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Brass ensemble
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2 sheet music found
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1
Fanfare from Le Martyre de Saint Sébastien for Brass Choir and Timpani
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Brass ensemble
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ADVANCED
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Classical
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Claude Debussy
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Charles Decker
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Fanfare from Le Martyre de Sai
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.792815 Composed by Claude Debussy. Arranged by Charles Decker. 20th Century. Score and parts. 21 page...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792815 Composed by Claude Debussy. Arranged by Charles Decker. 20th Century. Score and parts. 21 pages. Gordon Cherry #6645173. Published by Gordon Cherry (A0.792815). The Fanfare from Le Martyre de Saint Sébastien for Brass Choir and Timpani is a sophisticated and brilliant work by French master Claude Debussy from his incidental music for the 1911 mystery play written for the famous actress Ida Rubenstein by the Italian author Gabriele D'Annunio, The Martyrdom of Saint Sebastian. The Fanfare is taken from Part III of the work and is titled Le Concile des faux dieux (the Council of the false gods).Charles Decker has done a fantastic job of editing the work for performance.It is appropriate for advanced performers. The instrumentation is for 4 Trumpets in B-flat, 4 Horns in F, 3 Trombones, Tuba and Timpani.
$25.00
Monteverdi - The Fifth Book of Madrigals (1605) - 18. E cosi a poco a poco
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fifth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.767255 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. ...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767255 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 23 pages. Lyons Music Services #3121643. Published by Lyons Music Services (A0.767255). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible. The penultimate song, again presents difficulties in arranging for quintet, however the sixth voice mostly alternates with the others and so with a bit of jusicious adaptation, a six-voice song becomes a quintet. E cosi a poco a poco a sei voci - Our young man has obviously been spurned (yet again) And so little by little like a butterfly simpleton I'll return to the fire in those false eyes
$5.99
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