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1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
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Violin
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Pub...
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Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
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Violin
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Pub...
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Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Violin Concerto No. 2
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Violin
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Contemporary
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Jordan Grigg
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Violin Concerto No. 2
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Jordan Grigg
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SheetMusicPlus
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1056792 Composed by Jordan Grigg...
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Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1056792 Composed by Jordan Grigg. 20th Century. Full Performance. Duration 466. Jordan Grigg #2549103. Published by Jordan Grigg (A0.1056792). 03:155:26.
$2.99
Symphony No 25 (Our Earth) 1.2.3.
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Violin
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Jordan Grigg
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Symphony No 25
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Jordan Grigg
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SheetMusicPlus
Alto Voice,Bass Voice,Bassoon,Cello,Choir,Clarinet,Double Bass,English Horn,Flute,Multi-Percussion,Oboe,Organ,Piano,Soprano voice,Tenor Voice,Timpani,Trombone,T...
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Alto Voice,Bass Voice,Bassoon,Cello,Choir,Clarinet,Double Bass,English Horn,Flute,Multi-Percussion,Oboe,Organ,Piano,Soprano voice,Tenor Voice,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1057712 Composed by Jordan Grigg. 20th Century,Multicultural,Romantic Period,Standards,World. Full Performance. Duration 910. Jordan Grigg #3466582. Published by Jordan Grigg (A0.1057712).
$4.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Violin Quartet
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Violin
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Violin Solo - Level 3 - Digital Download SKU: A0.784340 Composed by Joshua Hauser. Instructional. 38 pages. Slide Ride #5288679. Published by Slide Ride ...
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Violin Solo - Level 3 - Digital Download SKU: A0.784340 Composed by Joshua Hauser. Instructional. 38 pages. Slide Ride #5288679. Published by Slide Ride (A0.784340). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
When I Survey the Wondrous Cross--violin solo
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Violin
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EASY
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Sacred music
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Gospel/Spiritual
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Isaac Watts, Lowell Mason
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Beka Wilson
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When I Survey the Wondrous Cro
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Beka Wilson
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SheetMusicPlus
Violin Solo - Level 2 - Digital Download SKU: A0.786551 Composed by Isaac Watts, Lowell Mason. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. 4...
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Violin Solo - Level 2 - Digital Download SKU: A0.786551 Composed by Isaac Watts, Lowell Mason. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. 4 pages. Beka Wilson #6253759. Published by Beka Wilson (A0.786551). When I Survey the Wondrous Cross has long been a favorite hymn to celebrate Easter and Christ’s sacrifice, and this arrangement for early intermediate instrumental solo is perfect for a prelude, offertory, or other special music piece for Easter Sunday, communion, or any other church service. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, viola, and cello, and as a duet for two harps, harp/flute, harp/violin, harp/viola, and harp/cello. A vocal version of this arrangement will be made available soon. Key: Concert GLength: approximately 3 minutes 4 pages (includes score and separate solo part)Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Kommos (Lamentation) / "When the World Moved On" - Violin II
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Violin
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 4 - Digital Download SKU: A0.1018956 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Pub...
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Violin Solo - Level 4 - Digital Download SKU: A0.1018956 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Published by Benjamin Sajo (A0.1018956). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
The Song of Moses and of Miriam at the Red Sea-Violin
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Violin
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EASY
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Sacred music
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Zachary Damm
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The Song of Moses and of Miria
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Digital Print Publishing
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SheetMusicPlus
Violin Solo - Level 2 - Digital Download SKU: A0.969563 Composed by Zachary Damm. Christian,Sacred,Spiritual. 3 pages. Digital Print Publishing #3015661....
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Violin Solo - Level 2 - Digital Download SKU: A0.969563 Composed by Zachary Damm. Christian,Sacred,Spiritual. 3 pages. Digital Print Publishing #3015661. Published by Digital Print Publishing (A0.969563). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the violin part: see also all the individual instrumental parts under the same title.
$4.51
Kommos (Lamentation) / "When the World Moved On" - Violin I
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Violin
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 4 - Digital Download SKU: A0.1018955 Composed by Benjamin Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078701. Published...
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Violin Solo - Level 4 - Digital Download SKU: A0.1018955 Composed by Benjamin Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078701. Published by Benjamin Sajo (A0.1018955). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
In the Bleak Midwinter--violin solo
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Violin
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INTERMEDIATE
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Christmas
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Contemporary
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Gustav Holst
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Beka Wilson
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In the Bleak Midwinter--violin
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Beka Wilson
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SheetMusicPlus
Violin Solo - Level 3 - Digital Download SKU: A0.786868 Composed by Gustav Holst. Arranged by Beka Wilson. Christian,Christmas,Sacred. 5 pages. Beka Wils...
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Violin Solo - Level 3 - Digital Download SKU: A0.786868 Composed by Gustav Holst. Arranged by Beka Wilson. Christian,Christmas,Sacred. 5 pages. Beka Wilson #6628889. Published by Beka Wilson (A0.786868). This arrangement of In the Bleak Midwinter for instrumental solo will make this piece an excellent addition to a holiday concert, recital, or church service.Length: around 2.5 minutes (suggested 70 bpm)Level: intermediate for most instruments (no lever changes for harp)5 pages (includes score and separate solo part)This arrangement is available as a solo for piano, harp, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
Procession in D Minor (for Full Orchestra and SATBB Choir)
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Violin
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Contemporary
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Tito Abeleda
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Procession in D Minor
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Visionary Quest Records
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SheetMusicPlus
Alto Voice,Baritone Horn TC,Bass Voice,Bassoon,Cello,Choir,Clarinet,Double Bass,Drums,Flute,Oboe,Soprano voice,Tenor Voice,Timpani,Viola,Violin - Digital Downlo...
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Alto Voice,Baritone Horn TC,Bass Voice,Bassoon,Cello,Choir,Clarinet,Double Bass,Drums,Flute,Oboe,Soprano voice,Tenor Voice,Timpani,Viola,Violin - Digital Download SKU: A0.1070247 Composed by Tito Abeleda. Contemporary. Full Performance. Duration 260. Visionary Quest Records #4781001. Published by Visionary Quest Records (A0.1070247). Full Orchestra and SATBB Choir: Piccolo, E Flat Flute, Flute, Oboe, Cor Anglais, Clarinet in E Flat, Clarinet in B Flat, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bassoon, Horn in F 1-3, Trumpet in C 1-3, Bass Trumpet in E Flat, Trombone 1-2, Tenor Tuba in B Flat, Bass Tuba in F, Timpani, Snare Drums, Bass Drum, Cymbals, Anvil, Wood Blocks, Tubular Bells, Soprano, Alto, Tenor, Baritone, Bass, Violin I, Violin II, Viola I, Viola II, Violoncello, ContrabassProcession in D Minor (for Orchestra and SATBB Choir) was composed to honor those victims of gun violence. As the title implies, it is like a funeral procession. Although there is an undeniable sadness to it, that sadness is musically framed with boldness and courageousness, building continuously to its climactic end symbolizing our honor and tribute to the fallen, and that their memories and our love for them will never be forgotten.This song is the closing song on Tito Abeleda's album Mourning in the Rain released on 9/11/2019.Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$1.99
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