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Organ
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3 sheet music found
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1
Orgelsinfonie No. 8
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Organ
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ADVANCED
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Enjott Schneider
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Orgelsinfonie No. 8
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - Digital Download SKU: S9.Q11730 In Memoriam. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 32...
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Organ - advanced - Digital Download SKU: S9.Q11730 In Memoriam. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 32 minutes. Schott Music - Digital #Q11730. Published by Schott Music - Digital (S9.Q11730). In his Organ Symphony No. 8 'In Memoriam', following an idea of the cathedral organist Silvius von Kessel from Erfurt (and dedicatee of the work), Enjott Schneider carries on where Anton Bruckner left off, processes themes from the latter's Symphony No. 8 variatively and contrasts it to 'Haus-Choral des Erfurter Doms', 'Wachet auf, ruft uns die Stimme'. Bruckner's material is used as a starting point and further developed by Schneider in four movements: typically enough, the initial movement is called 'Metamorphosen' before an almost eerie atmosphere is created in a 'Scherzo sinistro'. The twelve-note series (in the third movement), embedded in a transcendental mood, eventually develops into the chorale which, now as main theme of the finale, amalgamates with Bruckner's stylistic moments and leads to a magnificent end - an exciting and rousing piece of music.Enjott Schneider knüpft in seiner Orgelsinfonie Nr. 8 In Memoriam an Anton Bruckner an, verarbeitet variativ Themen aus dessen Sinfonie Nr. 8 und stellt diese aber dem Choral Wachet auf, ruft uns die Stimme gegenüber. Eine spannende und aufwühlende Musik.
$21.99
Sagas Nos. 1-6
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Organ
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ADVANCED
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Jean Guillou
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Sagas Nos. 1-6
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced to difficult - Digital Download SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 min...
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Organ - advanced to difficult - Digital Download SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Music - Digital #Q6218. Published by Schott Music - Digital (S9.Q6218). This is the name given to the ancient tales and legends of Scandinavia, mostly drawn up in Iceland. The term itself is of Germanic origin, form the verb 'sagen' which means to say, to recount. The title also has to do with what is said, what is recounted, in a musical epic of today. Three of these pieces, Sagas 2, 4 and 6, have the particularity of being improvisations. In Saga 1, the instrument seems to awaken out of a dream of which the two opposing elements gradually become ordered. Pedal staccati soon take control and come to predominate as they build up while, in a spirit of contradiction, various solo steps, Cornet, Cromore, unfold their melismas. The dream then reestablishes itself, this time for good. The second Saga is a sombre, frenetic dance based on groups of five semiquaves. It dies away, then, after a long silence, a note emerges, and this lone note, on three different solo stops, beaten, hunted by its two neighbouring notes in increasingly animated accents, anacruses and appoggiaturas, disappears, giving way to the sombre dance which then broadens out. It is interrupted all of a sudden by the irritated, exasperated, fuming tone of that harshness that overdoes itself and vanishes. The sombre dance appears one last time, letting itself go into paroxym. The third Saga unfolds as a very ancient chant, the memory of an Ossianic chant of the earliest times. The fourth Saga develops the lyricism of a tale to be told. But in midway comes a sort of destructive outburst of which the ever tighter links give way for a moment to pure narrativity, which, after a few upsets, ends the piece with the memory of great danger overcome by candour. The fifth Saga is a kind of quiet walk, interspersed with a few controversies, interceptions and demonstrations that are rather more lively. The sixth Saga develops a kind of theme in runs, whose constantly rhythmic rebounding might bring out the idea of apologetic or exalted acclamation.Jean Guillou (*1930) gilt als einer der bedeutenden Organisten und Orgelkomponisten der Gegenwart. Sein kompositorisches Schaffen umfasst über 40 Orgelwerke, außerdem Symphonien, Klavier- und Orgelkonzerte und Kammermusik. Auch bereichert der Dupré-Schüler, der seit 1963 Titularorganist an St. Eustache in Paris ist, das gängige Orgelrepertoire durch eine Reihe außergewöhnlicher Transkriptionen von Orchesterwerken.
$22.99
Arabesques
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Organ
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INTERMEDIATE/ADVANCED
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Naji Hakim
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Arabesques
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate to advanced - Digital Download SKU: S9.Q11134 Competition piece in Internationaler Musikwettbewerb der ARD München 2011. C...
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Organ - intermediate to advanced - Digital Download SKU: S9.Q11134 Competition piece in Internationaler Musikwettbewerb der ARD München 2011. Composed by Naji Hakim. This edition: Sheet music. Downloadable. Duration 11 minutes, 30 seconds. Schott Music - Digital #Q11134. Published by Schott Music - Digital (S9.Q11134). 'Arabesques' was a compulsory piece at the ARD Competition 'Organ 2011' and has since been in great demand as a concert piece by organists at home and abroad. The composer writes about his work: 'Song and dance are at the heart of this suite for organ, which reflects the overlapping influences of jazz and Mediterranean folk music. The six movements – Prélude, Pastorale, Libanaise, Arabesque, Litanie, Rondeau – are characterized by ornamental melodies, modal harmonies, irregular meter and an expressive quality inspired by joy.'.
$18.99
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