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3 sheet music found
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1
I Come to the Garden (In the Garden) - Organ solo
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Organ
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INTERMEDIATE
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Charles Austin Miles
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KATHLEEN HOLYOAK
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I Come to the Garden
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Kathleen Holyoak
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1458588 Composed by Charles Austin Miles. Arranged by KATHLEEN HOLYOAK. Christian,Easter,Praise & Worship,Reli...
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Organ - Level 3 - Digital Download SKU: A0.1458588 Composed by Charles Austin Miles. Arranged by KATHLEEN HOLYOAK. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 4 pages. Kathleen Holyoak #1037515. Published by Kathleen Holyoak (A0.1458588). This famous and beloved old song, written by Charles Austin Miles in 1912, is often sung at funerals and was inspired by John, Chapter 20 in the Bible where Mary goes to the Garden Easter morning and finds the tomb of Jesus empty. Mary is distraught but then she hears a voice and realizes it is the voice of Jesus and not the gardener. Upon many requests, the arranger, Kathleen Holyoak, has written this as an organ solo, having previously published it for vocal solo and instrumental versions. This is one title every organist needs to include in their library or organ music. The words are inspiring and can be printed in a program as follows:I come to the garden alonewhile the dew is still on the roses,and the voice I hear falling on my earthe Son of God discloses.And he walks with me, and he talks with me,and He tells me I am his own;and the joy we share as we tarry there,none other has ever known.
$5.99
Adagissimo (Capriccio on the Departure of a Deeply Beloved Brother) BWV 992 by J S Bach
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Organ
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INTERMEDIATE
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Classical
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Your Name'
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Johann Sebastian Bach
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Paul Broadhurst
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Adagissimo
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Molto rubato
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.915098 Composed by Johann Sebastian Bach. Arranged by Paul Broadhurst. Baroque,Concert,Contemporary,Easter,Ins...
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Organ - Level 3 - Digital Download SKU: A0.915098 Composed by Johann Sebastian Bach. Arranged by Paul Broadhurst. Baroque,Concert,Contemporary,Easter,Instructional. Score. 3 pages. Molto rubato #6188059. Published by Molto rubato (A0.915098). This arrangement allows the performer to provide a very effective, emotionally charged rendering of this really beautiful music which has had a well-deserved renaissance following its use in the 2017 film 'Call Me By Your Name'. The romantic treatment is in the tradition of Virgil Fox's famous version of Bach's Come, Sweet Death (BWV 478). The simpler Adagissimo makes fewer technical demands on the player but a sensitive performance will be similarly engaging for an audience. Detailed editorial markings make this a great piece for students to learn how to use nuance to great musical effect - the notes are simple to play in themselves but careful, musical phrasing makes all the difference in performance, including for the concluding Pedal solo. It's a good recital piece for demonstrating different facets of a medium/large instrument but its simplicity also make it a very useful piece for playing on even the smallest organ. The highly engaging, mournful tone makes it a useful addition to Holy Week repertoire or for funerals.
$5.25
Eight Shorter Preludes on American Hymns (for manuals only)
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Organ
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INTERMEDIATE
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Brian Joyce
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Eight Shorter Preludes on Amer
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Brian Joyce
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.836718 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 15 pages. Brian Joyce #5749579. Publishe...
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Organ - Level 3 - Digital Download SKU: A0.836718 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 15 pages. Brian Joyce #5749579. Published by Brian Joyce (A0.836718). These eight Chorale Preludes were all written between March and May of 2020, during the worldwide Coronavirus Pandemic. Unlike the earlier companion volumes of shorter English and German preludes, which feature a variety of moods and themes, these American examples all seem to center around the closely related ideas of hope and quiet confidence. While this was not my intention back when I was choosing hymns to work with, I am pleased with the unity of the set. Taken as a whole, they are filled with tidings of comfort and joy. Stylistically, the preludes range from the baroque bounce of Praise Him, Jesus Our Blessed Redeemer, through the sturdy On Christ the Solid Rock I Stand (with its chords sounding as if they had been carved from granite blocks) and a surprisingly delicate I Stand Amazed. There is a fair amount of canonic leading and following in He Leadeth Me; Great is Thy Faithfulness is the expressive heart of the set; and we end by returning to 18th century ritornello models with Blessed Assurance. Through it all I think I have managed to avoid any sense of academic stuffiness - in fact there are several moments which may sound almost playful if not handled rightly.As with the Shorter English and German Preludes, most of these are between one and two minutes in length, and each fits on one or two pages, arranged so as to avoid page turns. As always, durations and sources are provided for your planning.
$7.95
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