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First and Third
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First and Third
Trombone
Sheetmusic to print
9 sheet music found
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1
First and Third
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Trombone
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INTERMEDIATE/ADVANCED
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Adam Scott Neal
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First and Third
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Adam Scott Neal
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SheetMusicPlus
Trombone Solo - Level 4 - Digital Download SKU: A0.954288 Composed by Adam Scott Neal. 20th Century,Contemporary,Rock. Individual part. 35 pages. Adam Sc...
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Trombone Solo - Level 4 - Digital Download SKU: A0.954288 Composed by Adam Scott Neal. 20th Century,Contemporary,Rock. Individual part. 35 pages. Adam Scott Neal #3406805. Published by Adam Scott Neal (A0.954288). This trombone quartet features funk rhythms and odd meters. It's fun but not silly.Program note: While writing this piece, I remember being surprised, amused, and annoyed with one of myfellow trombonists in middle-school band – he who referred to pitches only by their slide position
$14.99
Still, Still with Thee
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Trombone
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INTERMEDIATE
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Felix Mendelssohn 1809 - 1847
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Michael C
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Still, Still with Thee
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Michael McDonough A.S.C.A.P.
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SheetMusicPlus
Trombone Solo - Level 3 - Digital Download SKU: A0.965546 Composed by Felix Mendelssohn 1809 - 1847. Arranged by Michael C. McDonough, A.S.C.A.P. Christi...
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Trombone Solo - Level 3 - Digital Download SKU: A0.965546 Composed by Felix Mendelssohn 1809 - 1847. Arranged by Michael C. McDonough, A.S.C.A.P. Christian,Christmas,Easter,Sacred. Individual part. 12 pages. Michael McDonough A.S.C.A.P. #6593783. Published by Michael McDonough A.S.C.A.P. (A0.965546). This quartet opens with a bass trombone lead. The third and second parts get the lead for the second and third stanzas. The first part plays a lot of supporting figures. .
$15.00
Method for Trombone
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Trombone
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Clarke, Ernest
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Cherry, Gordon
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Method for Trombone
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Digital Download SKU: A0.792269 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. 20th Century,Instructional. Individual part. 113 ...
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Trombone Solo - Digital Download SKU: A0.792269 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. 20th Century,Instructional. Individual part. 113 pages. Gordon Cherry #4803727. Published by Gordon Cherry (A0.792269). The Clarke Method for Trombone has some uncommon features not found in other method books. 1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155. 2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her. 3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome – until the exercise can be played through correctly – before going on to the next. His purpose is to avoid speeding through them. Clarke’s exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it. For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating – not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...
$22.50
Method for Trombone
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Trombone
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EASY
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Instructional
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Clarke, Ernest
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Cherry, Gordon
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Method for Trombone
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 2 - Digital Download SKU: A0.792163 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. Instructional. Individual part. 113 pag...
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Trombone Solo - Level 2 - Digital Download SKU: A0.792163 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. Instructional. Individual part. 113 pages. Gordon Cherry #3820405. Published by Gordon Cherry (A0.792163). The Clarke Method for Trombone has some uncommon features not found in other method books.1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155.2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her.3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome – until the exercise can be played through correctly – before going on to the next. His purpose is to avoid speeding through them.Clarke’s exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it.For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating – not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...
$20.00
9.28.85
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Trombone
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ADVANCED
#
Drake Mabry
#
9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #201...
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Lockdown Blues (A4 size)
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Trombone
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Don Bowyer
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Lockdown Blues
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Dolphin Don's Music School
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SheetMusicPlus
Trombone Solo - Digital Download SKU: A0.990135 Composed by Don Bowyer (Sunway University). Contemporary,Jazz. Individual part. 3 pages. Dolphin Don's Mu...
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Trombone Solo - Digital Download SKU: A0.990135 Composed by Don Bowyer (Sunway University). Contemporary,Jazz. Individual part. 3 pages. Dolphin Don's Music School #6415043. Published by Dolphin Don's Music School (A0.990135). This piece was created as part of the composer's Rooftop Trombone series during the first total lockdown in Malaysia in the early days of the Covid-19 pandemic.After a 12-bar introduction, the trombonist recites the lyrics of the first two verses, plays some blues, then recites the third verse.
$6.99
Take Five
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Trombone
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EASY
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Jazz
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Paul Desmond
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Fabio Eduardo de Oliveira
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Take Five
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Fabio Eduardo
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 2 - Digital Download SKU: A0.1207488 By Paul Desmond. By Paul Desmond. Arranged by Fabio Eduardo de Oliveira. 20th C...
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Tenor Trombone,Trombone Solo - Level 2 - Digital Download SKU: A0.1207488 By Paul Desmond. By Paul Desmond. Arranged by Fabio Eduardo de Oliveira. 20th Century,Film/TV,Jazz,Standards. Individual part. 2 pages. Fabio Eduardo #805655. Published by Fabio Eduardo (A0.1207488). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadTake Five is a jazz standard composed by Paul Desmond. It was first recorded in 1959 and is the third track on Time Out by the Dave Brubeck Quartet.
$4.99
All Of Me
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Trombone
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BEGINNER
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John Legend
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Fabio Eduardo de Oliveira
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All Of Me
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Fabio Eduardo
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SheetMusicPlus
Trombone Solo - Level 1 - Digital Download SKU: A0.1196275 By John Legend. By John Stephens and Toby Gad. Arranged by Fabio Eduardo de Oliveira. Film/TV,...
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Trombone Solo - Level 1 - Digital Download SKU: A0.1196275 By John Legend. By John Stephens and Toby Gad. Arranged by Fabio Eduardo de Oliveira. Film/TV,Pop,Standards. Individual part. 2 pages. Fabio Eduardo #795426. Published by Fabio Eduardo (A0.1196275). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadAll of Me is a song by American singer John Legend from his fourth studio album Love in the Future (2013). It is dedicated to Legend's wife Chrissy Teigen. All of Me first aired on American mainstream urban radio as the album's third single on August 12, 2013.
$4.99
One-Man Sideshow (Trombone & Hi-Hat)
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Trombone
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ADVANCED
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Don Bowyer
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One-Man Sideshow
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Dolphin Don's Music School
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 5 - Digital Download SKU: A0.1322285 By Don Bowyer. By Don Bowyer. 20th Century,Classical. Individual part. 9 pages....
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Tenor Trombone,Trombone Solo - Level 5 - Digital Download SKU: A0.1322285 By Don Bowyer. By Don Bowyer. 20th Century,Classical. Individual part. 9 pages. Dolphin Don's Music School #910625. Published by Dolphin Don's Music School (A0.1322285). This composition, in four short movements (5 minutes total), is for trombone and hi-hat - played by one player.At the request of a friend, this composition began in 2008 as a concept for solo bassoon. Sadly, the friend passed away before performing the piece.When I was asked recently for a solo piece for bass trombone, I finally had a reason to update the original. Besides adapting it for the instrument, I also added new material. The result is four short movements for bass trombone with hi-hat, both played by one player. The hi-hat is played mostly with the pedal, but occasionally with the fingers.The final step in the evolution of this piece was this edition for tenor trombone.The first movement combines chromatic patterns, diminished scales, and blues licks. The hi-hat adds kicks and color.The second movement is a blues progression that swings, with backbeats on the hi-hat.The third movement attempts to obscure tonality through the use of chromaticism. It should be played very freely (rubato), with the hi-hat again adding color.Only one minute in length, the final movement treats a four-measure melody as a theme and variations reminiscent of Arthur Pryor solos of the early 20th century.
$10.00
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