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You Know It\'s About You
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+ 4 instrumentations
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6
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5
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3
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2
Mandolin
2
Piano, Guitar (duet)
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+ 4 instrumentations
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Choral SATB
39
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18
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15
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10
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6
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Soprano voice
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
59
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55
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11
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10
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9
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9
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9
Clarinet
9
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8
Flute and Piano
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7
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6
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Recorder
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Descant (Soprano) Recorder
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Ocarina
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Piccolo
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English Horn
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Flute Quartet: 4 flutes
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Woodbrass
Brass quartet : 2 trumpets, trombone, tuba
34
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18
Trumpet
11
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9
French horn
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6
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Bass Trombone
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Brass Quartet: 4 trumpets
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English Horn
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Tuba ensemble
1
+ 20 instrumentations
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String Quartet: 2 violins, viola, cello
24
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17
Cello
13
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10
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9
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3
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3
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2
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1
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1
String Trio: 2 violins, cello
1
Doublebass (band part)
1
Viola (band part)
1
Double bass, Piano (duet)
1
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16
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Brass ensemble
Sheetmusic to print
7 sheet music found
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1
Alexander’s Ragtime Band
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Irving Berlin
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F
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contact him at lessmith@ufl
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Alexander’s Ragtime Band
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Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patrio...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$9.95
M'appari tutt' amor (“Mostly Martha”)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period....
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
March
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Brass ensemble
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INTERMEDIATE
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Contemporary
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James Johnston Stewart and Ser
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F
#
#
March
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808691 Composed by James Johnston Stewart and Sergei Prokofiev. Arranged by F. Leslie Smith. Contempo...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808691 Composed by James Johnston Stewart and Sergei Prokofiev. Arranged by F. Leslie Smith. Contemporary. Score and parts. 18 pages. Sweetwater Brass Press #4295617. Published by Sweetwater Brass Press (A0.808691). Sergei Prokofiev’s comic opera, The Love for Three Oranges, Op. 33, was first produced in Chicago’s Auditorium Theatre in 1921. Prokofiev subsequently composed a concert suite from six of the opera’s selections. Of these, the March is probably best known. It was adopted as the theme song for a popular radio series, The FBI in Peace and War, which ran on CBS 1944-1958. Through its use on the program, listeners became familiar with the music and were so impressed that it was recorded and published independently as The FBI March. Because of its bold, driving and rhythmic nature, the March is well suited for a brass group, and makes for an exciting experience for both musicians and audience. This arrangement, written for brass quintet using trumpets pitched in C, was completed in 2012 and runs about 1 minute, 38 seconds. (A Bb-trumpets version is also available.) The arranger, Les Smith, can be reached at lessmith@ufl.edu. If you liked this one, check out Les’ Entry of the Graduates: Processional, Funeral March of a Marionette, Golliwog’s Cake Walk, Marche from Sylvia, March Militaires and War March of the Priests (from Athalia). For more arrangements by Les, type the following into the sheetmusicplus Search box: Sweetwater Brass Press.
$12.99
Dance of the Tumblers (Dance of the Clowns)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Nikolai Rimsky-Korsakov
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F
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Dance of the Tumblers
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patrioti...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Period. Score and parts. 44 pages. Sweetwater Brass Press #4819845. Published by Sweetwater Brass Press (A0.808695).   Nikolai Rimsky-Korsakov composed his third opera, The Snow Maiden, during the period 1880-1881. Based on Alexander Ostrovsky’s play of the same name, The Snow Maiden uses fairy-tale characters to portray the opposing forces of nature, winter versus summer. Act 3 contains the Dance of the Skomorokhi. Skomorokhi were traveling performers in old Russia and, in connection with this composition, the term is usually translated as tumblers or clowns. Rimsky-Korsakov also included this selection as one of four movements he compiled into a concert suite based on the opera. Dance of the Tumblers has become one of his most frequently performed and best known pieces.  Light and uplifting, Dance of the Tumblers is vibrant, energetic and addictive. It takes the form of, as one commenter wrote, a classical sonata-structure, complete with development section, invigoratingly intensified reprise, and a veritable whirlwind of a coda. This brass quintet arrangement retains the original key signature of C but adjusts register to make the melodies accessible and playable. As a result, most notes are well within the normal playing range of the five brass instruments. Trumpet 1’s highest note is its A above the staff. At measures 132 and 133, Trumpet 2 has the option of playing some high notes (including one C above its staff) an octave down. Tuba plays mostly in the lowest register, with quite a few low F notes and one low E. Most instruments have some octave jumps, but all have a lot of notes to play in a very short time: many, many sixteenth notes. The score is marked Vivace, and the audio sample moves along at a pretty fast clip. But of course, the speed at which performers actually play the piece is up to them, a matter of interpretation.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
Solace: A Mexican Serenade
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Brass ensemble
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INTERMEDIATE
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Ragtime
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Scott Joplin
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F
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Solace: A Mexican Serenade
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808676 Composed by Scott Joplin (1868–1917). Arranged by F. Leslie Smith. 20th Century,Film/TV...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808676 Composed by Scott Joplin (1868–1917). Arranged by F. Leslie Smith. 20th Century,Film/TV,Folk,Holiday,Love,Ragtime. Score and parts. 20 pages. Sweetwater Brass Press #3213035. Published by Sweetwater Brass Press (A0.808676). Marvin Hamlisch’s score for the 1973 movie The Sting revived interest in ragtime music. Ragtime, of course, is music, often in march-time, that features syncopation, a ragged beat. It originated in African-American districts of large cities and first flourished during the period, 1895-1918. One of the most successful ragtime composers was Scott Joplin, known as the King of Ragtime. Hamlisch used several Joplin compositions as background music for the George Roy Hill-directed film, and one of those was this beautiful and contemplative 1909 composition, Solace: A Mexican Serenade. In All Music Guide to Classical Music: The Definitive Guide to Classical Music (Woodstra et al., ed., CMP Books: 2005), Blair Johnston called Solace a musical hybrid neither authentically Mexican nor authentic ragtime. It is, instead, a habanera, but also a very lovely piece of Americana. This brass quintet arrangement of Solace was adapted from the Joplin piano score. Like the score, this arrangement is in 2/4 time and contains a lot of 16th notes. Joplin’s tempo instruction, however, is Very slow march time, and the metronome marking suggests 96 eighth notes a minute, so in reality the actual tempo is an andante 4/8. Trumpet 1 has some B-above-the-staff notes in the last section, Trumpet 2 has a few interesting rhythmic figures in section B; Trombone has 3 or 4 F-above-the-staff notes, and Tuba plays a couple of top-of-the-staff A’s in section D and at the very end. Plus, of course, the piece is syncopated. Completed in 2017, this arrangement runs about 6 minutes, 10 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu; he would be delighted to hear from you. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.50
Kingdom Coming (The Year of Jubilo)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Henry Clay Work
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F
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Kingdom Coming
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Pa...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score and parts. 31 pages. Sweetwater Brass Press #4111581. Published by Sweetwater Brass Press (A0.808688). Henry Clay Work, Civil War era song writer and abolitionist, composed Kingdom Coming in 1862. Chicago’s Root & Cady published it in April of that year, Christy’s Minstrels premiered it and it became enormously popular. The lyrics to Kingdom Coming, also known as The Year of Jubilo, were written as though slaves in the Confederacy were celebrating their upcoming freedom. However, the song was actually released eight months before President Lincoln issued the Emancipation Proclamation. Interestingly, Kingdom Coming also gained popularity in the South. A Southern edition was published in August in 1864, and the song remained a favorite in the former Confederacy for some years. Kingdom Coming has been used as theme or background music in a number of film, television and radio settings. Almost certainly its most popular iteration in modern times was the Sauter-Finegan Orchestra’s 1952 recording under the title Doodletown Fifers. This arrangement is a show-off piece for each member of the quintet. It moves along at a brisk pace of about 108, begins in the key of C and changes to A-flat, then B-flat. The first time through the melody, all instruments perform ensemble. Each succeeding repetition features an instrumentalist, starting with tuba and working up to Trumpet 1. The piece ends with another ensemble version. There are no exceptionally out-of-normal-playing-range notes: Trumpets 1 and 2 both play their B-flat below the scale several times, and Trumpet 2 plays G below the scale; Horn in F also plays its G below the scale; Trombone’s range is G at the bottom of the scale to D above the scale; Tuba’s lowest note is A-flat below the scale. Trumpet 1 will probably triple tongue its repetition of the melody, and some triple tonguing may be called for near the end of the piece for Trumpets 1 and 2 and Trombone. This arrangement was completed in 2018, and performance time runs just under 4 minutes. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$9.97
Fourth Rendez Vous (Flexible Brass Ensemble)
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Brass ensemble
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INTERMEDIATE
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Contemporary
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Jean-Michel Jarre
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G L Harvey
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Fourth Rendez Vous
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G L Harvey
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SheetMusicPlus
Brass Duet, Brass Trio, Brass Quartet, Brass Quintet - Intermediate - Digital Download By Jean-Michel Jarre. Arranged by G L Harvey. Score, Set of Pa...
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Brass Duet, Brass Trio, Brass Quartet, Brass Quintet - Intermediate - Digital Download By Jean-Michel Jarre. Arranged by G L Harvey. Score, Set of Parts. 35 pages. Published by G L Harvey
This 1986 electronic classic by Jean-Michel Jarre is a dynamic foot tapper and your players will love being transported back to the 80's. Arranged as a flexible brass ensemble for 2 to 5 intermediate players, with optional parts for piano, bass guitar and drums.It can be performed as a duet with piano, a trio with piano or bass guitar, or as a brass quartet/quintet with just about any combination of instruments imaginable, including 5 trombones or tubas. Ideal for fun concert performances, knowing that nobody has to be left out. Pdf includes a full score and parts for common brass instrumental combinations, plus extra parts for rhythm section and more unusual brass combinations. To be printed portrait on A4 (35 pages in total).
Duration about 3 minutes with all repeats.
$17.99
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