sharon Wilson. By American Folk Song, Folk Song, and William Cowper. Arranged by Sharon Wilson. Christian,Easter,Folk,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037039. Published by Sharon Wilson (A0.1458068). The beautiful American folk tune CLEANSING FOUNTAIN has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. Flowing reverently throughout, this piano duet is ideal for a prelude or offertory, or whenever a meditative musical interlude is desired. The purchase price includes a 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 hands
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ADVANCED
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois É
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
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2 Pianos, 4 hands
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EASY
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Classical
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Ludwig van Beethoven
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John M
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Beethoven - Moonlight Sonata D
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Music Innovators Workshop
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
Sonata Hymnica No. 6
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Descensus ad Infero (for Two Pianos and Four Hands)
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2 Pianos, 4 hands
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Contemporary
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Tito Abeleda
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Descensus ad Infero
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Visionary Quest Records
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SheetMusicPlus
Piano - Digital Download SKU: A0.1070270 Composed by Tito Abeleda. 20th Century,Contemporary. Full Performance. Duration 236. Visionary Quest Records #57...
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Piano - Digital Download SKU: A0.1070270 Composed by Tito Abeleda. 20th Century,Contemporary. Full Performance. Duration 236. Visionary Quest Records #5742347. Published by Visionary Quest Records (A0.1070270). Descensus ad Infero is a two piano ensemble piece composed by Tito Abeleda (1964 - ). Digital download is score plus parts = 31 pages.Descensus ad Infero is Latin for Descent into Hell. As such this is a powerful passionate piece with much boldness, dissonance, and angst. There is a driving pulse that is vehement and at times unpleasant and even frenetic because one's descent into the abyss has been adjudged for a life lived accordingly. Piano 1 and Piano 2 trade off on motifs and dynamic changes. Note the melodic motifs that warrant greater emphasis throughout the piece. This piece is rather accessible for the advanced intermediate student. This score would also work well as music for thriller, horror, and/or suspense films.Add this dramatic piece to your music collection today.YouTube - https://bit.ly/DescensusPiano_YouTubeLicense on Songtradr - https://bit.ly/DescensusPiano_SongtradrContact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$1.99
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Monologe
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2 Pianos, 4 hands
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Contemporary
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Bernd Alois Zimmermann
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Monologe
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Schott Music - Digital
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SheetMusicPlus
2 pianos (4 hands) - Digital Download Composed by Bernd Alois Zimmermann (1918-1970). This edition: Sheet music. Downloadable. Duration 16 minutes 30...
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2 pianos (4 hands) - Digital Download Composed by Bernd Alois Zimmermann (1918-1970). This edition: Sheet music. Downloadable. Duration 16 minutes 30 seconds. Schott Music - Digital #Q2510. Published by Schott Music - Digital
In January 1964 Bernd Alois Zimmermann interrupted the completion of his
opera Die Soldaten [The Soldiers] in order to rearrange his orchestral work Dialoge for two pianos. Monologe resulting therefrom takes up the original material but develops it towards a different direction: Zimmermann's collage technique based on quotations extends over the entire musical setting so that it is not only Mozart (Piano Concerto in C major KV 467) who has his say but Beethoven, Messiaen and Bach as well. 'Monologe - this
is a piece for two pianists. real monologues of these pianists who, though
simultaneously,[...] do not always play at the same 'time'. [...] losing themselves in their 'own thoughts', as it were.' (Zimmermann).
$35.99
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