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You've selected:
Light of Hope
Saxophone ensemble
Sheetmusic to print
4 sheet music found
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1
Hope Collage for Saxophone Octet
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Saxophone ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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the
time the movement
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Sy Brandon
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Hope Collage for Saxophone Oct
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Sy Brandon
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.755338 Composed by Sy Brandon. 20th Century,Contemporary. 81 pages. Sy Brandon ...
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Saxophone Ensemble,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.755338 Composed by Sy Brandon. 20th Century,Contemporary. 81 pages. Sy Brandon #6619959. Published by Sy Brandon (A0.755338). Hope Collage was commissioned in honor of Hope College's 14th President, Matthew Scogin. President Scogin was inaugurated in 2019 and exemplifies the qualities of hope represented in this piece. The first movement Castles In The Sky is in 6/8 meter with some of the syncopated rhythmic figures that pit 3/4 against the 6/8. The major tonality is disguised by chromaticism either in the melody or in the counterpoint and harmony. The form is basically AB with a Coda. The slow second movement A Light at the End of the Tunnel has the tenor and baritone saxophones representing the darkness of the tunnel using minor and slightly dissonant harmony. The light at the end of the tunnel is represented by the alto and soprano saxophones. Even though they are still in minor, their brightness and rising arpeggios represent a glimmer of hope. By the time the movement nears the end, optimism has taken over and the entire ensemble is in shifting major tonalities leading up to the quiet, yet, prayerful end in B major. The third movement Knock On Wood has a Scherzo quality and is at an allegro tempo. The opening theme sets the tone of optimism with its combination of quartal, quintal, and triadic harmony along with staccato articulation. It is answered by the saxophones doing rhythmic slap tongue in a pyramid formation that represents knocking on wood. The theme and its variations alternate with the slap tongue throughout most of the movement. In several places, the theme and slap tongue appear in canon. Towards the end, the theme becomes fragmented and the slap tongue dominates. The fragments become pieced together leading to a final outburst of 16th note joy before the last chord. The movement ends with foot stomps that rhythmically suggests knock on wood. The last movement Promised Land is in two parts. The first is meditative and prayer-like in a moderate tempo. It has a passacaglia bass line and contrapuntal lines are added above it. It also grows in intensity until it reaches the Allegro, which is the second part and is celebratory. The Allegro begins with a sixteenth note motif that plays an accompaniment role in many places throughout the last section to the slower moving declarative lines. Near the end, motifs from the Moderato section are transformed in the Allegro, therefore linking the two sections.
$14.99
Under The Sea
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Saxophone ensemble
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INTERMEDIATE/ADVANCED
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Walt Disney
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Alan Menken and Howard Ashman
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Lisa Ochoco
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Under The Sea
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Lisa L Ochoco
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0....
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1243445 Composed by Alan Menken and Howard Ashman. Arranged by Lisa Ochoco. 20th Century,Broadway,Contemporary,Musical/Show. 32 pages. Lisa L Ochoco #838410. Published by Lisa L Ochoco (A0.1243445). This is one of my favorite feel good Disney songs. Â I just can't help but smile when I hear it. Â This saxophone choir arrangement requires strong players on every part and strict timing with the eighth notes. Â Also, the lighter the notes are played, the better, as this will help keep the tempo from slowing down. Â The melody should be able to sing above all the stuff going on around it.Scored for 2 sopranos, 3 altos, tenor, and baritone saxophones. Â There is an optional bass sax part that doubles the baritone.I hope you enjoy playing this piece!Duration: 2.75 minutes.
$15.00
Hallelujah from Messiah by Handel for Saxophone Ensemble
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Saxophone ensemble
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INTERMEDIATE
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Classical
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George Frideric Handel
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Ander
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Hallelujah from Messiah by Han
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0....
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1394046 Composed by George Frideric Handel. Arranged by Ander. Baroque,Chamber,Christian,Easter. 21 pages. Woods Only, Arrangements #977502. Published by Woods Only, Arrangements (A0.1394046). We present our arrangement of the acclaimed song Hallelujah from Handel’s oratorio “The Messiahâ€, adapted for Sax Ensemble. This sheet music is a faithful reproduction of the original composition, bringing the grandeur of Handel’s work to the chamber music. George Frideric Handel, one of the greatest composers of the Baroque period, composed The Messiah in 1741. The piece, cataloged as HWV 56 in Handel’s works catalog, is known for its emotional depth and musical complexity. The song “Hallelujah†is one of the most recognized in the oratorio, celebrating the resurrection and the final victory over sin and death. This arrangement is perfect for teachers looking to expand their student's didactic repertoire, offering a unique opportunity to explore Baroque music in a chamber context. In addition, it is an excellent choice for groups wishing to present an impactful piece in recitals or concerts. With the arrival of the month of March, Easter is approaching. What better way to celebrate than with the music that encapsulates the joy and hope of this season? This arrangement of Hallelujah is the perfect choice to add a special touch to your Easter celebrations. Purchase our arrangement of Hallelujah and experience the timeless beauty of Handel’s music in a new way. Take the opportunity to own a piece that will surely delight musicians and listeners. Don’t miss the chance to make your performances even more memorable.
$9.99
Bach: Brandenburg Concerto No. 3 for Saxophone Choir
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Saxophone ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No.
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jmsgu3
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1402348 Comp...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1402348 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 149 pages. Jmsgu3 #985560. Published by jmsgu3 (A0.1402348). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$74.95
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