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There Is a Star - Trombone 1
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There Is a Star - Trombone 1
Trumpet
Sheetmusic to print
6 sheet music found
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1
Belief
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Trumpet
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BEGINNER
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Alex Lewis, Eddie Lewis
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Belief
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Tiger Music
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SheetMusicPlus
Piano,Trumpet - Level 1 - Digital Download SKU: A0.750361 Composed by Alex Lewis, Eddie Lewis. Contemporary,Instructional,Standards. Score and part. 6 pa...
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Piano,Trumpet - Level 1 - Digital Download SKU: A0.750361 Composed by Alex Lewis, Eddie Lewis. Contemporary,Instructional,Standards. Score and part. 6 pages. Tiger Music #6339105. Published by Tiger Music (A0.750361). Although this composition is called Belief, it doesn't sound particularly religious (to my ears). There is a musical program you might have heard about called Finale. On Finale, you can type in notes for instruments and play it back in real time to hear your new creation. When I played it, I got the idea for the name Belief because it sounded so much like a musical theme from a kids' movie. Anyone who starts playing the trumpet naturally believes that they will eventually learn how to play the trumpet. People usually think they will be successful at any project whenever they start. Now real life is more complicated than that, of course. But I think Belief is a fitting piece for somebody in the Trumpet Pioneer stage. It's a more simple time. Since it's a simple time, the message should be simple as well.This is a wonderful first performance piece for trumpet players to learn. They can learn it after only a few lessons and already sound good when they perform with a pianist. This would be good to use for a concert at a church or school. Buy this composition, practice it, and play it in front of friends and family and your school or church.
$6.78
Tongue Level & Air
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Trumpet
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Eric Bolvin
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Eric Bolvin
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Tongue Level & Air
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ERIC V BOLVIN
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SheetMusicPlus
Trumpet Solo - Digital Download SKU: A0.829065 Composed by Eric Bolvin. Arranged by Eric Bolvin. Instructional. Individual part. 64 pages. ERIC V BOLVIN ...
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Trumpet Solo - Digital Download SKU: A0.829065 Composed by Eric Bolvin. Arranged by Eric Bolvin. Instructional. Individual part. 64 pages. ERIC V BOLVIN #3578777. Published by ERIC V BOLVIN (A0.829065). Tongue Level & Air is a 26 lesson course that starts easy and helps you improve your sound, range, control and endurance. All players at all levels can benefit from this book, including beginners. Check out our FREE lessons and videos below.Efficient trumpet playing is a balance between three elements; air, tongue level, and embouchure. This balance cannot be explained in scientific terms, therefore it must be accomplished by feel through proper practice.The purpose of Tongue Level & Air is to provide trumpet players with a course of study which will enable them to find their balance and become more efficient in their playing.Trying to describe the balance with statements such as The balance is 1/3 air, 1/3 tongue level, and 1/3 embouchure is pointless. The balance is in a constant state of flux, changing from day to day, gig to gig, and note to note. Your balance can change when you change instruments, when the playing environment is unfamiliar, when you are sick or tired, or for many other reasons. It is best not to over analyze your balance, but to develop it naturally over time and by feel.You will discover early in your study of these materials and after viewing the videos below that we have plenty of air to play the trumpet. The secret to efficiency lies in the control of that great reserve of air power. When doing the breathing exercises in Lessons 1-3 Part 3, don’t hold back the first time through. On the repeat control the air and go for the musical result.
$16.95
The Clarke Variations
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Trumpet
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Contemporary
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Eric Bolvin
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Eric Bolvin
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The Clarke Variations
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ERIC V BOLVIN
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SheetMusicPlus
Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by Eric Bolvin. Contemporary. Individual part. 56 pages. ERIC V BOLVIN #...
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Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by Eric Bolvin. Contemporary. Individual part. 56 pages. ERIC V BOLVIN #3578765. Published by ERIC V BOLVIN (A0.829062). Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as the trumpet player’s bible. If that is the case, then the Clarke should be the new testament. I consider Herbert L. Clarke to be the George Washington of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.The impetus for this set of variations is based on the idea of an Expanding Scale or Expanding Range. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are holding one note and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.
$16.95
Carson Cooman - Newton Antiphonies (2008) for two or more trumpets
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Trumpet
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INTERMEDIATE
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Carson Cooman
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Carson Cooman - Newton Antipho
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Musik Fabrik Music Publishing
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SheetMusicPlus
Trumpet Solo - Level 3 - Digital Download SKU: A0.775966 Composed by Carson Cooman. Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music ...
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Trumpet Solo - Level 3 - Digital Download SKU: A0.775966 Composed by Carson Cooman. Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2034727. Published by Musik Fabrik Music Publishing (A0.775966). Newton Antiphonies (2008) for two or more trumpets was composed for the First Unitarian Society in Newton, Massachusetts on the occasion of its 160th anniversary in November 2008. The score of the work consists of seven cells, each with a different tempo. It is important that the distinct tempo and character of each cell be observed. Other than starting points (as described below), no rhythmic coordination between the performers should be attempted in any way. A performance should begin with the first trumpet playing cell #1. When he reaches the point in the cell marked with an asterisk (*), the second player begins playing cell #1. Once the first player has finished cell #1, after a brief pause, he may choose any one of the other six cells to play next. When the second player has reached the point in cell #1 marked by the asterisk, the third player begins cell #1, continuing after a pause to whichever cell he has chosen next. This thus continues in this same manner for each trumpet. Ideally, the piece will last between 2 and 5 minutes, although if there are an exceptionally large number of trumpets used, it may be longer. Each player thus always begins with cell #1 and after finishing it, plays the remaining cells in any order he chooses, not repeating any and pausing briefly between each one. Once finished with playing all seven, the player stops. When only one player (the last player) is left playing his final cell (and ideally at the point marked with the asterisk in whichever cell he is playing), the first trumpet should begin playing cell #7 again. Thus, the first player will always end the piece alone with cell #7, which is the only repetition of a cell that occurs in the context of performance. The composer recommends between 4 and 6 trumpets for an ideal performance, however any number (two or more) is acceptable. It is also strongly requested that the trumpets surround the audience antiphonally. The work may be performed on any matched trumpets (i.e., do not mix C and Bb instruments).
$12.95
Handel: Largo from Xerxes for Trumpet & Piano
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Trumpet
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INTERMEDIATE
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Classical
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549390 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,...
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549390 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492547. Published by jmsgu3 (A0.549390). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Sonata For Trumpet, Horn and Organ
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Trumpet
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ADVANCED
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Contemporary
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Thomas R
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Sonata For Trumpet, Horn and O
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Thomas R. Schadl
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SheetMusicPlus
Trumpet Solo - Level 5 - Digital Download SKU: A0.912495 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl...
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Trumpet Solo - Level 5 - Digital Download SKU: A0.912495 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877235. Published by Thomas R. Schadl (A0.912495). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
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