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You've selected:
They Didn
Brass ensemble
Sheetmusic to print
2 sheet music found
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1
They Didn't Believe Me
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Brass ensemble
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EASY
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Jerome Kern
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Steve Miller / edited by Bill
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They Didn't Believe Me
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Bill Carmody
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SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.748799 Composed by Jerome Kern. Arranged by Steve Miller / edited by Bill Carmody. Broadway,Jazz,Musi...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.748799 Composed by Jerome Kern. Arranged by Steve Miller / edited by Bill Carmody. Broadway,Jazz,Musical/Show,Ragtime. Score and parts. 19 pages. Bill Carmody #2442271. Published by Bill Carmody (A0.748799). This beautiful and easily played rendition of an early Kern classic includes the often overlooked introduction.First introduced in the 1914 musical The Girl from Utah, it became Kern's first major song success.The song is remarkable in its use of 'everyday' language in a love song -- a departure from the flowery vocabulary commonly used to express romantic sentiments. The song put Kern in great demand on Broadway and established a pattern for musical comedy love songs that lasted through the 1960s.
$9.00
Moro Lasso
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Brass ensemble
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Carlo Gesualso
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Eric Wilson
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Moro Lasso
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Woodrow Edition
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.999423 Composed by Carlo Gesualso. Arranged by Eric Wilson. Concert,Renaissance. Score and parts. 14 pages. Woo...
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Brass Ensemble - Digital Download SKU: A0.999423 Composed by Carlo Gesualso. Arranged by Eric Wilson. Concert,Renaissance. Score and parts. 14 pages. Woodrow Edition #5798361. Published by Woodrow Edition (A0.999423). Carlo Gesualdo, Prince of Venosa, Musician and Murderer! That’s not a news headline (though it would be quite a good one) but the title of a book by composer Peter Warlock which I read avidly after first encountering the Italian composer in a lecture at the University of Liverpool in the 1980s. We were studying the Italian madrigal, which was not really my thing until our lecturer threw Moro Lasso into the mix. Its opening chords seemed so incongruous – unlike anything we had heard – and are as striking today as they must have been in 1611 when first published in Gesualdo’s 6th Book of Madrigals.More or less immediately after that lecture I arranged the piece for the Seras Brass Quintet which I had helped form. In those days the brass quintet repertoire was limited, and certainly didn’t include anything by Gesualdo!The arrangement really benefits from a church-like acoustic where you can make the most of the dramatic built-in silences. The tuba part lies quite high and is very playable on a trombone if need be. Even to modern ears there are some strange sounds and I trust that all the ‘wrong’ notes are Gesualdo’s rather than mine – do let me know if you think otherwise!
$9.95
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