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Organ
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7 sheet music found
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1
Méditation funèbre (Funeral Meditation)
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Organ
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INTERMEDIATE
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Contemporary
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Samuel Labrecque
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Méditation funèbre
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Composer Lab Music
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SheetMusicPlus
Organ - Intermediate - Digital Download Composed by Samuel Labrecque. Contemporary Classical. Score. 1 pages. Published by Composer Lab Music...
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Organ - Intermediate - Digital Download Composed by Samuel Labrecque. Contemporary Classical. Score. 1 pages. Published by Composer Lab Music
Written for and first performed at the composer's great-grandmother's funeral, Samuel Labrecque's Méditation funèbre (Funeral Meditation) is a pensive short piece for organ where the true challenge is to give each voice its own character. Perfect as a short interlude or postlude for a funeral service.
$3.99
Toccata
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Organ
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INTERMEDIATE
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Naji Hakim
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Toccata
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate - Digital Download SKU: S9.Q48165 On the Introit of the Feast of the Epiphany. Composed by Naji Hakim. This edition: Sheet mu...
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Organ - intermediate - Digital Download SKU: S9.Q48165 On the Introit of the Feast of the Epiphany. Composed by Naji Hakim. This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Digital #Q48165. Published by Schott Music - Digital (S9.Q48165). English • Danish.This toccata is based on the introit to the Christian Epiphany festival and solemnly announces the appearance of the Lord. As a toccata, the work is an introduction to Hakim's Adoration (Schott, ED 22614) for voice, flute and organ, a paraphrase of the first three introitus to Epiphany. The Toccata develops a series of symphonic variations with virtuoso movements that emphasize the expressiveness of the words of the Gregorian text: Ecce advenit dominator dominus: et regnum in manu ejus, et potestas, et empium. Deus, judicium tuum regi da: et justitiam tuam Filio regis. ( Behold, the Lord, the ruler, comes: and the kingdom is in his hand, and the power and the dominion. God, give your judicial office to the king: and yours Justice to the son of the king. ) (Malachi 3: 1, I Chronicles 29:12, Psalm 71: 1, 10, 11).
$18.99
I Need Thee Every Hour - Piano and Organ Arrangement
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Organ
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Sacred music
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Annie S
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Jacob Hershberger
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I Need Thee Every Hour - Piano
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Jasberger Music
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SheetMusicPlus
Organ,Piano - Digital Download SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Dura...
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Organ,Piano - Digital Download SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasberger Music #6009677. Published by Jasberger Music (A0.1072082). Jacob Hershberger performs his new arrangement of I Need Thee Every Hour on both the piano and organ.. Just not at the same time ;) http://www.youtube.com/watch?v=v3D8ACXhnyU&feature=youtu.beThe softness of the piano and it's marriage to the organ make this a powerful arrangement with a lot of hidden spiritual messages in the arrangement. One such message is the differences in time in some of the organ and piano parts. The organ represents the us in the different stages of our lives. The piano represents Heavenly Father and his constant presence in our lives. He is always there steady and available, all we have to do is sync up with him through prayer and he will lead us ever onward through our mortal sojourn on earth.At the end of the video is the following scripture: Yea, I know that God will give liberally to him that asketh. Yea, my God will give me, if I ask not amiss; therefore I will lift up my voice unto thee; yea, I will cry unto thee, my God, the rock of my righteousness. Behold, my voice shall forever ascend up unto thee, my rock and mine everlasting God. Amen. ~2 Nephi 4:35 I hope you enjoy this beautiful arrangement of I need thee every hour. www.JasbergerMusic.com 1. I need thee ev’ry hour, Most gracious Lord. No tender voice like thine Can peace afford. [Chorus] I need thee, oh, I need thee; Ev’ry hour I need thee! Oh, bless me now, my Savior; I come to thee! 2. I need thee ev’ry hour; Stay thou nearby. Temptations lose their pow’r When thou art nigh. 3. I need thee ev’ry hour, In joy or pain. Come quickly and abide, Or life is vain. 4. I need thee ev’ry hour, Most holy One. Oh, make me thine indeed, Thou blessed Son!
$1.99
Trio No. 5 by Juozas Naujalis (1869–1934)
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Organ
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EASY
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IndrÄ— GerikaitÄ—
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Balys Vaitkus
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Trio No. 5 by Juozas Naujalis
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Nacionaline vargonininku asociacija
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 2 - Digital Download SKU: A0.1250967 By IndrÄ— GerikaitÄ—. By Juozas Naujalis. Arranged by Balys Vaitkus. Clas...
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Instrumental Solo,Pipe Organ - Level 2 - Digital Download SKU: A0.1250967 By Indrė Gerikaitė. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romantic Period. Individual part. 2 pages. Nacionaline vargonininku asociacija #845258. Published by Nacionaline vargonininku asociacija (A0.1250967). Manuscript of Trio No. 5 has been stored in the archives of Lithuanian Theater, Music and Film Museum together with the unfinished Prelude No. 6. It seems, that these were some pages from a larger lost collection of pieces. The manuscript of Trio No. 5 was discovered in 2019 by Lithuanian organist Paulius Grigonis. At present this is its first known publication. The name Trio is slightly inaccurate for this piece, because its right hand has two voices almost throughout (33 bars out of 44 bars), which is led by the left hand and pedals. As given in the original source, the present publication maintains the free migration between the written out two-voice-texture and intervals written as one voice (bars 7, 8, 23).Juozas Naujalis (1869–1934) – Lithuanian composer and organist. In 1892, he was appointed organist and choir leader at the Kaunas Cathedral, a position he held until his death. Naujalis became actively involved in organizing local musical societies and institutions. As an outcome of his groundbreaking work, a number of important private entities, such as the first boys’ choir in Lithuania based at the Archcathedral Basilica in Kaunas, courses and the school for organists (1911), the first legal Lithuanian bookshop and music publishing house in Kaunas (1905–1912), the first music magazine Vargonininkas (The Organist) and calendars for organists published in Lithuanian (1909–1910), and the music school in Kaunas (1919), have been launched. In 1908, he founded the Children Society and St. Gregory Society for Organists, which was later reorganised into St. Cecilia Society for church musicians (1924). Naujalis was also the first Lithuanian composer to achieve recognition abroad. His church music was published in Regensburg, Warsaw, St. Petersburg, Leipzig and Paris. In recognition of his merits in the field of church music he was made Commander of the Order of the Crown of Italy in Rome, in 1929.A total of 29 organ pieces by Naujalis were recorded at the Archcathedral Basilica in Kaunas in 2019.
$4.99
Variations on St. Elizabeth ('Fairest Lord Jesus')
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Organ
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INTERMEDIATE
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Sacred music
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John Burkett
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John Burkett
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Variations on St. Elizabeth
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John Burkett
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1375666 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Religious,Sacred. Score...
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Organ - Level 3 - Digital Download SKU: A0.1375666 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Religious,Sacred. Score. 13 pages. John Burkett #960208. Published by John Burkett (A0.1375666). My Variations on the hymn tune St. Elizabeth (Fairest Lord Jesus) present the tune with an original harmonization followed by four variations. The first two settings (Theme and Variation I) give out the tune in unaltered form, undergirded by two different harmonizations. Variation II is a duo cast in baroque style with an ornamented melody accompanied by a rhythmically repetitive pattern in the manual bass. In Variation III, a continuously moving accompaniment played by the feet and the left hand provides a backdrop to another ornamented version of the hymn tune, again in a somewhat baroque style. The final variation is more challenging to play. After a brief introduction, the tune appears in the soprano voice, harmonically supported by the alto and pedal bass, while the left hand provides a continuous stream of eighth-note triplets. After a couple of modulations, the final section (marked grandioso) presents the tune with a 4-voice harmonization punctuated at the end of each phrase by a trumpet-like rhythmic pattern played on a state trumpet stop. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$16.00
The Spirit of the Lord - for Cantor and Congregation
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Organ
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INTERMEDIATE
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Dr
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Dr
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The Spirit of the Lord - for C
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School Sisters of St. Francis
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1406728 By Dr. Sheri L. Masiakowski. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri L. Masiakowski. 20th C...
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Organ - Level 3 - Digital Download SKU: A0.1406728 By Dr. Sheri L. Masiakowski. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri L. Masiakowski. 20th Century,Religious,Sacred. Score. 7 pages. School Sisters of St. Francis #989483. Published by School Sisters of St. Francis (A0.1406728). “The Spirit of the Lord† Sr. Theophane Hytrek OSFDedicated to Robert Verwoert on the occasion of his ordination to the priesthood — May 1971Sr. Theophane Hytrek OSF earned her PhD in composition from the University of Rochester (Eastman School of Music) in 1955.  She is known for a variety of compositional genres, e.g. keyboard (organ and piano), voice, and orchestra. Compositions for voice include masses, responses, psalm settings, hymns for congregation, choral music and solos.TEXT:The Spirit of the Lord is upon us. Send your Spirit upon us in this time and place, the Spirit who gives us comfort, the Spirit who brings light to our eyes, the Spirit who helps us say yes to your summoning Word.Bless us, Father, as you have done before, with the gift of your Spirit that he may stir new life within us.Blest are you in ev'rything that your Spirit makes new, now and for all ages to come.The source of this text is unknown. Though appropriate for Pentecost there is no direct connection to the scripture readings or sacramentary prayers for that Feast. The composition was written in the early years succeeding Vatican II (October 11, 1962 – December 8, 1965), a time of creative freedom. The language is period specific to that time, yet the music is universal.Rehearsal recommendation:The verse text is notated in consistent eighth-notes. Do not interpret this to mean that all syllables are to receive equal time.  Speak the text in natural cadence and then sing the pitches in that same natural cadence.  This will best represent Sr. Theophane’s intention.We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$4.99
Guthrie: Organ Prelude on In Nomine
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Organ
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INTERMEDIATE/ADVANCED
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James M
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Guthrie: Organ Prelude on In N
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jmsgu3
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by...
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Organ - Level 4 - Digital Download SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.549915). In Nomine: A prelude to the St Luke Organ Book (by Daniel Pinkham) for one single organ manual. Subtitled The Little Time Machine, the composition features one iteration of the In Nomine cantus firmus. As the piece progresses, the cantus is treated in medieval, Renaissance, Baroque, classical, romantic, and modern styles. I performed this piece just before the world premiere of Daniel Pinkham's St. Luke Organ Book in 2006.The history of In Nomine is rooted in its origin as a type of contrapuntal instrumental composition by 16th-century English composers, usually for a consort of viols, lute, or keyboard, based on a version of a piece of plainchant. The name In Nomine was adopted for this type of piece after the English composer John Taverner composed an instrumental piece based on the plainchant Gloria Tibi Trinitas to which he set the words In nomine Domini in his Gloria Tibi Trinitas six-voice Mass. Over the next 150 years, English composers worked this melody into In Nomine pieces of ever more fantastic stylistic range. This set a fashion, and several 20th-century composers, such as Peter Maxwell Davies and Roger Smalley, have quoted In Nomines in their works. The In Nomine played a significant role in developing English polyphony. It is a title given to many pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. The In Nomine was the chief means by which the grand tradition of vocal polyphony was brought to bear on the evolution of instrumental music in England. The In Nomine is considered the most conspicuous single form in the early development of English consort music and is significant in the genesis of chamber music in England. It marked the first time a specific instrumental style was formed, and it influenced the development of English polyphony by bringing the tradition of vocal polyphony into the realm of instrumental music.Despite various attempts by scholars to elucidate its almost legendary origin, the mystery of the origin of the In Nomine remains unsolved.
$34.95
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