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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
it
Sheetmusicplus
Not classified
24,260
Piano & keyboards
Piano solo
15,766
Easy Piano
6,480
Piano, Voice
6,348
Piano, Vocal and Guitar
4,493
C Instruments
2,561
Organ
1,266
Piano Accompaniment
591
1 Piano, 4 hands
495
Piano Trio: piano, violin, cello
264
Piano (band part)
194
Big Note Piano
175
Accordion
155
2 Pianos, 4 hands
143
Piano Quartet: piano, violin, viola, cello
91
Piano Quintet: piano, 2 violins, viola, cello
68
Harpsichord
46
Piano Quartet: piano, 2 violins, cello
43
Organ, Piano (duet)
40
Organ, Trumpet (duet)
36
1 Piano, 6 hands
11
Keyboard
9
2 Pianos, 8 hands
7
Accordion ensemble
2
2 Accordions
2
Piano Quintet: piano, violin, viola, cello, double bass
1
Fake Book
1
Accordion and Orchestra
1
+ 22 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
2,324
Guitar
1,557
Melody line, (Lyrics) and Chords
1,026
Ukulele
661
Bass guitar
401
Lyrics and Chords
391
Guitar (band part)
386
Dulcimer
207
2 Guitars (duet)
156
4 Guitars (Quartet)
87
Mandolin
86
Banjo
72
Piano, Guitar (duet)
65
Mandolin, Piano (duet)
47
Guitar Ensemble
41
3 Guitars (trio)
25
Electric Bass (band part)
18
2 Dulcimers (duet)
14
Ukulele Ensemble
10
Baritone Ukulele
6
2 Ukuleles
5
Mandolin, Guitar (duet)
5
Lap Steel Guitar
4
Guitar, Violin, Cello (trio)
3
2 Mandolins (duet)
2
Zither
1
Guitar, Orchestra
1
Dobro
1
+ 23 instrumentations
-
Retract
Voice
Choral SATB
7,303
Choral 3-part
2,544
Choral 2-part
1,525
Choral TTBB
1,425
Choral Unison
1,081
Choral SSAA
865
Choral Instrumental Pak
588
Soprano voice, Piano
366
Alto voice, Piano
317
Tenor voice, Piano
279
Vocal duet, Piano
274
High voice
195
Vocal duet
193
Baritone voice, Piano
140
Voice solo
128
Choral
74
Medium voice, Piano
63
Low voice, Piano
60
Tenor voice
25
Choral SSAATTBB
17
Choral SSATB
14
Soprano voice
13
Low voice
12
Choral SSATTB
9
Mezzo-Soprano voice, Piano
9
Soli, Mixted choir and accompaniment
3
Voice, Guitar
2
Choral SSAB, Piano
2
Choral SSAB a cappella
2
Choral SAATB A Cappella
1
High voice, Piano
1
Choral SATBB
1
Medium Voice
1
Choral SATTBB A Cappella
1
Choral SSAATB
1
+ 30 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
2,088
Flute and Piano
2,052
Saxophone (band part)
1,841
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,827
Clarinet and Piano
1,683
Flute, Oboe, Clarinet, Bassoon
1,445
Flute
1,373
Oboe, Piano (duet)
1,372
2 Saxophones (duet)
1,293
Clarinet Quartet: 4 clarinets
1,216
Alto Saxophone and Piano
1,190
Clarinet
1,098
Alto Saxophone
1,058
2 Flutes (duet)
936
Saxophone Quintet: 5 Saxophones
812
Tenor Saxophone and Piano
787
Tenor Saxophone
787
2 Clarinets (duet)
757
Flute Quartet: 4 flutes
615
Soprano Saxophone and Piano
604
Oboe (band part)
566
Clarinet Ensemble
445
3 Saxophones (trio)
395
Saxophone ensemble
344
Clarinet (band part)
342
Baritone Saxophone, Piano
337
Flute, Clarinet (duet)
313
Flute (band part)
291
Clarinet Quintet: 5 clarinets
282
3 Clarinets (trio)
280
2 Oboes (duet)
279
Flute Trio: 3 flutes
253
Flute ensemble
253
English horn, Piano
236
2 Recorders (duet)
227
Oboe
214
Saxophone, Clarinet (duet)
204
Clarinet, Violin (duet)
184
Oboe, Bassoon (duet)
175
Soprano Saxophone
164
Recorder
158
Flute, Violin
142
Flute and Guitar
142
Oboe, Clarinet (duet)
134
Clarinet, Trumpet (duet)
132
Bass Clarinet, Piano
132
Descant (Soprano) Recorder
130
Flute Quintet : 5 flutes
119
Baritone Saxophone
115
Clarinet, Bassoon (duet)
102
Clarinet and Viola
96
Flute, Clarinet and Bassoon.
94
Recorder Quartet
94
Flute, Violin, Piano
89
Flute, Viola (duet)
86
Flute, Violoncello
85
Flute, Oboe, Clarinet (trio)
81
Pennywhistle
81
Oboe, Flute
79
Flute, Trumpet (duet)
73
Oboe, Clarinet, Bassoon (trio)
72
Flute, Oboe, Bassoon
72
Flute, Saxophone (duet)
72
English Horn
68
Flute, Oboe (duet)
64
Clarinet, Guitar (duet)
60
Treble (Alto) Recorder
58
Clarinet, Cello (duet)
57
2 Flutes, Piano
50
Recorder Ensemble
46
Flute, Clarinet, Piano (trio)
42
Oboe, Cello
40
Flute, Violin and Violoncello
39
Flute, Cello, Piano (trio)
37
5 Recorders
37
3 Oboes
36
Flute, Trombone (duet)
36
4 Oboes
35
2 Saxophones, Piano
32
Oboe, Violin (duet)
31
Saxophone
30
Harmonica
29
Tenor Recorder
29
Flute, Bassoon, and Piano
29
Descent (Soprano) Recorder, Piano
28
3 Recorders (trio)
26
Treble (Alto) Recorder, Piano
24
Piccolo, Piano
24
Clarinet, Trombone (duet)
23
Clarinet, Harp (duet)
23
Flute, Oboe, Piano (trio)
22
Ocarina
22
Piccolo
21
2 Clarinets, Piano
20
Clarinet, Cello, Piano (trio)
18
Flute, Clarinet, Horn and Bassoon (Quartet)
18
Flute, Viola and Piano
16
Saxophone and Harp
15
Bass Clarinet
15
Oboe and viola (duet)
14
Oboe, Guitar (duet)
14
Flute, Harp and Cello
12
Eb Instruments
12
2 Clarinets, Bassoon
11
Recorder, Piano
11
Saxophone and Guitar
11
Flute, Violin, Violoncello and Piano
11
English Horn, Guitar (duet)
10
Oboe, Harp
9
Oboe, Trumpet (duet)
9
Flute and Strings Trio
9
Saxophone, Violin (duet)
8
Clarinet, Bassoon, Piano (trio)
8
Bagpipe
8
Flute, harp and violin
8
Wind ensemble
6
Oboe ensemble
6
Flute, Oboe, Violin
6
Flute, Clarinet, Violin (trio)
5
Saxophone and Piano
5
Clarinet, Double bass (duet)
5
Saxophone and Organ
4
Flute, French horn (duet)
4
Flute, Organ (duet)
4
Oboe, Clarinet and Piano (Trio)
3
Recorder, Guitar (duet)
3
Flute, trombone and piano
3
Saxophone and cello
3
Oboe, Trombone (duet)
3
Clarinet Quintet: Clarinet, String Quartet
2
2 English horns and Pianoforte
2
Oboe, Violin, Piano
2
Treble (Alto) Recorder, Basso continuo
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
Clarinet, Tuba
2
Flute, Tuba (duet)
2
Clarinette, Viola and Piano (trio)
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Clarinet, Organ
2
Flute, Viola and harp
2
Flute, Cello, Guitar
2
Oboe, Bassoon and Piano
2
2 Oboes and Basson
1
Flute, Basso continuo
1
Pan Flute
1
Oboe and Orchestra
1
2 Recorders, Guitar
1
Melodica
1
Flute, viola, cello and guitar
1
Recorder, Harp
1
2 Recorders, Piano
1
Oboe, Cello and Piano
1
2 Oboes, Piano
1
Saxophone, Bassoon (duet)
1
Clarinet, trumpet and piano
1
English horn, Harp (duet)
1
Saxophone, Tuba (duet)
1
+ 152 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,997
Brass quartet : 2 trumpets, trombone, tuba
1,288
Trumpet
1,283
Trombone (band part)
1,173
Trumpet, Piano
1,155
Trombone and Piano
1,096
Trumpet (band part)
1,079
Trombone
872
French Horn and Piano
819
French horn
653
Brass Quartet: 2 trumpets, horn, trombone
473
Tuba and Piano
464
Tuba
461
2 Trumpets (duet)
403
Brass Quartet
375
2 Trombones (duet)
347
French horn (band part)
259
Trumpet, Trombone (duet)
242
English horn, Piano
236
Euphonium, Piano (duet)
231
Tuba (band part)
225
2 French horns (duet)
205
Brass Quartet: 4 trombones
205
Trumpet, Saxophone (duet)
155
Trombone ensemble
131
Brass Quartet: 4 horns
126
Trumpet ensemble
91
2 Euphoniums and 2 Tubas
80
Euphonium
76
2 Tubas (duet)
76
Trumpet, Horn (duert)
75
English Horn
68
Brass Quartet: 4 trumpets
67
Brass Trio
50
4 Tubas
48
3 Trombones (trio)
39
Horn Ensemble
39
Tuba and Organ
34
3 Trumpets (trio)
33
Trombone, Horn (duet)
25
Bass Clef Instruments
25
Horn, Cello (duet)
23
Bass Trombone
20
Trombone, Tuba (duet)
18
Bass Trombone and Piano
17
Trumpet, Tuba (duet)
16
2 Euphoniums (duet)
15
French Horn and Harp
15
Trumpet, Bassoon (duet)
14
Horn, Tuba (duet)
14
Trumpet, violin (duet)
13
3 Tubas (trio)
13
Brass Quartet: 2 trumpets, 2 trombones
13
Euphonium, Tuba (duet)
12
Trumpet, Cello (duet)
12
French horn and Basson (duet)
11
Trombone, Organ
11
3 French horns (trio)
11
Trombone, cello (duet)
10
English Horn, Guitar (duet)
10
Bb Instruments
10
Tuba or Euphonium or Saxhorn
9
Trumpet, Harp
9
Trombone, Violin (duet)
6
Trumpet, Trombone, Piano
6
Trumpet, Cello, Piano
4
Horn and Organ
4
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Clarinet, Horn (duet)
3
Trombone, Viola (duet)
3
2 French horns, Piano
2
Trombone and Orchestra
2
2 English horns and Pianoforte
2
2 Trombones, Piano
2
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
2
2 Trumpets, Keyboard (piano or organ)
2
Trumpet, Orchestra
1
3 Euphoniums
1
Cornet and Orchestra
1
F Instruments
1
Trumpet, Euphonium (duet)
1
4 Euphoniums
1
English horn, Harp (duet)
1
Tuba ensemble
1
Trumpet and Guitar
1
+ 80 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
5,073
Violin and Piano
2,458
Violin
1,935
Harp
1,791
Cello, Piano
1,748
Viola, Piano
1,580
Cello
1,430
Violin, Cello (duet)
1,079
Viola
814
2 Violins (duet)
813
String Trio: violin, viola, cello
800
2 Cellos (duet)
505
String Quintet: 2 violins, viola, cello, bass
483
Violin, Viola (duet)
426
Double bass, Piano (duet)
414
Double Bass
402
String Trio: 2 violins, cello
398
2 Violas (duet)
394
Doublebass (band part)
337
Violin (band part)
262
Viola (band part)
257
2 Harps (duet)
227
Harp, Flute (duet)
179
Viola, Cello (duet)
179
String Trio: 3 violins
126
4 Cellos
125
String Trio: 3 cellos
108
Piano Trio: Violin, Viola, Piano
87
Violin, Guitar (duet)
84
String quartet: 4 violins
65
Cello (band part)
61
2 Double basses (duet)
60
String Trio: 3 violas
58
Harp, Violin (duet)
56
Cello, String Bass (duet)
54
String Quartet : 4 violas
53
Violin, Bassoon (duet)
42
String Trio: 2 violins, viola
39
Cello, Guitar (duet)
38
Violin ensemble
30
Viola and Bassoon
29
Viola ensemble
28
String Quintet: 2 violins, 2 violas, cello
26
Harp, Cello (duet)
21
Viola, Guitar (duet)
18
Viola and Harp
16
String trio
14
4 Double Basses
14
Harp and mandolin
12
2 Violins, Piano
11
Harp, Voice
10
Cello, Organ
9
Violin, Clarinet, Piano (trio)
9
Cello Ensemble
9
Flute, Doublebass (duet)
9
Violin, Organ
9
String Quintet: 2 violins, viola, 2 cellos
8
Harp, Violin, Violoncello
8
Harp, Trombone (duet)
7
Harp and Piano
7
3 Harps
6
Autoharp
4
Violin, Tuba (duet)
4
Violoncello, Basso continuo
4
Harp, String quartet
3
4 Harps
3
Cello, Orchestra
3
2 Cellos, Piano
3
2 Violas, Piano
2
5 Harps
2
Harp (band part)
2
Viola, Organ
2
Violin, Double bass (duet)
1
Violin, Cello, Clarinet
1
Harp and Organ
1
+ 70 instrumentations
-
Retract
Orchestra & Percussion
Concert band
6,612
Jazz Ensemble
1,958
String Orchestra
1,955
Orchestra
1,720
Handbells
1,303
Brass ensemble
1,258
Marching band
1,148
Jazz combo
701
Chamber Orchestra
613
Drums
359
Percussion Ensemble
252
Drum (band part)
241
Percussion (band part)
203
Xylophone
77
Vibraphone
68
Marimba
60
Xylophone, Piano
41
Percussion
34
Timpani (band part)
29
2 Xylophones
13
Woodwind Quintet
11
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
9
Piano and Orchestra
7
Orchestra, Violin
7
Vibraphone (band part)
6
School Ensemble
6
Timpani
6
Brass Quintet: other combinaisons
5
Flexible Instrumentation
4
Xylophone or Marimba or Vibraphone
4
Big band
3
3 Marimbas
3
Snare drums
3
Woodwind Quartet: any 4 woodwinds
2
Marimba, Piano (duet)
2
Bodhran
1
Xylophone (band part)
1
Vibraphone and Marimba
1
Marimba or Xylophone and Piano
1
3 Percussions
1
Bongos
1
Conga
1
+ 37 instrumentations
-
Retract
Others
Musical course - Solfege
6
Music Theory
1
Instruments
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--INSTRUMENTS--
ACCORDION
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2 Pianos, 4 hands
Sheetmusic to print
143 sheet music found
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1
26
51
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126
C it, Play it!
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2 Pianos, 4 hands
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BEGINNER
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Alison Mathews
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C it, Play it!
#
Alison Mathews
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1265430 Composed by Alison Mathews. Children,Contemporary,Instructional. Score. 8 pages....
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1265430 Composed by Alison Mathews. Children,Contemporary,Instructional. Score. 8 pages. Alison Mathews #858248. Published by Alison Mathews (A0.1265430). This is short lively piece for 4 hands that reinforces the landmark Cs, both on the stave and on the keyboard. Level one uses C3, C4, C5 and level two uses C2 to C6 with a final flourish using all 8 Cs! Originally written to be played at 2 pianos I’ve included a duet version which involves some extra moving around the keyboard for both players to ensure your pupil always plays at the correct octave. It’s easy to fit into lesson time alongside flashcard games or to supplement your method book. You can even extend it further by getting your student to create their own part, deciding on the order of Cs and rhythm!
$4.99
Take My Life and Let It Be (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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INTERMEDIATE
#
Sharon Wilson
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Sharon Wilson
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Take My Life and Let It Be
#
Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. A...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
And Can It Be? (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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And Can It Be?
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wils...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Religious,Sacred. Score. 15 pages. Sharon Wilson #1034900. Published by Sharon Wilson (A0.1455801). This arrangement of the familiar hymn tune SAGINA by Thomas Campbell is written as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bright and cheerful throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever an upbeat musical interlude is desired. The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Go, Tell It on the Mountain
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Jazz
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Traditional Spiritual
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Brenda Dillon
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Go, Tell It on the Mountain
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Dillon's Music Group
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1461060 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Spiritual. Score. ...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1461060 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Spiritual. Score. 7 pages. Dillon's Music Group #1039969. Published by Dillon's Music Group (A0.1461060). Arranged for two pianos with Piano I more elementary and Piano II more intermediate.
$1.99
It Is Well with My Soul (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sacred music
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Philip P
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Sharon Wilson Music
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It Is Well with My Soul
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.565569 By Philip P. Bliss. By Horatio G. Spafford and Philip P. Bliss. Arranged by Sharo...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.565569 By Philip P. Bliss. By Horatio G. Spafford and Philip P. Bliss. Arranged by Sharon Wilson Music. Christian,Easter,Praise & Worship,Romantic Period,Sacred. Score. 18 pages. Sharon Wilson #4793639. Published by Sharon Wilson (A0.565569). The beloved hymn When Peace Like a River by Phil P. Bliss is presented here as a flowing, peaceful intermediate 2 pianos, 4-hands duet (hymn tune VILLE DU HAVRE). Both PIANO 1 and PIANO 2 get to lead with the melody at times making this a fun and equally challenging piece for both players while adding variety for the listeners.PIANO1 plays the melody for the first verse and chorus. After a short interlude PIANO 2 then leads with the melody for the second verse and chorus. This beautiful, uplifting piano duo arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 3:15.The purchase price includes a 9-page score with both piano parts on each page plus an alternate format with the two piano parts on separate pages (4 pages each).
$5.99
Floor It!
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Vadim D
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Floor It!
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T.U.X. People's Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1075313 Composed by Vadim D. Genin. Contemporary,Contest,Festival,Instructional. Score. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1075313 Composed by Vadim D. Genin. Contemporary,Contest,Festival,Instructional. Score. 17 pages. T.U.X. People's Music #679515. Published by T.U.X. People's Music (A0.1075313). Hold on tight! Vadin D. Genin's latest work for two pianos is quick, dense, and packed with excitement for performers and audiences alike.
$22.00
It's Hard
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2 Pianos, 4 hands
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Contemporary
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Ezra Furman
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Pedro João DSV
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It's Hard
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João Pedro D.S
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.1027988 Composed by Ezra Furman. Arranged by Pedro João DSV. Contemporary. Score. 1 pages. JoÃ...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.1027988 Composed by Ezra Furman. Arranged by Pedro João DSV. Contemporary. Score. 1 pages. João Pedro D.S #5297895. Published by João Pedro D.S (A0.1027988). Música que toca a alma;Estudantes; Iniciantes;IntermediárioAvançado
$4.99
Let It Go
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2 Pianos, 4 hands
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EASY
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Walt Disney
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Idina Menzel
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André Alberto Santos
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Alberto Santos
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Let It Go
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Violao Vadio Musical Creations
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SheetMusicPlus
By Idina Menzel. By Robert Lopez and Kristen Anderson- Lopez. Arranged by André Alberto Santos. Broadway, Children, Film/TV, Instructional, Musi...
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By Idina Menzel. By Robert Lopez and Kristen Anderson- Lopez. Arranged by André Alberto Santos. Broadway, Children, Film/TV, Instructional, Musical/Show, Pop. Score. 20 pages. Violao Vadio Musical Creations #833984. Published by Violao Vadio Musical Creations
$4.99
As It Was
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2 Pianos, 4 hands
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INTERMEDIATE
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Pop music
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Harry Styles
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HarvardTHUD
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As It Was
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HarvardTHUD
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SheetMusicPlus
By Harry Styles. By Thomas Hull, Tyler Johnson, and Harry Styles. Arranged by HarvardTHUD. Pop. Score. 9 pages. HarvardTHUD #689222. Published by Harv...
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By Harry Styles. By Thomas Hull, Tyler Johnson, and Harry Styles. Arranged by HarvardTHUD. Pop. Score. 9 pages. HarvardTHUD #689222. Published by HarvardTHUD
$4.99
Concerto for piano and orchestra No. 2
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2 Pianos, 4 hands
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Erik Chisholm
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Concerto for piano and orchest
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Schott Music - Digital
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SheetMusicPlus
2 pianos - Digital Download SKU: S9.Q5862 Based on Hindustani themes. Composed by Erik Chisholm. This edition: piano reduction for 2 pianos. Downl...
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2 pianos - Digital Download SKU: S9.Q5862 Based on Hindustani themes. Composed by Erik Chisholm. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 30 minutes. Schott Music - Digital #Q5862. Published by Schott Music - Digital (S9.Q5862). The Piano Concerto No.2 was first performed in Cape Town in 1949 and in the following year was broadcast on the BBC Radio Third Programme. It was enthusiastically received by the critics, Ernest Newman writing of it ’I was particularly intrigued by the skill with which the composer has managed to fuse Hindustani modes of expression and European ways of thought and factors of design into a single organic whole. I was greatly intrigued by it’. It had many performances and broadcasts in the composer’s life time but after his death, was not heard again until 2007 when it was specially recorded for broadcast one evening in ‘Scotland’s Musicâ€, a BBC Radio Scotland’s series of weekly programmes. John Purser, writer and presenter of the series which ran for a year, comments ‘The Concerto emerges as a major achievement in terms of over-all conception, technical innovation and brilliance and superb handling of the orchestra’. The soloist, Dutch pianist Ronald Brautigam, said of his experience “It is a great privilege to be working on such a wonderful Concerto! I have completely fallen in love with the piece. The work is definitely challenging, but the wealth of musical ideas, the refinement of the slow movement, the humour and boisterousness of the finale make one forget that at times fingers need to be scraped off the keyboard’.
$25.99
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 hands
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ADVANCED
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois É
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Dumba
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2 Pianos, 4 hands
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INTERMEDIATE
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Lahkang Myu Awng
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Dumba
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Myu A Shingni
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1137117 Composed by Lahkang Myu Awng. Classical,Contemporary,Folk. Score. 16 pages. Myu ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1137117 Composed by Lahkang Myu Awng. Classical,Contemporary,Folk. Score. 16 pages. Myu A Shingni #737224. Published by Myu A Shingni (A0.1137117). “Dumba†is a piano four-hand composition of Lahkang Myu Awng (Myo Aung), and it is required two pianos. The composer employs Kachin's traditional folk tune and which is part of completely pentatonic. Dumba is the name of the wind instrument of the Kachin people, and it always uses in traditional Manau dance. It is one of the necessary instruments. It makes with a Buffalo horn, and it has a few holes. Those holes generate some unique pitches when the fingering alternately moves. The timbre of Dumba is mellow, and the melodic materials are a unique cadence. In this piece, the composer deliberately inserts a short melodic material from Dumba, especially in the cadence of each passage. Instrumentation: Pianos Four-hand Duration: 3:43.
$4.99
Once In Royal David's City variations for two pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Henry John Gauntlett
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James Mayhew
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Once In Royal David's City var
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James Mayhew
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporar...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporary,Romantic Period. Score. 10 pages. James Mayhew #4969389. Published by James Mayhew (A0.996518). This is a piece for two pianos (4 hands), which starts out with the Once In Royal David's City theme, and then there are 5 variations on it. The 1st, 2nd and 3rd variations are in G major, while the 4th and the start of the 5th ones are in G minor. The 5th variation is an extended variation with a fugato start in G minor which transitions back to G major again for a triumphant final play of the theme, and a small coda. It is quite challenging - probably early advanced level, particularly the 5th variation, although the other variations are more like late intermediate level. Listen to the computer played recording to get an idea of what it's like!You may print it twice or copy the first print to have two copies. .
$4.99
Gian Paolo Chiti: Play On B.A.C.H. for two pianos
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2 Pianos, 4 hands
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ADVANCED
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Gian Paolo Chiti
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Gian Paolo Chiti: Play On B.A.
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3417517. Published by Musik Fabrik Music Publishing (A0.534395). Gian Paolo Chiti wrote “Play on B.A.C.H.†for the Moreno Gistain Duo, who premièred the work on the 28th February, 2015, for the concert season of the Fundación Juan March in Madrid. It was also recorded for Spanish National Radio. Juan Fernando Moreno Gistain wrote of the work: “It´s an honour for us that Maestro Chiti composed “Play on B.A.C.H.†for our concert programme dedicated to works based on the motif formed by the notes B.A.C.H. “Play on BACH†is a wonderful piece for piano duo and we are sure many duos will perform this in the future. The work has an amazing feeling of nostalgia, humour and charm; the audience loved it at every performance. It´s a masterwork and fits incredibly well in our concert programme.â€
$19.95
Tango for the Road - for two pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Tango
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Ofer Ben-Amots
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Tango for the Road - for two p
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The Composer's Own Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 page...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Hymns of Reflection for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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Hymns of Reflection for Two Pi
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan,...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spafford, James L Nicholson, Lowell Mason, Philip P. Bliss, and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Folk,Lent,Sacred. Score. 75 pages. Sharon Wilson #1037027. Published by Sharon Wilson (A0.1458057). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Face to Face and the YouTube video features It Is Well with My Soul.Song titles included in this collection: Face to FaceIt Is Well with My SoulTake My Life and Let It BeThere Is a FountainWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Moscow Nights
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Richard Simm
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Richard Simm
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Moscow Nights
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1416730 By Richard Simm. By Soloviev-Sedoi. Arranged by Richard Simm. 20th Century,Folk,...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1416730 By Richard Simm. By Soloviev-Sedoi. Arranged by Richard Simm. 20th Century,Folk,Multicultural,World. Score. 5 pages. Richard Simm #998394. Published by Richard Simm (A0.1416730). This lovely song has become a folk tune in its own lifetime. Â Composed in 1955 during the Soviet Russian Era, it achieved supreme worldwide popularity during the early 1960s, although the film for which it was originally composed has been forgotten. Â Exotic, atmospheric harmonies, along with a truly memorable melodic line, transcend national boundaries and attest to the genuine musical gifts of composer Vasily Solovyev-Sedoi. Here it is in Richard Simm's arrangement for 2 pianos.
$5.95
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Johann Simon Mayr
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Fabrizio Capitanio
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Concerto for Cembalo [Fortepia
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Clas...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
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