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2 sheet music found
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Sagas Nos. 1-6
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Organ
#
ADVANCED
#
Jean Guillou
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Sagas Nos. 1-6
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Schott Music - Digital
#
SheetMusicPlus
Organ - advanced to difficult - Digital Download SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 min...
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Organ - advanced to difficult - Digital Download SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Music - Digital #Q6218. Published by Schott Music - Digital (S9.Q6218). This is the name given to the ancient tales and legends of Scandinavia, mostly drawn up in Iceland. The term itself is of Germanic origin, form the verb 'sagen' which means to say, to recount. The title also has to do with what is said, what is recounted, in a musical epic of today. Three of these pieces, Sagas 2, 4 and 6, have the particularity of being improvisations. In Saga 1, the instrument seems to awaken out of a dream of which the two opposing elements gradually become ordered. Pedal staccati soon take control and come to predominate as they build up while, in a spirit of contradiction, various solo steps, Cornet, Cromore, unfold their melismas. The dream then reestablishes itself, this time for good. The second Saga is a sombre, frenetic dance based on groups of five semiquaves. It dies away, then, after a long silence, a note emerges, and this lone note, on three different solo stops, beaten, hunted by its two neighbouring notes in increasingly animated accents, anacruses and appoggiaturas, disappears, giving way to the sombre dance which then broadens out. It is interrupted all of a sudden by the irritated, exasperated, fuming tone of that harshness that overdoes itself and vanishes. The sombre dance appears one last time, letting itself go into paroxym. The third Saga unfolds as a very ancient chant, the memory of an Ossianic chant of the earliest times. The fourth Saga develops the lyricism of a tale to be told. But in midway comes a sort of destructive outburst of which the ever tighter links give way for a moment to pure narrativity, which, after a few upsets, ends the piece with the memory of great danger overcome by candour. The fifth Saga is a kind of quiet walk, interspersed with a few controversies, interceptions and demonstrations that are rather more lively. The sixth Saga develops a kind of theme in runs, whose constantly rhythmic rebounding might bring out the idea of apologetic or exalted acclamation.Jean Guillou (*1930) gilt als einer der bedeutenden Organisten und Orgelkomponisten der Gegenwart. Sein kompositorisches Schaffen umfasst über 40 Orgelwerke, außerdem Symphonien, Klavier- und Orgelkonzerte und Kammermusik. Auch bereichert der Dupré-Schüler, der seit 1963 Titularorganist an St. Eustache in Paris ist, das gängige Orgelrepertoire durch eine Reihe außergewöhnlicher Transkriptionen von Orchesterwerken.
$22.99
Symphony in the Teapot
#
Organ
#
ADVANCED
#
Qi Zhang
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Symphony in the Teapot
#
Schott Music - Digital
#
SheetMusicPlus
Organ solo - advanced to difficult - Digital Download SKU: S9.Q20071 For Organ. Composed by Qi Zhang. This edition: Sheet music. Downloadable. Dur...
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Organ solo - advanced to difficult - Digital Download SKU: S9.Q20071 For Organ. Composed by Qi Zhang. This edition: Sheet music. Downloadable. Duration 10 minutes. Schott Music - Digital #Q20071. Published by Schott Music - Digital (S9.Q20071). “With their pure fresh aroma, the tea leaves meet the steaming water that gurgles down into the purple clay teapot. The leaves begin to dance a mystic step, sing a historical song, and celebrate a great time with their best friends. From commonplace tiny sticks, they are reborn as beautiful elves. They stretch their bodies, roll down to the bottom, and float up to the lip of the teapot. Affected by their happiness, the water utters a sweet, elated and joyful whisper. The story can be smelt, observed and felt by hearts.†Inspired by the Chinese history and culture of tea, I composed Symphony in the Teapot in 2005. Because there were very few pipe organs in China, this work was originally written for Electone Organ, an electronic instrument featuring orchestral and newly developed electronic sounds. In 2009, at the suggestion of Cherry Rhodes and Jean Guillou, I arranged this piece for pipe organ and played the European premiere in Église Saint-Eustache in Paris. (Qi Zhang).
$17.99
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