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1,874
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502
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215
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132
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96
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37
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24
1 Piano, 4 hands
24
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14
Piano Trio: piano, violin, cello
7
2 Pianos, 4 hands
3
Piano Quartet: piano, violin, viola, cello
3
2 Pianos, 8 hands
2
Piano (band part)
2
Organ, Piano (duet)
2
Organ, Trumpet (duet)
1
Piano Quintet: piano, 2 violins, viola, cello
1
1 Piano, 6 hands
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+ 12 instrumentations
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Guitars
Guitar notes and tablatures
74
Guitar
73
Melody line, (Lyrics) and Chords
27
Ukulele
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11
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Bass guitar
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4 Guitars (Quartet)
4
2 Dulcimers (duet)
3
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3
Dulcimer
2
Guitar (band part)
2
+ 8 instrumentations
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Voice
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248
Choral 3-part
58
Choral TTBB
32
Choral 2-part
29
Choral SSAA
23
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9
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9
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6
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5
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5
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4
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4
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2
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Soprano voice
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2
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1
Low voice
1
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1
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1
Tenor voice, Piano
1
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265
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221
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201
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186
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163
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120
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107
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98
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77
Tenor Saxophone and Piano
70
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66
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61
2 Clarinets (duet)
60
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56
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51
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46
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42
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38
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37
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34
Clarinet
33
Oboe, Piano (duet)
32
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30
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30
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30
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28
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28
Flute, Clarinet (duet)
24
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22
Flute
22
Oboe, Flute
19
Clarinet Ensemble
19
Flute and Guitar
17
Oboe, Bassoon (duet)
16
Clarinet and Viola
15
Flute, Violin
15
Flute, Saxophone (duet)
14
Oboe, Clarinet (duet)
13
Clarinet Quintet: 5 clarinets
12
Flute Quartet: 4 flutes
12
Flute ensemble
11
Flute, Trumpet (duet)
11
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2 Recorders (duet)
11
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10
Soprano Saxophone
10
2 Oboes (duet)
9
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9
Clarinet, Bassoon (duet)
9
Flute Trio: 3 flutes
8
3 Recorders (trio)
8
3 Clarinets (trio)
8
Oboe (band part)
8
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8
Oboe, Clarinet, Bassoon (trio)
6
Flute Quintet : 5 flutes
6
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5
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4
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4
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3
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3
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3
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2
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2
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1
Flute, harp and violin
1
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1
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1
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1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
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1
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1
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1
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1
2 Clarinets, Bassoon
1
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1
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1
2 Clarinets, Piano
1
2 Flutes, Piano
1
Saxophone and Guitar
1
Saxophone and Organ
1
Bagpipe
1
Piccolo
1
+ 89 instrumentations
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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
168
Brass quartet : 2 trumpets, trombone, tuba
105
Trombone and Piano
78
Trombone
71
Trumpet
46
Trombone (band part)
45
2 Trombones (duet)
32
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30
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27
Brass Quartet
24
Brass Quartet: 2 trumpets, horn, trombone
21
Brass Quartet: 4 trombones
21
French Horn and Piano
19
Trumpet (band part)
17
Trumpet, Piano
16
2 Trumpets (duet)
14
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12
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12
English horn, Piano
11
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10
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10
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9
French horn
8
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7
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6
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6
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5
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5
2 Tubas (duet)
5
3 Trombones (trio)
5
4 Tubas
4
Euphonium
4
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4
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4
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4
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3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
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3
3 Tubas (trio)
2
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2
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2
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2
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2
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2
3 Trumpets (trio)
2
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1
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1
2 Euphoniums (duet)
1
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1
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1
Tuba and Organ
1
3 Euphoniums
1
2 Trumpets, Keyboard (piano or organ)
1
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168
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102
Violin and Piano
66
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53
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41
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38
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36
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36
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31
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28
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24
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21
2 Cellos (duet)
17
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14
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13
2 Harps (duet)
9
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9
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9
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8
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7
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7
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7
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7
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6
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6
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5
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5
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5
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4
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4
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3
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3
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3
2 Double basses (duet)
2
Viola, Guitar (duet)
1
Harp and Piano
1
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1
Violin, Organ
1
String Quintet: 2 violins, 2 violas, cello
1
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1
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1
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188
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152
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Musical course - Solfege
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1
Ode to Joy by Beethoven for Recorder Quintet
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5 Recorders
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BEGINNER
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Classical
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Re
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Woods Only, Arrangements
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SheetMusicPlus
Recorder - Level 1 - Digital Download SKU: A0.1129692 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic P...
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Recorder - Level 1 - Digital Download SKU: A0.1129692 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Recorder Ensemble. 15 pages. Woods Only, Arrangements #730103. Published by Woods Only, Arrangements (A0.1129692). This arrangement adapted for recorder quintet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$9.99
Turkish March by Beethoven for Recorder Quintet
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5 Recorders
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EASY
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Classical
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Recorder - Level 2 - Digital Download SKU: A0.1128137 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Re...
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Recorder - Level 2 - Digital Download SKU: A0.1128137 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Recorder Ensemble. 16 pages. Woods Only, Arrangements #728752. Published by Woods Only, Arrangements (A0.1128137). This arrangement adapted for recorder quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
Symphony No. 7 by Beethoven for Recorder Quintet
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5 Recorders
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Recorder - Level 3 - Digital Download SKU: A0.1128492 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic...
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Recorder - Level 3 - Digital Download SKU: A0.1128492 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. Recorder Ensemble. 16 pages. Woods Only, Arrangements #729115. Published by Woods Only, Arrangements (A0.1128492). This arrangement adapted for recorder quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$9.99
Gnossienne No.1 (Erik Satie) - recorder quintet
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5 Recorders
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INTERMEDIATE/ADVANCED
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Classical
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Contemporary
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Erik Satie
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Austin Ralphson
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Gnossienne No.1
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SheetMusicPlus
Composed by Erik Satie (1866- 1925). Arranged by Austin Ralphson. 20th Century, Minimalism, Spiritual, Wedding, Recital. Score, Set of Parts. 17 pages....
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Composed by Erik Satie (1866- 1925). Arranged by Austin Ralphson. 20th Century, Minimalism, Spiritual, Wedding, Recital. Score, Set of Parts. 17 pages. Published by Austin Ralphson
Satie wrote a set of three Gnossiennes for the piano right at the end of the 19th Century. Always one to challenge convention, he invented the word 'Gnossienne' especially for theses pieces - it has no other meaning. He also decided to notate the pieces without key signatures, time signatures or even bar lines and I have decided to do the same here in this arrangement.
The piece gradually unfolds in a kind of trance-like hypnotic ambiance; this arrangement features the melody in all parts, starting unusually in the bass.
$7.99
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