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22 sheet music found
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1
Trombone Praise (Jesus what a beautiful name)
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Brass ensemble
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INTERMEDIATE
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Sacred music
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Tanya Riches
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Pastor Pete Cross
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Trombone Praise
#
Pete Cross
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.1007603 Composed by Tanya Riches. Arranged by Pastor Pete Cross. Christian,Sacred. Score and parts. 6...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1007603 Composed by Tanya Riches. Arranged by Pastor Pete Cross. Christian,Sacred. Score and parts. 6 pages. Pete Cross #4352551. Published by Pete Cross (A0.1007603). Another arrangement to help trombone players worship together. Or just have fun play gospel music.
$12.99
There's Something About That Name
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Bill Gaither
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Dean Mounts
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There's Something About That N
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Mounts Mounts
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.868622 Composed by Bill Gaither. Arranged by Dean Mounts. Contemporary. Score and parts. 35 pages. Mo...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.868622 Composed by Bill Gaither. Arranged by Dean Mounts. Contemporary. Score and parts. 35 pages. Mounts Mounts #5288735. Published by Mounts Mounts (A0.868622). This popular Bill Gaither praise song is scored for brass septet. Basic instrumentation is 2 Trumpets, 2 Horns in F, 2 Trombones and Tuba. Also provided are optional other brass parts which will allow playing with almost any combination of brass instruments. A good addition to your religious material. Playing time – 3:22.
$22.00
Wheel Of Fortune
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Brass ensemble
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EASY
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Walt Disney
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Children
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Hans Zimmer
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Alessandro Macrì
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Wheel Of Fortune
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.931313 Composed by Hans Zimmer. Arranged by Alessandro Macrì. Contemporary. Score and parts. 22 pa...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.931313 Composed by Hans Zimmer. Arranged by Alessandro Macrì. Contemporary. Score and parts. 22 pages. Music Macri Editions #6688453. Published by Music Macri Editions (A0.931313). Pirates of the Caribbean: Dead Man's Chest is the soundtrack for the Disney film of the same title, Pirates of the Caribbean: Dead Man's Chest. The score was composed by Hans Zimmer in 2006.Wheel of Fortune: The three-way duel between Jack, Norrington, and Will for the Dead Man's Chest key on the Isla Cruces. This lengthy action cue also covers Elizabeth, Pintel, and Ragetti's battle against the Dutchman crew for the Dead Man's Chest itself. Does not include the beginning of the duel, and actually begins when Pintel and Ragetti confront Elizabeth. Wheel of Fortune uses several of the action themes introduced in the Jack Sparrow suite, plus the first theme in the Kraken track, and many other action themes from earlier in the movie and in the first movie. The name likely refers to the giant water wheel on which much of the battle takes place.
$15.00
In the Evening by the Moonlight
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Brass ensemble
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INTERMEDIATE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and pa...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
The Duality of Cats
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Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Contemporary
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Nathan Grocholski
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The Duality of Cats
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Nathan Grocholski
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Groc...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. Published by Nathan Grocholski (A0.1123447). The basis of this piece was centered around the complex emotions of cats in which we observe in our every day lives. With regards to this piece especially, there were three cats that I based this composition on, and their names are Storm, Zany and Tremor. Each miniature is a representation of a certain type of emotion that each of these cats is known for expressing. The first movement is for my favorite cat, Storm, and is titled, “Precious Storm.†Going back to my earliest memories of writing songs, I re-translated an old tune that I used to sing into a brass quintet miniature and dedicated to him, for he is the best cat. The second miniature is titled, “Mouse on a String,†and is supposed to portray the same energy that one would see from a cat in chase of a toy mouse being constantly propelled around the air from one end of a string, which is one of Storm’s favorite things to do. The third movement is called “Zany the Scaredy-Cat,†which is exactly the type of cat that Zany is. Always fearful and skittish, Zany sneaks around the house to avoid human contact at all costs. The fourth movement is titled “You Stuck, Zany?†This is named after a short video clip in which Zany finds herself stuck in the fireplace and struggling to get out. Once she frees herself, she runs away as fast as she can. The fifth movement is called “Passive-Aggressive Tremor†for the final cat, Tremor. Tremor likes to instigate conflicts with the other cats, but once the tension arises, he backs away, which can also be heard within the intense build ups and anti-climatic drops within the music as well. Finally, the sixth movement is called, “King Tremor,†in which is the boldest sounding of all the pieces, for when it does come to conflict, it is usually Tremor who comes out on top, outsmarting the other two cats.
$5.00
16 Favourite Hymns for Brass Quartet (Vol 2.)
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Brass ensemble
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INTERMEDIATE
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Sacred music
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Various
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David McKeown
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16 Favourite Hymns for Brass Q
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David McKeown
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.587217 Composed by Various. Arranged by David McKeown. Christian,Praise & Worship,Sacred,Standards. S...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.587217 Composed by Various. Arranged by David McKeown. Christian,Praise & Worship,Sacred,Standards. Score and parts. 79 pages. David McKeown #3107993. Published by David McKeown (A0.587217). 16 Favourite Hymns for Brass Quartet (Vol 2.) is a collection of commonly performed traditional hymns. They are arranged primarily for two Trumpets, one Trombone and one Tuba, but the file also contains alternative/additional parts for Horn in F, Tenor Horn in Eb and Bass Trombone. The file contains the score plus the separate parts. 16 Favourite Hymns for Brass Quartet (Vol 2.) are fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short audio sample and the linked youtube performance are from the Clarinet Quartet version of these arrangements. · There are also solo and duet versions available of the same hymns, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building repertoire for church bands and other ensembles. · The keys chosen are the standard singing keys The hymns are in alphabetical order and are as follows · Hail to the Lord’s Anointed, (Ellacombe) · He who would Valiant Be, (Monk’s Gate) · Holiness by Faith in Jesus, (Rousseau) · How Sweet the Name, (Lloyd) · I Vow to Thee My Country, (Thaxted) · I Will Sing the Wondrous Story, (Hyfrodol) · Just a Closer Walk with Thee, (Closer Walk) · The King of Love, (Dominus Regit Me) · The Lord’s My Shepherd, (Crimond) · Love Divine, (Austrian Hymn, Haydn) · Nearer My God to Thee, (Bethany) · Oh Love that will not Let Me Go, (St Margaret) · Purer Yet Purer, (Lyndhurst) · Shall We Gather by the River, · There is a Green Hill, (Horsley) · When I Survey the Wondrous Cross, (Rockingham) Volume 1 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$11.50
A Song Without Words (For Brass Ensembles)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Anthony Prudent
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A Song Without Words
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Anthony Prudent
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.917778 Composed by Anthony Prudent. Contemporary,Standards. Score and parts. 39 pages. Anthony Pruden...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.917778 Composed by Anthony Prudent. Contemporary,Standards. Score and parts. 39 pages. Anthony Prudent #5195423. Published by Anthony Prudent (A0.917778). Hello to all who happen to stumble onto this piece! My name is Anthony Prudent, and I am a student at the Fiorello H. LaGuardia High School in New York City. This piece is an original composition that was written for the Brass Ensemble in the school. The world premiere of the song occurred on Tuesday, January the 7th. As such, I am distributing this work so that any ensemble, for school or otherwise, can perform it! The piece is roughly three and a half minutes long. However, it can be found challenging at times. Nevertheless, it is a fun piece to perform anywhere and is an excellent form of repertoire for brass players looking for something to engage with their performing groups.
$6.99
Boudicca, Queen of the Iceni
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Brass ensemble
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INTERMEDIATE
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Contemporary
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Publ...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
St. Peter (In Christ There Is No East or West)
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Brass ensemble
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INTERMEDIATE
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Sacred music
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Alexander R
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F
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St. Peter
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,H...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. Score and parts. 22 pages. Sweetwater Brass Press #4798569. Published by Sweetwater Brass Press (A0.808694). British composer Alexander Robert Reinagle wrote this melody about 1836 and named it after the church where he was organist, Oxford's St. Peter-in-the-East. First published as a musical setting for Psalm 118, it was adapted to John Newton’s How Sweet the Name of Jesus Sounds in 1861 and then to the hymn by John Oxenham (William A. Dunkerley), In Christ There Is No East or West, in the early 20th Century. While some sources specify that the St. Peter melody should be played without any festive fanfares, this brass quintet version does contain a few ceremonial flourishes. Most players will have little or no difficulty with this piece. The andante moderato tempo should be interpreted as somewhere in the vicinity of quarter note = 92. Most of the rhythm patterns involve quarter and eighth notes, with a few 16th-note passages scattered throughout. Trumpet 1’s highest note is its high A; tuba’s lowest is G below the staff. Otherwise, the music remains well within the normal playing range of all instruments. This arrangement was completed in 2019, and performance time runs about 4 minutes, 13 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.95
Inventions for Low Brass Trio
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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Inventions for Low Brass Trio
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Sy Brandon
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.755276 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 52 pages. Sy Brand...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.755276 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 52 pages. Sy Brandon #4798435. Published by Sy Brandon (A0.755276). The title Inventions' has a double meaning. The first meaning is that each movement represents a significant invention. The second meaning is each movement has sections reminiscent of a musical invention, a short contrapuntal composition that is usually based on a single theme. Movement 1 – The Wheel – This movement is a perpetual motion in triple meter. Movement II – The Metronome - The music in this movement represents a mechanical, wind-up metronome. Movement III – The Periscope - The movement is in an ABA'B' form. The A section, with its dark colors and slow 6/8 represents a submarine, lurking under water. The B section begins with ominous sounds that accompany the rising of the periscope and the scanning of the horizon for destroyers and for prey. Movement IV – Morse Code – The form of this movement is ABA’B’AB’’A’Coda. The A section rhythmically spells out the words brass trio in Morse code, first homophonically and then contrapuntally. The B sections spell out the names of the instruments playing the musical line in Morse code. The Coda spells out the words the end in Morse code. Movement V – The Airplane - This movement begins with a celebratory section in 7/8 and 6/8 representing the success of the Wright Brothers. After this festive beginning, a sustained melody represents the first flight that lasted 12 seconds with Orville at the controls. This melody also lasts 12 seconds. Accompanying the sustained melody is the steady staccato eighth note rhythm representing the sound of the motor. After a short celebratory interlude, another sustained melody of flight occurs with Wilbur is at the controls. The staccato eighth note motor accompaniment changes into a flowing triplet figure during 59-second flight, the longest of 1903. The flight melody now lasts 59 seconds as well. After a soft landing of the flight melody, the celebration theme ends the movement in a festive and exciting manner.
$9.99
WWI Medley for Brass Ensemble
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Henry James “Harryâ€
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Jari A
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WWI Medley for Brass Ensemble
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JV MUSIC
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.722731 Composed by Henry James “Harry†Williams/George Henry Powell/Felix Powell. Arrange...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.722731 Composed by Henry James “Harry†Williams/George Henry Powell/Felix Powell. Arranged by Jari A. Villanueva. 20th Century,Film/TV,Folk,Holiday,Patriotic. Score and parts. 42 pages. JV MUSIC #3246377. Published by JV MUSIC (A0.722731). WWI Medley for Brass Ensemble arranged by Jari VillanuevaA Medley of It’s a Long, Long Way to Tipperary and Pack Up Your Troubles in Your Old Kit BagFull Score3 Trumpets in Bb4 Horns in F3 TrombonesEuphoniumTubaTimpaniSnare and Bass DrumCymbalsBellsPiccolo (Optional)Substitute part for Eb Horn providedSubstitute part for TC Baritone provided It’s A Long, Long Way to Tipperary is a British music hall song written by Jack Judge and cocredited to Henry James Harry Williams. It was allegedly written for a 5-shilling bet in Stalybridge on January 30, 1912 and performed the next night at the local music hall. Now commonly called It’s a Long Way to Tipperary, the original printed music calls it It’s a Long, Long Way to Tipperary. It became popular among soldiers in the First World War and is remembered as a song of World War I. Pack Up Your Troubles in Your Old Kit-Bag, and Smile, Smile, Smile is the full name of the World War I marching song, published in 1915 in London. It was written by Welsh songwriters, George Henry Powell under the pseudonym of George Asaf, and set to music by his brother Felix Powell. It was featured in the American show Her Soldier Boy, which opened in December 1916. This skillful arrangement by Jari Villanueva captures the flavor of the original tunes and would be a great selection commemorating the 100th anniversary of World War I. The arrangement includes the verses of the tunes and the British bugle call Fall In. This clever arrangement culminates in a rousing section that superimposes both tunes. Included is a Full Score and parts for Brass Ensemble. Also included are substitute parts for Eb Horns and Treble Clef Baritone Horn A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and a student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by bands, brass ensembles and brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC. www.jvmusic.net Jari is a 2016 Sheet Music Plus Arranging Contest winner and winner of the 2016 Holiday Arranging Contest.https://www.youtube.com/watch?v=P8QQQd-8WVo
$25.00
Lucy Meets Mr. Tumnus
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Brass ensemble
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BEGINNER
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Walt Disney
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Harry Gregson-Williams
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Alessandro Macrì
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Lucy Meets Mr. Tumnus
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble - Level 1 - Digital Download SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and p...
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Brass Ensemble - Level 1 - Digital Download SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6710853. Published by Music Macri Editions (A0.931331). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
To Aslan's Camp
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Brass ensemble
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EASY
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Walt Disney
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Harry Gregson-Williams
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Alessandro Macrì
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To Aslan's Camp
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and p...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 14 pages. Music Macri Editions #6675153. Published by Music Macri Editions (A0.931290). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
Nice Work If You Can Get It from A DAMSEL IN DISTRESS
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Jazz
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Frank Sinatra
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Mike Lyons
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Nice Work If You Can Get It fr
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.767338 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Mike Lyons. Jazz. Score and...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767338 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Mike Lyons. Jazz. Score and parts. 15 pages. Lyons Music Services #3505173. Published by Lyons Music Services (A0.767338). Brand new arrangement of Gershwin's well known tune Nice Work If You Can Get It, which is from a film A Damsel in Distress which starred Fred Astaire and Joan Fontaine. This song appears near the end of the film and is sung by Fred Astaire. There have been many cover versions of the song, including by Ella Fitzgerald, Billie Holliday, Sarah Vaughan, Bing Crosby, Frank Sinatra, and Sting to name only a few.This song needs to be played at an upbeat tempo and with swing.Parts are supplied as follows:Part 1 in Bb (Trumpet/Cornet)Part 2 in Bb (Trumpet/Cornet)Part 3 in F/Eb (Horn)Part 4 in C/Bb (Trombone/Euphonium/Baritone)Part 5 in C/Eb (Tuba/Eb Bass)Parts described as in C are in Bass clef. All other parts are in treble clef.
$25.00
Evacuating London
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Brass ensemble
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EASY
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Walt Disney
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Harry Gregson-Williams
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Alessandro Macrì
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Evacuating London
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and p...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6709945. Published by Music Macri Editions (A0.931327). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
Because
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Brass ensemble
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INTERMEDIATE
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Guy d'Hardelot
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F
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Because
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Dance of the Tumblers (Dance of the Clowns)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Nikolai Rimsky-Korsakov
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F
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Dance of the Tumblers
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patrioti...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Period. Score and parts. 44 pages. Sweetwater Brass Press #4819845. Published by Sweetwater Brass Press (A0.808695).   Nikolai Rimsky-Korsakov composed his third opera, The Snow Maiden, during the period 1880-1881. Based on Alexander Ostrovsky’s play of the same name, The Snow Maiden uses fairy-tale characters to portray the opposing forces of nature, winter versus summer. Act 3 contains the Dance of the Skomorokhi. Skomorokhi were traveling performers in old Russia and, in connection with this composition, the term is usually translated as tumblers or clowns. Rimsky-Korsakov also included this selection as one of four movements he compiled into a concert suite based on the opera. Dance of the Tumblers has become one of his most frequently performed and best known pieces.  Light and uplifting, Dance of the Tumblers is vibrant, energetic and addictive. It takes the form of, as one commenter wrote, a classical sonata-structure, complete with development section, invigoratingly intensified reprise, and a veritable whirlwind of a coda. This brass quintet arrangement retains the original key signature of C but adjusts register to make the melodies accessible and playable. As a result, most notes are well within the normal playing range of the five brass instruments. Trumpet 1’s highest note is its A above the staff. At measures 132 and 133, Trumpet 2 has the option of playing some high notes (including one C above its staff) an octave down. Tuba plays mostly in the lowest register, with quite a few low F notes and one low E. Most instruments have some octave jumps, but all have a lot of notes to play in a very short time: many, many sixteenth notes. The score is marked Vivace, and the audio sample moves along at a pretty fast clip. But of course, the speed at which performers actually play the piece is up to them, a matter of interpretation.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
Powerhouse
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Raymond Scott
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Tim Olt
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Powerhouse
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Olt Music
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.759404 Composed by Raymond Scott. Arranged by Tim Olt. Contemporary. Score and parts. 32 pages. Olt M...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.759404 Composed by Raymond Scott. Arranged by Tim Olt. Contemporary. Score and parts. 32 pages. Olt Music #6219493. Published by Olt Music (A0.759404). This tune is often called by various names but is definitely a memorable part of Warner Bros. cartoon culture. Think of any scene with Bugs, Elmer, Marvin or others in a factory setting and this will come to mind. Originally recorded by Raymond Scott and his combo, this has become a classic heard for the past 70 years.
$20.00
On The Way To Cape May
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Brass ensemble
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INTERMEDIATE
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Contemporary
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Maurice Nugent
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Cathy Stamegna
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On The Way To Cape May
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Cathy Stamegna
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.780325 Composed by Maurice Nugent. Arranged by Cathy Stamegna. Contemporary. Score and parts. 14 page...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.780325 Composed by Maurice Nugent. Arranged by Cathy Stamegna. Contemporary. Score and parts. 14 pages. Cathy Stamegna #4796753. Published by Cathy Stamegna (A0.780325). On the Way to Cape May (Brass Quartet: 2 Trumpets, French Horn, Trombone, Chords, Optional Piano Accompaniment) is a light-hearted piece that will remind you of Summer vacations to coastal destinations. Many New Jersey Shore locations are named in this fun Summer favorite. It is an appropriate Spring Concert selection for a high school or community group.  Set of Parts.  Other instrumental and vocal arrangements available.
$12.99
Blackadder Theme
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Howard Goodall
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Warren J
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Blackadder Theme
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Warren J Wernick
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.948762 By Howard Goodall. By Howard Goodall. Arranged by Warren J. Wernick. Contemporary. Score and p...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.948762 By Howard Goodall. By Howard Goodall. Arranged by Warren J. Wernick. Contemporary. Score and parts. 7 pages. Warren J Wernick #5713803. Published by Warren J Wernick (A0.948762). Blackadder is a series of four BBC One pseudohistorical British sitcoms, plus several one-off installments, which originally aired from 1983–1989. All television episodes starred Rowan Atkinson as the antihero Edmund Blackadder and Tony Robinson as Blackadder's dogsbody, Baldrick. Each series was set in a different historical period, with the two protagonists accompanied by different characters, though several reappear in one series or another, e.g., Melchett (Stephen Fry) and Lord Flashheart (Rik Mayall). The theme song is composed by Howard Goodall, an English composer of musicals, choral music and music for television. He also presents music-based programs for television and radio, for which he has won many awards. In May 2008, he was named as a presenter and Composer-in-Residence with the UK radio channel Classic FM. In May 2009, he was named Composer of the Year at the Classic BRIT Awards. Goodall said of the Theme, They asked me if I would have a go at the tune. With all of these things, although I do come up with my own ideas, you don't really come up with a good one unless you talk it through with them and the vision they've got. It was quite obvious, the historical approach they were going for. What's interesting is that the first series, the medieval one with 'Richard the Fourth', was much more filmic and much more historical. That's why we ended up with that tune. Whereas had the first series been the Elizabethan one, the theme would have been slightly gentler, less heroic. .
$12.99
Come, Ye Thankful People, Come (St. George’s, Windsor)
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Brass ensemble
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Christmas
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George Job Elvey
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F
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Come, Ye Thankful People, Come
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages....
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Brass Ensemble - Digital Download SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Brass Press #4999815. Published by Sweetwater Brass Press (A0.808697).   Henry Alford (1810–1871), Church of England cleric and man of many talents, wrote the words for Come, Ye Thankful People, Come in 1844. Fourteen years later, Alford’s hymn was set to a melody composed by George J. Elvey (1816–1893). Elvey had named the tune St. George’s, Windsor after the chapel in Windsor, England, where he was organist. The first verse of the hymn rejoices in the harvest and calls for celebrants to Come to God's own temple, come; raise the song of harvest home! As such, the hymn gained popularity in the United States as a celebration of Thanksgiving.  In keeping with the song’s celebratory and triumphal nature, this arrangement uses a fanfare as the recurring motif. The fanfare opens the piece, followed by a rejoicing, exultant first statement of the melody. In the second statement, the fanfare figure returns and forms the structure for the section. The third statement is styled as a kind of rondo; the fourth and last, grandioso. The fourth statement also changes key twice--F to B-flat, then to E-flat--includes a walking bass part and ends with, again, the fanfare. The piece should be played Allegro moderato, about 120 bpm, and there are no really tricky rhythmic figures. Most notes are well within the normal range of the five instruments-Trombone’s highest are a couple of high F notes; Trumpet 1, high A notes. So most players will have little or no trouble.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 44 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.95
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