Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
rhythm.
Sheetmusicplus
Not classified
6,983
Piano & keyboards
Piano solo
3,379
Big Note Piano
3,297
Organ
1,699
Easy Piano
1,237
Piano, Voice
632
Piano, Vocal and Guitar
388
C Instruments
384
Piano (band part)
151
1 Piano, 4 hands
134
Piano Accompaniment
128
Keyboard
61
Piano Trio: piano, violin, cello
45
2 Pianos, 4 hands
36
Piano Quartet: piano, violin, viola, cello
26
Accordion
15
Piano Quintet: piano, 2 violins, viola, cello
10
Organ, Trumpet (duet)
6
Harpsichord
6
1 Piano, 6 hands
6
Organ, Piano (duet)
3
Piano Quartet: piano, 2 violins, cello
2
All Instruments
1
+ 17 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
742
Guitar
488
Guitar (band part)
171
Melody line, (Lyrics) and Chords
77
Bass guitar
63
Dulcimer
46
Ukulele
39
2 Guitars (duet)
25
4 Guitars (Quartet)
20
Mandolin
17
Lyrics and Chords
16
Guitar Ensemble
15
Piano, Guitar (duet)
15
Banjo
12
3 Guitars (trio)
10
Electric Bass (band part)
3
2 Dulcimers (duet)
3
2 Mandolins (duet)
2
Guitar, String Quartet
1
Mandolin, Guitar (duet)
1
Guitar, Violin, Cello (trio)
1
Baritone Ukulele
1
Dobro
1
2 Ukuleles
1
Plectrum Orchestra
1
+ 20 instrumentations
-
Retract
Voice
Choral SATB
1,789
Choral 3-part
607
Choral Instrumental Pak
563
Choral Unison
312
Choral 2-part
307
Choral TTBB
243
Choral SSAA
203
Tenor voice, Piano
35
Choral
34
Alto voice, Piano
31
Soprano voice, Piano
31
High voice
19
Vocal duet, Piano
18
Vocal duet
14
Voice solo
13
Choral SSATB
9
Medium voice, Piano
6
Choral SSAATTBB
6
Tenor voice
4
Choral SSAB, Piano
4
Baritone voice, Piano
3
Choral SSAB a cappella
3
Soprano voice
2
Choral SSATTB
2
Low voice
1
Voix Masculines
1
Low voice, Piano
1
Choral SSAATB
1
Mezzo-Soprano voice, Piano
1
+ 24 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
593
Saxophone (band part)
426
Saxophone Quartet: 4 saxophones
333
2 Flutes (duet)
305
2 Clarinets (duet)
293
Descant (Soprano) Recorder
277
Ocarina
263
Saxophone, Clarinet (duet)
257
Flute and Piano
241
Clarinet, Violin (duet)
202
Flute
193
Flute, Oboe, Clarinet, Bassoon
190
Treble (Alto) Recorder
188
Clarinet and Piano
181
Clarinet Quartet: 4 clarinets
177
Clarinet, Trumpet (duet)
172
Clarinet
171
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
169
Oboe, Piano (duet)
159
Alto Saxophone
159
Alto Saxophone and Piano
151
Flute, Clarinet (duet)
129
Flute Quartet: 4 flutes
126
Tenor Saxophone
114
Oboe (band part)
114
2 Oboes (duet)
113
Oboe, Clarinet (duet)
108
Clarinet and Viola
102
Flute, Violin
101
Oboe, Bassoon (duet)
101
Tenor Saxophone and Piano
97
Flute, Saxophone (duet)
94
Flute, Viola (duet)
85
Saxophone Quintet: 5 Saxophones
83
Flute, Trumpet (duet)
78
Flute (band part)
78
Clarinet (band part)
78
Oboe, Flute
77
3 Saxophones (trio)
70
Soprano Saxophone and Piano
59
2 Recorders (duet)
58
Flute Trio: 3 flutes
49
3 Clarinets (trio)
46
Flute ensemble
44
Saxophone ensemble
44
Clarinet Quintet: 5 clarinets
43
Clarinet Ensemble
42
Baritone Saxophone, Piano
38
Treble (Alto) Recorder, Piano
33
Flute, Oboe (duet)
32
Bass Clarinet, Piano
31
Oboe
25
Flute and Guitar
24
Flute, Violin, Piano
23
Oboe, Violin (duet)
20
English horn, Piano
19
Flute Quintet : 5 flutes
17
Clarinet, Bassoon (duet)
15
Flute, Clarinet and Bassoon.
14
Oboe, Clarinet, Bassoon (trio)
14
Clarinet, Trombone (duet)
14
Clarinet, Cello (duet)
13
Soprano Saxophone
13
Recorder Quartet
12
Flute, Oboe, Bassoon
11
3 Recorders (trio)
11
English Horn
10
Recorder
10
Flute, Violoncello
10
Oboe, Cello
8
Flute, Oboe, Clarinet (trio)
8
Flute, Oboe, Piano (trio)
8
Bass Clarinet
7
Flute, Clarinet, Piano (trio)
7
2 Flutes, Piano
6
Saxophone
6
Recorder Ensemble
5
Flute, Organ (duet)
5
Clarinet, Guitar (duet)
5
Baritone Saxophone
5
Clarinet, Harp (duet)
5
Flute, Viola and Piano
5
2 Saxophones, Piano
5
Oboe and viola (duet)
5
Flute, Bassoon, and Piano
4
Flute, harp and violin
4
Oboe, Harp
4
5 Recorders
4
3 Oboes
3
Clarinet, Cello, Piano (trio)
3
Flute, Violin and Violoncello
3
Piccolo
3
Piccolo, Piano
3
Descent (Soprano) Recorder, Piano
3
Flute, Violin, Violoncello and Piano
3
Saxophone and Guitar
3
Flute, Clarinet, Horn and Bassoon (Quartet)
2
Flute, trombone and piano
2
Wind ensemble
2
Flute, Harp and Cello
2
2 Clarinets, Bassoon
2
Harmonica
2
Tenor Recorder
2
Clarinet, trumpet and piano
2
Oboe, Violin, Piano
2
Flute, Cello, Piano (trio)
2
2 Clarinets, Piano
2
English Horn, Guitar (duet)
1
Flute, Oboe, Violin
1
Oboe ensemble
1
Saxophone and Harp
1
Clarinet, Tuba
1
Flute, Viola and harp
1
Flute, Trombone (duet)
1
Oboe, Trombone (duet)
1
2 English horns and Pianoforte
1
Harmonica, Piano
1
Clarinette, Viola and Piano (trio)
1
Recorder, Piano
1
Clarinet, Double bass (duet)
1
4 Oboes
1
Pennywhistle
1
Saxophone and Piano
1
Saxophone and Organ
1
2 Flutes, 2 Clarinets (Quartet)
1
Oboe, Trumpet (duet)
1
Flute, Basso continuo
1
+ 122 instrumentations
-
Retract
Woodbrass
Trombone (band part)
353
Trumpet (band part)
284
Brass Quintet: 2 trumpets, horn, trombone, tuba
202
Trumpet, Saxophone (duet)
187
Trumpet
159
2 Trombones (duet)
140
2 Trumpets (duet)
134
Trombone and Piano
132
Trumpet, Piano
126
Trombone
125
Brass quartet : 2 trumpets, trombone, tuba
122
Trumpet, Trombone (duet)
109
French horn
97
French Horn and Piano
87
French horn (band part)
77
Tuba (band part)
61
Tuba and Piano
52
Brass Quartet: 2 trumpets, horn, trombone
45
Brass Quartet
41
Tuba
40
Euphonium, Piano (duet)
39
Brass Quartet: 4 trombones
28
Trombone ensemble
21
English horn, Piano
19
Trumpet ensemble
14
Brass Quartet: 4 horns
14
2 French horns (duet)
13
2 Tubas (duet)
11
2 Euphoniums (duet)
11
Brass Quartet: 2 trumpets, 2 trombones
10
English Horn
10
Euphonium
8
3 Trumpets (trio)
8
Trombone, Organ
8
Brass Quartet: 4 trumpets
6
Euphonium, Tuba (duet)
6
3 Trombones (trio)
6
4 Tubas
5
Horn Ensemble
5
Brass Trio
4
Trumpet, Tuba (duet)
4
Cornet
3
Trombone, Horn (duet)
3
Trumpet and Guitar
3
2 Euphoniums and 2 Tubas
2
Bb Instruments
2
Trumpet, Horn (duert)
2
French Horn and Harp
2
Bass Clef Instruments
2
Trumpet, Harp
2
Horn, Tuba (duet)
2
Bass Trombone
2
Tuba and Organ
1
English Horn, Guitar (duet)
1
3 Euphoniums
1
Trombone and Orchestra
1
Trumpet, Bassoon (duet)
1
2 English horns and Pianoforte
1
Clarinet, Horn (duet)
1
Bass Trombone and Piano
1
Trombone, Tuba (duet)
1
Horn, Cello (duet)
1
Trumpet, Cello, Piano
1
+ 58 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
837
Violin and Piano
402
Violin
322
Violin, Cello (duet)
270
Doublebass (band part)
267
2 Violins (duet)
189
Cello
186
Cello, Piano
181
Harp
158
2 Cellos (duet)
155
Viola, Piano
152
2 Violas (duet)
146
Violin (band part)
144
Violin, Viola (duet)
144
String Trio: violin, viola, cello
128
Viola
112
String Trio: 2 violins, cello
92
Viola (band part)
63
Double bass, Piano (duet)
62
Double Bass
46
String Quintet: 2 violins, viola, cello, bass
42
Cello (band part)
36
String Trio: 3 violins
35
Viola, Cello (duet)
24
4 Cellos
22
Violin, Guitar (duet)
21
Cello, String Bass (duet)
16
String quartet: 4 violins
15
2 Harps (duet)
15
String Trio: 2 violins, viola
15
String Trio: 3 cellos
12
2 Double basses (duet)
10
Harp, Flute (duet)
9
Piano Trio: Violin, Viola, Piano
8
String Quartet : 4 violas
8
Violin, Bassoon (duet)
8
Harp, Violin (duet)
7
String Trio: 3 violas
7
Harp, Cello (duet)
5
Viola and Harp
4
Autoharp
4
Viola, Guitar (duet)
4
Cello, Guitar (duet)
3
Violin ensemble
3
3 Harps
3
Cello Ensemble
3
Harp, Violin, Violoncello
3
4 Double Basses
2
Viola and Bassoon
2
String Quintet: 2 violins, 2 violas, cello
2
5 Harps
2
Cello, Organ
1
Harp and Piano
1
Violin, Clarinet, Piano (trio)
1
Harp, Trombone (duet)
1
Flute, Doublebass (duet)
1
4 Harps
1
2 Violins, Piano
1
Viola and orchestra
1
Violin, Organ
1
Harp, Voice
1
Harp and mandolin
1
Violin, Trumpet and Piano
1
+ 58 instrumentations
-
Retract
Orchestra & Percussion
Concert band
3,525
Jazz Ensemble
942
String Orchestra
786
Orchestra
563
Handbells
385
Jazz combo
339
Drums
217
Brass ensemble
195
Marching band
180
Drum (band part)
122
Percussion Ensemble
114
Chamber Orchestra
99
Percussion (band part)
48
Marimba
25
Percussion
21
Xylophone, Piano
15
2 Xylophones
7
Piano and Orchestra
5
Xylophone
5
Vibraphone
5
School Ensemble
5
Timpani (band part)
4
Snare drums
4
Bongos
3
Conga
3
Big band
2
Cajon
2
Bodhran
2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Vibraphone and Marimba
2
Timpani
1
2 Snare Drums (duet)
1
Marimba, Piano (duet)
1
2 Marimbas
1
Marimba or Xylophone and Piano
1
3 Percussions
1
Flexible Instrumentation
1
3 Marimbas
1
+ 33 instrumentations
-
Retract
Others
Musical course - Solfege
3
Music Theory
2
Free Sheet Music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
2
Digital Sheet Music
36
Sheet Music Books
0
Music Equipment
14
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
rhythm.
SheetMusicPlus
2 Pianos, 4 hands
Sheetmusic to print
36 sheet music found
<
1
26
Celebration!: A Youth Concerto for Piano and Rhythm Ensemble - Piano Duo (2 Pianos, 4 Hands)
#
2 Pianos, 4 hands
#
Children
#
Lynn Freeman Olson
#
Celebration!: A Youth Concerto
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Composed by Lynn Freeman Olson. Instructional. 23 pages. Alfred Music - Digital Sheet Music #00-PS-0016208. Published by Alfred Music - Digital Sheet ...
(+)
Composed by Lynn Freeman Olson. Instructional. 23 pages. Alfred Music - Digital Sheet Music #00-PS-0016208. Published by Alfred Music - Digital Sheet Music
$6.99
Sonata Hymnica No. 6
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
James Siddons
#
Sonata Hymnica No. 6
#
James Siddons Music and Writings
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Rhythmic Blues - Two Pianos
#
2 Pianos, 4 hands
#
EASY
#
Blues
#
Charles E
#
Rhythmic Blues - Two Pianos
#
Charles E. and Maria A. Davis
#
SheetMusicPlus
Jazz Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.836654 Composed by Charles E. Davis. Blues,Hip-Hop,Jazz,R and B,Standards....
(+)
Jazz Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.836654 Composed by Charles E. Davis. Blues,Hip-Hop,Jazz,R and B,Standards. Score. 8 pages. Charles E. and Maria A. Davis #6463433. Published by Charles E. and Maria A. Davis (A0.836654). This lively, catchy boogie-woogie blues piece is written for two pianos, but may also be performed by a jazz combo/ensemble as well. Â The piano solo part (Piano 1) is written out in full. However, one may also improvise on this part as desired. This piece makes a great recital piece and will be an audience favorite. This piece may be played for other occasions as well. Package includes Piano parts 1 and 2.
$4.95
Harmonic Spaces (four-hands piano)
#
2 Pianos, 4 hands
#
ADVANCED
#
Contemporary
#
Paul SanGregory
#
Harmonic Spaces
#
Distant Engraver Music
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Musi...
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
#
2 Pianos, 4 hands
#
ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
INITIATE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
(+)
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Cumbia Op.22
#
2 Pianos, 4 hands
#
Alexander Klein
#
Cumbia Op.22
#
Alexander Klein
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.987687 Composed by Alexander Klein. Contemporary,Jazz,Latin,World. Score. 19 pages. Alexander Klei...
(+)
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.987687 Composed by Alexander Klein. Contemporary,Jazz,Latin,World. Score. 19 pages. Alexander Klein #2076019. Published by Alexander Klein (A0.987687). Cumbia is yet another of my musical homages to the rhythms and sounds of Colombia. This lively, syncopated musical expression was partly imported to Colombia from Africa during the slave trade back in the 16th, 17th and 18th centuries. Since the Atlantic coast of Colombia was the main port of this trade, the area also became the cradle of Cumbia and many other African-influenced genres. My work explores the main rhythmical patterns of the Cumbia, as well as its modal-type melodies. However, I have also mixed it with jazz-influenced harmonies and salsa-flavored rhythms to reflect my own bi-cultural upbringing. All in all, I like to consider my Cumbia as a homage to the rich, lively and irresistible music of African-American cultures. - Alexander Klein.
$6.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
#
2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
SURRENDER, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
#
2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
THREAD, Between the Octaves A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
#
2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
CURVE, Between the Octaves - A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
dislocation I mean a degree of
#
Jenni Roditi
#
RITUALISE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Epilogue
#
2 Pianos, 4 hands
#
ADVANCED
#
Justin Hurwitz
#
Danny McGarry
#
Epilogue
#
Danny McGarry
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz...
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz,Romantic Period. Score. 21 pages. Danny McGarry #1047770. Published by Danny McGarry (A0.1470047). Accurately and artistically arranged for Virtuosic 2-Piano Duet. Much time was spent carefully mapping harmonies and optimizing rhythm from the original orchestration while utilizing a wide range of techniques unique to the piano. All fingerings are personally tested and informed from over a decade of experience playing advanced/virtuosic piano music. This duet is designed for balanced difficulty, melody/harmony balance, and solo time between parts.Approx. length: ~8:00If you enjoy this piece, please consider checking out the rest of my catalogue for more arrangements from film scores, musicals, radio classics, and original compositions in the future!
$12.99
A Good Night
#
2 Pianos, 4 hands
#
EASY
#
Michael Drake
#
Michael Drake
#
A Good Night
#
Michael Gene Drake
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1347922 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Contemporary,Wedd...
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1347922 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Contemporary,Wedding. Score. 27 pages. Michael Gene Drake #932736. Published by Michael Gene Drake (A0.1347922). A Good Night a 5 piece composition for rhythm or multiple pianos. Melody, Harmony, Piano, Motive and Bass. www.drakemusic.com michaeldrakemusic@outlook.com.
$15.00
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
#
2 Pianos, 4 hands
#
EASY
#
Gospel/Spiritual
#
Sacred music
#
Sharon Wilson
#
Sharon Wilson
#
Swing Low, Sweet Chariot
#
Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,...
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
#
2 Pianos, 4 hands
#
EASY
#
Classical
#
Ludwig van Beethoven
#
John M
#
Beethoven - Moonlight Sonata D
#
Music Innovators Workshop
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period....
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
C it, Play it!
#
2 Pianos, 4 hands
#
BEGINNER
#
Alison Mathews
#
C it, Play it!
#
Alison Mathews
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1265430 Composed by Alison Mathews. Children,Contemporary,Instructional. Score. 8 pages....
(+)
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1265430 Composed by Alison Mathews. Children,Contemporary,Instructional. Score. 8 pages. Alison Mathews #858248. Published by Alison Mathews (A0.1265430). This is short lively piece for 4 hands that reinforces the landmark Cs, both on the stave and on the keyboard. Level one uses C3, C4, C5 and level two uses C2 to C6 with a final flourish using all 8 Cs! Originally written to be played at 2 pianos I’ve included a duet version which involves some extra moving around the keyboard for both players to ensure your pupil always plays at the correct octave. It’s easy to fit into lesson time alongside flashcard games or to supplement your method book. You can even extend it further by getting your student to create their own part, deciding on the order of Cs and rhythm!
$4.99
Take My Life and Let It Be (2 Pianos, 4 Hands Duet)
#
2 Pianos, 4 hands
#
INTERMEDIATE
#
Sharon Wilson
#
Sharon Wilson
#
Take My Life and Let It Be
#
Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. A...
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Piano Quintet in A minor
#
2 Pianos, 4 hands
#
ADVANCED
#
Florence B
#
Mena Williams (b
#
Piano Quintet in A minor
#
Mena C. Williams | The Unfinished Symphony
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). ...
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99
Bat Country
#
2 Pianos, 4 hands
#
INTERMEDIATE
#
Avenged Sevenfold
#
Willem Mante
#
Bat Country
#
Willem Mante
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1083887 By Avenged Sevenfold. By Brian Haner, Jr., James Sullivan, Matthew Sanders, and ...
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1083887 By Avenged Sevenfold. By Brian Haner, Jr., James Sullivan, Matthew Sanders, and Zachary Baker. Arranged by Willem Mante. Contest,Festival,Rock,Video Game. Score. 38 pages. Willem Mante #688089. Published by Willem Mante (A0.1083887). This is a piano duet arrangement of Bat Country by Avenged Sevenfold which includes the score and both parts. Performers will be challenged to maintain energy and tempo throughout the piece while difficult rhythmic passages and harmonies command communication between each pianist. A large range on the piano is utilized so as to create a full-bodied sound and opportunity for performers to showcase their range of abilities. If you choose to purchase this arrangement, thank you!
$4.99
Swanee
#
2 Pianos, 4 hands
#
ADVANCED
#
Paul Posnak & Anita Castiglion
#
Paul Posnak
#
Swanee
#
Paul Posnak
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak....
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.
$12.00
Pre Zoom II [for 2 pianos]
#
2 Pianos, 4 hands
#
ADVANCED
#
Masakazu YAMAMOTO
#
Pre Zoom II [for 2 pianos]
#
Motch Music
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.912065 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. Score....
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.912065 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. Score. 22 pages. Motch Music #517993. Published by Motch Music (A0.912065). Original work by Masakazu Yamamoto.Work for 2 pianos. It consists of an improvisational approach and an ostinato contrast, and a slightly jazzy and rhythmic ensemble. Premiered at the concert that produced for 21st Century Music Creation from Yamanashi-Concert Part III by Yamanashi Composers held at Kingswell Hall (Kai City, Yamanashi Prefecture) in October 2018. Duration : about 12'40 Works For Piano Original Composition (Sheet Music Plus / Sheet Music Direct)→Music For Children (Sheet Music Plus / Sheet Music Direct) ​Arrangement (Sheet Music Plus / Sheet Music Direct)→Christmas Arrangement (Sheet Music Plus / Sheet Music Direct) Music Analysis (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english Â
$21.00
Into My Mind
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Helen Porter
#
medium/advanced players
#
Into My Mind
#
Helen Porter
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.976590 Composed by Helen Porter. 20th Century,Classical,Concert,Romantic Period. Score. ...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.976590 Composed by Helen Porter. 20th Century,Classical,Concert,Romantic Period. Score. 10 pages. Helen Porter #3684933. Published by Helen Porter (A0.976590). IT CAME INTO MY MIND is a 2 movement 2 piano composition, for medium/advanced players. The first section is playful and happy and the second is very exciting and rhythmic, building to a climax at the end. Both piano parts are of equal standard of difficulty.
$15.00
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
#
2 Pianos, 4 hands
#
ADVANCED
#
James Nathaniel Holland
#
Jazz Piano Concerto No 2 in Ab
#
James Nathaniel Holland
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Sc...
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
<
1
26
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version