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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Note that
Not classified
2,159
Piano & keyboards
Piano solo
2,078
Easy Piano
733
Piano, Voice
360
Big Note Piano
140
Piano, Vocal and Guitar
124
Piano Accompaniment
112
C Instruments
106
Organ
94
1 Piano, 4 hands
49
2 Pianos, 4 hands
21
Piano Trio: piano, violin, cello
17
Piano (band part)
5
Accordion
4
Harpsichord
3
Piano Quintet: piano, 2 violins, viola, cello
3
Piano Quartet: piano, violin, viola, cello
3
2 Pianos, 8 hands
2
1 Piano, 6 hands
2
Organ, Piano (duet)
2
Piano Quartet: piano, 2 violins, cello
1
+ 15 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
1,463
Guitar
204
Bass guitar
32
Ukulele
32
2 Guitars (duet)
17
Melody line, (Lyrics) and Chords
12
Mandolin
12
4 Guitars (Quartet)
11
Guitar (band part)
10
Banjo
10
Dulcimer
8
Guitar Ensemble
6
3 Guitars (trio)
5
Lyrics and Chords
3
Mandolin, Guitar (duet)
2
Piano, Guitar (duet)
2
2 Dulcimers (duet)
1
2 Ukuleles
1
Guitar, Orchestra
1
Dobro
1
+ 15 instrumentations
-
Retract
Voice
Choral SATB
334
Choral 3-part
136
Choral SSAA
94
Choral TTBB
81
Choral 2-part
80
Choral Unison
73
Soprano voice, Piano
20
High voice
13
Vocal duet, Piano
8
Alto voice, Piano
6
Vocal duet
4
Medium voice, Piano
3
Baritone voice, Piano
3
Tenor voice, Piano
3
Low voice, Piano
2
Voice solo
1
Tenor voice
1
Soprano voice
1
Voice, Guitar
1
Choral SSAB a cappella
1
Choral SATBB
1
+ 16 instrumentations
-
Retract
Woodwind
2 Flutes (duet)
151
Flute and Piano
115
Saxophone Quartet: 4 saxophones
103
Oboe, Piano (duet)
98
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
94
Flute
90
2 Saxophones (duet)
86
Clarinet and Piano
86
Clarinet
85
2 Clarinets (duet)
84
Pennywhistle
81
Flute, Oboe, Clarinet, Bassoon
77
Alto Saxophone and Piano
65
Saxophone Quintet: 5 Saxophones
63
Saxophone ensemble
57
Saxophone (band part)
56
Flute, Clarinet (duet)
51
Flute, Violin
49
Clarinet, Violin (duet)
48
Tenor Saxophone and Piano
47
Alto Saxophone
46
Clarinet Quartet: 4 clarinets
40
Soprano Saxophone and Piano
40
Baritone Saxophone, Piano
38
Tenor Saxophone
36
Oboe (band part)
34
3 Saxophones (trio)
33
Clarinet Ensemble
32
Oboe, Bassoon (duet)
30
Flute Quartet: 4 flutes
28
2 Flutes, Piano
25
Flute ensemble
22
2 Recorders (duet)
21
Harmonica
19
Recorder Quartet
18
Ocarina
15
Descant (Soprano) Recorder
15
Flute, Oboe, Clarinet (trio)
15
2 Oboes (duet)
15
Flute and Guitar
13
Clarinet Quintet: 5 clarinets
13
Flute, Violoncello
13
Oboe
12
Treble (Alto) Recorder
10
Flute Trio: 3 flutes
10
Clarinet, Cello (duet)
9
Oboe, Clarinet, Bassoon (trio)
9
Bass Clarinet, Piano
9
3 Clarinets (trio)
9
Oboe, Cello
8
Flute (band part)
8
Flute, Viola (duet)
8
Oboe, Clarinet (duet)
7
Flute Quintet : 5 flutes
7
Clarinet and Viola
6
English horn, Piano
6
Clarinet, Guitar (duet)
6
Clarinet, Bassoon (duet)
6
Recorder
4
Flute, Violin, Piano
4
Flute, Clarinet and Bassoon.
4
Baritone Saxophone
4
Soprano Saxophone
4
3 Recorders (trio)
3
Clarinet (band part)
3
Flute, Oboe (duet)
3
Oboe, Bassoon and Piano
2
Clarinet, Harp (duet)
2
Bass Clarinet
2
2 Saxophones, Piano
2
Clarinet, Trombone (duet)
2
Clarinet, Cello, Piano (trio)
2
Flute, Oboe, Piano (trio)
2
Saxophone
2
Tenor Recorder
2
Oboe, Guitar (duet)
2
Flute, Clarinet, Piano (trio)
1
Clarinet, Bassoon, Piano (trio)
1
2 Clarinets, Piano
1
Oboe ensemble
1
Oboe, Clarinet and Piano (Trio)
1
Flute, Oboe, Violin
1
Saxophone and Organ
1
Saxophone, Tuba (duet)
1
Saxophone and Guitar
1
Flute, Trombone (duet)
1
5 Recorders
1
Flute, harp and violin
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Flute, Bassoon, and Piano
1
Oboe, Flute
1
2 Recorders, Piano
1
Oboe and viola (duet)
1
Oboe, Violin (duet)
1
English Horn, Guitar (duet)
1
Clarinet, Organ
1
Clarinet Quintet: Clarinet, String Quartet
1
Recorder Ensemble
1
+ 93 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
112
Trumpet
97
Trumpet, Piano
70
Brass quartet : 2 trumpets, trombone, tuba
66
French horn
57
Trombone
54
French Horn and Piano
48
Brass Quartet: 2 trumpets, horn, trombone
47
Trombone and Piano
42
Tuba and Piano
40
Tuba
35
2 Trombones (duet)
34
Trombone (band part)
27
Trumpet (band part)
25
2 Trumpets (duet)
23
2 French horns (duet)
19
Brass Quartet: 4 trombones
17
Euphonium, Piano (duet)
12
Brass Quartet
12
2 Tubas (duet)
10
Trumpet, Trombone (duet)
7
2 Euphoniums (duet)
6
English horn, Piano
6
Trumpet, Horn (duert)
5
Trombone ensemble
4
3 Trumpets (trio)
4
Brass Quartet: 4 horns
4
Trumpet ensemble
4
2 Euphoniums and 2 Tubas
3
Tuba (band part)
3
Horn Ensemble
3
French horn (band part)
3
Bass Trombone and Piano
2
Bass Trombone
2
Trombone, Organ
2
Trumpet, Bassoon (duet)
2
Brass Quartet: 4 trumpets
2
3 French horns (trio)
1
Tuba ensemble
1
Bass Clef Instruments
1
4 Tubas
1
3 Trombones (trio)
1
Trumpet, Euphonium (duet)
1
Horn, Cello (duet)
1
Tuba and Organ
1
English Horn, Guitar (duet)
1
Trombone, Horn (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Brass Trio
1
3 Tubas (trio)
1
+ 45 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
319
Harp
166
Violin and Piano
153
Violin
146
Cello
108
Viola, Piano
102
Violin, Cello (duet)
85
2 Violins (duet)
83
Cello, Piano
71
Viola
67
String Trio: violin, viola, cello
58
String Quintet: 2 violins, viola, cello, bass
47
2 Cellos (duet)
42
2 Harps (duet)
30
Violin, Viola (duet)
30
Double Bass
30
Double bass, Piano (duet)
27
Viola (band part)
24
Violin (band part)
24
2 Violas (duet)
23
String Trio: 2 violins, cello
15
Viola, Cello (duet)
15
Doublebass (band part)
10
2 Double basses (duet)
8
Cello, String Bass (duet)
7
Cello (band part)
7
String Trio: 3 violins
6
4 Cellos
5
Flute, Doublebass (duet)
5
Violin, Bassoon (duet)
5
Harp, Flute (duet)
5
Violin, Guitar (duet)
4
Cello Ensemble
3
Cello, Guitar (duet)
3
Harp, Voice
3
String Trio: 2 violins, viola
3
Viola ensemble
2
Harp, Violin (duet)
2
5 Harps
2
String Trio: 3 cellos
2
Violin ensemble
2
3 Harps
2
String Quartet : 4 violas
2
String Trio: 3 violas
2
String quartet: 4 violins
2
String Quintet: 2 violins, 2 violas, cello
1
Piano Trio: Violin, Viola, Piano
1
Viola and Harp
1
Viola and Bassoon
1
4 Harps
1
Harp, Cello (duet)
1
Harp, Trombone (duet)
1
+ 47 instrumentations
-
Retract
Orchestra & Percussion
Concert band
595
String Orchestra
222
Orchestra
155
Jazz Ensemble
124
Handbells
93
Brass ensemble
62
Chamber Orchestra
61
Drums
37
Percussion Ensemble
26
Jazz combo
21
Marching band
17
Marimba
8
School Ensemble
5
Drum (band part)
5
2 Xylophones
4
Xylophone, Piano
3
Percussion (band part)
1
Brass Quintet: other combinaisons
1
Piano and Orchestra
1
Xylophone
1
Orchestra, Violin
1
Marimba, Piano (duet)
1
Vibraphone
1
+ 18 instrumentations
-
Retract
Others
Music Theory
4
Musical course - Solfege
1
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--INSTRUMENTS--
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Organ
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94 sheet music found
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1
26
51
76
Somebody That I Used To Know
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Organ
#
INTERMEDIATE
#
Gotye Featuring Kimbra
#
Jonathan Selimovic (a
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Somebody That I Used To Know
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Jonny Music
#
SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1470827 By Gotye Featuring Kimbra. By Luiz Bonfa and Walter De Backer. Arranged by Jonathan Selimovic (a.k.a. ...
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Organ - Level 3 - Digital Download SKU: A0.1470827 By Gotye Featuring Kimbra. By Luiz Bonfa and Walter De Backer. Arranged by Jonathan Selimovic (a.k.a. Jonny Music). Pop,Rock,Singer/Songwriter. Score. 8 pages. Jonny Music #1048449. Published by Jonny Music (A0.1470827). Somebody That I Used To Know by Gotye ft. Kimbra, arranged for the King of Instruments (Organ).Duration: 4:04This score is mainly suitable for full-sized 61-key manual and 32-note pedal Pipe, Grand, Drawbar (Hammond) and Theatre Organs, and is optimized for Concert performances (Paper size: 9 in x 12 in).Arranger Contact Info and Social MediaYouTube: https://goo.gl/vu9ifuFacebook: https://goo.gl/dBz3TwTwitter/X: https://goo.gl/2PxpzVInstagram: https://goo.gl/q1dqJFWebsite: https://goo.gl/zyYa8t.
$8.99
Take My Life, That I May Be for Manuals (PATMOS)
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Organ
#
INTERMEDIATE
#
William Havergal
#
Patricia Hurlbutt
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Take My Life, That I May Be fo
#
Patricia Hurlbutt
#
SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1313999 Composed by William Havergal. Arranged by Patricia Hurlbutt. Christian,Classical,Religious,Sacred. Sco...
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Organ - Level 3 - Digital Download SKU: A0.1313999 Composed by William Havergal. Arranged by Patricia Hurlbutt. Christian,Classical,Religious,Sacred. Score. 2 pages. Patricia Hurlbutt #875943. Published by Patricia Hurlbutt (A0.1313999). This arrangement of PATMOS for manuals is a mini-partita, with each verse having a different treatment. Suitable for prelude, offertory, or concert. Minimal optional pedal notes are included.
$2.99
Passacaglia in C (Organ)
#
Organ
#
ADVANCED
#
John Pitts
#
#
Passacaglia in C
#
Intensely Pleasant Music
#
SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Musi...
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Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99
The Stylophone Songbook
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Organ
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BEGINNER
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Traditional
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Andy Pike
#
The Stylophone Songbook
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Andy Pike Music
#
SheetMusicPlus
Organ - Level 1 - Digital Download SKU: A0.1333729 Composed by Traditional. Arranged by Andy Pike. Baroque,Children,Classical,Traditional. Score. 6 pages...
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Organ - Level 1 - Digital Download SKU: A0.1333729 Composed by Traditional. Arranged by Andy Pike. Baroque,Children,Classical,Traditional. Score. 6 pages. Andy Pike Music #920026. Published by Andy Pike Music (A0.1333729). The Stylophone is a classic electronic musical instrument which originally came to llight in 1968!  It's still as popular as ever today and so we've created a series of books to help the beginner first and foremost.This book contains 6 pages with a helpful instruction guide and then 6 copyright free tunes with musical notation and numbers to match the metal keyboard on the Stylophone. Such tunes that are included are Twinkle Twinkle Little Star, Happy Birthday and 4 more.Please note that this is a digital book and as such will be emailed within 24 hours of you completing the sale.  If you have any questions please ask :-)  This is great as with the postal strikes currently you'll know you won't have to wait for the post!We hope you enjoy the Stylophone and the books as much as we do!
$5.04
The David Cherwien Hymn Interpretation Series: Holy Week & Easter
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Organ
#
Gilbert M
#
The David Cherwien Hymn Interp
#
Sacred Music Press
#
SheetMusicPlus
Organ: 3-staff - Moderately Advanced SKU: LO.70-1465S Composed by Gilbert M. Martin. Sacred, Eastertide, Holy Week. Sacred Music Press #70/1465S. Publish...
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Organ: 3-staff - Moderately Advanced SKU: LO.70-1465S Composed by Gilbert M. Martin. Sacred, Eastertide, Holy Week. Sacred Music Press #70/1465S. Published by Sacred Music Press (LO.70-1465S). UPC: 000308092844.The continuing series of hymn interpretations by noted composer David Cherwien focuses on Holy Week and Easter in this volume. The compelling hymns surrounding Gethsemane and the crucifixion, and the exhilarating hymns celebrating the resurrection of Jesus are imbued with a fresh spirit and a musical integrity that will enhance and deepen the significance of this important week for Christians.
Song List
: Lamb of God Most Holy Hosanna, Loud Hosanna Lord, Whose Love In Humble Service He Is Arisen! Glorious Word! Jesus Lives! THe Victory's Won! When I Survey the Wondrous Cross Ah, Holy Jesus We Know That Christ is Raised Alleluia! Sing To Jesus Jesus, Still Lead On
$25.00
Brother James Air-Organ
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Organ
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INTERMEDIATE
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Sacred music
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James Leith Macbeth Bain, John
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Steve Stanfill
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Brother James Air-Organ
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Steve Stanfill
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.951999 Composed by James Leith Macbeth Bain, John Hughes. Arranged by Steve Stanfill. Christian,Praise & Worsh...
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Organ - Level 3 - Digital Download SKU: A0.951999 Composed by James Leith Macbeth Bain, John Hughes. Arranged by Steve Stanfill. Christian,Praise & Worship,Sacred. Score. 4 pages. Steve Stanfill #6536431. Published by Steve Stanfill (A0.951999). This is an arrangement for organ of the Brother James Air and the Welsh Hymn tune of CWM RHONDDA. It is suitable for postlude in a church setting, or as a solo rendition. It is of intermediate difficulty and can be performed on a modest instrument. Full AGO pedalboard is recommended. Note that this piece is arranged as an aaba stanza arrangement rather than the original aab triple stanza tune most current interpretations use. It just seemed better balanced to me to add the 4th stanza.Dedicated to my oldest son Michael, who loves this hymn tune.
$4.99
Prelude on Diademata ('Crown Him with Many Crowns')
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Organ
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INTERMEDIATE
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Sacred music
#
John Burkett
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John Burkett
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Prelude on Diademata
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John Burkett
#
SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1347007 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Sacred. Score. 7 pages. Joh...
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Organ - Level 3 - Digital Download SKU: A0.1347007 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Sacred. Score. 7 pages. John Burkett #931797. Published by John Burkett (A0.1347007). My setting of the hymn tune Diademata ('Crown Him with Many Crowns') consists of three treatments of the tune. The first begins with a brief introduction, followed by the tune (played on a trumpet-en-chamade stop), contrasted with a rhythmically active accompaniment. After a brief modulatory interlude, the second treatment offers a stately 4-voice harmonization for manuals alone. Another brief interlude then modulates back to the original tonic. The final treatment in 12/8 meter presents the tune in long, ponderous notes in the pedal, while a 2-voice accompaniment in the hands provides a sprightly stream of eighth-notes that serve as a counterweight. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$9.00
Theme And Variations On TRSCH For Organ
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Organ
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ADVANCED
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Thomas R
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Theme And Variations On TRSCH
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.912505 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 29 pages. Thomas R. ...
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Organ - Level 5 - Digital Download SKU: A0.912505 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 29 pages. Thomas R. Schadl #6201739. Published by Thomas R. Schadl (A0.912505). Theme and Variations on TRSCH is a piece that is suitable for concert use. As one plays the piece, one shall realize that each variation has its own character. The work also may be used for educational purposes in that it teaches students on how a theme is transformed rhythmically and arranged melodically.Theme And Variations On TRSCH For Organ by Thomas R. Schadl consists of seven variations that are based on TRSCH (B flat, D, E flat, C, and B or A# D D# C B). It is written using the serial technique, the compositional method where a row of notes are arranged in direct, reverse, inverse and retrograde-inverse orders. The technique employed is not as strict as the 12-tone system used in the compositions of Arnold Schoenberg and Anton Webern. In a standard theme and variations form, the melody may be altered by adding or subtracting notes, or changing it rhythmically, but it is not the case in the piece being discussed. Most variations do not follow the rhythmic pattern of the main theme; rather, the theme in each variation is treated in fragments, lengthened note values, shortened note values, inversions and reversed orders. Each variation explores moods and the work is organized this way:Main Theme: m 1-6 TRSCH is stated in the bass.Variation I: m 7-22 FugatoVariation II m 23-50 Mystical quality and lyrical Variation III m 51-88 Scherzo, lyrical section, scherzoVariation IV m 89-116 ToccataVariation V m 117-224 Mystical mood, scherzo, mystical moodVariation VI m 225-297 Toccata, brief lyrical section, toccataVariation VII m 298-317 Variation I but at a slower speed.Forward ReverseA# D D# C B F F # A G# EF# A# B G# G C# D F E CF A A# G F# C C# E D# BG# C C# A# A D# E G F# DA C# D B A# E F G# G D#
$21.82
Sagas Nos. 1-6
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Organ
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ADVANCED
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Jean Guillou
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Sagas Nos. 1-6
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced to difficult - Digital Download SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 min...
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Organ - advanced to difficult - Digital Download SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Music - Digital #Q6218. Published by Schott Music - Digital (S9.Q6218). This is the name given to the ancient tales and legends of Scandinavia, mostly drawn up in Iceland. The term itself is of Germanic origin, form the verb 'sagen' which means to say, to recount. The title also has to do with what is said, what is recounted, in a musical epic of today. Three of these pieces, Sagas 2, 4 and 6, have the particularity of being improvisations. In Saga 1, the instrument seems to awaken out of a dream of which the two opposing elements gradually become ordered. Pedal staccati soon take control and come to predominate as they build up while, in a spirit of contradiction, various solo steps, Cornet, Cromore, unfold their melismas. The dream then reestablishes itself, this time for good. The second Saga is a sombre, frenetic dance based on groups of five semiquaves. It dies away, then, after a long silence, a note emerges, and this lone note, on three different solo stops, beaten, hunted by its two neighbouring notes in increasingly animated accents, anacruses and appoggiaturas, disappears, giving way to the sombre dance which then broadens out. It is interrupted all of a sudden by the irritated, exasperated, fuming tone of that harshness that overdoes itself and vanishes. The sombre dance appears one last time, letting itself go into paroxym. The third Saga unfolds as a very ancient chant, the memory of an Ossianic chant of the earliest times. The fourth Saga develops the lyricism of a tale to be told. But in midway comes a sort of destructive outburst of which the ever tighter links give way for a moment to pure narrativity, which, after a few upsets, ends the piece with the memory of great danger overcome by candour. The fifth Saga is a kind of quiet walk, interspersed with a few controversies, interceptions and demonstrations that are rather more lively. The sixth Saga develops a kind of theme in runs, whose constantly rhythmic rebounding might bring out the idea of apologetic or exalted acclamation.Jean Guillou (*1930) gilt als einer der bedeutenden Organisten und Orgelkomponisten der Gegenwart. Sein kompositorisches Schaffen umfasst über 40 Orgelwerke, außerdem Symphonien, Klavier- und Orgelkonzerte und Kammermusik. Auch bereichert der Dupré-Schüler, der seit 1963 Titularorganist an St. Eustache in Paris ist, das gängige Orgelrepertoire durch eine Reihe außergewöhnlicher Transkriptionen von Orchesterwerken.
$22.99
Fantasie and Fugue on the name of " B-A-C-H "
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Organ
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ADVANCED
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Classical
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Franz Liszt
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Jean Guillou
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Fantasie and Fugue on the name
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Schott Music - Digital
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SheetMusicPlus
Organ - difficult - Digital Download SKU: S9.Q6227 Syncretic Version. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music...
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Organ - difficult - Digital Download SKU: S9.Q6227 Syncretic Version. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Downloadable. Duration 13' 30. Schott Music - Digital #Q6227. Published by Schott Music - Digital (S9.Q6227). In his 'Art of Fugue' Bach himself introduced a theme based on the four letters of his name: the notes we know as Bb A C B correspond to the German note names B A C H. Since that time, many composers have expressed their admiration for incomparable master by writing their own pieces of music on this theme. The work based on this theme by Franz Liszt is without any doubt the most important of them all - indeed, it represents a major landmark in the whole of the organ repertoire. It was composed in 1855 and given its first performance in the cathedral of Merseburg by Alexander Winterberger, to whom the work was dedicated. Liszt produced a second version of the work in 1869/70 and in 1870 he also wrote a piano transcription. It was a pity that the organist should not be able to use the ideas with which Liszt subsequently enriched his own adaptation. That is why, without adding anything that was not written by Liszt himself, Guillou has incorporated everything contained in the organ composition and the piano transcription in this 'syncretic' version of the work.
$16.99
Hagia Sophia
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Organ
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ADVANCED
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Robert M
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Hagia Sophia
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Schott Music - Digital
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SheetMusicPlus
Organ - difficult - Digital Download SKU: S9.Q19995 Poème symphonique. Composed by Robert M. Helmschrott. This edition: Sheet music. Downloadab...
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Organ - difficult - Digital Download SKU: S9.Q19995 Poème symphonique. Composed by Robert M. Helmschrott. This edition: Sheet music. Downloadable. Duration 32 minutes. Schott Music - Digital #Q19995. Published by Schott Music - Digital (S9.Q19995). Used as a place of worship for centuries, first by Christians and then by Muslims (from 1453), the Hagia Sophia (Istanbul) still amazes people from all over the world. Since 1934, it is a museum – but more than that, the Hagia Sophia, a unique architectural work of monumental proportions in Christian Antiquity and the Middle Ages, is described as a mystical place. Monumental, yet mysterious, a 'miracle of space', a symbol, a sign. 'Sophia', the holy wisdom, accompanies us through the whole Bible history. The present music has to be regarded against this background: A reflection, contemplation with music and poetry. The Creation is powerful, but the truth about it is powerful as well. And the realization that the path to truth is reached through wisdom. As a consequence, this piece has to cross the powerful for half its duration, monumental. It is the cupola over all following (observing) verses (sections). From bar 371, the path leads back into the powerful, into the rejoicing (bar 406). It must not be forgotten to mention the suggestion of 'singing in a mosque' (bar 510) which is answered by a simple prayer (bar 511). This is reminiscent of the mosaic above the imperial door of the building portraying Jesus Christ sitting on a jewelled throne. He holds an open book in which one can read 'Peace be with you. I am the light of the world'. The line and sound of Hagia Sophia are based on a symmetrical eight-note row (mode B) with the notes B, C sharp, D, E/F, G, A flat (G sharp), B flat (A sharp). Although the major-minor relations are removed, harmonic connections (colours) emerge nevertheless.
$23.99
Max-Reger-30-Choral-Preludes_Opus-135a (KlavarScore notation, Letter/A4 for printing)
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Organ
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INTERMEDIATE
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Sacred music
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Max Reger
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KlavarScore
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Max-Reger-30-Choral-Preludes_O
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KlavarScore
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1189489 By Max Reger. By Max Reger. Arranged by KlavarScore. 20th Century,Praise & Worship,Religious,Romantic ...
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Organ - Level 3 - Digital Download SKU: A0.1189489 By Max Reger. By Max Reger. Arranged by KlavarScore. 20th Century,Praise & Worship,Religious,Romantic Period. Score. 34 pages. KlavarScore #789127. Published by KlavarScore (A0.1189489). Thirty small Choral Preludes, arranged for Organ with pedal in 1914 by Max Reger: Opus 135a, transcribed to the KlavarScore tablature.The video example is No.4: Aus tiefer Not schrei ich zu dirMax Reger (1873-1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Leipzig University Church, as a professor at the Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen.Source: Wikipedia On each score page in this book is a QR code for the free download of an audio example (MP3) of that piece. We acknowledge that there are different opinions about the playing tempo, but our goal is not to change your mind. So feel free to change these tempos as you prefer. This book is also available in e-book/tablet format (A5/PDF), that contains also links for the free download of KlavarScore Scrolling files of this music. These Scrolling KlavarScore files can be read from a tablet or cell phone with the MobileSheets music reader app, as shown on the video.KlavarScore is a tablature, a visual notation based upon the layout of the keyboard that makes scores for keyboard instruments (piano and organs) easy to read. With KlavarScore, music in all keys (tonalities) are equally easy to read. The staff lines represent the black keys and the score is read from top to bottom. The black keys are represented by black dots (note heads) on the lines, the white keys by open dots (note heads) between the lines.For more information about KlavarScore, Scrolling KlavarScore, the recommended sheet music reader app, and free examples, visit https://www.klavarscore.org.
$7.50
Sonata In C For Organ (Finale) By Thomas R. Schadl
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Organ
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ADVANCED
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Thomas R
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Sonata In C For Organ
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.912504 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 page...
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Organ - Level 5 - Digital Download SKU: A0.912504 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 pages. Thomas R. Schadl #5303799. Published by Thomas R. Schadl (A0.912504). The Finale from Sonata In C For Organ is suitable for recital use, and may be used for teaching students on techniques of incorporating thematic materials from other movements or other works to their compositions.This last movement opens with a slow and quiet registration, depicting an anticipation of some good event to come. One may associate this section (measure 1 to 51) with the expectation of Christ’s resurrection from the dead. The theme opens with a motivic variation of bugle theme that was stated in the first movement of the sonata. The exposition part of this work begins at measure 52, where the TRSCH motive repeats continuously in the pedal part against the main theme. Other thematic materials from previous movements occur in this movement. From measure 111 to 118, the first theme from the first movement appears against the main theme of this movement, and the former one is restated at bar 182 to 185. The second theme from the scherzo movement appears against the main theme of this movement at bar 120 to 123. The final section of the piece that commences from measure 195 to 211 contains the TRSCH motive, stated in the pedal part; the motive, originally written in quarter-note notation, is augmented rhythmically to whole note notation, giving one an impression of triumphant splendor. What brings the sonata to a triumphant close is that the TRSCH motive is stated three times, using the full organ registration. I hope that you enjoy this work.
$10.99
Max-Reger-30-Choral-Preludes_Opus-135a - (KlavarScore notation, A5 for Tablet use)
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Organ
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INTERMEDIATE
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Sacred music
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Max Reger
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KlavarScore
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Max-Reger-30-Choral-Preludes_O
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KlavarScore
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1189491 By Max Reger. By Max Reger. Arranged by KlavarScore. 20th Century,Praise & Worship,Religious,Romantic ...
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Organ - Level 3 - Digital Download SKU: A0.1189491 By Max Reger. By Max Reger. Arranged by KlavarScore. 20th Century,Praise & Worship,Religious,Romantic Period. Score. 44 pages. KlavarScore #789129. Published by KlavarScore (A0.1189491). Max-Reger-30-Choral-Preludes_Opus-135a_A5 (KlavarScore Notation, for Tablet))Thirty small Choral Preludes, arranged for Organ with pedal in 1914 by Max Reger: Opus 135a, transcribed to the KlavarScore tablature.The video example is No.21: O Haupt voll Blut und WundenMax Reger (1873-1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Leipzig University Church, as a professor at the Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen.Source: WikipediaOn the first pages in this book are links for the free download of an audio example (MP3) and a KlavarScore Scrolling format file of that piece. These Scrolling KlavarScore files can be read from a tablet or cell phone with the MobileSheets music reader app, as shown on the video.We acknowledge that there are different opinions about the playing tempo, but our goal is not to change your mind. So feel free to change these tempos as you prefer. This book is also available in Letter/A4 format (PDF) for printing, that contains QR codes for the free download of audio examples (MP3) of this music.KlavarScore is a tablature, a visual notation based upon the layout of the keyboard that makes scores for keyboard instruments (piano and organs) easy to read. With KlavarScore, music in all keys (tonalities) are equally easy to read. The staff lines represent the black keys and the score is read from top to bottom. The black keys are represented by black dots (note heads) on the lines, the white keys by open dots (note heads) between the lines.For more information about KlavarScore, Scrolling KlavarScore, the recommended sheet music reader app, and free examples, visit https://www.klavarscore.org.
$8.95
Vigil
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Organ
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INTERMEDIATE
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Robert A
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Vigil
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Robert A. Howard
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SheetMusicPlus
Instrumental Solo,Organ - Level 3 - Digital Download SKU: A0.1410578 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,New Age,Religious....
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Instrumental Solo,Organ - Level 3 - Digital Download SKU: A0.1410578 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,New Age,Religious. Individual part. 6 pages. Robert A. Howard #992998. Published by Robert A. Howard (A0.1410578). This work for solo organ aims to recreate the atmosphere of a vigil. Concepts of watching, waiting, meditating, and remembering are all associated with the various forms of 'vigils' that have and do exist worldwide. The piece is based on 8 ascending and varied cycles of a 9-bar added-note chord sequence and theme. Only the white notes are used, in the modal aeolian scale (A-A), within a slow, reverential tempo. There is an aspect of symmetry roughly about the centre, or apex of the work; dynamics and rhythmic complexity increase until the central variation, before receding until a quiet, reflective ending and quasi resolution.Duration: 6 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$4.99
3 Pieces for Beginning Organist
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Organ
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EASY
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Sacred music
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Phil Beaman
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3 Pieces for Beginning Organis
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Phil Beaman
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SheetMusicPlus
Organ - Level 2 - Digital Download SKU: A0.1134049 Composed by Phil Beaman. Classical,Praise & Worship. Score. 5 pages. Phil Beaman #734161. Published by...
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Organ - Level 2 - Digital Download SKU: A0.1134049 Composed by Phil Beaman. Classical,Praise & Worship. Score. 5 pages. Phil Beaman #734161. Published by Phil Beaman (A0.1134049). 3 Pieces for Beginning Organist is a collection of 3 pieces which could conveniently be used as a Prelude, Offertory, and Postlude. Intended for the Beginning Organist, all pieces are written in Classical style, all are in Rounded Binary form (ABA), all are in the Key of C, all have very limited pedal use. In other words, these pieces are perfect to have in your repertoire when you need something to pull out at the last minute. Prelude - Soldier's Fanfare is an energetic organ fanfare made up of triads, scales, and arpeggios in very basic form. Pedaling is mostly on the chord root and usually changes just once per bar, and there is no pedaling at all during the middle Swell section. 2 pages, 1:30 minutes Offertory - Music Box Minuet is a delightful Organ Solo for manuals/hands (no pedal part). Both hands are in the Treble Clef. The RH has the melody of mostly quarter notes (crotchets) played on a Flute stop. The LH has mostly 2 note chords, one chord per bar, played on Strings. The A Theme is in 4/4 and the B Theme in 3/4. Each Theme is repeated. 1 page, 1 minute Postlude - Classical Euphoria is an Organ Solo of pure fun. Euphoria--a temporary feeling of excessive happiness and intense joy. That certainly describes this piece of music. This piece puts a smile on my face every time. And it is definitely classical. It is in the Key of C with broken triads and is in Rounded Binary form. The B theme is minor but still happy and energetic. The complete song is Intro-AABBAA-Coda. There is no pedal part except a drone in the Coda. 1 page, 1 minute Each of these three pieces may also be purchased separately on this site.
$6.99
Music Box Minuet- organ solo
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Organ
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BEGINNER
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Classical
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Phil Beaman
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Music Box Minuet- organ solo
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Phil Beaman
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SheetMusicPlus
Organ - Level 1 - Digital Download SKU: A0.1133927 Composed by Phil Beaman. Classical. Score. 1 pages. Phil Beaman #734052. Published by Phil Beaman (A0....
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Organ - Level 1 - Digital Download SKU: A0.1133927 Composed by Phil Beaman. Classical. Score. 1 pages. Phil Beaman #734052. Published by Phil Beaman (A0.1133927). Music Box Minuet is a delightful Organ Solo for manuals/hands (no pedal part). It is in the Key of C and both hands are in the Treble Clef. The RH has the melody of mostly quarter notes (crotchets) played on a Flute stop. The LH has mostly 2 note chords, one chord per bar, played on Strings. It is in traditional Rounded Binary Form, with the A Theme in 4/4 and the B Theme in 3/4. Each Theme is repeated. In other words, this is a very accessible piece for any organist; perfect for your organ offertory repertoire that can be pulled out at the last minute, but charming enough for concert or recital. 1 page, 1 minute This piece is also in the booklet 3 Pieces for Beginning Organist which contains a prelude, offertory, and postlude; also available on this site.
$2.99
Fantasia And Chorale In E
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Organ
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INTERMEDIATE/ADVANCED
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Thomas R
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Fantasia And Chorale In E
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.912466 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 16 pages. Thomas R. S...
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Organ - Level 4 - Digital Download SKU: A0.912466 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 16 pages. Thomas R. Schadl #1910845. Published by Thomas R. Schadl (A0.912466). Written in E, the work consist of two themes that have hymn-like and chorale qualities interspersed with lighthearted passages that depict the strength and weakness of human nature. The first theme resembles a melody of the ancient church; the melody has a mystical quality depicting God's majesty. The transition is light in content as it gives a listener a break from the serious mood of the first theme. The second theme is a chorale and is chordal in texture; it resembles a church hymn sung in many churches. Moreover, the second theme is written in B Flat Major, depicting one's praising God in spirit; the general mood is quiet. Following that section is the transition that gradually builds up excitement before the restatement of the first theme. The second theme is restated in E Major, but its longer note values are placed over the repeated bass and chordal patterns, a style that many composers use in their works, including Igor Stravinsky's L'Histoire Du Soldat. Once again, the lighthearted transitional passage recurs before the chimes start to strike four times. Following the chimes, the chorale is stated in E Major and begins quietly and builds up power as the work nears its ending; the chorale, unlike its first statement depicts the singing of praise with joy. This piece may be performed in concert halls and churches; it could give people fond memories of recitalists who enjoy bringing excitement to the public.
$10.99
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Organ
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Classical
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima -
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Guido Menestrina
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SheetMusicPlus
Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Publis...
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Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
$3.99
Jan Zach - Fugue in C Minor
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Organ
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Classical
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early 1745 he was living in Au
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published ...
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Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
Prelude on Lyons ('O Worship the King')
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Organ
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EASY
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Sacred music
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John Burkett
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John Burkett
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Prelude on Lyons
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John Burkett
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SheetMusicPlus
Organ - Level 2 - Digital Download SKU: A0.1350882 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 5 pages. John Burkett #93...
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Organ - Level 2 - Digital Download SKU: A0.1350882 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 5 pages. John Burkett #934160. Published by John Burkett (A0.1350882). My arrangement of the hymn tune Lyons (O Worship the King) is a relatively simple setting that requires only a two-manual organ and modest playing ability. Like the original tune, this setting is cast in 3-part, or ABA, form. The first, second, and fourth phrases of the tune are notated in elongated note values to allow for a more rhythmically active accompaniment. The third phrase, notated in the original quarter-note values, is elaborated upon, thus bringing the middle B-secion into better balance with the outer two A-sections. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$8.00
Psalm Prelude Miniature #1, Out of the Deep, for Organ
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Organ
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INTERMEDIATE
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Sacred music
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Nigel Williams
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Psalm Prelude Miniature #1, Ou
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Nigel Williams
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.763737 Composed by Nigel Williams. Contemporary,Easter,Lent,Sacred. Score. 2 pages. Nigel Williams #6431035. P...
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Organ - Level 3 - Digital Download SKU: A0.763737 Composed by Nigel Williams. Contemporary,Easter,Lent,Sacred. Score. 2 pages. Nigel Williams #6431035. Published by Nigel Williams (A0.763737). Based on the opening verse of psalm 130, and freely composed using a 12 note scale, and brilliantly performed here by Carson Cooman. To help understand the structure of the piece, the 12 note row is seen in the first three measures and you can see how that pattern works throughout the piece. The angular melodic material combined with the dramatic cluster chords paints a vivid picture of 'the Deep'. While this music would sound well on a larger instrument, this music can easily be performed on a two manual organ with pedals. If you are also interested in my organ arrangements you may enjoy browsing my many hymn arrangements for organ on the Lorenz website as well as my trumpet and organ arrangements on SMP.
$4.99
Toccata & Fugue for Organ
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Organ
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Christian contemporary
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Sacred music
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Aris Antoniades
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Toccata & Fugue for Organ
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Aris Antoniades
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SheetMusicPlus
Organ - Digital Download SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris An...
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Organ - Digital Download SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris Antoniades (A0.942949). Toccata & Fugue for Organ (2018)Composed by Aris AntoniadesRunning time: approx. 7' 50'' Writing for Organ always seemed like a very distant dream for me. Born and raised in Cyprus, an isolated Mediterranean island-state in Europe where the religious musical tradition (Greek Orthodox Christianity) relies solely on voices (no instruments used during services), I never had access to an Organ. In fact, to the best of my knowledge, there’s not a single Organ in my entire country. The first time I ever saw one was during my college years in New York – and it was love at first sight! I was fascinated by its sound capabilities, its mechanism, and the sheer skill required to play it. You can, therefore, understand how thrilled I am to have had the opportunity to write for this great instrument. I would like to sincerely thank Shannon Murphy and Austin Philemon for believing in my work, and for commissioning this piece. Both the Toccata and the Fugue are based on the same (but altered) motivic materials. The Toccata is a piece that was inspired by the idea that life is a continuous marathon, represented by the ‘mechanical’ sixteenth-note ostinato figure which never stops – despite the contrapuntal obstacles that are thrown within its path. The motive, however, does transform and adapt along the way, in order to make the best of the situation. The Fugue, on the other hand, represents the cerebral aspect of life: the concept of choices. The ostinato motive of the Toccata has now morphed into the subject of the Fugue, which will be attacked by some violent chromatic enemies. Estimated running time: ca. 8 minutesAbout the PDFs:Score size: 14 PagesContact the composer: https://www.arisantoniades.com or aris.antoniades@gmail.com
$13.00
Third Sonata for Organ
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Organ
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Gerald Near
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Third Sonata for Organ
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Moderately Difficult - Digital Download SKU: MQ.10-038-E Composed by Gerald Near. Organ Dedication. 24 pages. MorningStar Music Publishers - Digi...
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Organ - Moderately Difficult - Digital Download SKU: MQ.10-038-E Composed by Gerald Near. Organ Dedication. 24 pages. MorningStar Music Publishers - Digital Sheet Music #10-038-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-038-E). The Third Sonata by composer Gerald Near displays the masterful compositional skills that has come to be expected from this noted composer. The Sonata begins in a buoyant 6/8 with open harmonies and a prominent pedal line. The Adagio that follows in the second movement is beautifully expressive and is followed by a fiery third movement that culminates with a flourish in the pedal. A wonderful recital piece.
$16.00
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