Home page
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
At His Name
Not classified
929
Piano & keyboards
Piano solo
545
Easy Piano
193
Piano, Voice
175
Piano, Vocal and Guitar
82
Piano Accompaniment
42
Organ
34
C Instruments
28
2 Pianos, 4 hands
8
Piano Trio: piano, violin, cello
7
1 Piano, 4 hands
6
Piano Quartet: piano, violin, viola, cello
3
Piano Quintet: piano, 2 violins, viola, cello
3
Organ, Trumpet (duet)
2
Piano Quartet: piano, 2 violins, cello
2
Accordion
1
+ 10 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
40
Guitar
40
Ukulele
26
Melody line, (Lyrics) and Chords
16
Lyrics and Chords
6
2 Guitars (duet)
5
Guitar Ensemble
4
Banjo
1
4 Guitars (Quartet)
1
Mandolin
1
Bass guitar
1
Dulcimer
1
Mandolin, Guitar (duet)
1
+ 8 instrumentations
-
Retract
Voice
Choral 3-part
185
Choral SATB
114
Choral SSAA
35
Choral TTBB
21
Choral 2-part
20
Tenor voice, Piano
18
Alto voice, Piano
17
Soprano voice, Piano
16
Baritone voice, Piano
15
Choral Unison
6
Vocal duet, Piano
4
High voice
4
Vocal duet
2
Voice solo
2
Tenor voice
1
Mezzo-Soprano voice, Piano
1
Low voice, Piano
1
+ 12 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
80
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
79
Saxophone Quintet: 5 Saxophones
71
Saxophone Quartet: 4 saxophones
70
Flute and Piano
56
Flute
53
Alto Saxophone and Piano
49
Clarinet
48
Clarinet and Piano
47
Alto Saxophone
43
Flute, Oboe, Clarinet, Bassoon
40
Oboe, Piano (duet)
40
2 Clarinets (duet)
38
2 Flutes (duet)
37
Saxophone, Clarinet (duet)
37
Tenor Saxophone
37
Clarinet Quartet: 4 clarinets
30
Oboe (band part)
28
Tenor Saxophone and Piano
26
Soprano Saxophone and Piano
25
Clarinet, Violin (duet)
24
Clarinet, Trumpet (duet)
21
Flute, Clarinet (duet)
20
2 Oboes (duet)
18
Baritone Saxophone, Piano
16
Oboe
14
Flute, Violin
14
3 Saxophones (trio)
13
Flute, Saxophone (duet)
13
Clarinet and Viola
13
Oboe, Flute
12
Oboe, Clarinet (duet)
12
Flute, Trumpet (duet)
11
Oboe, Bassoon (duet)
10
Flute ensemble
10
Clarinet Ensemble
10
English horn, Piano
10
Flute Quartet: 4 flutes
10
Bass Clarinet, Piano
9
Flute, Viola (duet)
9
Flute and Guitar
6
Oboe, Clarinet, Bassoon (trio)
6
Flute Quintet : 5 flutes
5
Saxophone ensemble
5
Flute, Oboe, Clarinet (trio)
5
Clarinet Quintet: 5 clarinets
5
Saxophone (band part)
5
Clarinet, Guitar (duet)
4
Saxophone and Organ
4
Flute Trio: 3 flutes
3
Flute, Organ (duet)
3
3 Clarinets (trio)
3
Baritone Saxophone
2
Soprano Saxophone
2
Clarinet, Harp (duet)
2
Oboe, Guitar (duet)
2
Descant (Soprano) Recorder
2
Recorder
2
Oboe, Harp
2
Recorder Quartet
2
5 Recorders
1
Flute, Clarinet, Piano (trio)
1
Clarinet, Bassoon (duet)
1
Pennywhistle
1
Flute, Violin and Violoncello
1
Saxophone and Guitar
1
Treble (Alto) Recorder, Piano
1
Clarinet, Organ
1
Flute, Oboe, Bassoon
1
3 Recorders (trio)
1
Clarinet, Cello (duet)
1
Treble (Alto) Recorder
1
Eb Instruments
1
2 Recorders (duet)
1
Saxophone and Harp
1
English Horn, Guitar (duet)
1
Flute, Violin, Piano
1
Flute, Violoncello
1
Flute, Bassoon, and Piano
1
Piccolo, Piano
1
Clarinet, Cello, Piano (trio)
1
+ 76 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
90
Brass quartet : 2 trumpets, trombone, tuba
56
Trumpet
54
Trombone
41
French Horn and Piano
32
French horn
31
Trombone and Piano
30
Trumpet, Piano
29
Trumpet, Saxophone (duet)
26
2 Trumpets (duet)
23
Tuba and Piano
22
2 Trombones (duet)
18
Tuba
17
Euphonium, Piano (duet)
15
Trumpet, Trombone (duet)
12
English horn, Piano
10
Brass Quartet
10
Trombone ensemble
6
2 French horns (duet)
5
Brass Quartet: 2 trumpets, horn, trombone
5
Trumpet ensemble
4
Trombone (band part)
3
Brass Quartet: 4 horns
3
Brass Quintet: 2 trumpets, horn, 2 trombones
2
Trumpet (band part)
2
Brass Quartet: 4 trombones
2
Tuba (band part)
1
Bb Instruments
1
2 Tubas (duet)
1
Brass Quartet: 4 trumpets
1
4 Tubas
1
F Instruments
1
Trumpet, Harp
1
English Horn, Guitar (duet)
1
Tuba and Organ
1
Trombone, Organ
1
French Horn and Harp
1
Horn Ensemble
1
+ 33 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
130
Violin and Piano
75
Violin
65
Cello
56
Viola
44
Viola, Piano
41
Cello, Piano
41
2 Violins (duet)
27
Violin, Cello (duet)
25
2 Violas (duet)
22
String Quintet: 2 violins, viola, cello, bass
21
Harp
20
2 Cellos (duet)
19
String Trio: violin, viola, cello
19
Violin, Viola (duet)
16
Double bass, Piano (duet)
16
Double Bass
15
String Trio: 2 violins, cello
14
2 Harps (duet)
9
Viola (band part)
8
Violin ensemble
5
Viola ensemble
5
String Trio: 3 cellos
3
Harp, Voice
3
4 Cellos
3
Violin (band part)
3
Harp, Flute (duet)
3
2 Double basses (duet)
2
Cello, Guitar (duet)
2
Harp, Violin (duet)
2
String Trio: 3 violins
1
Cello, Organ
1
Viola, Organ
1
Violin, Guitar (duet)
1
String Quintet: 2 violins, viola, 2 cellos
1
Viola, Guitar (duet)
1
Harp and Piano
1
String quartet: 4 violins
1
String Quartet : 4 violas
1
String Quintet: 2 violins, 2 violas, cello
1
2 Violas, Piano
1
String Trio: 3 violas
1
Doublebass (band part)
1
Viola, Cello (duet)
1
Viola and Harp
1
+ 40 instrumentations
-
Retract
Orchestra & Percussion
Concert band
161
String Orchestra
50
Orchestra
44
Brass ensemble
30
Jazz Ensemble
20
Handbells
18
Chamber Orchestra
17
Marching band
8
Jazz combo
7
Percussion Ensemble
6
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Drums
2
Vibraphone
1
Percussion
1
Piano and Orchestra
1
Percussion (band part)
1
2 Marimbas
1
+ 12 instrumentations
-
Retract
Others
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
Digital Sheet Music
30
Sheet Music Books
131
Music Equipment
365
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Active criteria:
At His Name
Brass ensemble
Sheetmusic to print
30 sheet music found
<
1
26
The Name Of The Game
#
Brass ensemble
#
INTERMEDIATE
#
Contemporary
#
Various Artists
#
Peet du Toit
#
The Name Of The Game
#
Peet du Toit
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.802415 By Various Artists. By Benny Andersson, Bjorn Ulvaeus, David Grusin, and Stig Anderson. Arrang...
(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.802415 By Various Artists. By Benny Andersson, Bjorn Ulvaeus, David Grusin, and Stig Anderson. Arranged by Peet du Toit. Contemporary. Score and parts. 12 pages. Peet du Toit #5709671. Published by Peet du Toit (A0.802415). The dark undertones at the beginning, instigated by the tuba, and the intriguing chords, together with the whispering horn solo later leads to an outburst of emotions,where the first trumpet plays the glorious fanfare whilst the trombone sings the melody. A must have! Enjoy!
$16.00
Himan Lane for Brass Band
#
Brass ensemble
#
INTERMEDIATE
#
Stephen Rockey
#
Himan Lane for Brass Band
#
Stephen Rockey
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.761059 Composed by Stephen Rockey. Contemporary,Romantic Period. Score and parts. 55 pages. Stephen R...
(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.761059 Composed by Stephen Rockey. Contemporary,Romantic Period. Score and parts. 55 pages. Stephen Rockey #4302469. Published by Stephen Rockey (A0.761059). Himan Lane was written for the City of Bristol Brass Band in memory of one of it's supporters, Ian Hamlen. The title is an anagram of his name. His favourite piece of music was Pictures At An Exhibition, particularly The Great Gate of Kiev. This piece is loosely based on this last movement and the Promenade. It is firmly placed in the British Brass Band 19th Century tradition, and would make a wonderful addition to any concert. I do hope you enjoy playing it, or even just listening to the rendition on SMP.
$20.00
Lucy Meets Mr. Tumnus
#
Brass ensemble
#
BEGINNER
#
Walt Disney
#
Harry Gregson-Williams
#
Alessandro Macrì
#
Lucy Meets Mr. Tumnus
#
Music Macri Editions
#
SheetMusicPlus
Brass Ensemble - Level 1 - Digital Download SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and p...
(+)
Brass Ensemble - Level 1 - Digital Download SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6710853. Published by Music Macri Editions (A0.931331). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
To Aslan's Camp
#
Brass ensemble
#
EASY
#
Walt Disney
#
Harry Gregson-Williams
#
Alessandro Macrì
#
To Aslan's Camp
#
Music Macri Editions
#
SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and p...
(+)
Brass Ensemble - Level 2 - Digital Download SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 14 pages. Music Macri Editions #6675153. Published by Music Macri Editions (A0.931290). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
Evacuating London
#
Brass ensemble
#
EASY
#
Walt Disney
#
Harry Gregson-Williams
#
Alessandro Macrì
#
Evacuating London
#
Music Macri Editions
#
SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and p...
(+)
Brass Ensemble - Level 2 - Digital Download SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6709945. Published by Music Macri Editions (A0.931327). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
Angry Birds Theme
#
Brass ensemble
#
BEGINNER
#
Contemporary
#
Ari Pulkkinen
#
Alessandro Macrì
#
Angry Birds Theme
#
Music Macri Editions
#
SheetMusicPlus
Brass Ensemble - Level 1 - Digital Download SKU: A0.931293 Composed by Ari Pulkkinen. Arranged by Alessandro Macrì. Contemporary. Score and parts. 12 ...
(+)
Brass Ensemble - Level 1 - Digital Download SKU: A0.931293 Composed by Ari Pulkkinen. Arranged by Alessandro Macrì. Contemporary. Score and parts. 12 pages. Music Macri Editions #6679229. Published by Music Macri Editions (A0.931293). Ari Pulkkinen (born 15 January 1982) is a Finnish video game composer, musician and sound designer. His Angry Birds theme is perhaps his most famous work.Pulkkinen was born in Helsinki. At the age of 6 he started studying piano and composed his first song at the age of 12. He was interested in the computer music demoscene and started making music with tracker software under the name ArtZ. He won many music competitions and made his first big public album to accompany a freeware game named Starfight VI: Gatekeepers in 1999. Ari has never studied music composition academically.In 2003 he was hired as in-house audio director to game development company Frozenbyte Inc. Where he made the original soundtracks and sound design for video games Shadowgrounds, Shadowgrounds: Survivor and Trine. In his spare time Ari earned diplomas in Professional Audio Design and Producing and Further Education for Producers and Leads of the Finnish Game Industry with Adulta, and Music Technology with Sibelius Academy. After quitting Frozenbyte in 2008 (though he continues to have a professional relationship with them), Ari started his own sound production company AriTunes. Since then he has made original soundtrack and sound design for over twenty projects, including video games such as Angry Birds, Dead Nation, Trine 2, Outland and Super Stardust HD. Ari releases his music through his own label AriTunes.On 2 September 2011 in Video Game Heroes Concert, Angry Birds Theme was played by London Philharmonic Orchestra. This is the first time Ari's music was played by a full live orchestra.On 4 October 2011, Ari won the Best Finnish Game Developer in 2011 Award due to his contribution in the Finnish game industry.
$13.00
Old Glory ("AN AMERICAN SALUTATION")
#
Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Larry Williams
#
Old Glory
#
Larry Andrew Williams
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1004394 Composed by Larry Williams. Contemporary. Score and parts. 21 pages. Larry Andrew Williams #3...
(+)
Brass Ensemble - Level 4 - Digital Download SKU: A0.1004394 Composed by Larry Williams. Contemporary. Score and parts. 21 pages. Larry Andrew Williams #3533215. Published by Larry Andrew Williams (A0.1004394). Old Glory is a nickname for the flag of the United States. The original Old Glory was a flag owned by the 19th-century American sea captain William Driver (March 17, 1803 – March 3, 1886), who flew the flag during his career at sea and later brought it to Nashville, Tennessee, where he settled.That of course, is the historic description. (From Wikipedia) Part of a larger work entitled, An American Salutation this piece was written in commemoration of the flag and for the people it represents.Patriotic in its sound, Old Glory would be suggested for any historic American holiday or function, i.e., Memorial Day, Veteran's Day, etc and gives one a proud feeling when played. Also makes a nice addition to any brass quintet program.
$15.00
In the Evening by the Moonlight
#
Brass ensemble
#
INTERMEDIATE
#
James Bland
#
F
#
In the Evening by the Moonligh
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and pa...
(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Dance of the Tumblers (Dance of the Clowns)
#
Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Nikolai Rimsky-Korsakov
#
F
#
Dance of the Tumblers
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patrioti...
(+)
Brass Ensemble - Level 4 - Digital Download SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Period. Score and parts. 44 pages. Sweetwater Brass Press #4819845. Published by Sweetwater Brass Press (A0.808695).   Nikolai Rimsky-Korsakov composed his third opera, The Snow Maiden, during the period 1880-1881. Based on Alexander Ostrovsky’s play of the same name, The Snow Maiden uses fairy-tale characters to portray the opposing forces of nature, winter versus summer. Act 3 contains the Dance of the Skomorokhi. Skomorokhi were traveling performers in old Russia and, in connection with this composition, the term is usually translated as tumblers or clowns. Rimsky-Korsakov also included this selection as one of four movements he compiled into a concert suite based on the opera. Dance of the Tumblers has become one of his most frequently performed and best known pieces.  Light and uplifting, Dance of the Tumblers is vibrant, energetic and addictive. It takes the form of, as one commenter wrote, a classical sonata-structure, complete with development section, invigoratingly intensified reprise, and a veritable whirlwind of a coda. This brass quintet arrangement retains the original key signature of C but adjusts register to make the melodies accessible and playable. As a result, most notes are well within the normal playing range of the five brass instruments. Trumpet 1’s highest note is its A above the staff. At measures 132 and 133, Trumpet 2 has the option of playing some high notes (including one C above its staff) an octave down. Tuba plays mostly in the lowest register, with quite a few low F notes and one low E. Most instruments have some octave jumps, but all have a lot of notes to play in a very short time: many, many sixteenth notes. The score is marked Vivace, and the audio sample moves along at a pretty fast clip. But of course, the speed at which performers actually play the piece is up to them, a matter of interpretation.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
King Cotton by John Philip Sousa (Duet for alto saxophone and euphonium)
#
Brass ensemble
#
ADVANCED
#
Classical
#
John Philip Sousa
#
Alexander L Burden
#
King Cotton by John Philip Sou
#
Alexander Burden
#
SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.899867 Composed by John Philip Sousa. Arranged by Alexander L Burden. Romantic Period. Score and part...
(+)
Brass Ensemble - Level 5 - Digital Download SKU: A0.899867 Composed by John Philip Sousa. Arranged by Alexander L Burden. Romantic Period. Score and parts. 10 pages. Alexander Burden #3560127. Published by Alexander Burden (A0.899867). Genre: MarchLength: 2:48Instrumentation: Alto Saxophone and EuphoniumKing Cotton is a military march composed in 1895 by John Philip Sousa, for the Cotton States and International Exposition (1895). The expression King Cotton in general refers to the historically high importance of cotton as a cash crop in the southern United States. This fun arrangement and challenging arrangement for alto saxophone and euphonium is sure to be a crowd favorite and includes altissimo passages in the saxophone part.The Composer:John Philip Sousa (November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era, known primarily for American military and patriotic marches. Because of his mastery of march composition, he is known as The March King, or the American March King due to his British counterpart, Kenneth J. Alford also being known by the former nickname. Among his best-known marches are The Stars and Stripes Forever (National March of the United States of America), Semper Fidelis (Official March of the United States Marine Corps), The Liberty Bell (used as the theme for Monty Python's Flying Circus), The Thunderer and The Washington Post.The Arranger:Email: alburden9012@eagle.fgcu.eduAlexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$7.99
Because
#
Brass ensemble
#
INTERMEDIATE
#
Guy d'Hardelot
#
F
#
e
#
Because
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic...
(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Pretty Eyed Baby
#
Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Eldridge/Gillespie
#
F
#
#
Pretty Eyed Baby
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William W...
(+)
Brass Ensemble - Level 4 - Digital Download SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. Arranged by F. Leslie Smith. Contemporary. Score and parts. 28 pages. Sweetwater Brass Press #6433397. Published by Sweetwater Brass Press (A0.808709). Mary Lou Williams learned to play piano on her own at age 3. By age 6 she was playing piano to help support her large family. At age 15, she turned professional, and by the time she was 20, she had made a name for herself nationally not only as a jazz musician but also as an arranger and composer. In 1943, she wrote a piece titled Satchel Mouth Baby, which she recorded the next year with her group, Mary Lou and her Chosen Five. Three years later, Bill Johnson and His Musical Notes recorded Williams’ song after he and Leo Snub Mosley had worked on the lyrics and changed the title to Pretty Eyed Baby. Others would go on to record Pretty Eyed Baby, among them: Frankie Laine and Jo Stafford, Jane Turzy, Johnnie Ray, Peggy Lee and Roy Eldridge. This arrangement skips along at about 120 bpm. It contains common swing rhythmic figures, and all notes are well within the normal playing range of most brass musicians. Horn in F and Trombone carry the melodic load, but all instruments get a turn at playing lead. This is a fun piece, so don’t be surprised if your audience starts clapping along while you’re playing. Completed in 2021, performance time for Pretty Eyed Baby runs about 3 minutes,9 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
WWI Medley for Brass Ensemble
#
Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Henry James “Harryâ€
#
Jari A
#
WWI Medley for Brass Ensemble
#
JV MUSIC
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.722731 Composed by Henry James “Harry†Williams/George Henry Powell/Felix Powell. Arrange...
(+)
Brass Ensemble - Level 4 - Digital Download SKU: A0.722731 Composed by Henry James “Harry†Williams/George Henry Powell/Felix Powell. Arranged by Jari A. Villanueva. 20th Century,Film/TV,Folk,Holiday,Patriotic. Score and parts. 42 pages. JV MUSIC #3246377. Published by JV MUSIC (A0.722731). WWI Medley for Brass Ensemble arranged by Jari VillanuevaA Medley of It’s a Long, Long Way to Tipperary and Pack Up Your Troubles in Your Old Kit BagFull Score3 Trumpets in Bb4 Horns in F3 TrombonesEuphoniumTubaTimpaniSnare and Bass DrumCymbalsBellsPiccolo (Optional)Substitute part for Eb Horn providedSubstitute part for TC Baritone provided It’s A Long, Long Way to Tipperary is a British music hall song written by Jack Judge and cocredited to Henry James Harry Williams. It was allegedly written for a 5-shilling bet in Stalybridge on January 30, 1912 and performed the next night at the local music hall. Now commonly called It’s a Long Way to Tipperary, the original printed music calls it It’s a Long, Long Way to Tipperary. It became popular among soldiers in the First World War and is remembered as a song of World War I. Pack Up Your Troubles in Your Old Kit-Bag, and Smile, Smile, Smile is the full name of the World War I marching song, published in 1915 in London. It was written by Welsh songwriters, George Henry Powell under the pseudonym of George Asaf, and set to music by his brother Felix Powell. It was featured in the American show Her Soldier Boy, which opened in December 1916. This skillful arrangement by Jari Villanueva captures the flavor of the original tunes and would be a great selection commemorating the 100th anniversary of World War I. The arrangement includes the verses of the tunes and the British bugle call Fall In. This clever arrangement culminates in a rousing section that superimposes both tunes. Included is a Full Score and parts for Brass Ensemble. Also included are substitute parts for Eb Horns and Treble Clef Baritone Horn A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and a student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by bands, brass ensembles and brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC. www.jvmusic.net Jari is a 2016 Sheet Music Plus Arranging Contest winner and winner of the 2016 Holiday Arranging Contest.https://www.youtube.com/watch?v=P8QQQd-8WVo
$25.00
Boudicca, Queen of the Iceni
#
Brass ensemble
#
INTERMEDIATE
#
Contemporary
#
William Elsom
#
Boudicca, Queen of the Iceni
#
Will Elsom
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Publ...
(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
There’ll Be Some Changes Made
#
Brass ensemble
#
INTERMEDIATE/ADVANCED
#
W
#
F
#
There’ll Be Some Changes Mad
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,...
(+)
Brass Ensemble - Level 4 - Digital Download SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional. Score and parts. 30 pages. Sweetwater Brass Press #4331333. Published by Sweetwater Brass Press (A0.808689). William Benton Overstreet did it all-played piano, wrote songs, led bands. Probably the accomplishment for which he’s most remembered today is his composing of There’ll Be Some Changes Made, published in 1921. Billy Higgins, popular stage comedian, wrote the lyrics, and Ethel Waters, then just 24, recorded the song on the Black Swan label. The disc quickly achieved hit status, and the song has remained popular across multiple musical platform styles ever since. This arrangement is a happy, fun piece and includes some of the great (and familiar) Vaudeville-style ornaments and phrases. It’s a real toe-tapper. For the most part this arrangement is up-tempo, about 140 bpm. It does slow to 92 at the first iteration of the verse and again for the final ¬6 measures of the piece. Time signature is 4/4 except for measure 89, which is 6/4. The key is B-flat throughout, and the melody weaves among all instruments. Trumpet 1 plays B5 (B-flat trumpet’s high C) briefly at measures 4 and 35 and for two measures at the very end of the piece. Tuba plays G3 briefly several times in measures 90-93. Other than that, there are no exceptionally out-of-normal-range notes. Trumpets 1 and 2 may wish to double-tongue at measure 64. This arrangement was completed in 2019, and performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$13.95
St. Peter (In Christ There Is No East or West)
#
Brass ensemble
#
INTERMEDIATE
#
Sacred music
#
Alexander R
#
F
#
#
St. Peter
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,H...
(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. Score and parts. 22 pages. Sweetwater Brass Press #4798569. Published by Sweetwater Brass Press (A0.808694). British composer Alexander Robert Reinagle wrote this melody about 1836 and named it after the church where he was organist, Oxford's St. Peter-in-the-East. First published as a musical setting for Psalm 118, it was adapted to John Newton’s How Sweet the Name of Jesus Sounds in 1861 and then to the hymn by John Oxenham (William A. Dunkerley), In Christ There Is No East or West, in the early 20th Century. While some sources specify that the St. Peter melody should be played without any festive fanfares, this brass quintet version does contain a few ceremonial flourishes. Most players will have little or no difficulty with this piece. The andante moderato tempo should be interpreted as somewhere in the vicinity of quarter note = 92. Most of the rhythm patterns involve quarter and eighth notes, with a few 16th-note passages scattered throughout. Trumpet 1’s highest note is its high A; tuba’s lowest is G below the staff. Otherwise, the music remains well within the normal playing range of all instruments. This arrangement was completed in 2019, and performance time runs about 4 minutes, 13 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.95
Come, Ye Thankful People, Come (St. George’s, Windsor)
#
Brass ensemble
#
Christmas
#
George Job Elvey
#
F
#
Come, Ye Thankful People, Come
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages....
(+)
Brass Ensemble - Digital Download SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Brass Press #4999815. Published by Sweetwater Brass Press (A0.808697).   Henry Alford (1810–1871), Church of England cleric and man of many talents, wrote the words for Come, Ye Thankful People, Come in 1844. Fourteen years later, Alford’s hymn was set to a melody composed by George J. Elvey (1816–1893). Elvey had named the tune St. George’s, Windsor after the chapel in Windsor, England, where he was organist. The first verse of the hymn rejoices in the harvest and calls for celebrants to Come to God's own temple, come; raise the song of harvest home! As such, the hymn gained popularity in the United States as a celebration of Thanksgiving.  In keeping with the song’s celebratory and triumphal nature, this arrangement uses a fanfare as the recurring motif. The fanfare opens the piece, followed by a rejoicing, exultant first statement of the melody. In the second statement, the fanfare figure returns and forms the structure for the section. The third statement is styled as a kind of rondo; the fourth and last, grandioso. The fourth statement also changes key twice--F to B-flat, then to E-flat--includes a walking bass part and ends with, again, the fanfare. The piece should be played Allegro moderato, about 120 bpm, and there are no really tricky rhythmic figures. Most notes are well within the normal range of the five instruments-Trombone’s highest are a couple of high F notes; Trumpet 1, high A notes. So most players will have little or no trouble.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 44 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.95
Bright Eyes
#
Brass ensemble
#
INTERMEDIATE
#
Contemporary
#
Mike Batt
#
Peet du Toit
#
Bright Eyes
#
Peet du Toit
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.802639 Composed by Mike Batt. Arranged by Peet du Toit. Contemporary. Score and parts. 12 pages. Peet...
(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.802639 Composed by Mike Batt. Arranged by Peet du Toit. Contemporary. Score and parts. 12 pages. Peet du Toit #6076847. Published by Peet du Toit (A0.802639). Michael Philip Batt, LVO (born 6 February 1949) is an English singer-songwriter, musician, arranger, record producer, director, conductor and former Deputy Chairman of the British Phonographic Industry. Having achieved substantial international success as a solo artist he is particularly known in the UK for creating The Wombles pop act, writing many hits including the chart-topping Bright Eyes, and discovering Katie Melua. He has also conducted many of the world's great orchestras, including the London Symphony, Royal Philharmonic, London Philharmonic, Sydney Symphony and Stuttgart Philharmonic in both classical and pop recordings and performances.Bright Eyes is a song written by Mike Batt and performed by Art Garfunkel. It was written for the soundtrack of the 1978 British animated adventure drama film Watership Down. Rearranged as a pop song from its original form in the film, the track appears on British and European versions of Garfunkel's 1979 Fate for Breakfast and on the US versions of his 1981 album Scissors Cut. It was the biggest-selling single of 1979 in the UK, remaining at number one for six weeks and selling over a million copies there. Richard Adams, author of the original novel is reported to have hated the song. A cover of the song was later used in the television series of the same name explicitly as its theme song.Here is a lovely version thereof for a brass quintet and drum set, with the euphonium as soloist in the verses, harmonising by the French horn, muted 2nd trumpet for effects, the first trumpet in the choruses and the tuba supporting with excellent base lines. Your audiences will be intrigued, wanting to hum along!
$22.00
Feel Like Funkin' It Up
#
Brass ensemble
#
INTERMEDIATE
#
Funk
#
Rebirth Brass Band
#
DaiyeOne
#
Feel Like Funkin' It Up
#
Layered Music
#
SheetMusicPlus
Level 3 - Digital Download SKU: A0.1393255 By Rebirth Brass Band. By Keith Frazier, Kermit Ruffins, and Phil Frazier. Arranged by DaiyeOne. Contemporary,...
(+)
Level 3 - Digital Download SKU: A0.1393255 By Rebirth Brass Band. By Keith Frazier, Kermit Ruffins, and Phil Frazier. Arranged by DaiyeOne. Contemporary,Funk,Jazz,R and B,Soul. 34 pages. Layered Music #976737. Published by Layered Music (A0.1393255). The official sheet music (delivered as PDFs via digital download) for Rebirth Brass Band's legendary title track Feel Like Funkin' It Up, as put to tape in the studio on the 1989 album of the same name. This is the first official sheet music released by the artists themselves, and proceeds support the band directly. An amazing educational tool for musicians, teachers, students, or anyone who wants a piece of cultural history, this order includes cover page, about the artist/song, performance notes, full score, and parts for 2 trumpets, tenor sax, 2 trombones, sousaphone, and two percussionists.Transcribed, arranged, and designed by DaiyeOne, offering premier music transcription for artists and educators.DaiyeOne.comCheck out music, exclusive merch, and more arrangements at rebirthbrassband.bandcamp.com
$65.00
Blackadder Theme
#
Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Howard Goodall
#
Warren J
#
Blackadder Theme
#
Warren J Wernick
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.948762 By Howard Goodall. By Howard Goodall. Arranged by Warren J. Wernick. Contemporary. Score and p...
(+)
Brass Ensemble - Level 4 - Digital Download SKU: A0.948762 By Howard Goodall. By Howard Goodall. Arranged by Warren J. Wernick. Contemporary. Score and parts. 7 pages. Warren J Wernick #5713803. Published by Warren J Wernick (A0.948762). Blackadder is a series of four BBC One pseudohistorical British sitcoms, plus several one-off installments, which originally aired from 1983–1989. All television episodes starred Rowan Atkinson as the antihero Edmund Blackadder and Tony Robinson as Blackadder's dogsbody, Baldrick. Each series was set in a different historical period, with the two protagonists accompanied by different characters, though several reappear in one series or another, e.g., Melchett (Stephen Fry) and Lord Flashheart (Rik Mayall). The theme song is composed by Howard Goodall, an English composer of musicals, choral music and music for television. He also presents music-based programs for television and radio, for which he has won many awards. In May 2008, he was named as a presenter and Composer-in-Residence with the UK radio channel Classic FM. In May 2009, he was named Composer of the Year at the Classic BRIT Awards. Goodall said of the Theme, They asked me if I would have a go at the tune. With all of these things, although I do come up with my own ideas, you don't really come up with a good one unless you talk it through with them and the vision they've got. It was quite obvious, the historical approach they were going for. What's interesting is that the first series, the medieval one with 'Richard the Fourth', was much more filmic and much more historical. That's why we ended up with that tune. Whereas had the first series been the Elizabethan one, the theme would have been slightly gentler, less heroic. .
$12.99
The Duality of Cats
#
Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Nathan Grocholski
#
The Duality of Cats
#
Nathan Grocholski
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Groc...
(+)
Brass Ensemble - Level 4 - Digital Download SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. Published by Nathan Grocholski (A0.1123447). The basis of this piece was centered around the complex emotions of cats in which we observe in our every day lives. With regards to this piece especially, there were three cats that I based this composition on, and their names are Storm, Zany and Tremor. Each miniature is a representation of a certain type of emotion that each of these cats is known for expressing. The first movement is for my favorite cat, Storm, and is titled, “Precious Storm.†Going back to my earliest memories of writing songs, I re-translated an old tune that I used to sing into a brass quintet miniature and dedicated to him, for he is the best cat. The second miniature is titled, “Mouse on a String,†and is supposed to portray the same energy that one would see from a cat in chase of a toy mouse being constantly propelled around the air from one end of a string, which is one of Storm’s favorite things to do. The third movement is called “Zany the Scaredy-Cat,†which is exactly the type of cat that Zany is. Always fearful and skittish, Zany sneaks around the house to avoid human contact at all costs. The fourth movement is titled “You Stuck, Zany?†This is named after a short video clip in which Zany finds herself stuck in the fireplace and struggling to get out. Once she frees herself, she runs away as fast as she can. The fifth movement is called “Passive-Aggressive Tremor†for the final cat, Tremor. Tremor likes to instigate conflicts with the other cats, but once the tension arises, he backs away, which can also be heard within the intense build ups and anti-climatic drops within the music as well. Finally, the sixth movement is called, “King Tremor,†in which is the boldest sounding of all the pieces, for when it does come to conflict, it is usually Tremor who comes out on top, outsmarting the other two cats.
$5.00
A Song Without Words (For Brass Ensembles)
#
Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Anthony Prudent
#
A Song Without Words
#
Anthony Prudent
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.917778 Composed by Anthony Prudent. Contemporary,Standards. Score and parts. 39 pages. Anthony Pruden...
(+)
Brass Ensemble - Level 4 - Digital Download SKU: A0.917778 Composed by Anthony Prudent. Contemporary,Standards. Score and parts. 39 pages. Anthony Prudent #5195423. Published by Anthony Prudent (A0.917778). Hello to all who happen to stumble onto this piece! My name is Anthony Prudent, and I am a student at the Fiorello H. LaGuardia High School in New York City. This piece is an original composition that was written for the Brass Ensemble in the school. The world premiere of the song occurred on Tuesday, January the 7th. As such, I am distributing this work so that any ensemble, for school or otherwise, can perform it! The piece is roughly three and a half minutes long. However, it can be found challenging at times. Nevertheless, it is a fun piece to perform anywhere and is an excellent form of repertoire for brass players looking for something to engage with their performing groups.
$6.99
There's No Business Like Show Business
#
Brass ensemble
#
INTERMEDIATE
#
Contemporary
#
Irving Berlin
#
Kevin P Holdgate
#
There's No Business Like Show
#
Kevin P Holdgate
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.791040 Composed by Irving Berlin. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 21 pag...
(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.791040 Composed by Irving Berlin. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 21 pages. Kevin P Holdgate #4966967. Published by Kevin P Holdgate (A0.791040). There's No Business Like Show Business is an Irving Berlin song, written for the 1946 musical Annie Get Your Gun and orchestrated by Ted Royal. The song, a slightly tongue-in-cheek salute to the glamour and excitement of a life in show business, is sung in the musical by members of Buffalo Bill's Wild West Show in an attempt to persuade Annie Oakley to join the production. It is reprised three times in the musical but for the purposes of the show that I made this arrangement for only 2 verses were required... a third verse could easily be added of course with appropriate lyrics.The song is also featured in the 1954 movie of the same name, where it is notably sung by Ethel Merman as the main musical number. The movie, directed by Walter Lang, is essentially a catalog of various Berlin's pieces, in the same way that Singin' in the Rain-which starred Donald O'Connor as well-was a collection of Arthur Freed songs. There was also a disco version of the song made during the 1970s, with Merman reprising her singing role in The Ethel Merman Disco Album. The song became one of Ethel Merman's standards and was often performed by her at concerts and on television.This is a simple arrangement of the song playable by all levels of ensemble
$19.99
Crown Him with Many Crowns: Diademata
#
Brass ensemble
#
INTERMEDIATE
#
Sacred music
#
George Job Elvey
#
F
#
Crown Him with Many Crowns: Di
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808708 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Easter,Praise & Worship,S...
(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.808708 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Easter,Praise & Worship,Sacred. Score and parts. 27 pages. Sweetwater Brass Press #6477787. Published by Sweetwater Brass Press (A0.808708).     George J. Elvey composed Diademata to serve as the melody for Matthew Bridges’ hymn Crown Him with Many Crowns. Published in 1868, its name derives from diadema, the Greek word for crown, which is also the source of the English word diadem. Diademata remains the most frequently used tune for Crown Him with Many Crowns.      This arrangement contains five versions of the melody. It opens with a quotation from bars 5-8 of Elvey’s score to introduce the arrangement. The first time through the 16 bars of Crown Him with Many Crowns the tempo is marked Andante e Rubato: that is, take it moderately slow but feel free to speed up or slow down in your interpretation. Two instrument pairs take turns doing this-Trumpets 1 and 2, and Horn in F and Trombone. The remainder of the piece should be played at an up-tempo speed of about 120 bpm.
$9.95
Your Favorite Christmas Hymns and Carols for Brass, Book 2
#
Brass ensemble
#
EASY
#
Sacred music
#
Various
#
Colin Kirkpatrick
#
#
Your Favorite Christmas Hymns
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.522155 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score a...
(+)
Brass Ensemble - Level 2 - Digital Download SKU: A0.522155 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score and parts. 75 pages. Colin Kirkpatrick Publications #3580273. Published by Colin Kirkpatrick Publications (A0.522155). Your Favorite Christmas Hymns and Carols for Brass, Book 2Arranged for brass by Colin KirkpatrickThis is the second volume of the collection of best-loved Christmas hymns and carols arranged for brass, to brighten up your next Christmas event. This publication includes full four-part instrumental scores plus parts for 1st B flat trumpet, 2nd B flat trumpet, horn in F (with a separate optional part for horn in E flat), trombone and/or tuba. The tuba part is also optional because it either doubles the trombone part or plays an octave below. Both trombone and tuba parts appear on a single staff in the bass clef at concert pitch. The arrangements can be used with brass quartet, brass quintet or brass ensemble. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios. The arrangements are intended either as stand-alone pieces that could be used as interludes in a concert or service, or they could be used to accompany solo, choral or congregational singing. The arrangements been written in brass-friendly keys as often as possible. While the hymns mostly use the traditional harmonies, the carols have been treated more freely. Book 2 contains the following 21 titles: As with Gladness Men of Old (Melody: Dix); Away in a Manger (Melody: Cradle Song); Ding! Dong! Merrily on High (Melody: Bransle de l'Officiel); God Rest You Merry, Gentlemen; A Great and Mighty Wonder (Melody: Es ist ein Ros); Hark! The Herald Angels Sing (Melody: Mendelssohn); Infant Holy, Infant Lowly (Melody: W. Zlobie Lezy); It Came Upon the Midnight Clear (Melody: Noel); Joseph Dearest, Joseph Mine (Melody: Resonet in Laudibus); Joy to the World (Melody: Antioch); O Come, O Come Emmanuel (Melody: Veni Emmanuel); O Little Town of Bethlehem (Melody: Forest Green) ; Once in Royal David's City (Melody: Irby); Quem Pastores Laudavere; Lully, lulla Thou Little Tiny Child (Melody: Coventry Carol); Hark! A Thrilling Voice is Calling (Melody: Merton); The First Nowell; The Wassail Song; We Three Kings (Melody: Kings of Orient), While Shepherds Watched their Flocks (Melody: Winchester Old) and While Shepherds Watched their Flocks (Melody: Christmas). The audio samples include Ding! Dong! Merrily on High, Infant Holy, Infant Lowly, Lully, lulla Thou Little Tiny Child and The First Nowell. Please note that the arrangements are usually not usually compatible with the string collection of the same name.
$25.99
<
1
26
