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--INSTRUMENTS--
ACCORDION
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BAGPIPE
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BOOKS
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CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
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up
Not classified
4,952
Piano & keyboards
Big Note Piano
3,368
Piano solo
3,300
Piano, Vocal and Guitar
2,362
Organ
1,779
Piano, Voice
1,340
Easy Piano
1,245
C Instruments
429
1 Piano, 4 hands
141
Piano Accompaniment
137
Keyboard
61
Piano (band part)
60
Accordion
37
2 Pianos, 4 hands
31
Piano Trio: piano, violin, cello
26
Piano Quartet: piano, 2 violins, cello
9
Piano Quartet: piano, violin, viola, cello
9
Melody line, Piano
7
Organ, Piano (duet)
7
1 Piano, 6 hands
6
Organ, Trumpet (duet)
5
Piano Quintet: piano, 2 violins, viola, cello
5
Accordion, Voice
3
2 Pianos, 8 hands
3
Solo instrument and Organ
2
Accordion ensemble
1
Harpsichord
1
+ 21 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
1,015
Melody line, (Lyrics) and Chords
489
Guitar
328
Lyrics and Chords
266
Ukulele
221
Bass guitar
218
Guitar (band part)
96
Banjo
23
2 Guitars (duet)
20
Dulcimer
18
4 Guitars (Quartet)
15
Electric Bass (band part)
11
Mandolin
11
Piano, Guitar (duet)
10
Guitar Ensemble
9
3 Guitars (trio)
6
2 Dulcimers (duet)
4
Guitar, Violin, Cello (trio)
3
Baritone Ukulele
3
Lap Steel Guitar
3
Ukulele Ensemble
1
Band Scores
1
2 Ukuleles
1
+ 18 instrumentations
-
Retract
Voice
Choral SATB
1,780
Choral 3-part
744
Choral TTBB
492
Choral 2-part
441
Choral Instrumental Pak
262
Choral SSAA
234
Choral Unison
201
Choral
119
Vocal duet, Piano
92
Voice solo
56
Vocal duet
31
High voice
25
Soprano voice, Piano
24
Alto voice, Piano
23
Baritone voice, Piano
13
Low voice, Piano
11
Tenor voice, Piano
9
Medium voice, Piano
8
Choral SSAATTBB
6
Low voice
5
Soprano voice
3
Choral SSATB
3
Choral SSAB a cappella
3
Choral SSATTB
3
Voix Masculines
3
Choral SAATB A Cappella
2
Mezzo-Soprano voice, Piano
2
Tenor voice
2
Choral SSAB, Piano
2
Voice, Guitar
1
Soli, Mixted choir and accompaniment
1
Choral SSATBB
1
Soprano voice, Orchestra
1
+ 28 instrumentations
-
Retract
Woodwind
Saxophone (band part)
477
Clarinet
325
Flute
306
Flute and Piano
272
2 Saxophones (duet)
259
Saxophone Quartet: 4 saxophones
253
Alto Saxophone
210
Tenor Saxophone
203
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
192
Clarinet and Piano
185
Clarinet Quartet: 4 clarinets
172
Oboe, Piano (duet)
164
Flute, Oboe, Clarinet, Bassoon
159
Alto Saxophone and Piano
158
Clarinet (band part)
152
2 Flutes (duet)
144
2 Clarinets (duet)
138
Saxophone
130
Oboe (band part)
119
Flute (band part)
109
Tenor Saxophone and Piano
104
Flute Quartet: 4 flutes
84
Saxophone, Clarinet (duet)
73
Soprano Saxophone and Piano
71
Clarinet, Violin (duet)
58
Flute, Clarinet (duet)
57
Saxophone Quintet: 5 Saxophones
50
Flute and Guitar
48
Flute, Violin
45
Flute ensemble
45
3 Saxophones (trio)
44
2 Oboes (duet)
42
3 Clarinets (trio)
40
Clarinet Ensemble
39
Flute Trio: 3 flutes
39
Clarinet, Trumpet (duet)
37
Oboe, Bassoon (duet)
35
Baritone Saxophone, Piano
34
Saxophone ensemble
32
Recorder
31
Oboe, Flute
31
Oboe
30
Soprano Saxophone
29
Oboe, Clarinet (duet)
29
English horn, Piano
28
Flute, Trumpet (duet)
25
Clarinet Quintet: 5 clarinets
25
Flute, Viola (duet)
25
Flute, Saxophone (duet)
25
2 Recorders (duet)
24
Clarinet and Viola
23
Bass Clarinet, Piano
17
Descant (Soprano) Recorder
17
Clarinet, Guitar (duet)
15
Eb Instruments
14
Flute, Oboe, Clarinet (trio)
14
Clarinet, Bassoon (duet)
10
Flute Quintet : 5 flutes
9
Descent (Soprano) Recorder, Piano
9
Flute, Clarinet and Bassoon.
8
Flute, Violoncello
8
Flute, Violin, Piano
7
Flute, Oboe, Bassoon
7
English Horn
6
Flute, Oboe (duet)
6
Recorder Quartet
6
Treble (Alto) Recorder, Piano
6
Flute, Cello, Piano (trio)
5
2 Clarinets, Piano
5
English Horn, Guitar (duet)
5
2 Flutes, Piano
5
Clarinet, Cello, Piano (trio)
5
Treble (Alto) Recorder
5
Clarinet, Harp (duet)
5
Saxophone and Guitar
4
Flute, Clarinet, Violin (trio)
4
Flute, Violin, Violoncello and Piano
4
Pennywhistle
4
Flute, Violin and Violoncello
3
Oboe, Guitar (duet)
3
Ocarina
3
3 Recorders (trio)
3
Baritone Saxophone
3
3 Oboes
3
Flute, Oboe, Violin
3
Flute, harp and violin
3
Harmonica
3
Oboe, Clarinet, Bassoon (trio)
3
Oboe, Harp
3
Bass Clarinet
3
Oboe, Cello
3
Recorder, Piano
2
Tenor Recorder
2
Flute, Bassoon, and Piano
2
Flute and Strings Trio
2
Piccolo, Piano
2
Clarinet, Cello (duet)
2
Piccolo
2
Flute, Trombone (duet)
2
Flute, Harp and Cello
2
2 Saxophones, Piano
2
Clarinet Quintet: Clarinet, String Quartet
1
Clarinet, trumpet and piano
1
Recorder Ensemble
1
Oboe, Violin (duet)
1
Clarinet, Trombone (duet)
1
Flute, Clarinet, Piano (trio)
1
2 Flutes, 2 Clarinets (Quartet)
1
Clarinet, Tuba
1
Flute, Tuba (duet)
1
Oboe and viola (duet)
1
2 Clarinets, Bassoon
1
Flute, Organ (duet)
1
2 Oboes, Piano
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Saxophone and Organ
1
Flute, Oboe, Piano (trio)
1
Flute, trombone and piano
1
+ 113 instrumentations
-
Retract
Woodbrass
Trombone (band part)
382
Trumpet (band part)
367
Brass Quintet: 2 trumpets, horn, trombone, tuba
319
Trumpet
310
Trombone
224
Brass quartet : 2 trumpets, trombone, tuba
171
Trumpet, Piano
152
Trombone and Piano
149
French horn
139
French horn (band part)
102
French Horn and Piano
89
Tuba (band part)
84
Tuba
80
2 Trumpets (duet)
74
2 Trombones (duet)
72
Trumpet, Saxophone (duet)
69
Brass Quartet: 4 trombones
45
Tuba and Piano
42
Trumpet, Trombone (duet)
39
Brass Quartet: 2 trumpets, horn, trombone
35
Euphonium, Piano (duet)
34
2 French horns (duet)
31
Brass Quartet
28
English horn, Piano
28
Brass Quartet: 4 horns
17
2 Tubas (duet)
16
Bass Clef Instruments
16
Trombone ensemble
15
Euphonium
13
Bb Instruments
13
Brass Trio
12
2 Euphoniums and 2 Tubas
10
Trumpet, Horn (duert)
9
4 Tubas
8
3 Trombones (trio)
7
English Horn
6
Tuba or Euphonium or Saxhorn
6
Brass Quartet: 4 trumpets
6
English Horn, Guitar (duet)
5
3 Trumpets (trio)
5
Brass Quartet: 2 trumpets, 2 trombones
4
Horn Ensemble
4
French Horn and Harp
4
Tuba and Organ
3
Bass Trombone
3
2 Euphoniums (duet)
3
F Instruments
2
2 Trumpets, Keyboard (piano or organ)
2
Trumpet ensemble
2
Trombone, Tuba (duet)
2
Bass Trombone and Piano
2
Cornet and Piano
1
Horn, Tuba (duet)
1
2 French horns, Piano
1
Trumpet, Euphonium (duet)
1
Euphonium, Tuba (duet)
1
Trumpet, Trombone, Piano
1
3 French horns (trio)
1
Trombone, Organ
1
Trumpet, Tuba (duet)
1
Trumpet, Harp
1
Horn and Organ
1
Tuba ensemble
1
French horn and Basson (duet)
1
Clarinet, Horn (duet)
1
Trombone, Violin (duet)
1
Trumpet, Bassoon (duet)
1
+ 62 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
699
Violin
374
Violin and Piano
312
Cello
289
Harp
218
Cello, Piano
200
Viola
189
Viola, Piano
143
Violin, Cello (duet)
133
2 Cellos (duet)
114
2 Violins (duet)
114
Doublebass (band part)
109
String Trio: violin, viola, cello
103
Violin (band part)
100
Violin, Viola (duet)
70
Double Bass
61
Viola (band part)
56
2 Violas (duet)
51
String Trio: 2 violins, cello
51
Double bass, Piano (duet)
47
String Quintet: 2 violins, viola, cello, bass
33
2 Harps (duet)
32
Cello (band part)
22
Viola, Cello (duet)
19
4 Cellos
17
Harp, Flute (duet)
15
String Trio: 3 violins
14
Cello, Guitar (duet)
14
String Trio: 3 cellos
12
String quartet: 4 violins
10
2 Double basses (duet)
10
Piano Trio: Violin, Viola, Piano
10
Cello, String Bass (duet)
9
Violin, Guitar (duet)
9
String trio
9
Harp, Voice
7
Harp, Violin (duet)
6
String Trio: 3 violas
5
Harp, Cello (duet)
4
Viola, Guitar (duet)
4
Autoharp
3
Cello Ensemble
3
Viola and Harp
3
Harp and Piano
2
2 Violas, Piano
2
String Trio: 2 violins, viola
2
Violin, Bassoon (duet)
2
Harp, Violin, Violoncello
2
4 Double Basses
1
2 Cellos, Piano
1
3 Harps
1
Viola and Bassoon
1
Flute, Doublebass (duet)
1
Cello, Organ
1
String Quartet : 4 violas
1
String Quintet: 2 violins, 2 violas, cello
1
2 Violins, Piano
1
Violin, Organ
1
Harp and mandolin
1
Violin, Clarinet, Piano (trio)
1
Violin, Tuba (duet)
1
+ 56 instrumentations
-
Retract
Orchestra & Percussion
Concert band
2,276
Jazz Ensemble
681
Orchestra
449
Marching band
442
String Orchestra
371
Handbells
261
Drums
242
Brass ensemble
239
Jazz combo
134
Chamber Orchestra
113
Percussion (band part)
105
Drum (band part)
89
Percussion Ensemble
74
Marimba
24
Percussion
21
Timpani (band part)
18
Timpani
12
Vibraphone
9
Xylophone
9
School Ensemble
6
Xylophone, Piano
4
Woodwind Quintet
3
Xylophone (band part)
2
Brass Quintet: other combinaisons
2
Drums-Marching band
2
Marimba, Piano (duet)
1
Big band
1
Bodhran
1
Piano and Orchestra
1
Snare drums
1
Orchestra, Violin
1
Woodwind Quartet: any 4 woodwinds
1
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
1
2 Marimbas
1
+ 29 instrumentations
-
Retract
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--INSTRUMENTS--
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2 Pianos, 4 hands
Sheetmusic to print
31 sheet music found
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1
26
Rise Up, O Church of God--Duo Piano (Keyboard).pdf
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2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Gospel/Spiritual
#
William Walter/ Aaron Williams
#
Marilyn Thompson
#
Rise Up, O Church of God--Duo
#
Marilyn Thompson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809597 Composed by William Walter/ Aaron Williams. Arranged by Marilyn Thompson. Christi...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809597 Composed by William Walter/ Aaron Williams. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. Score. 8 pages. Marilyn Thompson #6339185. Published by Marilyn Thompson (A0.809597). A stirring call to the Church to face the challenges of today is reflected in this high-energy duet. The two hymn tunes of FESTAL SONG and ST THOMAS are superimposed in the Finale section of the piece. A Piano/Organ Duet is available on another post. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP.
$4.99
Up On the House Top
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
#
Benjamin Hanby
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Ashley Ivers
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Up On the House Top
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Ashley Ivers
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.823547 Composed by Benjamin Hanby. Arranged by Ashley Ivers. Children,Christmas. Score. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.823547 Composed by Benjamin Hanby. Arranged by Ashley Ivers. Children,Christmas. Score. 5 pages. Ashley Ivers #4979323. Published by Ashley Ivers (A0.823547). Duet for 2 pianos, 4 hands, duo, two copies needed for performance. .
$4.99
Keep Up - Piano Duo (2 Pianos, 4 Hands)
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2 Pianos, 4 hands
#
Instructional
#
Zach Garcia
#
Keep Up - Piano Duo
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000682 Composed by Zach Garcia. Instructional. 10 pages. Alfred Music - Digital Sheet Music #0...
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Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000682 Composed by Zach Garcia. Instructional. 10 pages. Alfred Music - Digital Sheet Music #00-PB-0000682. Published by Alfred Music - Digital Sheet Music (AX.00-PB-0000682). ISBN 9781470641849. UPC: 038081548722.
$5.50
If We Ever Broke Up
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Pop music
#
Mae Stephens
#
Helios D'Andrea
#
If We Ever Broke Up
#
D'Andrea Helios
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1211339 By Mae Stephens. By Mae Stephens, Morien Van Der Tang, and Natalia I Koronowska....
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1211339 By Mae Stephens. By Mae Stephens, Morien Van Der Tang, and Natalia I Koronowska. Arranged by Helios D'Andrea. Pop. Score. 9 pages. D'Andrea Helios #809005. Published by D'Andrea Helios (A0.1211339). Arranged for two pianos by Helios D'Andrea.
$4.99
Wassail Hiccup and Trip up, fun Christmas Carol Variations for 2 pianos, 4 hands Arr. Simon Peberdy
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2 Pianos, 4 hands
#
INTERMEDIATE
#
Christmas
#
Traditional English Melody
#
Simon Peberdy
#
Wassail Hiccup and Trip up, fu
#
Simon Peberdy
#
SheetMusicPlus
Composed by Traditional English Melody. Arranged by Simon Peberdy. Christmas, Contemporary, Standards. Score. 7 pages. Simon Peberdy #3681647. Publish...
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Composed by Traditional English Melody. Arranged by Simon Peberdy. Christmas, Contemporary, Standards. Score. 7 pages. Simon Peberdy #3681647. Published by Simon Peberdy
$3.99
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
#
2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
CURVE, Between the Octaves - A
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
shut up by Vview Piano - 2 Piano 4-Hands
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2 Pianos, 4 hands
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Vview Piano
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shut up
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Musicnotes
Sheet Music for shut up by Vview Piano arranged for 2 Piano 4-Hands;Instrumental Duet in C Major. Digital sheet music from Musicnotes. ...
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Sheet Music for shut up by Vview Piano arranged for 2 Piano 4-Hands;Instrumental Duet in C Major. Digital sheet music from Musicnotes.
$4.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Ornament for Two Pianos
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2 Pianos, 4 hands
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ADVANCED
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Jean Ahn
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Ornament for Two Pianos
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Jean Ahn
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1373528 Composed by Jean Ahn. 21st Century,Classical,Contemporary. Score. 18 pages. Jean...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1373528 Composed by Jean Ahn. 21st Century,Classical,Contemporary. Score. 18 pages. Jean Ahn #957896. Published by Jean Ahn (A0.1373528). Ornament is about the sparkling chords. The constant six note chords and the shimmering ornaments fill up a resonant space, thus a pianosphere.
$15.00
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
Løvfald ("Falling Leaves")
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2 Pianos, 4 hands
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INTERMEDIATE
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Contemporary
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Christian Vestergaard
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Løvfald
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Christian Vestergaard
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.921614 Composed by Christian Vestergaard. Contemporary. Score. 11 pages. Christian Veste...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.921614 Composed by Christian Vestergaard. Contemporary. Score. 11 pages. Christian Vestergaard #4810583. Published by Christian Vestergaard (A0.921614). A late night improvisation on the piano, about 3½ minutes long. Technically not a particularly difficult piece to learn. I do a lot of improvisations on the piano and sometimes they end up as finished piano works like this one :-)The synth part is optional, so the piece can be performed as a piano solo, or as a duet with a synth player. I recommend using a sustain pedal and mod wheel for the synth, like I did in my own recording of the piece.Christian Vestergaard, Composer & Pianistwww.christianvestergaard.dk www.youtube.com/cvnielsenwww.facebook.com/chrvestergaardwww.soundcloud.com/christian-vestergaard-wennerlin
$3.99
"A Youthful Vow" from An Icelandic Suite
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" from An Icela
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamb...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
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2 Pianos, 4 hands
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EASY
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Classical
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Ludwig van Beethoven
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John M
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Beethoven - Moonlight Sonata D
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Music Innovators Workshop
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Christmas
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Various, traditional carol m
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Simon Peberdy
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Christmas Carol Variations for
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Simon Peberdy
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SheetMusicPlus
Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christmas, Contemporary. Score. 68 pages. Simon Peberdy #3892889. Publishe...
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Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christmas, Contemporary. Score. 68 pages. Simon Peberdy #3892889. Published by Simon Peberdy
Christmas Carol Variations for 2 pianos, 4 hands, Book 2 is a second collection of fun variations based on 10 well-known Christmas carols, for 2 pianos, 4 hands. These are all available individually, but buying all 10 together gives you nearly 70 pages of music to enjoy at a price that means you are basically getting 10 pieces for the price of 6.
(Also available as a printed book through www.simonpeberdymusic.com)
The mp3 is of "Wassail Hiccup and Trip up"
1. Lullay Lullay (https://youtu.be/yfXnmCyfXxI)
2. Little Town of Bethlehem Charleston;
3. The First Noel Gymnopedie (https://www.youtube.com/watch?v=GUlHWQ1zpsU)
4. Hark, the Herald Bluegrass Angels;
5. In the Bleak Midwinter;
6. Joy to the World - Funky! (https://www.youtube.com/watch?v=yAUaDHI7VBo or https://www.youtube.com/watch?v=XHTcGZ0ZLiM)
7. O Little Town of Bethlehem;
8. Wassail Hiccup and Trip up (https://www.youtube.com/watch?v=PABjdC_O7pg);
9. While Shepherds Boogie Woogie;
10. Quem Pastores.
The mp3 is of Wassail Hiccup and Trip up.
Please note: although both piano parts are printed, you do need 2 copies to play on 2 pianos!
(Book 1 is also available with another 10 pieces)
Arrangements for piano duet are also available.
$24.99
Lift Up Ye Heads O Ye Gates
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2 Pianos, 4 hands
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Classical
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Sacred music
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George Frideric Handel
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Sandra Zylstra
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Lift Up Ye Heads O Ye Gates
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Sandra Zylstra
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SheetMusicPlus
Composed by George Frideric Handel (1685-1759). Arranged by Sandra Zylstra. Baroque Period, Christian, Sacred, Christmas, Easter. Sheet Music Single. 7 pages. P...
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Composed by George Frideric Handel (1685-1759). Arranged by Sandra Zylstra. Baroque Period, Christian, Sacred, Christmas, Easter. Sheet Music Single. 7 pages. Published by Sandra Zylstra (S0.43975). - Sheet Music Single - Baroque Period,Christian,Sacred,Christmas,Easter - Sandra Zylstra
$5.25
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