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In A Good Time!
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You've selected:
In A Good Time!
Trombone
Sheetmusic to print
9 sheet music found
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1
Christmas Time Is Here
#
Trombone
#
EASY
#
Jazz
#
Vince Guaraldi
#
Kevin Busse
#
Christmas Time Is Here
#
Kevin Busse
#
SheetMusicPlus
Trombone Solo - Level 2 - Digital Download SKU: A0.604771 Composed by Vince Guaraldi. Arranged by Kevin Busse. Jazz. Individual part. 1 pages. Kevin Buss...
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Trombone Solo - Level 2 - Digital Download SKU: A0.604771 Composed by Vince Guaraldi. Arranged by Kevin Busse. Jazz. Individual part. 1 pages. Kevin Busse #3913201. Published by Kevin Busse (A0.604771). This is a simple transcription of Christmas Time Is Here in a good range for Trombone
$4.99
The Most Wonderful Time Of The Year
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Trombone
#
EASY
#
Film/TV
#
Eddie Pola and George Wyle
#
Kevin Busse
#
The Most Wonderful Time Of The
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Kevin Busse
#
SheetMusicPlus
Trombone Solo - Level 2 - Digital Download SKU: A0.609929 Composed by Eddie Pola and George Wyle. Arranged by Kevin Busse. Film/TV. Individual part. 2 pa...
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Trombone Solo - Level 2 - Digital Download SKU: A0.609929 Composed by Eddie Pola and George Wyle. Arranged by Kevin Busse. Film/TV. Individual part. 2 pages. Kevin Busse #5715065. Published by Kevin Busse (A0.609929). This is an exact transcription of It's The Most Wonderful Time Of The Year with lyrics in a good range for Trombone.
$4.99
Sign Of The Times
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Trombone
#
EASY
#
Pop music
#
Harry Styles
#
Kevin Busse
#
Sign Of The Times
#
Kevin Busse
#
SheetMusicPlus
Trombone Solo - Level 2 - Digital Download SKU: A0.607638 By Harry Styles. By Alex Salibian, Harry Styles, Jeff Bhasker, Mitch Rowland, Ryan Nasci, and T...
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Trombone Solo - Level 2 - Digital Download SKU: A0.607638 By Harry Styles. By Alex Salibian, Harry Styles, Jeff Bhasker, Mitch Rowland, Ryan Nasci, and Tyler Johnson. Arranged by Kevin Busse. Pop. Individual part. 2 pages. Kevin Busse #4809585. Published by Kevin Busse (A0.607638). This is an exact transcription of Sign Of The Times in a good range for Trombone.
$4.99
Con Te Partiro (time To Say Goodbye)
#
Trombone
#
BEGINNER
#
Andrea Bocelli
#
Fabio Eduardo de Oliveira
#
Con Te Partiro
#
Fabio Eduardo
#
SheetMusicPlus
Trombone Solo - Level 1 - Digital Download SKU: A0.1175975 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Fabio Eduardo de Ol...
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Trombone Solo - Level 1 - Digital Download SKU: A0.1175975 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Fabio Eduardo de Oliveira. Classical,Film/TV,Opera. Individual part. 2 pages. Fabio Eduardo #776100. Published by Fabio Eduardo (A0.1175975). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadCon te partirò is an Italian song written by Francesco Sartori (music) and Lucio Quarantotto (lyrics). It was first performed by Andrea Bocelli at the 1995 Sanremo Music Festival and recorded on his album of the same year, Bocelli. The single was first released as an A-side single with Vivere in 1995, topping the charts, first in France, where it became one of the best-selling singles of all-time, and then in Belgium, breaking the all-time record sales there.
$4.99
Con Te Partiro (time To Say Goodbye)
#
Trombone
#
EASY
#
Andrea Bocelli
#
Fabio Eduardo de Oliveira
#
Con Te Partiro
#
Fabio Eduardo
#
SheetMusicPlus
Trombone Solo - Level 2 - Digital Download SKU: A0.1198814 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Fabio Eduardo de Ol...
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Trombone Solo - Level 2 - Digital Download SKU: A0.1198814 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Fabio Eduardo de Oliveira. Classical,Film/TV,Pop,Standards,Wedding. Individual part. 2 pages. Fabio Eduardo #797900. Published by Fabio Eduardo (A0.1198814). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadCon te partirò is an Italian song written by Francesco Sartori (music) and Lucio Quarantotto (lyrics). It was first performed by Andrea Bocelli at the 1995 Sanremo Music Festival and recorded on his album of the same year, Bocelli. The single was first released as an A-side single with Vivere in 1995, topping the charts, first in France, where it became one of the best-selling singles of all-time, and then in Belgium, breaking the all-time record sales there.
$4.99
9.28.85
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Trombone
#
ADVANCED
#
Drake Mabry
#
9.28.85
#
Drake Mabry
#
SheetMusicPlus
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #201...
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Andy Martin's "Friend Like Me" Solo Transcription
#
Trombone
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Rock
#
Andy Martin
#
Wayne Bergeron
#
Andy Martin's "Friend Like Me"
#
Jack Firestein
#
SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 4 - Digital Download SKU: A0.1463859 By Andy Martin. By Wayne Bergeron. Arranged by Wayne Bergeron. Jazz,Rock. Indiv...
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Tenor Trombone,Trombone Solo - Level 4 - Digital Download SKU: A0.1463859 By Andy Martin. By Wayne Bergeron. Arranged by Wayne Bergeron. Jazz,Rock. Individual part. 2 pages. Jack Firestein #1042567. Published by Jack Firestein (A0.1463859). This is Andy Martin's jazz/rock Friend Like Me solo from the album You Call This a Living? by Wayne Bergeron. Andy Martin is one of the most incredible trombone players in our time. He has worked on hundereds of movies and shows in LA ranging from Frozen to Jurassic World and hit shows Family Guy and The Simpsons. He is also the lead trombone player for the amazing big band Gordon Goodwin's Big Phat Band. This solo is one of the coolest jazz/rock trombone solos out there and if you can play it, you can impress a whole lot of musicians.
$3.49
The Progressive Warm Up-Trombone Edition
#
Trombone
#
INTERMEDIATE/ADVANCED
#
Instructional
#
The Progressive Warm Up-Trombo
#
SheetMusicPlus
Trombone, Euphonium - Advanced Intermediate - Digital Download Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42...
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Trombone, Euphonium - Advanced Intermediate - Digital Download Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!
Description
The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
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