Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Up Here...
Not classified
1,269
Piano & keyboards
Big Note Piano
3,301
Organ
1,574
Piano solo
719
Piano, Voice
234
Piano, Vocal and Guitar
195
Easy Piano
193
Keyboard
60
C Instruments
46
1 Piano, 4 hands
23
2 Pianos, 4 hands
17
Piano Accompaniment
12
Piano (band part)
9
Piano Trio: piano, violin, cello
8
Accordion
4
Piano Quartet: piano, violin, viola, cello
3
Organ, Piano (duet)
2
Piano Quartet: piano, 2 violins, cello
2
2 Pianos, 8 hands
2
Organ, Trumpet (duet)
1
+ 14 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
83
Guitar
66
Melody line, (Lyrics) and Chords
26
Guitar (band part)
18
Ukulele
17
2 Guitars (duet)
11
Bass guitar
10
4 Guitars (Quartet)
7
Lyrics and Chords
7
Banjo
6
Dulcimer
4
3 Guitars (trio)
3
Guitar, Violin, Cello (trio)
1
Piano, Guitar (duet)
1
+ 9 instrumentations
-
Retract
Voice
Choral SATB
331
Choral 3-part
95
Choral TTBB
67
Choral 2-part
55
Choral SSAA
47
Choral Instrumental Pak
35
Choral Unison
28
Alto voice, Piano
11
Voice solo
11
Vocal duet, Piano
9
Soprano voice, Piano
6
Vocal duet
5
Low voice, Piano
4
Choral SSAATTBB
3
High voice
3
Choral SAATB A Cappella
2
Medium voice, Piano
2
Tenor voice, Piano
2
Low voice
2
Choral SSATTB
2
Baritone voice, Piano
1
Choral
1
Soli, Mixted choir and accompaniment
1
Choral SSAB, Piano
1
+ 19 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
171
Clarinet
93
Flute and Piano
79
Saxophone, Clarinet (duet)
68
2 Clarinets (duet)
66
Saxophone Quartet: 4 saxophones
65
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
64
2 Flutes (duet)
61
Saxophone (band part)
51
Clarinet and Piano
51
Clarinet, Violin (duet)
48
Flute, Oboe, Clarinet, Bassoon
46
Alto Saxophone and Piano
43
Oboe, Piano (duet)
41
Clarinet, Trumpet (duet)
35
Soprano Saxophone and Piano
32
Clarinet Quartet: 4 clarinets
31
Tenor Saxophone and Piano
30
2 Oboes (duet)
28
Flute, Violin
27
Flute, Clarinet (duet)
27
Oboe, Bassoon (duet)
26
Flute Quartet: 4 flutes
23
Oboe, Flute
23
Flute
22
Flute, Viola (duet)
22
Flute, Saxophone (duet)
22
Oboe, Clarinet (duet)
21
Clarinet and Viola
20
English horn, Piano
19
Flute, Trumpet (duet)
19
Alto Saxophone
17
Oboe (band part)
14
Baritone Saxophone, Piano
14
Flute ensemble
12
Tenor Saxophone
12
Clarinet Ensemble
11
Flute (band part)
10
Flute and Guitar
9
3 Clarinets (trio)
9
2 Recorders (duet)
8
Clarinet Quintet: 5 clarinets
8
Saxophone ensemble
8
Saxophone Quintet: 5 Saxophones
8
Bass Clarinet, Piano
7
Clarinet, Guitar (duet)
7
Flute Trio: 3 flutes
6
Descent (Soprano) Recorder, Piano
6
Treble (Alto) Recorder, Piano
4
Flute, Clarinet and Bassoon.
4
Clarinet (band part)
4
Descant (Soprano) Recorder
3
Oboe, Guitar (duet)
3
Flute, Violin, Piano
3
3 Saxophones (trio)
3
Ocarina
2
3 Recorders (trio)
2
Recorder Quartet
2
Clarinet, Bassoon (duet)
2
Oboe
2
Pennywhistle
2
Oboe, Cello
2
2 Flutes, Piano
2
Flute, Oboe, Clarinet (trio)
2
Clarinet, Harp (duet)
2
Flute, Oboe (duet)
2
Flute, harp and violin
2
Recorder
2
Flute, Harp and Cello
2
Clarinet Quintet: Clarinet, String Quartet
1
Oboe, Clarinet, Bassoon (trio)
1
Flute, Oboe, Bassoon
1
Saxophone
1
2 Clarinets, Piano
1
Clarinet, Cello (duet)
1
Saxophone and Guitar
1
Recorder, Piano
1
Clarinet, Cello, Piano (trio)
1
Tenor Recorder
1
Treble (Alto) Recorder
1
English Horn
1
Flute, Cello, Piano (trio)
1
Oboe, Violin (duet)
1
Harmonica
1
2 Oboes, Piano
1
English Horn, Guitar (duet)
1
Flute and Strings Trio
1
Flute, Violoncello
1
Flute Quintet : 5 flutes
1
Saxophone and Organ
1
Oboe, Harp
1
+ 86 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
90
Brass quartet : 2 trumpets, trombone, tuba
63
Trumpet, Saxophone (duet)
58
Trumpet (band part)
45
Trombone (band part)
41
Trombone and Piano
40
Trumpet
38
2 Trumpets (duet)
29
2 Trombones (duet)
28
Trumpet, Piano
27
Trumpet, Trombone (duet)
24
Trombone
20
English horn, Piano
19
Brass Quartet: 4 trombones
19
French horn
18
French Horn and Piano
17
Euphonium, Piano (duet)
13
Tuba
11
French horn (band part)
8
Brass Quartet
8
2 French horns (duet)
8
Tuba (band part)
7
Tuba and Piano
6
Trombone ensemble
3
Brass Trio
3
French Horn and Harp
2
2 Tubas (duet)
2
Euphonium, Tuba (duet)
1
Brass Quartet: 4 horns
1
3 Trombones (trio)
1
Clarinet, Horn (duet)
1
2 Euphoniums (duet)
1
Tuba ensemble
1
English Horn
1
Bass Trombone
1
Brass Quartet: 2 trumpets, horn, trombone
1
English Horn, Guitar (duet)
1
Trumpet, Euphonium (duet)
1
Brass Quartet: 4 trumpets
1
4 Tubas
1
Trombone, Organ
1
Bass Trombone and Piano
1
Horn Ensemble
1
2 French horns, Piano
1
+ 39 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
184
Harp
74
Violin and Piano
69
Violin
44
Cello
42
Cello, Piano
40
Violin, Cello (duet)
39
2 Violins (duet)
34
Violin, Viola (duet)
32
Viola, Piano
31
String Trio: violin, viola, cello
31
2 Cellos (duet)
30
2 Violas (duet)
22
String Trio: 2 violins, cello
18
Doublebass (band part)
14
String Quintet: 2 violins, viola, cello, bass
14
Viola
13
Viola (band part)
7
2 Harps (duet)
7
Violin (band part)
7
Harp, Flute (duet)
6
Double bass, Piano (duet)
6
Cello, Guitar (duet)
5
Double Bass
4
Viola, Cello (duet)
4
4 Cellos
3
String Trio: 3 violins
3
Harp, Voice
3
2 Violas, Piano
2
Cello (band part)
2
Viola, Guitar (duet)
2
String Trio: 3 cellos
2
Cello, String Bass (duet)
2
Viola and Harp
1
String Quintet: 2 violins, 2 violas, cello
1
Violin, Clarinet, Piano (trio)
1
Harp, Cello (duet)
1
2 Violins, Piano
1
Cello, Organ
1
Harp, Violin (duet)
1
Violin, Organ
1
4 Double Basses
1
+ 37 instrumentations
-
Retract
Orchestra & Percussion
Concert band
449
Jazz Ensemble
171
Orchestra
101
String Orchestra
100
Handbells
87
Brass ensemble
67
Marching band
49
Jazz combo
37
Chamber Orchestra
33
Percussion Ensemble
23
Marimba
17
Drum (band part)
10
Drums
9
School Ensemble
6
Percussion (band part)
4
Vibraphone
2
Piano and Orchestra
1
2 Marimbas
1
Snare drums
1
Woodwind Quintet
1
Brass Quintet: other combinaisons
1
Marimba, Piano (duet)
1
Bodhran
1
Big band
1
+ 19 instrumentations
-
Retract
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
4
Digital Sheet Music
17
Sheet Music Books
18
Music Equipment
1,776
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Up Here...
2 Pianos, 4 hands
Sheetmusic to print
17 sheet music found
<
1
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
#
2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
CURVE, Between the Octaves - A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
#
2 Pianos, 4 hands
#
EASY
#
Gospel/Spiritual
#
Sacred music
#
Sharon Wilson
#
Sharon Wilson Music
#
When the Saints Go Marching In
#
Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music....
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
"A Youthful Vow" from An Icelandic Suite
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Ingunn Bjarnadóttir
#
Richard Simm
#
"A Youthful Vow" from An Icela
#
Richard Simm
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamb...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
#
2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
SURRENDER, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
#
2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
THREAD, Between the Octaves A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
dislocation I mean a degree of
#
Jenni Roditi
#
RITUALISE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
#
2 Pianos, 4 hands
#
ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
INITIATE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
(+)
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
#
2 Pianos, 4 hands
#
EASY
#
Gospel/Spiritual
#
Sacred music
#
Sharon Wilson
#
Sharon Wilson
#
Swing Low, Sweet Chariot
#
Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,...
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
Ornament for Two Pianos
#
2 Pianos, 4 hands
#
ADVANCED
#
Jean Ahn
#
Ornament for Two Pianos
#
Jean Ahn
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1373528 Composed by Jean Ahn. 21st Century,Classical,Contemporary. Score. 18 pages. Jean...
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1373528 Composed by Jean Ahn. 21st Century,Classical,Contemporary. Score. 18 pages. Jean Ahn #957896. Published by Jean Ahn (A0.1373528). Ornament is about the sparkling chords. The constant six note chords and the shimmering ornaments fill up a resonant space, thus a pianosphere.
$15.00
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
#
2 Pianos, 4 hands
#
EASY
#
Classical
#
Ludwig van Beethoven
#
John M
#
Beethoven - Moonlight Sonata D
#
Music Innovators Workshop
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period....
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
Monologe
#
2 Pianos, 4 hands
#
Contemporary
#
Bernd Alois Zimmermann
#
Monologe
#
Schott Music - Digital
#
SheetMusicPlus
2 pianos (4 hands) - Digital Download Composed by Bernd Alois Zimmermann (1918-1970). This edition: Sheet music. Downloadable. Duration 16 minutes 30...
(+)
2 pianos (4 hands) - Digital Download Composed by Bernd Alois Zimmermann (1918-1970). This edition: Sheet music. Downloadable. Duration 16 minutes 30 seconds. Schott Music - Digital #Q2510. Published by Schott Music - Digital
In January 1964 Bernd Alois Zimmermann interrupted the completion of his
opera Die Soldaten [The Soldiers] in order to rearrange his orchestral work Dialoge for two pianos. Monologe resulting therefrom takes up the original material but develops it towards a different direction: Zimmermann's collage technique based on quotations extends over the entire musical setting so that it is not only Mozart (Piano Concerto in C major KV 467) who has his say but Beethoven, Messiaen and Bach as well. 'Monologe - this
is a piece for two pianists. real monologues of these pianists who, though
simultaneously,[...] do not always play at the same 'time'. [...] losing themselves in their 'own thoughts', as it were.' (Zimmermann).
$35.99
C. P. E. Bach Solfeggietto (Solfeggio) in C minor - 2 pianos
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Classical
#
C
#
Philip Kim
#
C. P. E. Bach Solfeggietto
#
SheetMusicPlus
Piano Solo, Piano Duet - Advanced Intermediate - Digital Download Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exe...
(+)
Piano Solo, Piano Duet - Advanced Intermediate - Digital Download Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exercises, Technique Training. 7 pages. Published by Philip Kim
This is my 2 piano arrangement of C.P.E. Bach's famous Solfeggietto (solfeggio) in C minor for the piano. I know there are other arrangements our there for 2 performers. Mine is just another addition.
The original piano part is based the the autograph manuscript with some edits. I hardly made any edits in dynamic markings or phrases. I will leave that up to the teacher and the performer. Enjoy.
https://youtu.be/y0d4G332uPM
$10.00
5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
#
2 Pianos, 4 hands
#
INTERMEDIATE
#
Classical
#
Piano II: Various, Piano I:
#
Simon Peberdy
#
5 Easy Pieces for 2 pianos Boo
#
Simon Peberdy
#
SheetMusicPlus
2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical...
(+)
2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical Period, Baroque Period, Repertoire, General Instructional, Children's Music. 70 pages. Published by Simon Peberdy
Have fun with 25 newly arranged pieces for 2 pianos, 4 hands with a brand new additional piano part by Simon Peberdy.
This anthology is a special offer giving you a saving $10 compared to if you buy the books separately.
This is a collection of books 1-5 of my series of Easy Pieces for 2 pianos, 4 hands.
Excellent for learners with other learners or teachers, or for more advanced pianists wanting to have some fun sight reading on 2 pianos.
Book 1: https://www.youtube.com/watch?v=nsxdXu3Q9DY
Schumann - Stückchen
W A Mozart - Menuett
Tschaikowsky - Old French song
G F Handel - Sarabande
Haydn - German Dance
Book 2: https://www.youtube.com/watch?v=WvSNEp_eq-w
Haydn - Shepherd's Song
Mozart - Air from a String Quartet
Handel - Sonatina in B flat
Rathgeber - Vivace in A
Hook - Pastorale
Book 3: https://www.youtube.com/watch?v=7BugdfBm_2Y
W.A. Mozart - Minuet in F (K5)
Hook - Tempo di Minuetto
J.S. Bach - Gavotte en Rondeau
Gurlitt - Wild Mignonette
W.F. Bach - Menuett
Book 4: (https://www.youtube.com/watch?v=lwNeO_YaBEI
Hook - Air
Müller - Study in A minor
Purcell - Round O'
Couperin - Gavotte
Rameau - Minuet
Book 5: https://www.youtube.com/watch?v=eRbF5QeR95Q
J.S. Bach - Minuet in G (I)
J.S. Bach - Minuet in G minor
J.S. Bach - Minuet in G (II)
J.S. Bach - Minuet in A minor
J.S. Bach - Minuet in D minor
Arranged for 2 pianos, 4 hands by Simon Peberdy.
The pieces are also available individually from www.simonpeberdymusic.com
If you print out everything, there are 70 pages.
The mp3 is of Rameau's Minuet from Book 4 and is computer generated, I'm afraid. To hear the other pieces, please call them up individually from www.simonpeberdymusic.com
$19.99
<
1
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
